Donald Horne was Australia’s leading public intellectual in the sixties and seventies and coined the phrase The Lucky Country in his bestselling book of the same title. The phrase has entered the Australian vernacular, and is often misused and interpreted as a sign of national complacency.



Before he became an author, Horne had tried on many hats: as a journalist, ad man, and editor; later he became an academic and a bureaucrat. The big story in his life was his political shift from the conservative right to the progressive left, thanks to his enthusiasm for Gough Whitlam’s vision of Australia’s potential.



Famous for his love of a long lunch (especially when he was the editor of the Bulletin), he was indeed lucky to find in his second wife Myfanwy a partner who was a true collaborator in all his ideas.



Ryan Cropp’s energetic debut biography captures the paradoxes and many-faceted ambitions of the man and his times.

Donald Horne was Australia’s leading public intellectual in the sixties and seventies and coined the phrase The Lucky Country in his bestselling book of the same title. The phrase has entered the Australian vernacular, and is often misused and interpreted as a sign of national complacency.
 
Before he became an author, Horne had tried on many hats: as a journalist, ad man, and editor; later he became an academic and a bureaucrat. The big story in his life was his political shift from the conservative right to the progressive left, thanks to his enthusiasm for Gough Whitlam’s vision of Australia’s potential.
 
Famous for his love of a long lunch (especially when he was the editor of the Bulletin), he was indeed lucky to find in his second wife Myfanwy a partner who was a true collaborator in all his ideas.
 
Ryan Cropp’s energetic debut biography captures the paradoxes and many-faceted ambitions of the man and his times.

What is the secret to writing a really juicy biography? Author Caroline Baum interviews seasoned players and persistent newcomers who share their experience of navigating sensitive territory in the search for the real story behind a person’s life. Whether they are writing about the famous or the forgotten, whether their version of events is authorised or
unauthorised, biography is a high-stakes quest full of twists and turns.

What is the secret to writing a really juicy biography? Author Caroline Baum interviews seasoned players and persistent newcomers who share their experience of navigating sensitive territory in the search for the real story behind a person&rsquo;s life. Whether they are writing about the famous or the forgotten, whether their version of events is authorised or unauthorised, biography is a high-stakes quest full of twists and turns.

Life Sentences Podcast

What is the secret to writing a really juicy biography? Author Caroline Baum interviewsseasoned players and persistent newcomers who share their experience of navigating sensitive territory in the search for the real story behind a person’s life. Whether they are writing about the famous or the forgotten, whether their version of events is authorised or unauthorised, biography is a high-stakes quest full of twists and turns.

What is the secret to writing a really juicy biography? Author Caroline Baum interviewsseasoned players and persistent newcomers who share their experience of navigating sensitive territory in the search for the real story behind a person&rsquo;s life. Whether they are writing about the famous or the forgotten, whether their version of events is authorised or unauthorised, biography is a high-stakes quest full of twists and turns.

Life Sentences

Lucky

There has never been anyone like Russian impresario Serge Diaghilev.



The Russian impresario shook up the dusty world of ballet, making it the centre of the avant garde in the early part of the twentieth century, especially in Paris where the premieres of L’Apres Midi ‘D’un Faune and the Rite of Spring caused shock and scandal.



Born in a provincial backwater, Diaghilev made his way to St Petersburg with ambitions as a painter and composer, but failed at both. Eventually he discovered that his talents were more curatorial and, after bringing Russian art to Paris, he returned with The Ballets Russes, a troupe of brilliant dancers, including Nijinski, and gorgeous sets and costumes, taking the city by storm.



Collaborating with artists like Picasso and Stravinsky, Diaghilev changed the face of dance forever. He defined the word impresario in a unique way, discovering talent, finding the money to stage lavish productions and generating huge audience excitement, in a dizzying feat of risk-taking and flair.



In this episode, British cultural critic Rupert Christensen discusses his book Diaghilev’s Empire, about the impact, influence and legacy of a larger than life individual who loved Russia but was condemned by history to a life in exile.

There has never been anyone like Russian impresario Serge Diaghilev.
 
The Russian impresario shook up the dusty world of ballet, making it the centre of the avant garde in the early part of the twentieth century, especially in Paris where the premieres of L’Apres Midi ‘D’un Faune and the Rite of Spring caused shock and scandal.
 
Born in a provincial backwater, Diaghilev made his way to St Petersburg with ambitions as a painter and composer, but failed at both. Eventually he discovered that his talents were more curatorial and, after bringing Russian art to Paris, he returned with The Ballets Russes, a troupe of brilliant dancers, including Nijinski, and gorgeous sets and costumes, taking the city by storm.
 
Collaborating with artists like Picasso and Stravinsky, Diaghilev changed the face of dance forever. He defined the word impresario in a unique way, discovering talent, finding the money to stage lavish productions and generating huge audience excitement, in a dizzying feat of risk-taking and flair.
 
In this episode, British cultural critic Rupert Christensen discusses his book Diaghilev’s Empire, about the impact, influence and legacy of a larger than life individual who loved Russia but was condemned by history to a life in exile.

The Impresario

Recorded in the lead up the UK election of 2024, this is a conversation with Labour Party Leader Keir Starmer’s biographer, journalist and former Labour insider Tom Baldwin. He explains how the biography was written with Starmer’s co-operation but was not authorised by him and how Starmer learns things from the book that he did not expect, but feels uncomfortable with some of the details about his complex family relationships.



What emerges is a portrait of a relentless, hardworking details man, who consults, listens and is outcome focussed. A man who is not political in the traditional sense, but who has leadership skills and who values of integrity and decency but is not always good at playing the media game. He’d much rather play football with his old mates.

Recorded in the lead up the UK election of 2024, this is a conversation with Labour Party Leader Keir Starmer’s biographer, journalist and former Labour insider Tom Baldwin. He explains how the biography was written with Starmer’s co-operation but was not authorised by him and how Starmer learns things from the book that he did not expect, but feels uncomfortable with some of the details about his complex family relationships.
 
What emerges is a portrait of a relentless, hardworking details man, who consults, listens and is outcome focussed. A man who is not political in the traditional sense, but who has leadership skills and who values of integrity and decency but is not always good at playing the media game. He’d much rather play football with his old mates.

Superboy

Most people are unaware of the existence of the Australian Dictionary of National Biography, a remarkable effort of scholarship by an army of volunteer historians and specialist contributors committed to documenting significant and representative Australians. It’s a challenging task in terms not only of scale but because previous entries need to be revised in the light of fresh historical evidence and interpretation. Women and First Nations figures were overlooked when the project began, but that is now being addressed.



The Director of the National Dictionary of Biography is historian Dr Melanie Nolan. She tells Life Sentences how the Dictionary differs from its British counterpart, how entries are selected and how the Dictionary is trying to move with the times.

Most people are unaware of the existence of the Australian Dictionary of National Biography, a remarkable effort of scholarship by an army of volunteer historians and specialist contributors committed to documenting significant and representative Australians. It’s a challenging task in terms not only of scale but because previous entries need to be revised in the light of fresh historical evidence and interpretation. Women and First Nations figures were overlooked when the project began, but that is now being addressed.
 
The Director of the National Dictionary of Biography is historian Dr Melanie Nolan. She tells Life Sentences how the Dictionary differs from its British counterpart, how entries are selected and how the Dictionary is trying to move with the times.

Lucky

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