In this week's episode of the Gramophone Podcast, Editor Martin Cullingford joined violinist Rachel Podger and recorder player Lucie Horsch ahead of a concert they were giving together at St Martin-in-the-Field, London, to talk about their wonderful new album, Duologues. Featuring music by Telemann, JS Bach, CPE Bach and others, the album is available now on the Channel Classics label.

This week's podcast is brought to you in association with the Pehlivanian International Conducting Competition, which takes place in Bled, Slovenia from November 7-14, and which Gramophone is proud to be the official media partner of. For more details, visit pehlivaniancompetition.com

In this week's episode of the Gramophone Podcast, Editor Martin Cullingford joined violinist Rachel Podger and recorder player Lucie Horsch ahead of a concert they were giving together at St Martin-in-the-Field, London, to talk about their wonderful new album, Duologues. Featuring music by Telemann, JS Bach, CPE Bach and others, the album is available now on the Channel Classics label.
This week's podcast is brought to you in association with the Pehlivanian International Conducting Competition, which takes place in Bled, Slovenia from November 7-14, and which Gramophone is proud to be the official media partner of. For more details, visit&nbsp;<a href="https://pehlivaniancompetition.com/">pehlivaniancompetition.com</a>

Rachel Podger and Lucie Horsch on recording 'Duologues'

For this week's episode of the Gramophone Podcast, Editor Martin Cullingford sat down for an in-depth conversation with the wonderful soprano Ermonela Jaho, to talk about Opera Rara's new release of the final version of Puccini's La Rondine, as well as to talk about her path to the artist she has today.

This week's podcast is brought to you in association with the Pehlivanian International Conducting Competition, which takes place in Bled, Slovenia from November 7-14, and which Gramophone is proud to be the official media partner of. For more details, visit pehlivaniancompetition.com

For this week's episode of the Gramophone Podcast, Editor Martin Cullingford sat down for an in-depth conversation with the wonderful soprano Ermonela Jaho, to talk about Opera Rara's new release of the final version of Puccini's La Rondine, as well as to talk about her path to the artist she has today.
This week's podcast is brought to you in association with the Pehlivanian International Conducting Competition, which takes place in Bled, Slovenia from November 7-14, and which Gramophone is proud to be the official media partner of. For more details, visit <a href="https://pehlivaniancompetition.com/">pehlivaniancompetition.com</a>

Soprano Ermonela Jaho on Puccini's La Rondine

Anthony Roth Constanzo has not only released a new recording for Nonesuch, but he has written a book, also called Countertenor, which is published next week, by Farrar, Straus and Giroux. The album’s astoundingly eclectic programme embraces a world premiere recording of a new song by Osvaldo Golijov; arias by Philip Glass, Mozart, Vivaldi and  Monteverdi; a traditional Hawaiian song; John Dowland and Thomas Morley lute songs; a Klaus Nomi-inspired interpretation of John Madara and David White’s ‘You Don’t Own Me’; and the classic Frankie Valli and the Four Seasons’ number, ‘Walk Like a Man’. 

As well as being a highly acclaimed singer and opera director, with a remarkably broad repertoire, Anthony Roth Costanzo has, since June 2024, been General Director of Opera Philadelphia. James Jolly caught up with him by Zoom during rehearsals for a new Missy Mazzoli opera, Lincoln in the Bardo, which has just opened at New York’s Metropolitan Opera.

They talked about the castrato, how the countertenor re-emerged from obscurity in the middle of the last century, how his own voice has led him in many unexpected directions and how his experience in, among other things, Baroque and modern opera, shapes the way he approaches his role at the helm of Opera Philadelphia.

Anthony Roth Constanzo has not only released a new recording for Nonesuch, but he has written a book, also called Countertenor, which is published next week, by Farrar, Straus and Giroux. The album&rsquo;s astoundingly eclectic programme embraces&nbsp;a world premiere recording of a new song by Osvaldo Golijov;&nbsp;arias by Philip Glass, Mozart, Vivaldi and&nbsp; Monteverdi; a traditional Hawaiian song; John Dowland and Thomas Morley lute songs; a Klaus Nomi-inspired interpretation of John Madara and David White&rsquo;s &lsquo;You Don&rsquo;t Own Me&rsquo;; and the classic Frankie Valli and the&nbsp;Four Seasons&rsquo;&nbsp;number, &lsquo;Walk Like a Man&rsquo;.&nbsp;
As well as being a highly acclaimed singer and opera director, with a remarkably broad repertoire, Anthony Roth Costanzo has, since June 2024, been General Director of Opera Philadelphia. James Jolly caught up with him by Zoom during rehearsals for a new Missy Mazzoli opera,&nbsp;Lincoln in the Bardo, which has just opened at New York&rsquo;s Metropolitan Opera.
They talked about the castrato, how the countertenor re-emerged from obscurity in the middle of the last century, how his own voice has led him in many unexpected directions and how his experience in, among other things, Baroque and modern opera, shapes the way he approaches his role at the helm of Opera Philadelphia.

