In this episode of "The Heart and Hustle of Portugal," host Tony Goncalves converses with Pepe Rapazote, a Portuguese-born actor known for roles in "Narcos" and "Turn of the Tide." They discuss Pepe's journey from architecture to acting, his multicultural upbringing in Venezuela, and the importance of work ethic and family values. Pepe shares insights into his creative process, the challenges of balancing career and family, and his hopes for the future of Portugal's entertainment industry. The episode, recorded in Lisbon's Expresso studios, highlights Pepe's dedication to his craft and his passion for Portuguese culture.

In this episode of "The Heart and Hustle of Portugal," host Tony Goncalves converses with Pepe Rapazote, a Portuguese-born actor known for roles in "Narcos" and "Turn of the Tide." They discuss Pepe's journey from architecture to acting, his multicultural upbringing in Venezuela, and the importance of work ethic and family values. Pepe shares insights into his creative process, the challenges of balancing career and family, and his hopes for the future of Portugal's entertainment industry. The episode, recorded in Lisbon's Expresso studios, highlights Pepe's dedication to his craft and his passion for Portuguese culture.

Each week, join Tony Gonçalves—a U.S.-based Portuguese immigrant and successful media executive—as he explores the stories of those driving Portugal’s influence on the global stage. From visionary entrepreneurs to cultural pioneers, The Heart and Hustle of Portugal uncovers the unique ways the Portuguese identity thrives worldwide. As Expresso’s first English-language product, this series bridges cultures and connects the global audience to Portugal’s spirit of innovation, passion, and resilience.

Each week, join Tony Gonçalves—a U.S.-based Portuguese immigrant and successful media executive—as he explores the stories of those driving Portugal’s influence on the global stage. From visionary entrepreneurs to cultural pioneers, The Heart and Hustle of Portugal uncovers the unique ways the Portuguese identity thrives worldwide. As Expresso’s first English-language product, this series bridges cultures and connects the global audience to Portugal’s spirit of innovation, passion, and resilience.

Tony Gonçalves—a U.S.-based Portuguese immigrant and successful media executive— explores the stories of those driving Portugal’s influence on the global stage

The Heart & Hustle of Portugal

The Heart and Hustle of Portugal

Transition from architecture to acting and the journey involved: portuguese actor Pepe Rapazote

Narcos star Pepe Rapazote and his philosophy of “swallowing life in big chunks”

Born in Rotterdam to immigrant parents, shaped by the Cape Verdean culture and global Black music, Nelson Freitas has a career forged through self‑reliance and constant hustle. He helped define ghetto zouk by merging zouk melodies with hip‑hop and R&B sensibilities, built his own label when no one believed in the sound, and learned the industry through failure as much as success. For him, artistry has always meant total involvement: sound, image, business, and the long grind of touring.

Now living in Portugal, Freitas says “Legacy” closes a chapter, not out of exhaustion, but clarity. Albums demand an emotional investment he no longer sees reflected in how music is consumed, increasingly reduced to singles and algorithms. He plans to keep creating and touring, but on his own terms. What endures, he suggests, is not the format, but the credibility earned by staying authentic and by carrying more than one world at once.

Born in Rotterdam to immigrant parents, shaped by the Cape Verdean culture and global Black music, Nelson Freitas has a career forged through self‑reliance and constant hustle. He helped define ghetto zouk by merging zouk melodies with hip‑hop and R&amp;B sensibilities, built his own label when no one believed in the sound, and learned the industry through failure as much as success. For him, artistry has always meant total involvement: sound, image, business, and the long grind of touring.
Now living in Portugal, Freitas says &ldquo;Legacy&rdquo; closes a chapter, not out of exhaustion, but clarity. Albums demand an emotional investment he no longer sees reflected in how music is consumed, increasingly reduced to singles and algorithms. He plans to keep creating and touring, but on his own terms. What endures, he suggests, is not the format, but the credibility earned by staying authentic and by carrying more than one world at once.

Nelson Freitas speaks like someone still in motion. In a wide‑ranging conversation with Tony Gonçalves, the Dutch-born artist looks back on 25 years of music built without shortcuts, from selling records out of car trunks to filling dance floors across the Lusophone world and announcing “Legacy”, which he calls his final album.

