How do art conservators save video art from obsolescence?

If a painting on canvas rips or a marble sculpture shatters to pieces, art conservators are trained to respond accordingly and repair it. Artworks that unfold over time – like videos and software based works – are a different thing altogether. These artworks are made using cutting-edge technologies that are constantly being updated. If the “canvas” or medium an artwork is made on keeps shifting, how do art conservators protect these works from obsolescence?

Guests:

Jonathan Farbowitz, time-based media conservator

Jennifer and Kevin McCoy, artists

Ho Tzu Nyen, artist

Nora Kennedy, Sherman Fairchild Conservator In Charge, Photograph Conservation

Featured artworks:

Thomas Tompion (clockmaker) Jasper Braem (case), Longcase clock with calendrical, lunar, and tidal indications, also known as the Graves Tompion, ca. 1677–80: https://www.metmuseum.org/art/collection/search/209296

Jennifer and Kevin McCoy, Every Shot, Every Episode, 2001: https://www.metmuseum.org/art/collection/search/284985

Ho Tzu Nyen, The Critical Dictionary of Southeast Asia, 2017–present: https://cdosea.org

Cover art: Joseph Knibb (clockmaker), Longcase clock with calendar, ca. 1680–85: https://www.metmuseum.org/art/collection/search/205601

For a transcript of the episode and more information, visit metmuseum.org/immaterialtime

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Mueller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, associate conservator Jonathan Farbowitz, conservator in charge Nora Kennedy, collections technician Sam Winks, Kevin and Jennifer McCoy, Ho Tzu Nyen, associate curator Lesley Ma, and associate curator Lauren Rosati.

How do art conservators save video art from obsolescence?
If a painting on canvas rips or a marble sculpture shatters to pieces, art conservators are trained to respond accordingly and repair it. Artworks that unfold over time – like videos and software based works – are a different thing altogether. These artworks are made using cutting-edge technologies that are constantly being updated. If the “canvas” or medium an artwork is made on keeps shifting, how do art conservators protect these works from obsolescence?
Guests:
Jonathan Farbowitz, time-based media conservator
Jennifer and Kevin McCoy, artists
Ho Tzu Nyen, artist
Nora Kennedy, Sherman Fairchild Conservator In Charge, Photograph Conservation
Featured artworks:
Thomas Tompion (clockmaker) Jasper Braem (case), Longcase clock with calendrical, lunar, and tidal indications, also known as the Graves Tompion, ca. 1677–80: https://www.metmuseum.org/art/collection/search/209296
Jennifer and Kevin McCoy, Every Shot, Every Episode, 2001: https://www.metmuseum.org/art/collection/search/284985
Ho Tzu Nyen, The Critical Dictionary of Southeast Asia, 2017–present: https://cdosea.org
Cover art: Joseph Knibb (clockmaker), Longcase clock with calendar, ca. 1680–85: https://www.metmuseum.org/art/collection/search/205601
For a transcript of the episode and more information, visit metmuseum.org/immaterialtime
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Mueller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, associate conservator Jonathan Farbowitz, conservator in charge Nora Kennedy, collections technician Sam Winks, Kevin and Jennifer McCoy, Ho Tzu Nyen, associate curator Lesley Ma, and associate curator Lauren Rosati.

Time: Keeping Digital Art Alive

How did one tree become a world-famous tonewood for guitars?

Deep in the forests of Belize, a wood importer from Florida discovered a rare tree that produced a sound unlike anything guitar virtuosos had ever heard before. But why does this material cast such a spell? And at what cost does that come? 

Guests:

Ellen Ruppel Shell, journalist

Ken Parker, luthier

Reuben Forsland, luthier

Steve Cardenas, guitarist

Jennifer Anderson, historian and author of Mahogany: The Cost of Luxury in Early America

Althea SullyCole, former Fellow in The Met’s Department of Musical Instruments. Assistant Professor of Ethnomusicology in the Schulich School of Music at McGill University

Featured artwork:

Ken Parker, Archtop guitar, 2016: https://www.metmuseum.org/art/collection/search/677213

For a transcript of the episode and more information, visit metmuseum.org/immaterialwood

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Mueller.
Original music by Austin Fisher and Salman Ahad Khan.
Fact-checking by Mary Mathis and Claire Hyman.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Adwoa Gyimah-Brempong, curator Jayson Dobney, conservator Manu Frederickx, educator David Freeman, Dick Boak, Gabriela Guadalajara, and curator Alyce Englund.

