This week on The ABR Podcast, Michael Winkler reviews Chinese Postman by Brian Castro. ‘Reading Castro for plot is like listening to Bob Dylan for melody,’ says Winkler of the prize-winning author of eleven novels. Michael Winkler was the winner of the 2016 Calibre Essay Prize and is the author of Grimmish. Listen to Michael Winkler’s ‘Giving up mirrors: Brian Castro’s soaring stridulation’, published in the October issue of ABR.

This week on The ABR Podcast, Michael Winkler reviews Chinese Postman by Brian Castro. ‘Reading Castro for plot is like listening to Bob Dylan for melody,’ says Winkler of the prize-winning author of eleven novels. Michael Winkler was the winner of the 2016 Calibre Essay Prize and is the author of Grimmish. Listen to Michael Winkler’s ‘Giving up mirrors: Brian Castro’s soaring stridulation’, <a href="https://www.australianbookreview.com.au/abr-online/current-issue/1007-october-2024-no-469/13134-michael-winkler-reviews-chinese-postman-by-brian-castro">published in the October issue of ABR</a>.

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

For more information about ABR, visit our website, www.australianbookreview.com.au

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.
For more information about&nbsp;ABR, visit our website, <a href="http://www.australianbookreview.com.au">www.australianbookreview.com.au</a>

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

The ABR Podcast

ABR is delighted to introduce its brand-new podcast, The ABR Podcast.

Released fortnightly every Wednesday, The ABR Podcast will feature a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on the iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

ABR&nbsp;is delighted to introduce its brand-new podcast,&nbsp;The ABR Podcast.
Released fortnightly every Wednesday,&nbsp;The ABR Podcast&nbsp;will feature a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on the iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

‘Giving up mirrors: Brian Castro’s soaring stridulation’ by Michael Winkler

This week on The ABR Podcast, we feature Marjon Mossammaparast’s essay, titled ‘When people ask me about the “situation” in Iran’. She traces the complicated relationship of diasporic Iranians to their vatan, ‘primarily the site of belonging and memory, akin to Country’. Listening to the scattered voices of her vatan – ‘political exiles, religious refugees, the imprisoned and the smuggled, emigrants, lapsed believers, patriots, atheists, the new generation’ – drifting through various communication apps, Mossammaparast captures what it means when people ask her about the ‘situation’ in Iran. 

Marjon Mossammaparast’s latest volume of poetry And to Ecstasy, published by Upswell in 2022, was shortlisted for the Kenneth Slessor Poetry Award in 2023. Her début collection, That Sight (Cordite, 2018), won the 2019 Mary Gilmore Award and was shortlisted for the Judith Wright Calanthe Award. Mossammaparast was born in Abadan, Iran, in the year of the Islamic Revolution. Here is Marjon Mossammaparast with ‘When people ask me about the “situation” in Iran: Locating ourselves and each other through the voices of the vatan’, published in the June issue of ABR. 

This week on&nbsp;The ABR Podcast, we feature Marjon&nbsp;Mossammaparast&rsquo;s&nbsp;essay, titled &lsquo;When people ask me about the &ldquo;situation&rdquo; in Iran&rsquo;.&nbsp;She traces the complicated relationship of diasporic Iranians to their&nbsp;vatan,&nbsp;&lsquo;primarily the site of belonging and memory, akin to Country&rsquo;.&nbsp;Listening to the scattered voices of her&nbsp;vatan&nbsp;&ndash; &lsquo;political exiles, religious refugees, the imprisoned and the smuggled, emigrants, lapsed believers, patriots, atheists, the new generation&rsquo; &ndash; drifting through various communication apps, Mossammaparast captures what it means when people ask her about the &lsquo;situation&rsquo; in Iran.&nbsp;
Marjon&nbsp;Mossammaparast&rsquo;s&nbsp;latest volume of poetry&nbsp;And&nbsp;to&nbsp;Ecstasy, published by&nbsp;Upswell&nbsp;in&nbsp;2022,&nbsp;was shortlisted for the Kenneth Slessor Poetry Award in 2023. Her d&eacute;but collection,&nbsp;That Sight&nbsp;(Cordite, 2018), won the 2019 Mary Gilmore Award and was shortlisted for the Judith Wright Calanthe Award. Mossammaparast was born in Abadan, Iran, in the year of the Islamic Revolution.&nbsp;Here is Marjon Mossammaparast with&nbsp;&lsquo;When people ask me about the &ldquo;situation&rdquo; in Iran: Locating&nbsp;ourselves&nbsp;and each other through the voices of the&nbsp;vatan&rsquo;,&nbsp;published in the June issue of&nbsp;ABR.&nbsp;

This week on The ABR Podcast, we feature Marjon Mossammaparast’s essay, titled ‘When people ask me about the “situation” in Iran’. She traces the complicated relationship of diasporic Iranians to their vatan, ‘primarily the site of belonging and memory, akin to Country’. Listening to the scattered voices of her vatan – ‘political exiles, religious refugees, the imprisoned and the smuggled, emigrants, lapsed believers, patriots, atheists, the new generation’ – drifting through various communication apps, Mossammaparast captures what it means when people ask her about the ‘situation’ in Iran. 

‘When people ask me about the “situation” in Iran: Locating ourselves and each other through the voices of the vatan’ by Marjon Mossammaparast

This week on The ABR Podcast, Katherine Wilson reviews ‘Fed Up: A chef’s adventures in food, farming and feminism’ by Lucy Ridge. Partially a memoir of Ridge’s disillusionment with a food industry that regards food as ‘little more than vehicles for profit’, the book also seeks to situate itself in conversation with feminist food scholarship. Its strengths, Wilson argues, are sensorial and experiential – vividly immersing the reader in the cultural details of bushfood foraging, for example – but Fed Up requires more exacting research and critical depth to truly trouble the field of studies it wishes to join. Ultimately, Ridge’s brand of feminism ‘narrows the scope for radical collective visions of change’, Wilson writes.

