Setting off into the remotest corners of the outback in her campervan, Eleanor Hogan retraces the journeys of controversial self-styled ethnologist Daisy Bates and gung-ho journalist Ernestine Hill, investigating the contested dynamic of their writing collaboration on the 1938 international bestseller, The Passing of the Aborigines. 

From today’s perspective, many of their ideas seem racist or sentimental. They were certainly an odd couple, not just in their age difference and backgrounds; but their interest in Aboriginal culture was genuine, if misconceived and often prone to sensationalism.

In her riveting and sensitive biography, Into the Loneliness, Hogan puts together the puzzle of their lives and explores Daisy and Ernestine’s legacies as intrepid, eccentric, fearless outliers.

Setting off into the remotest corners of the outback in her campervan, Eleanor Hogan retraces the journeys of controversial self-styled ethnologist Daisy Bates and gung-ho journalist Ernestine Hill, investigating the contested dynamic of their writing collaboration on the 1938 international bestseller, The Passing of the Aborigines.&nbsp;
From today&rsquo;s perspective, many of their ideas seem racist or sentimental. They were certainly an odd couple, not just in their age difference and backgrounds; but their interest in Aboriginal culture was genuine, if misconceived and often prone to sensationalism.
In her riveting and sensitive biography, Into the Loneliness, Hogan puts together the puzzle of their lives and explores Daisy and Ernestine&rsquo;s legacies as intrepid, eccentric, fearless outliers.

What is the secret to writing a really juicy biography? Author Caroline Baum interviews seasoned players and persistent newcomers who share their experience of navigating sensitive territory in the search for the real story behind a person’s life. Whether they are writing about the famous or the forgotten, whether their version of events is authorised or
unauthorised, biography is a high-stakes quest full of twists and turns.

What is the secret to writing a really juicy biography? Author Caroline Baum interviews seasoned players and persistent newcomers who share their experience of navigating sensitive territory in the search for the real story behind a person&rsquo;s life. Whether they are writing about the famous or the forgotten, whether their version of events is authorised or unauthorised, biography is a high-stakes quest full of twists and turns.

Life Sentences Podcast

What is the secret to writing a really juicy biography? Author Caroline Baum interviewsseasoned players and persistent newcomers who share their experience of navigating sensitive territory in the search for the real story behind a person’s life. Whether they are writing about the famous or the forgotten, whether their version of events is authorised or unauthorised, biography is a high-stakes quest full of twists and turns.

What is the secret to writing a really juicy biography? Author Caroline Baum interviewsseasoned players and persistent newcomers who share their experience of navigating sensitive territory in the search for the real story behind a person&rsquo;s life. Whether they are writing about the famous or the forgotten, whether their version of events is authorised or unauthorised, biography is a high-stakes quest full of twists and turns.

Life Sentences

DESERT DAMES: Eleanor Hogan on Daisy Bates and Ernestine Hill.

Donald Horne was Australia’s leading public intellectual in the sixties and seventies and coined the phrase The Lucky Country in his bestselling book of the same title. The phrase has entered the Australian vernacular, and is often misused and interpreted as a sign of national complacency.



Before he became an author, Horne had tried on many hats: as a journalist, ad man, and editor; later he became an academic and a bureaucrat. The big story in his life was his political shift from the conservative right to the progressive left, thanks to his enthusiasm for Gough Whitlam’s vision of Australia’s potential.



Famous for his love of a long lunch (especially when he was the editor of the Bulletin), he was indeed lucky to find in his second wife Myfanwy a partner who was a true collaborator in all his ideas.



Ryan Cropp’s energetic debut biography captures the paradoxes and many-faceted ambitions of the man and his times.

Donald Horne was Australia’s leading public intellectual in the sixties and seventies and coined the phrase The Lucky Country in his bestselling book of the same title. The phrase has entered the Australian vernacular, and is often misused and interpreted as a sign of national complacency.
 
