Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with Akira Kurosawa’s 1946 drama No Regrets for Our Youth. Released in the immediate aftermath of WWII, the film stands out as a blatantly political entry in Kurosawa's catalog — and notably, his only film featuring a sole female protagonist.

Adam and Josh continue Filmspotting&rsquo;s Dissident Cinema Marathon with Akira Kurosawa&rsquo;s 1946 drama No Regrets for Our Youth. Released in the immediate aftermath of WWII, the film stands out as a blatantly political entry in Kurosawa's catalog &mdash; and notably, his only film featuring a sole female protagonist.

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

New and classic movie reviews and top 5 lists.

Filmspotting

Bringing silent film grammar to a post-war awakening. 

No Regrets for Our Youth: Kurosawa’s Bold Post-War Melodrama | Dissident Cinema

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/8040d2eb-a658-43ec-b9ac-b46200c0d627/transcript

With the world’s Spidey sense activated by Spider-Man: Brand New Day, Adam and Josh look back at the webslinger’s first 25 years on screen with their Top 5 Spider-Man Scenes. Yes, even Andrew Garfield gets a little love.

This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.

(Timecodes will not be precise with ads.)

Intro (00:00:00-00:02:35)

Top 5 Spider-Man Scenes – Pt. 1 (00:02:36-00:43:30)

Family Madness — Round 2 (00:43:31-00:51:22)

Notes / Poll: Best Spidey Movie (00:51:23-01:05:38)

Top 5 Spider-Man Scenes – Pt. 2 (01:05:38-01:36:46)

Credits / Releases (01:36:47-01:40:12)

Links:

“When Mary Jane Kissed Spider-Man” | The Ringer

https://www.theringer.com/2022/05/03/movies/spider-man-kiss-tobey-maguire-kirsten-dunst

"Goodbye to the Lake Street Screening Room" | RogerEbert.com
⁠https://www.rogerebert.com/features/a-home-away-from-home-goodbye-to-the-lake-street-screening-room

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With the world&rsquo;s Spidey sense activated by Spider-Man: Brand New Day, Adam and Josh look back at the webslinger&rsquo;s first 25 years on screen with their Top 5 Spider-Man Scenes. Yes, even Andrew Garfield gets a little love.
This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits.<a href="https://experience.regmovies.com/join-unlimited?utm_source=podcast&amp;utm_medium=referral&amp;utm_campaign=filmspotting"> Use code FILMSPOT26 to take 15% off.</a>
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:02:35)
Top 5 Spider-Man Scenes &ndash; Pt. 1 (00:02:36-00:43:30)
Family Madness &mdash; Round 2 (00:43:31-00:51:22)
Notes / Poll: Best Spidey Movie (00:51:23-01:05:38)
Top 5 Spider-Man Scenes &ndash; Pt. 2 (01:05:38-01:36:46)
Credits / Releases (01:36:47-01:40:12)
Links:
&ldquo;When Mary Jane Kissed Spider-Man&rdquo; | The Ringer
<a href="https://www.theringer.com/2022/05/03/movies/spider-man-kiss-tobey-maguire-kirsten-dunst">https://www.theringer.com/2022/05/03/movies/spider-man-kiss-tobey-maguire-kirsten-dunst</a>
"Goodbye to the Lake Street Screening Room" |&nbsp;<a href="http://RogerEbert.com">RogerEbert.com</a> ⁠<a href="https://www.rogerebert.com/features/a-home-away-from-home-goodbye-to-the-lake-street-screening-room">https://www.rogerebert.com/features/a-home-away-from-home-goodbye-to-the-lake-street-screening-room</a>
Feedback:
-Email us at <a href="mailto:feedback@filmspotting.net">feedback@filmspotting.net⁠⁠</a>
⁠⁠⁠⁠-<a href="https://forms.gle/PGVFAm4GvbmPJWqG8">⁠Ask Us Anything⁠</a>⁠⁠⁠⁠ and we might answer your question in bonus content.
Support:
-Join the Filmspotting Family for bonus episodes and complete archive access.
<a href="http://filmspottingfamily.com">http://filmspottingfamily.com</a>
-Filmspotting Shop for T-shirts and more.<a href="https://www.filmspotting.net/shop">⁠ ⁠</a>
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Top 5 Spider-Man Scenes | #1074

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/9d20289f-a99b-4bdc-858e-b497017a1a88/transcript

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain.  

Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Christopher Nolan&rsquo;s&nbsp;The Odyssey&nbsp;approaches Homer&rsquo;s epic from a much more literal vantage point than&nbsp;O Brother Where Art Thou,&nbsp;but that doesn&rsquo;t mean it&rsquo;s a dutiful, beat-by-beat adaptation. So this week we&rsquo;re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film&rsquo;s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of&nbsp;O Brother&nbsp;&rsquo;s music with a recommendation for the 2000 concert film&nbsp;Down From the Mountain.&nbsp;&nbsp;
Please share your thoughts about&nbsp;O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to&nbsp;<a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at (773) 234-9730.
Next Pairing: Matt Johnson&rsquo;s Tony&nbsp;and Brad Bird&rsquo;s&nbsp;Ratatouille
This episode is presented by⁠ <a href="https://www.regmovies.com/join-unlimited" data-saferedirecturl="https://www.google.com/url?q=https://www.regmovies.com/join-unlimited&amp;source=gmail&amp;ust=1785287833393000&amp;usg=AOvVaw0k5kqriFYLPbccDTgBzAsn">⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠</a>, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Home Sweet Homer, Pt. 2 — The Odyssey | Next Picture Show

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/95e03fa4-b021-40e5-a16c-b49500380212/transcript

Back in 2022, Adam and Josh gave Sam Raimi's Spider-Man the 20th anniversary Sacred Cow treatment. 

Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.

Back in 2022, Adam and Josh gave Sam Raimi's Spider-Man the 20th anniversary Sacred Cow treatment.&nbsp;
Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join <a href="https://filmspotting.supportingcast.fm/">the Filmspotting Family</a>⁠.

Great power, great responsibility, great movie.

Spider-Man (2002) | Archive

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/0d321c41-565b-4265-904b-b49600eb88ce/transcript

No Regrets for Our Youth: Kurosawa’s Bold Post-War Melodrama | Dissident Cinema

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