Nuno Bettencourt, one of the most celebrated guitarists in rock, left the Azores for Massachusetts at four years. The Extreme founder sits with Tony Gonçalves to revisit a journey that took him from his brother’s verdict “you’ll never amount to anything in music” to global stages, a Grammy, and the obsession with craft that still keeps him writing songs in hotel rooms while the tour bus rolls on.

The conversation with Nuno Bettencourt cuts through romantic illusions: for Nuno, the “music business” is a machine that tests the purity of any artist. He dissects the awkwardness of winning a Grammy for “Changes”, the Black Sabbath track YUNGLBUD covered, the pressure to replicate hits like “More Than Words”, and the quiet unhappiness he witnessed in some of the biggest names backstage at huge music festivals around the world.

What anchors this conversation, however, is the Portuguese upbringing that shaped him. He recalls his mother feeding breakfast to seven strangers who had been waiting outside the family home, and the rule that whoever walked through the door sat down to eat, even when there was barely enough. Even when Nuno is loud and disruptive, he speaks not from a place of privilege, but from a place of knowledge.