Nelson Freitas sold millions of records and created a new sound. Now he’s retiring on a high note

At the center of the conversation with Serena Kaos is fear. Not as a dramatic concept, but as a daily operating condition. The artist describes growing up as “the weird kid,” a creative outsider shaped as much by insecurity as by imagination, and how the search for belonging became a source of anxiety that followed her into adulthood. The decision she made at twelve, to be happy, endures not as naïveté but as a stubbornideal, complicated by the realization that happiness does not inoculate against discomfort.

After “The Voice”, Serena flew to London and started busking. Independence, meanwhile, carries no safety net: releasing music alone requires creative control paid for in exhaustion and burnout. What emerges is a portrait of an artist who understands that happiness is not an arrival point but a practice, sustained in motion between fear and resolve, solitude and contact, the street and the song.

At the center of the conversation with Serena Kaos is fear. Not as a dramatic concept, but as a daily operating condition. The artist describes growing up as &ldquo;the weird kid,&rdquo; a creative outsider shaped as much by insecurity as by imagination, and how the search for belonging became a source of anxiety that followed her into adulthood. The decision she made at twelve, to be happy, endures not as na&iuml;vet&eacute; but as a stubbornideal, complicated by the realization that happiness does not inoculate against discomfort.
After &ldquo;The Voice&rdquo;, Serena flew to London and started busking. Independence, meanwhile, carries no safety net: releasing music alone requires creative control paid for in exhaustion and burnout. What emerges is a portrait of an artist who understands that happiness is not an arrival point but a practice, sustained in motion between fear and resolve, solitude and contact, the street and the song.

Serena Kaos is a Portuguese singer‑songwriter who first caught public attention with a four‑chair turn on “The Voice Portugal” before choosing a harder, quieter route. She moved to London on impulse and began building her career from the street up as an independent busker. With a second album just released, she speaks candidly with Tony Gonçalves about fear, work, and the cost of artistic freedom.

Serena Kaos turned chairs on “The Voice Portugal” then turned heads on the streets of London

Born in Lisbon’s Graça neighbourhood, Ângelo Freire grew up in fado houses, absorbing the language of the genre long before he began to articulate his own. He sang from the age of seven, picked up the Portuguese guitar shortly after, and by eleven was already performing on national television. Playing alongside figures such as Carlos do Carmo, Mariza, Ana Moura or Carminho required restraint as much as skill, while learning how to listen, react and support.

Only recently has Freire stepped forward with a self‑titled album, motivated less by self‑assertion than by concern for the future of the language of fado. With a repertoire still heavily dependent on centuries‑old melodic structures, he argues that fado risks repetition if new music is not written within its grammar. His compositions aim to extend the tradition without altering its matrix, offering new melodies that can be inhabited, reused and transformed by others. But it is on his guitar, that is always by his side, that Ângelo Freire’s voice (and soul) truly shines, as he demonstrates playing live for this podcast.

Born in Lisbon&rsquo;s Gra&ccedil;a neighbourhood, &Acirc;ngelo Freire grew up in fado houses, absorbing the language of the genre long before he began to articulate his own. He sang from the age of seven, picked up the Portuguese guitar shortly after, and by eleven was already performing on national television. Playing alongside figures such as Carlos do Carmo, Mariza, Ana Moura or Carminho required restraint as much as skill, while learning how to listen, react and support.
Only recently has Freire stepped forward with a self‑titled album, motivated less by self‑assertion than by concern for the future of the language of fado. With a repertoire still heavily dependent on centuries‑old melodic structures, he argues that fado risks repetition if new music is not written within its grammar. His compositions aim to extend the tradition without altering its matrix, offering new melodies that can be inhabited, reused and transformed by others. But it is on his guitar, that is always by his side, that &Acirc;ngelo Freire&rsquo;s voice (and soul) truly shines, as he demonstrates playing live for this podcast.

Angelo Freire has spent most of his life slightly out of view, shaping the sound of contemporary fado from the place where it is built rather than displayed. A prodigy of the Portuguese guitar, he has accompanied some of the most decisive voices of the genre and, in doing so, helped carry a tradition that is both rigorously codified and quietly alive. Listen to him and his portuguese guitar on The Heart & Hustle of Portugal

Narcos star Pepe Rapazote and his philosophy of “swallowing life in big chunks”

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