So far in this season of the Academy Museum Podcast we've heard a lot about casting a lead or finding the right star for a project. What goes into piecing together a group with incredible chemistry? Everything Everywhere All At Once was originally written for Jackie Chan and Awkwafina, but it’s now impossible to imagine without Michelle Yeoh and Stephanie Hsu. In this season finale, we hear from the film’s casting director Sarah Finn who breaks down the art of casting an ensemble.

Guests: Sarah Finn, casting director

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

So far in this season of the Academy Museum Podcast we've heard a lot about casting a lead or finding the right star for a project. What goes into piecing together a group with incredible chemistry? Everything Everywhere All At Once was originally written for Jackie Chan and Awkwafina, but it’s now impossible to imagine without Michelle Yeoh and Stephanie Hsu. In this season finale, we hear from the film’s casting director Sarah Finn who breaks down the art of casting an ensemble.
Guests: Sarah Finn, casting director
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Casting an Ensemble: Everyone in 'Everything Everywhere All At Once'

How do you cast an iconic character like Batman for the screen, especially for the third or fourth or tenth time?

Guests: Lora Kennedy, casting director; John Papsidera, casting director

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

How do you cast an iconic character like Batman for the screen, especially for the third or fourth or tenth time?
Guests: Lora Kennedy, casting director; John Papsidera, casting director
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Casting Batman

The casting of Robin Williams as The Genie in Aladdin (1992) is often talked about as a turning point — when animated films began to focus on casting big-name actors. But is that true? This episode looks at the history of casting for animation.  What’s the role of a casting director for finding the right voices? And how is it different from casting for live action?

Guests: Eric Goldberg, animator, director and voice actor; Mary Hidalgo, casting director

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

The casting of Robin Williams as The Genie in Aladdin (1992) is often talked about as a turning point — when animated films began to focus on casting big-name actors. But is that true? This episode looks at the history of casting for animation.  What’s the role of a casting director for finding the right voices? And how is it different from casting for live action?
Guests: Eric Goldberg, animator, director and voice actor; Mary Hidalgo, casting director
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Casting in Animation: Can't Put the Genie Back in the Bottle

What does it mean when an actor is cast to play a person from a marginalized group that in real life they’re not a part of? This episode delves into the casting process and legacy of a groundbreaking film exploring the complexities of gender and sexual identities.

Guests: Dara Jaffe, Associate Curator at the Academy Museum; Kimberly Peirce, writer-director-producer; Kerry Barden, casting director

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

What does it mean when an actor is cast to play a person from a marginalized group that in real life they’re not a part of? This episode delves into the casting process and legacy of a groundbreaking film exploring the complexities of gender and sexual identities.
Guests: Dara Jaffe, Associate Curator at the Academy Museum; Kimberly Peirce, writer-director-producer; Kerry Barden, casting director
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

CW: Sensitive Subject Matter. Listener Discretion Advised.

Casting 'Boys Don't Cry'

A look at contemporary typecasting, and the potential audience backlash to an actor taking on a new kind of role, through the lens of Jane Campion’s 2003 erotic thriller In the Cut, starring rom-com queen Meg Ryan.

Guests: David Rubin, casting director and former Academy President; Laurie Parker, film producer

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

A look at contemporary typecasting, and the potential audience backlash to an actor taking on a new kind of role, through the lens of Jane Campion’s 2003 erotic thriller In the Cut, starring rom-com queen Meg Ryan.
Guests: David Rubin, casting director and former Academy President; Laurie Parker, film producer
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

'In the Cut': Casting Against Type

From this point forward in the season, we are going to talk about different practices in modern day casting, starting with casting “unknowns” and the 2001 John Singleton film Baby Boy. 

Guests: Kim Taylor-Coleman, casting director; Kimberly Hardin, casting director

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

From this point forward in the season, we are going to talk about different practices in modern day casting, starting with casting “unknowns” and the 2001 John Singleton film Baby Boy.  Guests: Kim Taylor-Coleman, casting director; Kimberly Hardin, casting director
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Casting Unknowns: 'Baby Boy'

A conversation with Reuben Cannon, the first Black casting director. How he got his start in casting, brought now-iconic talents to the screen, broke boundaries in the industry, and why he ultimately decided to shift into producing.

Guests: Kim Taylor-Coleman, casting director; Reuben Cannon, casting director and producer.