Anthony Roth Costanzo on his new album and book, 'Countertenor'

The Georgian-born pianist and composer – and a former Gramophone ‘One to Watch’ and Editor’s Choice recipient – Nicolas Namoradze has signed a recording contract with the Finnish Ondine label. The first fruit of the agreement is an album of solo Beethoven that includes two of the composer’s greatest fugues, the Grosse Fuge (the original last movement of the Op 130 String Quartet) which Namoradze has arranged for piano, and the Hammerklavier Sonata, Op 106, whose finale finds Beethoven writing one of his most dazzling examples of the form. The third work on the album is the earlier F major Piano Sonata, Op 54, which though not a fugue reveals the composer’s mastery of contrapuntal writing. James Jolly spoke to Nicolas Namoradze about the new album and explored Beethoven’s use of the fugue in these great works, and how the pianist, as composer, transformed the Grosse Fuge from music for four string instruments to a towering work for solo pianist.

This episode is sponsored by Concerto Budapest, and earlier this month Concerto Budapest and its Music Director András Keller celebrated the centenary of the legendary Hungarian composer György Kurtág with a special concert live from the Grand Hall of Budapest’s Liszt Academy which you can watch here on Gramophone’s website and also read an interview with András Keller about Concerto Budapest.

The Georgian-born pianist and composer &ndash; and a former Gramophone &lsquo;One to Watch&rsquo; and <a href="https://www.gramophone.co.uk/reviews/bowen-fragments-from-hans-andersen-nicolas-namoradze">Editor&rsquo;s Choice recipient</a> &ndash; Nicolas Namoradze has signed a recording contract with the Finnish Ondine label. The first fruit of the agreement is an album of solo Beethoven that includes two of the composer&rsquo;s greatest fugues, the&nbsp;Grosse Fuge (the original last movement of the Op 130 String Quartet) which Namoradze has arranged for piano, and the Hammerklavier Sonata, Op 106, whose finale finds Beethoven writing one of his most dazzling examples of the form. The third work on the album is the earlier F major Piano Sonata, Op 54, which though not a fugue reveals the composer&rsquo;s mastery of contrapuntal writing. James Jolly spoke to Nicolas Namoradze about the new album and explored Beethoven&rsquo;s use of the fugue in these great works, and how the pianist, as composer, transformed the Grosse Fuge from music for four string instruments to a towering work for solo pianist.
This episode is sponsored by <a href="https://concertobudapest.hu/concerto-budapest-orchestra">Concerto Budapest</a>, and&nbsp;earlier this month Concerto Budapest and its Music Director Andr&aacute;s Keller celebrated the centenary of the legendary Hungarian composer Gy&ouml;rgy Kurt&aacute;g with a special concert live from the Grand Hall of Budapest&rsquo;s Liszt Academy which you can watch here on Gramophone&rsquo;s <a href="https://www.gramophone.co.uk/content/news/watch-live-with-gramophone-concerto-budapest-s-kurtag-100-celebration-concert">website</a> and also read an <a href="https://www.gramophone.co.uk/content/features/concerto-budapest-kurtag-beethoven-and-a-story-of-survival">interview</a> with Andr&aacute;s Keller about Concerto Budapest.

Pianist-composer Nicolas Namoradze on his new Beethoven album

In this week's episode of The Gramophone Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes cellist Laura van der Heijden and horn player Ben Goldscheider to the studio to share two of their personal favourite recordings.

A video version of this podcast is available on the Gramophone website and YouTube channel

In this week's episode of The&nbsp;Gramophone Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes cellist Laura van der Heijden and horn player Ben Goldscheider to the studio to share two of their personal favourite recordings.
A video version of this podcast is available on the Gramophone website and YouTube channel

The Gramophone Listening Room – Episode 5, with Laura van der Heijden & Ben Goldscheider

In this special edition of the Gramophone Podcast, we explore the full list of winners from this year's Gramophone Classical Music Awards. Editor Martin Cullingford, Deputy Editor Tim Parry, Reviews Editor Gavin Dixon and Editor of Opera Now and Choir & Organ Hattie Butterworth talk through the Category Winners, the Special Awards, and of course the new Recording of the Year – complete with excerpts of every album.


Explore the awards issue available now.

