This week on The ABR Podcast, Michael Winkler reviews Chinese Postman by Brian Castro. ‘Reading Castro for plot is like listening to Bob Dylan for melody,’ says Winkler of the prize-winning author of eleven novels. Michael Winkler was the winner of the 2016 Calibre Essay Prize and is the author of Grimmish. Listen to Michael Winkler’s ‘Giving up mirrors: Brian Castro’s soaring stridulation’, published in the October issue of ABR.

This week on The ABR Podcast, Michael Winkler reviews Chinese Postman by Brian Castro. ‘Reading Castro for plot is like listening to Bob Dylan for melody,’ says Winkler of the prize-winning author of eleven novels. Michael Winkler was the winner of the 2016 Calibre Essay Prize and is the author of Grimmish. Listen to Michael Winkler’s ‘Giving up mirrors: Brian Castro’s soaring stridulation’, <a href="https://www.australianbookreview.com.au/abr-online/current-issue/1007-october-2024-no-469/13134-michael-winkler-reviews-chinese-postman-by-brian-castro">published in the October issue of ABR</a>.

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

For more information about ABR, visit our website, www.australianbookreview.com.au

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.
For more information about&nbsp;ABR, visit our website, <a href="http://www.australianbookreview.com.au">www.australianbookreview.com.au</a>

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

The ABR Podcast

ABR is delighted to introduce its brand-new podcast, The ABR Podcast.

Released fortnightly every Wednesday, The ABR Podcast will feature a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on the iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

ABR&nbsp;is delighted to introduce its brand-new podcast,&nbsp;The ABR Podcast.
Released fortnightly every Wednesday,&nbsp;The ABR Podcast&nbsp;will feature a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on the iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

‘Giving up mirrors: Brian Castro’s soaring stridulation’ by Michael Winkler

This week, on The ABR Podcast, we feature Killian Quigley’s review of Plotting the Oceans: Stories of powerful maps and their makers by Sarah Hamylton. Hamylton’s sharp insights emerge from her deeply embodied knowledge of her environment, Quigley asserts. In an era where ‘drones, algorithms, and artificial intelligence are transforming how maps are made’, such ‘situated knowledge’ is increasingly valuable. While technological advancement is inevitable, Quigley urges a renewed ‘attention to the bodies that map – that sweat, are sunburnt and shark-nibbled’. ‘To be physically present in a place – and physically vulnerable to that place – is to know it in a way’ that remote technologies cannot.

Killian Quigley is a teacher and senior researcher at the Australian Catholic University’s Institute for Humanities and Social Sciences. He is the co-editor, with Margaret Cohen, of The Aesthetics of the Undersea, published in 2019. Here is Killian Quigley with ‘Vulnerable to place: Navigating deep blue history’, published in the June issue of ABR.

This week, on The ABR Podcast, we feature Killian Quigley&rsquo;s review of Plotting the Oceans: Stories of powerful maps and their makers by Sarah Hamylton. Hamylton&rsquo;s sharp insights emerge from her deeply embodied knowledge of her environment, Quigley asserts. In an era where &lsquo;drones, algorithms, and artificial intelligence are transforming how maps are made&rsquo;, such &lsquo;situated knowledge&rsquo; is increasingly valuable. While technological advancement is inevitable, Quigley urges a renewed &lsquo;attention to the bodies that map &ndash; that sweat, are sunburnt and shark-nibbled&rsquo;. &lsquo;To be physically present in a place &ndash; and physically vulnerable to that place &ndash; is to know it in a way&rsquo; that remote technologies cannot.
Killian Quigley is a teacher and senior researcher at the Australian Catholic University&rsquo;s Institute for Humanities and Social Sciences. He is the co-editor, with Margaret Cohen, of The Aesthetics of the Undersea, published in 2019. Here is Killian Quigley with &lsquo;Vulnerable to place: Navigating deep blue history&rsquo;, published in the June issue of ABR.

This week, on The ABR Podcast, we feature Killian Quigley’s review of Plotting the Oceans: Stories of powerful maps and their makers by Sarah Hamylton. Hamylton’s sharp insights emerge from her deeply embodied knowledge of her environment, Quigley asserts. In an era where ‘drones, algorithms, and artificial intelligence are transforming how maps are made’, such ‘situated knowledge’ is increasingly valuable. While technological advancement is inevitable, Quigley urges a renewed ‘attention to the bodies that map – that sweat, are sunburnt and shark-nibbled’. ‘To be physically present in a place – and physically vulnerable to that place – is to know it in a way’ that remote technologies cannot. Killian Quigley is a teacher and senior researcher at the Australian Catholic University’s Institute for Humanities and Social Sciences. He is the co-editor, with Margaret Cohen, of The Aesthetics of the Undersea, published in 2019. Here is Killian Quigley with ‘Vulnerable to place: Navigating deep blue history’, published in the June issue of ABR.