How did one tree become a world-famous tonewood for guitars?
Deep in the forests of Belize, a wood importer from Florida discovered a rare tree that produced a sound unlike anything guitar virtuosos had ever heard before. But why does this material cast such a spell? And at what cost does that come? 
Guests:
Ellen Ruppel Shell, journalist
Ken Parker, luthier
Reuben Forsland, luthier
Steve Cardenas, guitarist
Jennifer Anderson, historian and author of Mahogany: The Cost of Luxury in Early America
Althea SullyCole, former Fellow in The Met’s Department of Musical Instruments. Assistant Professor of Ethnomusicology in the Schulich School of Music at McGill University
Featured artwork:
Ken Parker, Archtop guitar, 2016: https://www.metmuseum.org/art/collection/search/677213
For a transcript of the episode and more information, visit metmuseum.org/immaterialwood
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Mueller. Original music by Austin Fisher and Salman Ahad Khan. Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
Special thanks to Adwoa Gyimah-Brempong, curator Jayson Dobney, conservator Manu Frederickx, educator David Freeman, Dick Boak, Gabriela Guadalajara, and curator Alyce Englund.

Wood: The Most Musical Tree in the World

An archaeologist and an artist walk into a dump… 

For most of us, we throw our garbage to the curb, and it disappears from our lives. But to some, that’s just the beginning of trash’s story. In this episode, we follow two people who seek the truth in trash—an archaeologist who excavates ancient rubbish in Turkmenistan and an artist who spotlights the people responsible for making trash vanish.

Guests:

Martina Rugiadi, associate curator, Department of Islamic Art, The Met

sTo Len, artist

Andy Blancero, development officer, Freshkills Park Alliance

Featured artworks:

Chakaia Booker, Raw Attraction, 2001: https://www.metmuseum.org/art/collection/search/492175

Bowl with Green, Yellow, and Brown Splashed Decoration. Excavated in Iran, Nishapur, 10th century: https://www.metmuseum.org/art/collection/search/449348

Stone Oil Lamp. Excavated in Iran, Nishapur, 9th century: https://www.metmuseum.org/art/collection/search/449328

Painted Dado Panels. Excavated in Iran, Nishapur, 9th century: https://www.metmuseum.org/art/collection/search/449862

James Hampton, The Throne of the Third Heaven of the Nations’ Millennium General Assembly, ca. 1950-1964: https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897

Fragment of a Wall Painting with a Fox or a Dog (and Painted Layers). Excavated in Iran, Nishapur, 12th century: https://www.metmuseum.org/art/collection/search/708593

For a transcript of the episode and more information, visit metmuseum.org/immaterialtrash

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Mueller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, Brinda Kumar, Navina Haider.

An archaeologist and an artist walk into a dump… 
For most of us, we throw our garbage to the curb, and it disappears from our lives. But to some, that’s just the beginning of trash’s story. In this episode, we follow two people who seek the truth in trash—an archaeologist who excavates ancient rubbish in Turkmenistan and an artist who spotlights the people responsible for making trash vanish.
Guests:
Martina Rugiadi, associate curator, Department of Islamic Art, The Met
sTo Len, artist
Andy Blancero, development officer, Freshkills Park Alliance
Featured artworks:
Chakaia Booker, Raw Attraction, 2001: <a href="https://www.metmuseum.org/art/collection/search/492175">https://www.metmuseum.org/art/collection/search/492175</a>
Bowl with Green, Yellow, and Brown Splashed Decoration. Excavated in Iran, Nishapur, 10th century: <a href="https://www.metmuseum.org/art/collection/search/449348">https://www.metmuseum.org/art/collection/search/449348</a>
Stone Oil Lamp. Excavated in Iran, Nishapur, 9th century: <a href="https://www.metmuseum.org/art/collection/search/449328">https://www.metmuseum.org/art/collection/search/449328</a>
Painted Dado Panels. Excavated in Iran, Nishapur, 9th century: <a href="https://www.metmuseum.org/art/collection/search/449862">https://www.metmuseum.org/art/collection/search/449862</a>
James Hampton, The Throne of the Third Heaven of the Nations’ Millennium General Assembly, ca. 1950-1964: <a href="https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897">https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897</a>
Fragment of a Wall Painting with a Fox or a Dog (and Painted Layers). Excavated in Iran, Nishapur, 12th century: <a href="https://www.metmuseum.org/art/collection/search/708593">https://www.metmuseum.org/art/collection/search/708593</a>
For a transcript of the episode and more information, visit <a href="http://metmuseum.org/immaterialtrash">metmuseum.org/immaterialtrash</a>
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Mueller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, Brinda Kumar, Navina Haider.

