Since his directorial debut in 2006, Jason Reitman has made the kind of films they say Hollywood doesn’t make anymore.

Today, we sit to discuss his latest project Saturday Night (9:09), the influence of 1970s movies like Michael Ritchie’s The Candidate (12:46), and the details Reitman and his co-writer Gil Kenan collected from dozens of interviews leading up to production (17:45). Then, Jason describes the dynamic between Lorne Michaels and his father, the late director Ivan Reitman (21:55), his formative years at the movie theater (25:50), and the filmmakers that shaped his early work: Alexander Payne, Kevin Smith, Spike Jonze, and Richard Linklater (31:03).

On the back-half, we talk about Reitman’s debut film Thank You For Smoking (39:06), the collaborators that shaped Juno (42:50), his personal connection to Up in the Air (43:10), and lessons from making Young Adult (49:43) and Labor Day (51:08). To close, a story about fatherhood (53:00) and the joy of directing (58:58).

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

Since his directorial debut in 2006, Jason Reitman has made the kind of films they say Hollywood doesn’t make anymore.
Today, we sit to discuss his latest project <a href="https://saturdaynight.movie/">Saturday Night</a> (9:09), the influence of 1970s movies like Michael Ritchie’s The Candidate (12:46), and the details Reitman and his co-writer Gil Kenan collected from dozens of interviews leading up to production (17:45). Then, Jason describes the dynamic between Lorne Michaels and his father, the late director Ivan Reitman (21:55), his formative years at the movie theater (25:50), and the filmmakers that shaped his early work: Alexander Payne, Kevin Smith, Spike Jonze, and Richard Linklater (31:03).
On the back-half, we talk about Reitman’s debut film Thank You For Smoking (39:06), the collaborators that shaped Juno (42:50), his personal connection to Up in the Air (43:10), and lessons from making Young Adult (49:43) and Labor Day (51:08). To close, a story about fatherhood (53:00) and the joy of directing (58:58).
Thoughts or future guest ideas? Email us at <a href="mailto:sf@talkeasypod.com">sf@talkeasypod.com</a>.

Talk Easy with Sam Fragoso is a weekly series of intimate conversations with artists, activists, and politicians. Where people sound like people. Hosted by Sam Fragoso. New episodes every Sunday.

Where people sound like people, since 2016.

Talk Easy with Sam Fragoso

Director Jason Reitman’s Love Letter to ‘Saturday Night’

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/78f11229-0b1e-4968-9c15-b208006699df/transcript

Director Francis Ford Coppola doesn’t just want to make movies. He wants to change them. This was true in 1969 when he co-founded Zoetrope Studios with George Lucas, and it remains true today at age 85.

We begin with the historical context of his modern-day Roman epic fable Megalopolis (9:40), his decades-long process developing the film (12:18), and the inspiration he’s taken from Georges Méliès (22:25) and Jacques Tati (24:59). Then, Coppola reflects on the origin of how he became ‘Francis Ford Coppola’ (29:27), the irrepressible spirit he forged in childhood (32:34), and where he sees himself in films like The Godfather (38:29), Apocalypse Now (41:48), and Gardens of Stone (42:17).

On the back-half, we unpack the parallels between the titular city of Megalopolis and Zoetrope Studios (50:19), his capacity to keep dreaming, even in the face of financial ruin (53:46), where he believes America is headed in 2025 (54:29), and the lasting memory of his late wife, Eleanor (1:03:25).

Watch this conversation on YouTube.

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

Director Francis Ford Coppola doesn’t just want to make movies. He wants to change them. This was true in 1969 when he co-founded Zoetrope Studios with George Lucas, and it remains true today at age 85.
We begin with the historical context of his modern-day Roman epic fable <a href="https://www.megalopolis.movie/">Megalopolis</a> (9:40), his decades-long process developing the film (12:18), and the inspiration he’s taken from Georges Méliès (22:25) and Jacques Tati (24:59). Then, Coppola reflects on the origin of how he became ‘Francis Ford Coppola’ (29:27), the irrepressible spirit he forged in childhood (32:34), and where he sees himself in films like The Godfather (38:29), Apocalypse Now (41:48), and Gardens of Stone (42:17).
On the back-half, we unpack the parallels between the titular city of Megalopolis and Zoetrope Studios (50:19), his capacity to keep dreaming, even in the face of financial ruin (53:46), where he believes America is headed in 2025 (54:29), and the lasting memory of his late wife, Eleanor (1:03:25).
Watch this conversation <a href="https://www.youtube.com/watch?v=kiKqETNujSI&amp;t=1877s">on YouTube</a>.
Thoughts or future guest ideas? Email us at <a href="mailto:sf@talkeasypod.com">sf@talkeasypod.com</a>.

Francis Ford Coppola Stays in the Picture

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/ca5190f8-35f7-46c1-9ffd-b201007c6e8b/transcript

Joaquin Phoenix is one of the greatest actors of his generation. For three decades, he’s moved seamlessly between auteur-driven films (Her, The Master) and box-office sensations (Gladiator, Joker). 