‘Vulnerable to place: Navigating deep blue history’ by Killian Quigley

This week on The ABR Podcast, we feature the runner-up in the 2026 Calibre Essay Prize, titled ‘Tumbleweed: How the West was Lost’, by Maria Takolander. Wide-ranging and delightfully digressive, Takolander’s encyclopaedic essay uses the modest tumbleweed as a lens through which to examine Western mythology, colonial violence, environmental crises, and Tsarist Russia, among much else. ‘The tumbleweed is a celebrity, albeit a minor one’, Takolander writes.

Maria Takolander was the inaugural winner of the ABR Elizabeth Jolley Short Story Prize in 2010. She is the author of four poetry collections and a book of short stories. Her début novel, The End of Romance, will be published by Text Publishing in June. The Calibre Essay Prize, now in its twentieth year, is one of the world’s leading prizes for a new non-fiction essay. Here is Maria Takolander with ‘Tumbleweed: How the West was lost’, published in the June issue of ABR.

This week on The ABR Podcast, we feature the runner-up in the 2026 Calibre Essay Prize, titled &lsquo;Tumbleweed: How the West was Lost&rsquo;, by Maria Takolander. Wide-ranging and delightfully digressive, Takolander&rsquo;s encyclopaedic essay uses the modest tumbleweed as a lens through which to examine Western mythology, colonial violence, environmental crises, and Tsarist Russia, among much else. &lsquo;The tumbleweed is a celebrity, albeit a minor one&rsquo;, Takolander writes.
Maria Takolander was the inaugural winner of the ABR Elizabeth Jolley Short Story Prize in 2010. She is the author of four poetry collections and a book of short stories. Her d&eacute;but novel, The End of Romance, will be published by Text Publishing in June. The Calibre Essay Prize, now in its twentieth year, is one of the world&rsquo;s leading prizes for a new non-fiction essay. Here is Maria Takolander with &lsquo;Tumbleweed: How the West was lost&rsquo;, published in the June issue of ABR.

This week on The ABR Podcast, we feature the runner-up in the 2026 Calibre Essay Prize, titled ‘Tumbleweed: How the West was Lost’, by Maria Takolander. Wide-ranging and delightfully digressive, Takolander’s encyclopaedic essay uses the modest tumbleweed as a lens through which to examine Western mythology, colonial violence, environmental crises, and Tsarist Russia, among much else. ‘The tumbleweed is a celebrity, albeit a minor one’, Takolander writes.  Maria Takolander was the inaugural winner of the ABR Elizabeth Jolley Short Story Prize in 2010. She is the author of four poetry collections and a book of short stories. Her début novel, The End of Romance, will be published by Text Publishing in June. The Calibre Essay Prize, now in its twentieth year, is one of the world’s leading prizes for a new non-fiction essay. Here is Maria Takolander with ‘Tumbleweed: How the West was lost’, published in the June issue of ABR.

‘Tumbleweed: How the West was lost’ by Maria Takolander

This week on The ABR Podcast, we feature Carissa Chye’s essay on David Malouf, titled ‘One of our rarest gifts’. A retrospective piece on ABR’s rich, generative relationship with Malouf, Chye’s essay recalls how Malouf’s ‘work and presence animated the literary life of the journal’. Taking us through the ABR archive, Chye observes that ‘the enduring singularity of Malouf’s literary vision is traceable through the convergent ways critics responded to the same defining impulses in his work’. Across decades of literary dialogue and imaginative essaying,’ she writes, ‘Malouf’s work was gently pedagogic of a particular mode of careful reading’.

Carissa Chye is the ABR Peter Rose Editorial Cadet. Here is Carissa Chye with ‘One of our rarest gifts’: David Malouf in the pages of Australian Book Review’, published in the June issue of ABR.

This week on The ABR Podcast, we feature Carissa Chye&rsquo;s essay on David Malouf, titled &lsquo;One of our rarest gifts&rsquo;. A retrospective piece on ABR&rsquo;s rich, generative relationship with Malouf, Chye&rsquo;s essay recalls how Malouf&rsquo;s &lsquo;work and presence animated the literary life of the journal&rsquo;. Taking us through the ABR archive, Chye observes that &lsquo;the enduring singularity of Malouf&rsquo;s literary vision is traceable through the convergent ways critics responded to the same defining impulses in his work&rsquo;. Across decades of literary dialogue and imaginative essaying,&rsquo; she writes, &lsquo;Malouf&rsquo;s work was gently pedagogic of a particular mode of careful reading&rsquo;.
Carissa Chye is the ABR Peter Rose Editorial Cadet. Here is Carissa Chye with &lsquo;One of our rarest gifts&rsquo;: David Malouf in the pages of Australian Book Review&rsquo;, published in the June issue of ABR.

‘Giving up mirrors: Brian Castro’s soaring stridulation’ by Michael Winkler

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