Until the 1830s, the dominant industry on St. Kitts was sugar, and the majority of the people living there were enslaved Africans who kept that industry going. When the act that was supposed to free them fell short of doing so, the slaves rebelled.

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Until the 1830s, the dominant industry on St. Kitts was sugar, and the majority of the people living there were enslaved Africans who kept that industry going. When the act that was supposed to free them fell short of doing so, the slaves rebelled. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

Join Holly and Tracy as they bring you the greatest and strangest Stuff You Missed In History Class in this podcast by iHeartRadio.

Stuff You Missed in History Class

Until the 1830s, the dominant industry on St. Kitts was sugar, and the majority of the people living there were enslaved Africans who kept that industry going. When the act that was supposed to free them fell short of doing so, the slaves rebelled.

The St. Kitts Slave Revolt of 1834

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/bf4cd58d-0758-42fc-b2ea-ae280070fe06/transcript

Joaquín Torres-García was Uruguayan-born artist who wanted to bring Constructivism and Modernism to Latin America, and worked for much of his life promoting the idea that Latin-American voices should be part of the Modernist art movement. 

Research:

·     Bollar, Gorki. “Primitive Paintings: Connections to Realism and Constructivism.” Leonardo, vol. 17, no. 1, 1984, pp. 17–19. JSTOR, https://doi.org/10.2307/1574851

·     Britannica, The Editors of Encyclopaedia. "Joaquín Torres-García". Encyclopedia Britannica, 4 Aug. 2024, https://www.britannica.com/biography/Joaquin-Torres-Garcia

·     Duncan, Barbara. “Exploring New Horizons in Latin American Contemporary Art.” Revista: Harvard Review of Latin America. Dec. 30, 2001. https://revista.drclas.harvard.edu/exploring-new-horizons-in-latin-american-contemporary-art/

·     Grimson, Karen. “JOAQUÍN TORRES-GARCÍA’S CREATIVE PARADOX.” INTI, no. 83/84, 2016, pp. 261–65. JSTOR, http://www.jstor.org/stable/26309985

·     Jimenez, Maya, Dr. “Joaquin Torres-Garcia, Inverted America.” Smart History. Aug. 9, 2015. https://smarthistory.org/Torres-Garcia-inverted-america/

·     “Joaquín Torres-García.” Art Collection. https://artcollection.io/artist/5ce4801004726600179036b4#:~:text=He%20worked%20on%20the%20first,la%20Sagrada%20Familia%20in%20Barcelona.

·     “Joaquín Torres García.” Centro Cultura Regoleta. http://cvaa.com.ar/04ingles/04biografias_en/torres_garcia_en.php

·     “Joaquín Torres-García.” Guggenheim. https://www.guggenheim.org/artwork/artist/joaquin-Torres-Garcia

·     “Joaquin Torres Garcia (1874-1949).” National Museum of Visual Art. https://mnav.gub.uy/cms.php?a=4

·     “Joaquín Torres-García.” National Gallery of Art. https://www.nga.gov/collection/artist-info.2518.html

·     “Joaquín Torres-García.” Hutchinson Modern & Contemporary. https://hutchinsonmodern.com/artists/40-joaquin-Torres-Garcia/biography/
Medina, Alvaro. “Torres-García and the Southern School.” ArtNexus. https://www.artnexus.com/en/magazines/article-magazine-artnexus/5ebf04481ae60a0ea57baa18/3/Torres-Garcia-and-the-southern-school

·     Museo Torres Garcia. “bio.” https://www.torresgarcia.org.uy/bio.php

·     ROMMENS, AARNOUD. “Latin American Abstraction: Upending Joaquín Torres-García’s Inverted Map.” Mosaic: An Interdisciplinary Critical Journal, vol. 51, no. 2, 2018, pp. 35–58. JSTOR, https://www.jstor.org/stable/90021965

·     Torres, Celia de. “Constructing Abstraction with Wood: Joaquín Torres-García.” Literal. Issue 18. April 18, 2012. https://literalmagazine.com/constructing-abstraction-with-wood-joaquin-Torres-Garcia/

 

