Today we launch a new edition to the Gramophone Podcasts, The Gramophone Listening Room, in which Charlotte Gardner invites two of today's finest young artists into the studio to explore some of the treasures of the recording archive, both recent and historic. Each chooses two recordings to share and discuss, after which Charlotte suggests a choice of her own for them to discover. Her inaugural guests are guitarist Plínio Fernandes and cellist Anastasia Kobekina, and after listening you can visit Gramophone's website to hear all the featured recordings for yourself. 

Today we launch a new edition to the Gramophone Podcasts, The Gramophone Listening Room, in which Charlotte Gardner invites two of today's finest young artists into the studio to explore some of the treasures of the recording archive, both recent and historic. Each chooses two recordings to share and discuss, after which Charlotte suggests a choice of her own for them to discover. Her inaugural guests are guitarist Plínio Fernandes and cellist Anastasia Kobekina, and after listening you can visit Gramophone's website to hear all the featured recordings for yourself.

Weekly conversations about classical music with leading musicians and writers

Gramophone Classical Music Podcast

The Gramophone Listening Room, with Plínio Fernandes and Anastasia Kobekina

In this week's edition of the Gramophone Podcast, harpsichordist Mahan Esfahani talks about his new recording of Bach's Complete Keyboard Concertos, newly released on the Hyperion label. Why were these pivotal works in the instrument's development written, and how might they have been performed? Esfahani explores these questions, along with many other fascinating topics surrounding the instrument, its repertoire and his own career, in the company of Editor Martin Cullingford.

In this week's edition of the Gramophone Podcast, harpsichordist Mahan Esfahani talks about his new recording of Bach's Complete Keyboard Concertos, newly released on the Hyperion label. Why were these pivotal works in the instrument's development written, and how might they have been performed? Esfahani explores these questions, along with many other fascinating topics surrounding the instrument, its repertoire and his own career, in the company of Editor Martin Cullingford.

Mahan Esfahani on Bach's Keyboard Concertos  

The conductor Klaus Tennstedt was born on June 6, 1926. After his arrival from East Germany to the West, he held chief conductor posts with the NDR Symphony Orchestra in Hamburg (1979-81), and with the London Philharmonic Orchestra (1983-87), with whom he recorded extensively, including a Mahler symphony cycle (of which No 8 won a Gramophone Award back in 1987).

To mark the anniversary Warner Classics has issued a 41-CD set of all of the conductor's EMI recordings. Additionally, there is a substantial Tennstedt catalogue on the LPO's own label as well as numerous off-air performances on YouTube and various other record labels.

 A century on, we celebrate Tennstedt's artistry with a special Gramophone podcast in which the critic and broadcaster Edward Seckerson – who interviewed the conductor, attended recording sessions and heard him live many time – talks to James Jolly about what made him such an admired musician.

The conductor Klaus Tennstedt was born on June 6, 1926. After his arrival from East Germany to the West, he held chief conductor posts with the NDR Symphony Orchestra in Hamburg (1979-81), and with the London Philharmonic Orchestra (1983-87), with whom he recorded extensively, including a Mahler symphony cycle (of which No 8 won a Gramophone Award back in 1987). To mark the anniversary Warner Classics has issued a 41-CD set of all of the conductor's EMI recordings. Additionally, there is a substantial Tennstedt catalogue on the LPO's own label as well as numerous off-air performances on YouTube and various other record labels. A century on, we celebrate Tennstedt's artistry with a special Gramophone podcast in which the critic and broadcaster Edward Seckerson – who interviewed the conductor, attended recording sessions and heard him live many time – talks to James Jolly about what made him such an admired musician.

Klaus Tennstedt at 100: Edward Seckerson recalls a great conductor

In this week's episode of the Gramophone podcast, the composer Colin Matthews joins Editor Martin Cullingford to talk about his new album of works for voice and ensemble, Sea Scapes, release on the Onyx label. They discuss the challenge of setting poetry, as well as the joy of working with such collaborators as soprano Claire Booth and conductor Jessica Cottis.

This podcast is in association with Wigmore Hall.

In this week's episode of the Gramophone podcast, the composer Colin Matthews joins Editor Martin Cullingford to talk about his new album of works for voice and ensemble, Sea Scapes, release on the Onyx label. They discuss the challenge of setting poetry, as well as the joy of working with such collaborators as soprano Claire Booth and conductor Jessica Cottis. This podcast is in association with Wigmore Hall.

The Gramophone Listening Room, with Plínio Fernandes and Anastasia Kobekina

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