Election Year 2024 is upon us. And it promises to be a bit of a mess. But where did all this mess come from? In a 4-episode mini-series drawing from our own archive, Jill Lepore and Ben Naddaff-Hafrey investigate, situate, and contextualize our present moment in the history that brought us here. This series contains episodes from our original seasons alongside new material. Coming next week.

Election Year 2024 is upon us. And it promises to be a bit of a mess. But where did all this mess come from? In a 4-episode mini-series drawing from our own archive, Jill Lepore and Ben Naddaff-Hafrey investigate, situate, and contextualize our present moment in the history that brought us here. This series contains episodes from our original seasons alongside new material. Coming next week.

The Last Archive​ is a show about the history of truth, and the historical context for our current fake news, post-truth moment. It’s a show about how we know what we know, and why it seems, these days, as if we don’t know anything at all anymore. The show is written & hosted by Ben Naddaff-Hafrey, and was created by the historian Jill Lepore. iHeartMedia is the exclusive podcast partner of Pushkin Industries.

The Last Archive​ is a show about the history of truth, and the historical context for our current fake news, post-truth moment. It’s a show about how we know what we know, and why it seems, these days, as if we don’t know anything at all anymore. The show is written &amp; hosted by Ben Naddaff-Hafrey, and was created by the historian Jill Lepore. iHeartMedia is the exclusive podcast partner of Pushkin Industries.

A podcast about the history of evidence written and hosted by New Yorker writer, author, and celebrated historian Jill Lepore

The Last Archive

The Returns: An Election Mini-Series from The Last Archive

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/0bf83b5a-bebd-4b33-91ee-b10f0168982b/transcript

This episode features an essay from Jill Lepore’s ‘The Deadline.’

Why are there so many stories about the end of the world these days? Jill’s essay “No, We Cannot,” elaborates a political theory of dystopian fiction. And then, after the essay, Jill and Ben talk about the use and misuse of the genre.

This episode features an essay from Jill Lepore’s ‘The Deadline.’
Why are there so many stories about the end of the world these days? Jill’s essay “No, We Cannot,” elaborates a political theory of dystopian fiction. And then, after the essay, Jill and Ben talk about the use and misuse of the genre.

No, We Cannot - ‘The Deadline’

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/f971b73b-af25-4ef4-a96c-b13e0156c533/transcript

This episode features an essay from Jill Lepore’s ‘The Deadline.’

Today on the show, Jill and Ben travel back in time to the disrupt-or-die 2010s to revisit Jill’s essay about the gospel of disruption. And afterwards, they talk about the consequences and challenges taking on controversial subjects, Ben’s time as a media disruptor, and Jill’s time as a temp worker.

This episode features an essay from Jill Lepore’s ‘The Deadline.’
Today on the show, Jill and Ben travel back in time to the disrupt-or-die 2010s to revisit Jill’s essay about the gospel of disruption. And afterwards, they talk about the consequences and challenges taking on controversial subjects, Ben’s time as a media disruptor, and Jill’s time as a temp worker.

The Disruption Machine - ‘The Deadline’

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/7354a40a-3431-4e8b-9df7-b13e01426f4e/transcript

This episode features an essay from Jill Lepore’s ‘The Deadline.’

Why do we insist on misreading ‘Frankenstein?’ Hardly a day goes by without someone comparing some new technology to Frankenstein’s monster. But there’s a much richer set of lessons to draw from Mary Shelley’s book.

Today on the show, Jill reads her essay “It’s Still Alive.” And then afterwards, Jill and Ben talk about the meaning of the story, the biography of its author, and how what you read shapes who you are.

This episode features an essay from Jill Lepore’s ‘The Deadline.’
Why do we insist on misreading ‘Frankenstein?’ Hardly a day goes by without someone comparing some new technology to Frankenstein’s monster. But there’s a much richer set of lessons to draw from Mary Shelley’s book.
Today on the show, Jill reads her essay “It’s Still Alive.” And then afterwards, Jill and Ben talk about the meaning of the story, the biography of its author, and how what you read shapes who you are.

It’s Still Alive - ‘The Deadline’

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/043724bc-1b8f-4e3e-98ef-b13e012e88b5/transcript

The Returns: An Election Mini-Series from The Last Archive

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