Trash: The Archaeology of Rubbish

What can the tiny chia seed reveal about the history of oil painting?

For centuries, one of the most prized mediums of art at museums like the Met has been oil painting, a European tradition embodied by the so-called "old masters." This is the story of how the oil of the chia seed — yes, the same one that’s a staple add-on for smoothies and acai bowls — and its origins in Mexico could help us look at oil painting and our world with fresh eyes. 

Guests:

Elsa Arroyo, Mexican paintings conservator

Ronda Kasl, Curator of Latin American Art, The American Wing, The Met

Monica Katz, Conservator, Hispanic Society

José Luis Lazarte Luna, Assistant Conservator, Paintings Conservation, The Met

Roger Danilo Carmona, General Manager, Kremer Pigments Inc.

Julie Arslanoglu, Research Scientist, The Met

Mario Gaspar, Lacquerware artist

Featured artworks:

José Manuel de la Cerda, Turnus Provoked into War by Aeneas, ca. 1764: https://www.metmuseum.org/art/collection/search/841656

Juan Correa, The Virgin of Valvanera, ca. 1710: https://www.denverartmuseum.org/en/object/2008.832

Juan Correa, Allegory of the Holy Sacrament, ca. 1690: https://www.denverartmuseum.org/en/object/2015.570

Juran Correa, Angel Carrying a Cypress (Ángel portando un ciprés), ca. 1680-1690: https://collections.lacma.org/node/1034999

For a transcript of the episode and more information, visit metmuseum.org/immaterialchia

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum,  Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.
Special thanks to Adwoa Gyimyah-Brempong.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

And special thanks to Aleks Popowich, Alfonso Miranda Marquez, Beatriz Ortega, Marco Leona, and Avery Trufelman.

The research presented within has been made possible in part by the National Endowment for the Humanities: Democracy demands wisdom.

What can the tiny chia seed reveal about the history of oil painting?
For centuries, one of the most prized mediums of art at museums like the Met has been oil painting, a European tradition embodied by the so-called "old masters." This is the story of how the oil of the chia seed — yes, the same one that’s a staple add-on for smoothies and acai bowls — and its origins in Mexico could help us look at oil painting and our world with fresh eyes. 
Guests:
Elsa Arroyo, Mexican paintings conservator
Ronda Kasl, Curator of Latin American Art, The American Wing, The Met
Monica Katz, Conservator, Hispanic Society
José Luis Lazarte Luna, Assistant Conservator, Paintings Conservation, The Met
Roger Danilo Carmona, General Manager, Kremer Pigments Inc.
Julie Arslanoglu, Research Scientist, The Met
Mario Gaspar, Lacquerware artist
Featured artworks:
José Manuel de la Cerda, Turnus Provoked into War by Aeneas, ca. 1764: <a href="https://www.metmuseum.org/art/collection/search/841656">https://www.metmuseum.org/art/collection/search/841656</a>
Juan Correa, The Virgin of Valvanera, ca. 1710: <a href="https://www.denverartmuseum.org/en/object/2008.832">https://www.denverartmuseum.org/en/object/2008.832</a>
Juan Correa, Allegory of the Holy Sacrament, ca. 1690: <a href="https://www.denverartmuseum.org/en/object/2015.570">https://www.denverartmuseum.org/en/object/2015.570</a>
Juran Correa, Angel Carrying a Cypress (Ángel portando un ciprés), ca. 1680-1690: <a href="https://collections.lacma.org/node/1034999">https://collections.lacma.org/node/1034999</a>
For a transcript of the episode and more information, visit metmuseum.org/immaterialchia
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum,  Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Muller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman. Special thanks to Adwoa Gyimyah-Brempong.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
And special thanks to Aleks Popowich, Alfonso Miranda Marquez, Beatriz Ortega, Marco Leona, and Avery Trufelman.
The research presented within has been made possible in part by the National Endowment for the Humanities: Democracy demands wisdom.