Before he became an author, Horne had tried on many hats: as a journalist, ad man, and editor; later he became an academic and a bureaucrat. The big story in his life was his political shift from the conservative right to the progressive left, thanks to his enthusiasm for Gough Whitlam’s vision of Australia’s potential.
 
Famous for his love of a long lunch (especially when he was the editor of the Bulletin), he was indeed lucky to find in his second wife Myfanwy a partner who was a true collaborator in all his ideas.
 
Ryan Cropp’s energetic debut biography captures the paradoxes and many-faceted ambitions of the man and his times.

Lucky

There has never been anyone like Russian impresario Serge Diaghilev.



The Russian impresario shook up the dusty world of ballet, making it the centre of the avant garde in the early part of the twentieth century, especially in Paris where the premieres of L’Apres Midi ‘D’un Faune and the Rite of Spring caused shock and scandal.



Born in a provincial backwater, Diaghilev made his way to St Petersburg with ambitions as a painter and composer, but failed at both. Eventually he discovered that his talents were more curatorial and, after bringing Russian art to Paris, he returned with The Ballets Russes, a troupe of brilliant dancers, including Nijinski, and gorgeous sets and costumes, taking the city by storm.



Collaborating with artists like Picasso and Stravinsky, Diaghilev changed the face of dance forever. He defined the word impresario in a unique way, discovering talent, finding the money to stage lavish productions and generating huge audience excitement, in a dizzying feat of risk-taking and flair.



In this episode, British cultural critic Rupert Christensen discusses his book Diaghilev’s Empire, about the impact, influence and legacy of a larger than life individual who loved Russia but was condemned by history to a life in exile.

There has never been anyone like Russian impresario Serge Diaghilev.
 
The Russian impresario shook up the dusty world of ballet, making it the centre of the avant garde in the early part of the twentieth century, especially in Paris where the premieres of L’Apres Midi ‘D’un Faune and the Rite of Spring caused shock and scandal.
 
Born in a provincial backwater, Diaghilev made his way to St Petersburg with ambitions as a painter and composer, but failed at both. Eventually he discovered that his talents were more curatorial and, after bringing Russian art to Paris, he returned with The Ballets Russes, a troupe of brilliant dancers, including Nijinski, and gorgeous sets and costumes, taking the city by storm.
 
Collaborating with artists like Picasso and Stravinsky, Diaghilev changed the face of dance forever. He defined the word impresario in a unique way, discovering talent, finding the money to stage lavish productions and generating huge audience excitement, in a dizzying feat of risk-taking and flair.
 
In this episode, British cultural critic Rupert Christensen discusses his book Diaghilev’s Empire, about the impact, influence and legacy of a larger than life individual who loved Russia but was condemned by history to a life in exile.

The Impresario

Recorded in the lead up the UK election of 2024, this is a conversation with Labour Party Leader Keir Starmer’s biographer, journalist and former Labour insider Tom Baldwin. He explains how the biography was written with Starmer’s co-operation but was not authorised by him and how Starmer learns things from the book that he did not expect, but feels uncomfortable with some of the details about his complex family relationships.



What emerges is a portrait of a relentless, hardworking details man, who consults, listens and is outcome focussed. A man who is not political in the traditional sense, but who has leadership skills and who values of integrity and decency but is not always good at playing the media game. He’d much rather play football with his old mates.

Recorded in the lead up the UK election of 2024, this is a conversation with Labour Party Leader Keir Starmer’s biographer, journalist and former Labour insider Tom Baldwin. He explains how the biography was written with Starmer’s co-operation but was not authorised by him and how Starmer learns things from the book that he did not expect, but feels uncomfortable with some of the details about his complex family relationships.
 
What emerges is a portrait of a relentless, hardworking details man, who consults, listens and is outcome focussed. A man who is not political in the traditional sense, but who has leadership skills and who values of integrity and decency but is not always good at playing the media game. He’d much rather play football with his old mates.

DESERT DAMES: Eleanor Hogan on Daisy Bates and Ernestine Hill.

Life Sentences Podcast

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