Katherine Wilson is an award-winning writer, journalist, and former co-editor of Overland,whose work focuses on cultural and environmental sustainability. Her essays have appeared in Griffith Review, Meanjin, the Law Institute Journal, and Eureka Street.

‘One bad day: Meditations on commodified flesh’ by Katherine Wilson is published in the upcoming June issue of ABR.

This week on The ABR Podcast, Katherine Wilson reviews &lsquo;Fed Up: A chef&rsquo;s adventures in food, farming and feminism&rsquo; by Lucy Ridge. Partially a memoir of Ridge&rsquo;s disillusionment with a food industry that regards food as &lsquo;little more than vehicles for profit&rsquo;, the book also seeks to situate itself in conversation with feminist food scholarship. Its strengths, Wilson argues, are sensorial and experiential &ndash; vividly immersing the reader in the cultural details of bushfood foraging, for example &ndash; but Fed Up requires more exacting research and critical depth to truly trouble the field of studies it wishes to join. Ultimately, Ridge&rsquo;s brand of feminism &lsquo;narrows the scope for radical collective visions of change&rsquo;, Wilson writes.
Katherine Wilson is an award-winning writer, journalist, and former co-editor of Overland, whose work focuses on cultural and environmental sustainability. Her essays have appeared in Griffith Review, Meanjin, the Law Institute Journal, and Eureka Street.
&lsquo;One bad day: Meditations on commodified flesh&rsquo; by Katherine Wilson is published in the upcoming June issue of ABR.

This week on The ABR Podcast, Katherine Wilson reviews ‘Fed Up: A chef’s adventures in food, farming and feminism’ by Lucy Ridge. Partially a memoir of Ridge’s disillusionment with a food industry that regards food as ‘little more than vehicles for profit’, the book also seeks to situate itself in conversation with feminist food scholarship. Its strengths, Wilson argues, are sensorial and experiential – vividly immersing the reader in the cultural details of bushfood foraging, for example – but Fed Up requires more exacting research and critical depth to truly trouble the field of studies it wishes to join. Ultimately, Ridge’s brand of feminism ‘narrows the scope for radical collective visions of change’, Wilson writes. Katherine Wilson is an award-winning writer, journalist, and former co-editor of Overland, whose work focuses on cultural and environmental sustainability. Her essays have appeared in Griffith Review, Meanjin, the Law Institute Journal, and Eureka Street. Here is Katherine Wilson with ‘One bad day: Meditations on commodified flesh’, published in the upcoming June issue of ABR.

‘One bad day: Meditations on commodified flesh’ by Katherine Wilson

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This week on The ABR Podcast, Kevin Hart reviews Turning Away: The poetics of an ancient gesture by Benjamin Saltzman. Saltzman examines our instinct to ‘turn away, whenever we are faced with death, grief, helplessness, loss, and pain’. He traces the representation of this elemental human gesture from literary classics and ancient artwork to modern films, plays, and narratives. Hart notes that Saltzman’s book is ‘a study not only of aversion but of transformation’. But what is the ethical implication of turning away in a ‘world of violence, pain, and grief’? ‘This is more than flinching’, Hart writes, ‘it is a reaction of horror mixed with shame.’

Kevin Hart is the Jo Wright University Distinguished Professor at Duke Divinity School. His most recent poetry collections are Carnets, published in 2025 by Cascade Press, and Firefly, just published by Pitt St Poetry in Sydney. Here is Kevin Hart with ‘Too human: Shame, horror, aversion’, published in the May issue of ABR.

This week on The ABR Podcast, Kevin Hart reviews Turning Away: The poetics of an ancient gesture by Benjamin Saltzman. Saltzman examines our instinct to &lsquo;turn away, whenever we are faced with death, grief, helplessness, loss, and pain&rsquo;. He traces the representation of this elemental human gesture from literary classics and ancient artwork to modern films, plays, and narratives. Hart notes that Saltzman&rsquo;s book is &lsquo;a study not only of aversion but of transformation&rsquo;. But what is the ethical implication of turning away in a &lsquo;world of violence, pain, and grief&rsquo;? &lsquo;This is more than flinching&rsquo;, Hart writes, &lsquo;it is a reaction of horror mixed with shame.&rsquo;
Kevin Hart is the Jo Wright University Distinguished Professor at Duke Divinity School. His most recent poetry collections are Carnets, published in 2025 by Cascade Press, and Firefly, just published by Pitt St Poetry in Sydney.&nbsp;Here is Kevin Hart with &lsquo;Too human: Shame, horror, aversion&rsquo;, published in the May issue of ABR.

This week on The ABR Podcast, Kevin Hart reviews Turning Away: The poetics of an ancient gesture by Benjamin Saltzman. Saltzman examines our instinct to ‘turn away, whenever we are faced with death, grief, helplessness, loss, and pain’. He traces the representation of this elemental human gesture from literary classics and ancient artwork to modern films, plays, and narratives. Hart notes that Saltzman’s book is ‘a study not only of aversion but of transformation’. But what is the ethical implication of turning away in a ‘world of violence, pain, and grief’? ‘This is more than flinching’, Hart writes, ‘it is a reaction of horror mixed with shame.’  Kevin Hart is the Jo Wright University Distinguished Professor at Duke Divinity School. His most recent poetry collections are Carnets, published in 2025 by Cascade Press, and Firefly, just published by Pitt St Poetry in Sydney. Here is Kevin Hart with ‘Too human: Shame, horror, aversion’, published in the May issue of ABR.

‘Giving up mirrors: Brian Castro’s soaring stridulation’ by Michael Winkler

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