Chia: Beyond Superfoods and Infomercials

What happens when our most intimate possessions end up in art museums?

Blankets comfort and keep us warm. They accompany us through our lives. They are keepers of some of our most intimate stories. We look at a group of artists who harness this power of blankets and quilts as totems for memory, community and cultural survival.

Guests:

Loretta Pettway Bennett, Gee's Bend quilt maker

Marie Watt, artist

Ally Barlow, associate conservator, Department of Textile Conservation, The Met

Louisiana P. Bendolph, Gee's Bend quilt maker

Louise Williams, board president, Freedom Quilting Bee Legacy

Featured artworks:

Qunnie Pettway, Housetop, ca. 1975: https://www.soulsgrowndeep.org/artist/qunnie-pettway/work/housetop

Marie Watt, Untitled (Dream Catcher), 2014: https://www.metmuseum.org/art/collection/search/849042

Louisiana P. Bendolph, Housetop quilt, 2003: https://www.metmuseum.org/art/collection/search/654095

Annie E. Pettway, “Flying Geese” Variation, ca. 1935: https://www.soulsgrowndeep.org/artist/annie-e-pettway/work/flying-geese-variation

Willie "Ma Willie" Abrams, Roman Stripes quilt, ca. 1975: https://www.metmuseum.org/art/collection/search/654081

For a transcript of the episode and more information, visit metmuseum.org/immaterialblankets

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.
Sensitivity listening by Adwoa Gyimyah-Brempong.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Eva Labson, Scott Browning, Curator Amelia Peck, and Avery Trufelman.

What happens when our most intimate possessions end up in art museums?
Blankets comfort and keep us warm. They accompany us through our lives. They are keepers of some of our most intimate stories. We look at a group of artists who harness this power of blankets and quilts as totems for memory, community and cultural survival.
Guests:
Loretta Pettway Bennett, Gee's Bend quilt maker
Marie Watt, artist
Ally Barlow, associate conservator, Department of Textile Conservation, The Met
Louisiana P. Bendolph, Gee's Bend quilt maker
Louise Williams, board president, Freedom Quilting Bee Legacy
Featured artworks:
Qunnie Pettway, Housetop, ca. 1975: https://www.soulsgrowndeep.org/artist/qunnie-pettway/work/housetop
Marie Watt, Untitled (Dream Catcher), 2014: <a href="https://www.metmuseum.org/art/collection/search/849042">https://www.metmuseum.org/art/collection/search/849042</a>
Louisiana P. Bendolph, Housetop quilt, 2003: <a href="https://www.metmuseum.org/art/collection/search/654095">https://www.metmuseum.org/art/collection/search/654095</a>
Annie E. Pettway, “Flying Geese” Variation, ca. 1935: <a href="https://www.soulsgrowndeep.org/artist/annie-e-pettway/work/flying-geese-variation">https://www.soulsgrowndeep.org/artist/annie-e-pettway/work/flying-geese-variation</a>
Willie "Ma Willie" Abrams, Roman Stripes quilt, ca. 1975: <a href="https://www.metmuseum.org/art/collection/search/654081">https://www.metmuseum.org/art/collection/search/654081</a>
For a transcript of the episode and more information, visit metmuseum.org/immaterialblankets
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Muller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman. Sensitivity listening by Adwoa Gyimyah-Brempong.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
Special thanks to Eva Labson, Scott Browning, Curator Amelia Peck, and Avery Trufelman.

Blankets and Quilts: Threads of Identity

What is hidden in the 'empty' spaces of an art museum?

The Met is more than a museum of art. It is a city unto itself: population 2,000, with a transient population of 5 million. The Met is 21 buildings nested together like puzzle pieces, and it takes 400,000 light bulbs to illuminate all the spaces. But who actually changes those light bulbs? In this episode, peek behind the curtain and meet the people who maintain the hidden ecosystem of The Met.