We sit today for a rare, long-form conversation with Phoenix, starting with his latest film, Joker: Folie à Deux (9:10), his free-wheeling collaborations with director Todd Phillips (11:32), and the nomadic upbringing that marked his early years (15:00). Then, he reflects on his childhood television debut in Hill Street Blues (22:27), the brilliance of Robert De Niro (27:53), and his formative performances in To Die For and Parenthood (34:45).

On the back-half, we discuss how the polarizing mockumentary, I’m Still Here (47:15), inspired his singular collaborations with directors Spike Jonze, Paul Thomas Anderson, James Gray, and Lynne Ramsay (51:30). We also talk about the evolution of his acting process (52:47), the impassioned Oscars speech he delivered accepting Best Actor for Joker (58:15), and whether he’ll ever turn in what he believes is a ‘great’ performance (1:02:40).

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

Joaquin Phoenix is one of the greatest actors of his generation. For three decades, he’s moved seamlessly between auteur-driven films (Her, The Master) and box-office sensations (Gladiator, Joker). 
We sit today for a rare, long-form conversation with Phoenix, starting with his latest film, <a href="https://www.joker.movie/">Joker: Folie à Deux</a> (9:10), his free-wheeling collaborations with director Todd Phillips (11:32), and the nomadic upbringing that marked his early years (15:00). Then, he reflects on his childhood television debut in Hill Street Blues (22:27), the brilliance of Robert De Niro (27:53), and his formative performances in To Die For and Parenthood (34:45).
On the back-half, we discuss how the polarizing mockumentary, I’m Still Here (47:15), inspired his singular collaborations with directors Spike Jonze, Paul Thomas Anderson, James Gray, and Lynne Ramsay (51:30). We also talk about the evolution of his acting process (52:47), the impassioned Oscars speech he delivered accepting Best Actor for Joker (58:15), and whether he’ll ever turn in what he believes is a ‘great’ performance (1:02:40).
Thoughts or future guest ideas? Email us at <a href="mailto:sf@talkeasypod.com">sf@talkeasypod.com</a>.

The Joaquin Phoenix Interview

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/fd829077-b656-4b10-86b1-b1fa0069455e/transcript

For actor Myha’la, the role of a lifetime arrived less than a year out of college. “Lightning struck,” she says, “and in so many ways I have been preparing my entire life to be here.” In this case ‘here’ is Industry’s Harper Stern, a fiercely ambitious New Yorker who has come to London to join Pierpont, a prestigious financial investment bank.

With the season finale of HBO’s breakout hitapproaching, we sat down with Myha'la to discuss all things Industry (4:42): how the evolution of Harper can be charted by her changing hairstyles (8:05), her recent pivot into “ethical investing” (10:45), and the Gen-Z qualities she best embodies (14:04). We also discuss the actor’s first experiences singing and dancing (16:00), her time as front-woman of a Christian Rock band (20:30), and a formative experience at her Catholic high school (23:01).

On the back half, Myha’la reflects on her years at Carnegie Mellon (34:55), her views around “method acting” (39:30), the first day on the set of Industry (42:55), the personal investment she’s made in Harper Stern (48:00), a humbling performance never far from mind (53:50), and the ‘picture’ she’d like to paint as an artist in the years ahead (56:50).

This conversation was recorded at Spotify Studios and Pushkin Industries. Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

For actor Myha’la, the role of a lifetime arrived less than a year out of college. “Lightning struck,” she says, “and in so many ways I have been preparing my entire life to be here.” In this case ‘here’ is Industry’s Harper Stern, a fiercely ambitious New Yorker who has come to London to join Pierpont, a prestigious financial investment bank.
With the season finale of HBO’s breakout hit approaching, we sat down with Myha'la to discuss all things Industry (4:42): how the evolution of Harper can be charted by her changing hairstyles (8:05), her recent pivot into “ethical investing” (10:45), and the Gen-Z qualities she best embodies (14:04). We also discuss the actor’s first experiences singing and dancing (16:00), her time as front-woman of a Christian Rock band (20:30), and a formative experience at her Catholic high school (23:01).
On the back half, Myha’la reflects on her years at Carnegie Mellon (34:55), her views around “method acting” (39:30), the first day on the set of Industry (42:55), the personal investment she’s made in Harper Stern (48:00), a humbling performance never far from mind (53:50), and the ‘picture’ she’d like to paint as an artist in the years ahead (56:50).
This conversation was recorded at Spotify Studios and Pushkin Industries. Thoughts or future guest ideas? Email us at <a href="mailto:sf@talkeasypod.com">sf@talkeasypod.com</a>.

Why Myha’la (‘Industry’) is Playing the Long Game

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/b80a9437-ab93-4d89-8df1-b1f600886eeb/transcript

Director Jason Reitman’s Love Letter to ‘Saturday Night’

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