Living legend, screen icon and one of the greatest actors alive, Michael Madsen joins the pod to talk fighting fake wolves, Freeing Willy, meeting Al Pacino, what was the story behind his hat in Kill Bill, and we even get a special call-in from Big Brother, Alec.  

Living legend, screen icon and one of the greatest actors alive, Michael Madsen joins the pod to talk fighting fake wolves, Freeing Willy, meeting Al Pacino, what was the story behind his hat in Kill Bill, and we even get a special call-in from Big Brother, Alec.

Bad movies - we all love them. Whether it's a hate-watch or a secret guilty pleasure, a bad movie can spark the best conversations and debates ("Was it really that bad??")! Stephen Baldwin has a few bad movies to his name (well, maybe 27, but who’s counting?). One Bad Movie explores the lighter side of the movie biz. In each episode, guests will recount fun and entertaining personal anecdotes from some of their less than stellar industry experiences while exploring movies that are so bad they’re good. But bad movies are just a launchpad into conversations that go wherever they want.

Bad movies - we all love them. Whether it's a hate-watch or a secret guilty pleasure, a bad movie can spark the best conversations and debates ("Was it really that bad??")! Stephen Baldwin has a few bad movies to his name (well, maybe 27, but who’s counting?). One Bad Movie explores the lighter side of the movie biz. In each episode, guests will recount fun and entertaining personal anecdotes from some of their less than stellar industry experiences while exploring movies that are so bad they’re good. But bad movies are just a launchpad into conversations that go wherever they want.

One Bad Movie with Stephen Baldwin

Michael Madsen

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Frank Stallone joins Stephen Baldwin on One Bad Movie, exclusively from Paisan Con, for outrageous Hollywood stories and sibling rivalries that put their Fred Claus “Siblings Anonymous” scene into perspective.

Frank reveals what it was like making Barfly with Mickey Rourke and Faye Dunaway, filming in a real neighborhood bar, and bringing the ruthless bartender Eddie to life. Stephen and Frank also revisit working with Vince Vaughn and swap stories from their adventures in Macau.

Then the childhood stories come out. From Sylvester Stallone handcuffing Frank to a fire escape to Daniel Baldwin’s dog-walking setup, these younger brothers have plenty of reasons to compare notes.

Movie memories, family chaos, and two old friends cracking each other up. Welcome to One Bad Movie.

Frank Stallone joins Stephen Baldwin on One Bad Movie, exclusively from Paisan Con, for outrageous Hollywood stories and sibling rivalries that put their Fred Claus &ldquo;Siblings Anonymous&rdquo; scene into perspective.
Frank reveals what it was like making Barfly with Mickey Rourke and Faye Dunaway, filming in a real neighborhood bar, and bringing the ruthless bartender Eddie to life. Stephen and Frank also revisit working with Vince Vaughn and swap stories from their adventures in Macau.
Then the childhood stories come out. From Sylvester Stallone handcuffing Frank to a fire escape to Daniel Baldwin&rsquo;s dog-walking setup, these younger brothers have plenty of reasons to compare notes.
Movie memories, family chaos, and two old friends cracking each other up. Welcome to One Bad Movie.

 Frank Stallone Had It Rough from Paisan Con

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Sofia Milos (CSI: Miami, The Sopranos) Tells Her One Bad Movie Story | One Bad Movie with Stephen Baldwin What happens when an actor walks onto set and is handed a laundry basket of 54 scripts? In this episode of One Bad Movie, Stephen Baldwin sits down with Sofia Milos, best known as Detective Yelina Salas on CSI: Miami and for her role as a Camorra boss on The Sopranos. She shares the story of a show where everything went sideways, from a trailer that looked like a bathroom to a brutal block-shooting schedule that pushed her to say something she'd never said on set in 32 years. Baldwin trades stories of his own, including the time he called "cut" on a Brian De Palma set. Along the way they talk about playing strong women, working with David Caruso, why comedy is more fun than drama, and Sofia's new movie alongside John Travolta. 

Sofia Milos (CSI: Miami, The Sopranos) Tells Her One Bad Movie Story | One Bad Movie with Stephen Baldwin What happens when an actor walks onto set and is handed a laundry basket of 54 scripts? In this episode of One Bad Movie, Stephen Baldwin sits down with Sofia Milos, best known as Detective Yelina Salas on CSI: Miami and for her role as a Camorra boss on The Sopranos. She shares the story of a show where everything went sideways, from a trailer that looked like a bathroom to a brutal block-shooting schedule that pushed her to say something she'd never said on set in 32 years. Baldwin trades stories of his own, including the time he called "cut" on a Brian De Palma set. Along the way they talk about playing strong women, working with David Caruso, why comedy is more fun than drama, and Sofia's new movie alongside John Travolta.

Sofia Milos Exclusive from Paisan Con 2026

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Johnny "Roast Beef" Williams, the unforgettable face from Goodfellas, joins Stephen Baldwin on One Bad Movie. He tells the story of how he really got cast, and it starts with slapping a real wise guy in front of Martin Scorsese. Johnny walks through his audition, in which he walked out on an actor who was reading the scene to his shoes. He also breaks down why Scorsese's camera work in his scene is so brilliant, and shares his own one bad movie: a low-budget desert shoot with a French director he couldn't understand and a script he made up on the spot. Then he talks about his book, a story of growing up in East Harlem with no father in the house and a whole neighborhood standing in for one, and about the delis, the mob partners, and the butter knife sit-down that never made it onto film.

Johnny "Roast Beef" Williams, the unforgettable face from Goodfellas, joins Stephen Baldwin on One Bad Movie. He tells the story of how he really got cast, and it starts with slapping a real wise guy in front of Martin Scorsese. Johnny walks through his audition, in which he walked out on an actor who was reading the scene to his shoes. He also breaks down why Scorsese's camera work in his scene is so brilliant, and shares his own one bad movie: a low-budget desert shoot with a French director he couldn't understand and a script he made up on the spot. Then he talks about his book, a story of growing up in East Harlem with no father in the house and a whole neighborhood standing in for one, and about the delis, the mob partners, and the butter knife sit-down that never made it onto film.

Johnny "Roastbeef"  Williams Was Buried Alive In Lancaster....

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Michael Madsen

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