Guests:

Marco Leona, David H. Koch Scientist in Charge, The Met

Eric Breitung, research scientist, The Met

Anna Serotta, conservator, Objects Conservation, The Met

Louisa Lam, security officer, The Met

Frida Escobedo, architect

Featured artworks:

Coffin of Irtirutja, 332–250 BCE. Egypt: https://www.metmuseum.org/art/collection/search/551163

Vincent Van Gogh, Cypresses, 1889: https://www.metmuseum.org/art/collection/search/437980

For a transcript of the episode and more information, visit metmuseum.org/immaterialspacepart2

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Maureen Catbagan, Iva Keselicova, Michael Millican, Elizabeth Reyes Moreno, Sarah Freshnock, Avery Trufelman, and Jennie C. Jones.

What is hidden in the 'empty' spaces of an art museum?
The Met is more than a museum of art. It is a city unto itself: population 2,000, with a transient population of 5 million. The Met is 21 buildings nested together like puzzle pieces, and it takes 400,000 light bulbs to illuminate all the spaces. But who actually changes those light bulbs? In this episode, peek behind the curtain and meet the people who maintain the hidden ecosystem of The Met.
Guests:
Marco Leona, David H. Koch Scientist in Charge, The Met
Eric Breitung, research scientist, The Met
Anna Serotta, conservator, Objects Conservation, The Met
Louisa Lam, security officer, The Met
Frida Escobedo, architect
Featured artworks:
Coffin of Irtirutja, 332–250 BCE. Egypt: <a href="https://www.metmuseum.org/art/collection/search/551163">https://www.metmuseum.org/art/collection/search/551163</a>
Vincent Van Gogh, Cypresses, 1889: <a href="https://www.metmuseum.org/art/collection/search/437980">https://www.metmuseum.org/art/collection/search/437980</a>
For a transcript of the episode and more information, visit metmuseum.org/immaterialspacepart2
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Muller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
Special thanks to Maureen Catbagan, Iva Keselicova, Michael Millican, Elizabeth Reyes Moreno, Sarah Freshnock, Avery Trufelman, and Jennie C. Jones.

Space, Part 2: Behind the Scenes at The Met

How does an artist give presence to absence?

Bronze, wood, paint, and stone—classic materials for art making. But what if you're trying and struggling to convey a vast expanse, a terrible loss or a haunting presence? In this episode we'll look at two artists who turned to the material of space to express what nothing else could.

Guests:

Rachel Whiteread, sculptor

Brinda Kumar, Associate Curator, Modern and Contemporary Art, The Met

Shania Hall, photographer

Featured artworks:

Rachel Whiteread, Untitled (Three Tables), 1995/1996: https://www.metmuseum.org/art/collection/search/816239

Shania Hall, Where the Vast Sky Meets the Flat Earth (unofficial title), ca. 2015: https://www.metmuseum.org/articles/framing-plains-indians

For a transcript of the episode and more information, visit metmuseum.org/immaterialspaceart

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Special thanks to Exhibition Design Manager Dan Kershaw, Associate Curator Patricia Norby, and Curator Sylvia Yount

How does an artist give presence to absence?
Bronze, wood, paint, and stone—classic materials for art making. But what if you're trying and struggling to convey a vast expanse, a terrible loss or a haunting presence? In this episode we'll look at two artists who turned to the material of space to express what nothing else could.
Guests:
Rachel Whiteread, sculptor
Brinda Kumar, Associate Curator, Modern and Contemporary Art, The Met
Shania Hall, photographer
Featured artworks:
Rachel Whiteread, Untitled (Three Tables), 1995/1996: <a href="https://www.metmuseum.org/art/collection/search/816239">https://www.metmuseum.org/art/collection/search/816239</a>
Shania Hall, Where the Vast Sky Meets the Flat Earth (unofficial title), ca. 2015: <a href="https://www.metmuseum.org/articles/framing-plains-indians">https://www.metmuseum.org/articles/framing-plains-indians</a>
For a transcript of the episode and more information, visit metmuseum.org/immaterialspaceart
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Muller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
Special thanks to Exhibition Design Manager Dan Kershaw, Associate Curator Patricia Norby, and Curator Sylvia Yount

Space, Part 1: Giving Form to a Feeling

What happens when the unbreakable breaks?

Throughout art museums around the world, you’ll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time. 

In this episode, we examine the many ways that stone breaks. How can a statue’s cracks and cavities tell a more complex story of our humanity?

