In this week's episode of The Gramophone Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes tenor Freddie De Tommaso and violinist Charlie Lovell-Jones to the studio to share two of their personal favourite recordings.

Freddie De Tommaso is a familiar presence on the world's opera stages, not least London's Covent Garden. Known for his verismo roles, he is an exclusive recording artist with Decca Classics. Charlie Lovell-Jones is a violinist who, beyond his soloist career, is concertmaster of John Wilson's Sinfonia of London. 

In this week's episode of The&nbsp;Gramophone&nbsp;Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes tenor Freddie De Tommaso and violinist Charlie Lovell-Jones to the studio to share two of their personal favourite recordings.
Freddie De Tommaso is a familiar presence on the world's opera stages, not least London's Covent Garden. Known for his verismo roles, he is an exclusive recording artist with Decca Classics. Charlie Lovell-Jones is a violinist who, beyond his soloist career, is concertmaster of John Wilson's Sinfonia of London.&nbsp;

Weekly conversations about classical music with leading musicians and writers

Weekly conversations about classical music with leading musicians and writers

Gramophone Classical Music Podcast

The Gramophone Listening Room – Episode 4, with Freddie De Tommaso & Charlie Lovell-Jones

The conductor Philipp von Steinaecker and the Mahler Academy Orchestra recorded Mahler’s Ninth Symphony in 2024 for Alpha Classics using instruments contemporary with the composer and employing historically informed performance practices. The recording attracted much attention and engaged a lot of music lovers’ imaginations. Now, the same performers have turned to the Fifth Symphony.

Gramophone’s James Jolly talked to Philipp von Steinaecker about his history with Mahler’s music and how the Mahler Academy Orchestra created its ‘Mahler sound’ both from its instruments and its pursuit of a performance practice that the composer might have recognised. (Conductor and orchestra are bringing Mahler’s Ninth Symphony to the BBC Proms on September 11.)

The conductor Philipp von Steinaecker and the Mahler Academy Orchestra recorded Mahler&rsquo;s Ninth Symphony in 2024 for Alpha Classics using instruments contemporary with the composer and employing historically informed performance practices. The recording attracted much attention and engaged a lot of music lovers&rsquo; imaginations. Now, the same performers have turned to the Fifth Symphony.
Gramophone&rsquo;s James Jolly talked to Philipp von Steinaecker about his history with Mahler&rsquo;s music and how the Mahler Academy Orchestra created its &lsquo;Mahler sound&rsquo; both from its instruments and its pursuit of a performance practice that the composer might have recognised. (Conductor and orchestra are bringing Mahler&rsquo;s Ninth Symphony to the <a href="https://www.royalalberthall.com/tickets/proms/bbc-proms-2026/mahlers-ninth-with-the-mahler-academy-orchestra">BBC Proms</a> on September 11.)

Conductor Philipp von Steinaecker on historically informed Mahler performance

In the latest edition of the Gramophone Podcast, composer Joby Talbot and the conductor of vocal ensemble Conspirare Craig Hella Johnson join Editor Martin Cullingford to talk about their fascinating collaboration: a setting of Mexican poet Octavio Paz's epic work, Piedra de sol, newly released on the Divine Art label.

In the latest edition of the Gramophone Podcast, composer Joby Talbot and the conductor of vocal ensemble Conspirare Craig Hella Johnson join Editor Martin Cullingford to talk about their fascinating collaboration: a setting of Mexican poet Octavio Paz's epic work, Piedra de sol, newly released on the Divine Art label.

Joby Talbot and Craig Hella Johnson on setting Octavio Paz’s poem ‘Piedra de sol’

For this week’s Gramophone Podcast we dip into the archives and offer you another opportunity to hear a fascinating conversation about Sir Charles Villiers Stanford, the Anglo-Irish composer, teacher and conductor, the centenary of whose death fell in 2024.

The leading expert on the composer, Jeremy Dibble, joins Editor Martin Cullingford to mark the centenary year of Stanford's death. Though arguably still best known today for his church music, we discuss the full breadth of Stanford's works, including his symphonies, songs, chamber music and his operas – the latter a genre he was devoted to throughout his life. 

For this week&rsquo;s Gramophone Podcast we dip into the archives and offer you another opportunity to hear a fascinating conversation about Sir Charles Villiers Stanford, the Anglo-Irish composer, teacher and conductor, the centenary of whose death fell in 2024.
The leading expert on the composer, Jeremy Dibble, joins Editor Martin Cullingford to mark the centenary year of Stanford's death. Though arguably still best known today for his church music, we discuss the full breadth of Stanford's works, including his symphonies, songs, chamber music and his operas &ndash; the latter a genre he was devoted to throughout his life.&nbsp;

The Gramophone Listening Room – Episode 4, with Freddie De Tommaso & Charlie Lovell-Jones

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