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

A conversation with Reuben Cannon, the first Black casting director. How he got his start in casting, brought now-iconic talents to the screen, broke boundaries in the industry, and why he ultimately decided to shift into producing.
Guests: Kim Taylor-Coleman, casting director; Reuben Cannon, casting director and producer.
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Breaking Boundaries in the ‘70s: Reuben Cannon

How the fall of the studio system led to the creation of the role of casting director as we know it today, and how Lynn Stalmaster and Marion Dougherty defined the profession.

Guests: Dara Jaffe, Associate Curator at the Academy Museum; casting directors Kim Taylor-Coleman, former Academy President David Rubin, and Lora Kennedy.

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

How the fall of the studio system led to the creation of the role of casting director as we know it today, and how Lynn Stalmaster and Marion Dougherty defined the profession.
Guests: Dara Jaffe, Associate Curator at the Academy Museum; casting directors Kim Taylor-Coleman, former Academy President David Rubin, and Lora Kennedy.
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Innovators in New Hollywood: Marion Dougherty and Lynn Stalmaster

How the first African American movie star created roles for himself in some of the earliest Black-produced films made for Black audiences. But he rose to mainstream notoriety playing characters of nearly every race but his own. 

Guests: Dara Jaffe, Associate Curator at the Academy Museum; Cara Caddoo, Associate Professor, Department of History and Media School, Indiana University Bloomington.

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

How the first African American movie star created roles for himself in some of the earliest Black-produced films made for Black audiences. But he rose to mainstream notoriety playing characters of nearly every race but his own. 
Guests: Dara Jaffe, Associate Curator at the Academy Museum; Cara Caddoo, Associate Professor, Department of History and Media School, Indiana University Bloomington.
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Typecasting and the Studio System: The Case of Noble Johnson

We're starting in the year 1940 with the Alfred Hitchcock film, Rebecca. We’ll dive into Rebecca’s casting history, and how life on set for its lead actress imitated art.



Guests: Dara Jaffe, Associate Curator at the Academy Museum; Patricia White, Professor of Film and Media Studies and Coordinator of Gender and Sexuality Studies at Swarthmore College

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. 

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

We're starting in the year 1940 with the Alfred Hitchcock film, Rebecca. We’ll dive into Rebecca’s casting history, and how life on set for its lead actress imitated art. 
Guests: Dara Jaffe, Associate Curator at the Academy Museum; Patricia White, Professor of Film and Media Studies and Coordinator of Gender and Sexuality Studies at Swarthmore College
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. 
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

The Casting of 'Rebecca': Vivien Leigh vs. Joan Fontaine

The Academy Museum of Motion Pictures and LAist Studios present a new multi-season audio series that examines the myriad of stories of our cinematic history. Jacqueline Stewart, Chief Artistic and Programming Officer of the Academy Museum of Motion Pictures and a MacArthur Fellow, hosts the series. 

The Academy Awards have been a source of iconic moments and cultural impact since the award ceremony began in 1929. The awards often reflect and amplify the political, economic, and the cultural movements of the time, and that’s what season 1 of this podcast (“And the Oscar Goes To...”) is all about. 

“And The Oscar Goes To…," premieres on Friday, March 25. This 10-episode season goes behind the scenes of touchstone years of the Academy AwardsⓇ, probing key social and cultural moments that have come to define the film industry and the broader artistic community. Biweekly episodes include revelatory interviews and in-depth conversations with Oscar winners, film artists, industry leaders, activists, and scholars, as well as archival audio and other exclusive content that will only be accessible through the podcast.

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.*

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.*

The Academy Museum of Motion Pictures and LAist Studios present a new multi-season audio series that examines the myriad of stories of our cinematic history. Jacqueline Stewart, Chief Artistic and Programming Officer of the Academy Museum of Motion Pictures and a MacArthur Fellow, hosts the series.&nbsp;
The Academy Awards have been a source of iconic moments and cultural impact since the award ceremony began in 1929. The awards often reflect and amplify the political, economic, and the cultural movements of the time, and that&rsquo;s what season 1 of this podcast (&ldquo;And the Oscar Goes To...&rdquo;) is all about.&nbsp;
&ldquo;And The Oscar Goes To&hellip;,"&nbsp;premieres on Friday, March 25. This 10-episode season goes behind the scenes of touchstone years of the Academy AwardsⓇ, probing key social and cultural moments that have come to define the film industry and the broader artistic community. Biweekly episodes include revelatory interviews and in-depth conversations with Oscar winners, film artists, industry leaders, activists, and scholars, as well as archival audio and other exclusive content that will only be accessible through the podcast.
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.*
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.*

The Academy Museum Podcast

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