Guests:

Jack Soultanian, Conservator, Objects Conservation, The Met

Carolyn Riccardelli, Conservator, Objects Conservation, The Met

Robert Macfarlane, nature writer and mountaineer

Erhan Tamur, former Andrew W. Mellon Postdoctoral Curatorial Fellow, The Met

Sarah Graff, Curator, Ancient Near Eastern Art, The Met

Featured artworks:

Tullio Lombardo, Adam, ca. 1490–95: https://www.metmuseum.org/art/collection/search/197822 

Statues of Gudea, Neo-Sumerian, ca. 2120–2090 BCE: https://www.metmuseum.org/art/collection/search/329072

https://www.metmuseum.org/art/collection/search/324061

https://collections.louvre.fr/en/ark:/53355/cl010119539

For a transcript of the episode and more information, visit metmuseum.org/immaterialstone

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.

Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.

Sound design by Ariana Martinez and Kristin Muller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.

Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

What happens when the unbreakable breaks?
Throughout art museums around the world, you’ll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time. 
In this episode, we examine the many ways that stone breaks. How can a statue’s cracks and cavities tell a more complex story of our humanity?
Guests:
Jack Soultanian, Conservator, Objects Conservation, The Met
Carolyn Riccardelli, Conservator, Objects Conservation, The Met
Robert Macfarlane, nature writer and mountaineer
Erhan Tamur, former Andrew W. Mellon Postdoctoral Curatorial Fellow, The Met
Sarah Graff, Curator, Ancient Near Eastern Art, The Met
Featured artworks:
Tullio Lombardo, Adam, ca. 1490–95: <a href="https://www.metmuseum.org/art/collection/search/197822 ">https://www.metmuseum.org/art/collection/search/197822 </a>
Statues of Gudea, Neo-Sumerian, ca. 2120–2090 BCE: <a href="https://www.metmuseum.org/art/collection/search/329072">https://www.metmuseum.org/art/collection/search/329072</a>
<a href="https://www.metmuseum.org/art/collection/search/324061">https://www.metmuseum.org/art/collection/search/324061</a>
<a href="https://collections.louvre.fr/en/ark:/53355/cl010119539">https://collections.louvre.fr/en/ark:/53355/cl010119539</a>
For a transcript of the episode and more information, visit metmuseum.org/immaterialstone
#MetImmaterial
Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Muller. Original music by Austin Fisher. Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.

Stone: Making and Breaking Legacies

What is hiding in the material choices of artists and makers?

Immaterial, The Metropolitan Museum of Art’s marquee podcast, is back with eight more episodes that reveal the emotional origins and transformative power of art through the lens of materials.

This season we learn from Mexican artisans keeping centuries-old traditions alive; we go to ancient Mesopotamia to understand time travel; and we find a mythical tree in Belize that’s been making music for decades.

From traditional materials like stone and wood, to more abstract ones like space and time, the podcast explores how these materials shape the inner lives of artworks and the human experiences they reflect.

Season 2 of Immaterial drops June 4.

What is hiding in the material choices of artists and makers?
Immaterial, The Metropolitan Museum of Art’s marquee podcast, is back with eight more episodes that reveal the emotional origins and transformative power of art through the lens of materials.
This season we learn from Mexican artisans keeping centuries-old traditions alive; we go to ancient Mesopotamia to understand time travel; and we find a mythical tree in Belize that’s been making music for decades.
From traditional materials like stone and wood, to more abstract ones like space and time, the podcast explores how these materials shape the inner lives of artworks and the human experiences they reflect.
Season 2 of Immaterial drops June 4.

Introducing: Immaterial Season 2

Grab a cup of tea and join us for a bonus episode on tarot. We learn about the cards from their patrician origins to the present day, when tarot is being used to subvert limiting tropes of gender and sexuality. A tarot deck begs some questions: what makes something art? And who decides? Some of the answers may surprise you. We meet the artists behind a queer, Southern, collective tarot deck, and hear from an educator at The Met how tarot can be a source of both beauty and resistance. Plus: Camille Dungy, host and tarot skeptic, gets a slightly apocalyptic reading from a fellow poet. Producers Adwoa Gyimah-Brempong and Eleanor Kagan take us behind the scenes: probing something that's not quite a material, but whose story is too dynamic not to share.