Joaqu&iacute;n Torres-Garc&iacute;a was Uruguayan-born artist who wanted to bring Constructivism and Modernism to Latin America, and worked for much of his life promoting the idea that Latin-American voices should be part of the Modernist art movement.&nbsp;
Research:
&middot;&nbsp;&nbsp;&nbsp;&nbsp; Bollar, Gorki. &ldquo;Primitive Paintings: Connections to Realism and Constructivism.&rdquo;&nbsp;Leonardo, vol. 17, no. 1, 1984, pp. 17&ndash;19.&nbsp;JSTOR, https://doi.org/10.2307/1574851
&middot;&nbsp;&nbsp;&nbsp;&nbsp; Britannica, The Editors of Encyclopaedia. "Joaqu&iacute;n Torres-Garc&iacute;a".&nbsp;Encyclopedia Britannica, 4 Aug. 2024, https://www.britannica.com/biography/Joaquin-Torres-Garcia
&middot;&nbsp;&nbsp;&nbsp;&nbsp; Duncan, Barbara. &ldquo;Exploring New Horizons in Latin American Contemporary Art.&rdquo; Revista: Harvard Review of Latin America. Dec. 30, 2001. https://revista.drclas.harvard.edu/exploring-new-horizons-in-latin-american-contemporary-art/
&middot;&nbsp;&nbsp;&nbsp;&nbsp; Grimson, Karen. &ldquo;JOAQU&Iacute;N TORRES-GARC&Iacute;A&rsquo;S CREATIVE PARADOX.&rdquo;&nbsp;INTI, no. 83/84, 2016, pp. 261&ndash;65.&nbsp;JSTOR, http://www.jstor.org/stable/26309985
&middot;&nbsp;&nbsp;&nbsp;&nbsp; Jimenez, Maya, Dr. &ldquo;Joaquin Torres-Garcia, Inverted America.&rdquo; Smart History. Aug. 9, 2015. https://smarthistory.org/Torres-Garcia-inverted-america/
&middot;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Joaqu&iacute;n Torres-Garc&iacute;a.&rdquo; Art Collection. https://artcollection.io/artist/5ce4801004726600179036b4#:~:text=He%20worked%20on%20the%20first,la%20Sagrada%20Familia%20in%20Barcelona.
&middot;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Joaqu&iacute;n Torres Garc&iacute;a.&rdquo; Centro Cultura Regoleta. http://cvaa.com.ar/04ingles/04biografias_en/torres_garcia_en.php
&middot;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Joaqu&iacute;n Torres-Garc&iacute;a.&rdquo; Guggenheim. https://www.guggenheim.org/artwork/artist/joaquin-Torres-Garcia
&middot;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Joaquin Torres Garcia (1874-1949).&rdquo; National Museum of Visual Art. https://mnav.gub.uy/cms.php?a=4
&middot;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Joaqu&iacute;n Torres-Garc&iacute;a.&rdquo; National Gallery of Art. https://www.nga.gov/collection/artist-info.2518.html
&middot;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Joaqu&iacute;n Torres-Garc&iacute;a.&rdquo; Hutchinson Modern &amp; Contemporary. https://hutchinsonmodern.com/artists/40-joaquin-Torres-Garcia/biography/<a href="https://hutchinsonmodern.com/artists/40/works/"> </a>Medina, Alvaro. &ldquo;Torres-Garc&iacute;a and the Southern School.&rdquo; ArtNexus. https://www.artnexus.com/en/magazines/article-magazine-artnexus/5ebf04481ae60a0ea57baa18/3/Torres-Garcia-and-the-southern-school
&middot;&nbsp;&nbsp;&nbsp;&nbsp; Museo Torres Garcia. &ldquo;bio.&rdquo; https://www.torresgarcia.org.uy/bio.php
&middot;&nbsp;&nbsp;&nbsp;&nbsp; ROMMENS, AARNOUD. &ldquo;Latin American Abstraction: Upending Joaqu&iacute;n Torres-Garc&iacute;a&rsquo;s&nbsp;Inverted Map.&rdquo;&nbsp;Mosaic: An Interdisciplinary Critical Journal, vol. 51, no. 2, 2018, pp. 35&ndash;58.&nbsp;JSTOR, https://www.jstor.org/stable/90021965
&middot;&nbsp;&nbsp;&nbsp;&nbsp; Torres, Celia de. &ldquo;Constructing Abstraction with Wood: Joaqu&iacute;n Torres-Garc&iacute;a.&rdquo; Literal. Issue 18. April 18, 2012. https://literalmagazine.com/constructing-abstraction-with-wood-joaquin-Torres-Garcia/
&nbsp;

Joaquín Torres-García was Uruguayan-born artist who wanted to bring Constructivism and Modernism to Latin America, and worked for much of his life promoting the idea that Latin-American voices should be part of the Modernist art movement. 

Joaquín Torres-García

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/0da74578-7687-43db-ae37-b24500f7248a/transcript

This 2020 episode covers the sphere of plutonium-gallium alloy that the U.S. made for use in an atomic bomb during World War II known as the Demon Core was  It was the source of two fatal criticality accidents. 

This 2020 episode covers the sphere of plutonium-gallium alloy that the U.S. made for use in an atomic bomb during World War II known as the Demon Core was&nbsp; It was the source of two fatal criticality accidents.&nbsp;

SYMHC Classics: Demon Core

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/0664e515-08a0-49a9-aa7e-b244013f86e2/transcript

Tracy relays how Sarah Winnemucca's story inspired this week's episodes, though they were recorded about a month apart, and also how Ely S. Parker is one of the most complicated figures she has ever written about. 

 

Tracy relays how Sarah Winnemucca's story inspired this week's episodes, though they were recorded about a month apart, and also how Ely S. Parker is one of the most complicated figures she has ever written about.&nbsp;
&nbsp;

Behind the Scenes Minis: Complicated Ely

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/318204b0-32f1-4683-93f1-b2440063d8e2/transcript

The St. Kitts Slave Revolt of 1834

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