A look at contemporary typecasting, and the potential audience backlash to an actor taking on a new kind of role, through the lens of Jane Campion’s 2003 erotic thriller In the Cut, starring rom-com queen Meg Ryan.

Guests: David Rubin, casting director and former Academy President; Laurie Parker, film producer

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

A look at contemporary typecasting, and the potential audience backlash to an actor taking on a new kind of role, through the lens of Jane Campion’s 2003 erotic thriller In the Cut, starring rom-com queen Meg Ryan.
Guests: David Rubin, casting director and former Academy President; Laurie Parker, film producer
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

The Academy Museum of Motion Pictures and LAist Studios present a new multi-season audio series that examines the myriad of stories of our cinematic history. Jacqueline Stewart, Chief Artistic and Programming Officer of the Academy Museum of Motion Pictures and a MacArthur Fellow, hosts the series. 

The Academy Awards have been a source of iconic moments and cultural impact since the award ceremony began in 1929. The awards often reflect and amplify the political, economic, and the cultural movements of the time, and that’s what season 1 of this podcast (“And the Oscar Goes To...”) is all about. 

“And The Oscar Goes To…," premieres on Friday, March 25. This 10-episode season goes behind the scenes of touchstone years of the Academy AwardsⓇ, probing key social and cultural moments that have come to define the film industry and the broader artistic community. Biweekly episodes include revelatory interviews and in-depth conversations with Oscar winners, film artists, industry leaders, activists, and scholars, as well as archival audio and other exclusive content that will only be accessible through the podcast.

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.*

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.*

The Academy Museum of Motion Pictures and LAist Studios present a new multi-season audio series that examines the myriad of stories of our cinematic history. Jacqueline Stewart, Chief Artistic and Programming Officer of the Academy Museum of Motion Pictures and a MacArthur Fellow, hosts the series.&nbsp;
The Academy Awards have been a source of iconic moments and cultural impact since the award ceremony began in 1929. The awards often reflect and amplify the political, economic, and the cultural movements of the time, and that&rsquo;s what season 1 of this podcast (&ldquo;And the Oscar Goes To...&rdquo;) is all about.&nbsp;
&ldquo;And The Oscar Goes To&hellip;,"&nbsp;premieres on Friday, March 25. This 10-episode season goes behind the scenes of touchstone years of the Academy AwardsⓇ, probing key social and cultural moments that have come to define the film industry and the broader artistic community. Biweekly episodes include revelatory interviews and in-depth conversations with Oscar winners, film artists, industry leaders, activists, and scholars, as well as archival audio and other exclusive content that will only be accessible through the podcast.
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.*
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.*

The Academy Museum Podcast

The Academy Museum of Motion Pictures and LAist Studios present a new multi-season audio series that examines the myriad of stories of our cinematic history. Jacqueline Stewart, Chief Artistic and Programming Officer of the Academy Museum of Motion Pictures and a MacArthur Fellow, will host the series. 

The Academy Awards have been a source of iconic moments and cultural impact since the award ceremony began in 1928. The awards often reflect and amplify the political, economic, and the cultural movements of the time, and that’s what season 1 of this podcast (“And the Oscar Goes To”) will be all about. 

“And The Oscar Goes To…” , premieres on Friday, March 25. This 10-episode season goes behind the scenes of touchstone years of the Academy AwardsⓇ, probing key social and cultural moments that have come to define the film industry and the broader artistic community. Biweekly episodes include revelatory interviews and in-depth conversations with Oscar winners, film artists, industry leaders, activists, and scholars, as well as archival audio and other exclusive content that will only be accessible through the podcast.

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.*

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.*

The Academy Museum of Motion Pictures and LAist Studios present a new multi-season audio series that examines the myriad of stories of our cinematic history. Jacqueline Stewart, Chief Artistic and Programming Officer of the Academy Museum of Motion Pictures and a MacArthur Fellow, will host the series.&nbsp;
The Academy Awards have been a source of iconic moments and cultural impact since the award ceremony began in 1928. The awards often reflect and amplify the political, economic, and the cultural movements of the time, and that&rsquo;s what season 1 of this podcast (&ldquo;And the Oscar Goes To&rdquo;) will be all about.&nbsp;
&ldquo;And The Oscar Goes To&hellip;&rdquo; , premieres on Friday, March 25. This 10-episode season goes behind the scenes of touchstone years of the Academy AwardsⓇ, probing key social and cultural moments that have come to define the film industry and the broader artistic community. Biweekly episodes include revelatory interviews and in-depth conversations with Oscar winners, film artists, industry leaders, activists, and scholars, as well as archival audio and other exclusive content that will only be accessible through the podcast.
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.*
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.*

The Academy Museum Podcast (App)

'In the Cut': Casting Against Type

So far in this season of the Academy Museum Podcast we've heard a lot about casting a lead or finding the right star for a project. What goes into piecing together a group with incredible chemistry? Everything Everywhere All At Once was originally written for Jackie Chan and Awkwafina, but it’s now impossible to imagine without Michelle Yeoh and Stephanie Hsu. In this season finale, we hear from the film’s casting director Sarah Finn who breaks down the art of casting an ensemble.

Guests: Sarah Finn, casting director

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

So far in this season of the Academy Museum Podcast we've heard a lot about casting a lead or finding the right star for a project. What goes into piecing together a group with incredible chemistry? Everything Everywhere All At Once was originally written for Jackie Chan and Awkwafina, but it’s now impossible to imagine without Michelle Yeoh and Stephanie Hsu. In this season finale, we hear from the film’s casting director Sarah Finn who breaks down the art of casting an ensemble.
Guests: Sarah Finn, casting director
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Casting an Ensemble: Everyone in 'Everything Everywhere All At Once'

How do you cast an iconic character like Batman for the screen, especially for the third or fourth or tenth time?

Guests: Lora Kennedy, casting director; John Papsidera, casting director

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

How do you cast an iconic character like Batman for the screen, especially for the third or fourth or tenth time?
Guests: Lora Kennedy, casting director; John Papsidera, casting director
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Casting Batman

The casting of Robin Williams as The Genie in Aladdin (1992) is often talked about as a turning point — when animated films began to focus on casting big-name actors. But is that true? This episode looks at the history of casting for animation.  What’s the role of a casting director for finding the right voices? And how is it different from casting for live action?

Guests: Eric Goldberg, animator, director and voice actor; Mary Hidalgo, casting director

Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

The casting of Robin Williams as The Genie in Aladdin (1992) is often talked about as a turning point — when animated films began to focus on casting big-name actors. But is that true? This episode looks at the history of casting for animation.  What’s the role of a casting director for finding the right voices? And how is it different from casting for live action?
Guests: Eric Goldberg, animator, director and voice actor; Mary Hidalgo, casting director
Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies.
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.
This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

'In the Cut': Casting Against Type

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