In this special edition of the Gramophone Podcast, we explore the full list of winners from this year's Gramophone Classical Music Awards. Editor Martin Cullingford, Deputy Editor Tim Parry, Reviews Editor Gavin Dixon and Editor of Opera Now and Choir &amp; Organ Hattie Butterworth talk through the Category Winners, the Special Awards, and of course the new Recording of the Year &ndash; complete with excerpts of every album.
 <a href="https://www.gramophone.co.uk/content/classical-music-news/introducing-the-2026-awards-issue-of-gramophone">Explore the awards issue available now.</a>

Gramophone Classical Music Awards 2026: The Winners

Gus and Lily from Apollo 5 join Hattie in the Gramophone studio to discuss their new album, Crossings, out now on the Voces8 label. Mapping a musical journey across the centuries and ancient pilgrimage trail the Via Francigena, the album takes us from Morley's English madrigals to Italian Renaissance polyphony and new commissions from Francis Pott and Apollo 5 soprano, Penelope Appleyard.

This week's podcast is sponsored by Concerto Budapest. On 11 October at 19.30, you can watch Concerto Budapest live on Gramophone.co.uk from Budapest’s historic Liszt Academy, in a special concert celebrating György Kurtág in his centenary year. Conducted by András Keller, a former student and close musical collaborator of Kurtág, the concert pays tribute to one of Hungary’s greatest living composers.

Gus and Lily from Apollo 5 join Hattie in the Gramophone studio to discuss their new album, Crossings, out now on the Voces8 label. Mapping a musical journey across the centuries and ancient pilgrimage trail the Via Francigena, the album takes us from Morley's English madrigals to Italian Renaissance polyphony and new commissions from Francis Pott and Apollo 5 soprano, Penelope Appleyard.
This week's podcast is sponsored by <a href="https://www.concertobudapest.hu/v/kurtag-100-by-concerto-budapest---hungarian-gems-2026/" aria-label="Link Concerto Budapest">Concerto Budapest</a>. On 11 October at 19.30, you can watch Concerto Budapest live on Gramophone.co.uk from Budapest&rsquo;s historic Liszt Academy, in a special concert celebrating Gy&ouml;rgy Kurt&aacute;g in his centenary year. Conducted by Andr&aacute;s Keller, a former student and close musical collaborator of Kurt&aacute;g, the concert pays tribute to one of Hungary&rsquo;s greatest living composers.

Apollo 5 on their new album 'Crossings'

In a special edition of the Gramophone Podcast, Editor Martin Cullingford travelled to Bergen to spend time with our current Orchestra of the Year, the Bergen Philharmonic Orchestra, as they come to end of their year as holder of that title. He talks to Chief Executive and Managing Director Sigurd Sverdrup Sandmo about the orchestra’s history and its place in regional and national life, and then meets its newly named Chief Conductor Designate, Tabita Berglund. Throughout you can enjoy music taken from the Orchestra’s acclaimed recordings on the Chandos and Lawo labels, as well as from their opening concert of the new season.

In a special edition of the Gramophone Podcast, Editor Martin Cullingford travelled to Bergen to spend time with our current Orchestra of the Year, the Bergen Philharmonic Orchestra, as they come to end of their year as holder of that title. He talks to Chief Executive and Managing Director Sigurd Sverdrup Sandmo about the orchestra&rsquo;s history and its place in regional and national life, and then meets its newly named Chief Conductor Designate, Tabita Berglund. Throughout you can enjoy music taken from the Orchestra&rsquo;s acclaimed recordings on the Chandos and Lawo labels, as well as from their opening concert of the new season.

The Bergen Philharmonic Orchestra

For this week's Gramophone Podcast, conductor Lukáš Vasilek joins Editor Martin Cullingford to talk about his fascinating new recording with the Czech Philharmonic of Honegger's Jeanne d’Arc au bûcher - Joan of Arc at the Stake – newly released on the Animal Music label. 

For this week's Gramophone Podcast, conductor Luk&aacute;&scaron; Vasilek joins Editor Martin Cullingford to talk about his fascinating new recording with the Czech Philharmonic of Honegger's Jeanne d&rsquo;Arc au b&ucirc;cher - Joan of Arc at the Stake &ndash; newly released on the Animal Music label.&nbsp;

Lukáš Vasilek on  Honegger's Jeanne d’Arc au bûcher

Cellist Ben Michaels speaks to Hattie Butterworth about his new album on Delphian, 'for cello, by cellists'. Michaels speaks about commissioning cellist-composers, carving out a less typical career as a musician and the versatile identity of the cello.

Cellist Ben Michaels speaks to Hattie Butterworth about his new album on Delphian, 'for cello, by cellists'. Michaels speaks about commissioning cellist-composers, carving out a less typical career as a musician and the versatile identity of the cello.

Cellist Ben Michaels on commissioning music for cello

Weekly conversations about classical music with leading musicians and writers

Weekly conversations about classical music with leading musicians and writers

Gramophone Classical Music Podcast

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