Guests:

Suhaly Bautista-Carolina, creator of Moon Mother Apothecary and senior managing educator of audience development, Education, The Metropolitan Museum of Art
Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art
Allison Rudnick, associate curator, Drawings and Prints, The Metropolitan Museum of Art
Alexander Chee, poet, author, and professor of English and creative writing, Dartmouth College
Camille Dungy, poet and host of Immaterial

Slow Holler Tarot Artists:

JB Brager

Corina Dross

Miranda Javid

Nic Jenkins

Objects mentioned in this episode:

Niki de Saint-Phalle (American, 1930–2004). Niki de Saint Phalle tarot cards, 2002. 22 cards: illustrations ; Height: 5 1/2 in. (14 cm) ; Width: 3 1/8 in. (8 cm) + 1 booklet (48 unnumbered pages ; Height: 5 1/2 in. (14 cm)). The Metropolitan Museum of Art, New York (N6853.S255 S25 2002)

For a transcript of this episode and more information, visit metmuseum.org/immaterial

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise. This episode was produced by Adwoa Gyimah-Brempong and Eleanor Kagan.

Special thanks to Holly Phillips, Jessica Ranne-Cardona, Maria Schurr, E. Henderson, and Rachel Pollack.

Grab a cup of tea and join us for a bonus episode on tarot. We learn about the cards from their patrician origins to the present day, when tarot is being used to subvert limiting tropes of gender and sexuality. A tarot deck begs some questions: what makes something art? And who decides? Some of the answers may surprise you. We meet the artists behind a queer, Southern, collective tarot deck, and hear from an educator at The Met how tarot can be a source of both beauty and resistance. Plus: Camille Dungy, host and tarot skeptic, gets a slightly apocalyptic reading from a fellow poet. Producers Adwoa Gyimah-Brempong and Eleanor Kagan take us behind the scenes: probing something that's not quite a material, but whose story is too dynamic not to share.

Guests:

Suhaly Bautista-Carolina, creator of Moon Mother Apothecary and senior managing educator of audience development, Education, The Metropolitan Museum of Art 
Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art 
Allison Rudnick, associate curator, Drawings and Prints, The Metropolitan Museum of Art 
Alexander Chee, poet, author, and professor of English and creative writing, Dartmouth College 
Camille Dungy, poet and host of Immaterial

Slow Holler Tarot Artists:

JB Brager 
Corina Dross 
Miranda Javid 
Nic Jenkins

Objects mentioned in this episode:

Niki de Saint-Phalle (American, 1930–2004). <a href="https://www.metmuseum.org/art/collection/search/843056" rel="nofollow" target="_blank">Niki de Saint Phalle tarot cards</a>, 2002. 22 cards: illustrations ; Height: 5 1/2 in. (14 cm) ; Width: 3 1/8 in. (8 cm) + 1 booklet (48 unnumbered pages ; Height: 5 1/2 in. (14 cm)). The Metropolitan Museum of Art, New York (N6853.S255 S25 2002)

For a transcript of this episode and more information, visit metmuseum.org/immaterial

#MetImmaterial

Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise. This episode was produced by Adwoa Gyimah-Brempong and Eleanor Kagan.

Special thanks to Holly Phillips, Jessica Ranne-Cardona, Maria Schurr, E. Henderson, and Rachel Pollack.

Grab a cup of tea and join us for a bonus episode on tarot.

Bonus Episode: Tarot

Stories of the materials used in making art are often as thought-provoking and illuminating as the objects themselves. From The Metropolitan Museum of Art, Immaterial examines the materials of art and what they can reveal about history and humanity. Each episode looks at a single material: paper, clay, jade, shells, and others, exploring the qualities and meanings that are often overlooked.

5,000 years of art, one material at a time

Immaterial: 5,000 Years of Art, One Material at a Time

Stories of the materials used in making art are often as thought-provoking and illuminating as the objects themselves. From The Metropolitan Museum of Art, Immaterial examines the materials of art and what they can reveal about history and humanity. Each episode looks at a single material: stone, linen, concrete, space, and more, exploring the qualities and meanings that are often overlooked.

Stories of the materials used in making art are often as thought-provoking and illuminating as the objects themselves. From The Metropolitan Museum of Art, Immaterial examines the materials of art and what they can reveal about history and humanity. Each episode looks at a single material: stone, linen, concrete, space, and more, exploring the qualities and meanings that are often overlooked.

Immaterial

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