Columbus, OH-based composer Brian Harnetty describes himself as an “interdisciplinary artist using sound and listening to foster social change.” While the meaning of such a description may not be immediately apparent, Harnetty’s approach becomes clearer when reading through his CV: he frequently uses archival material such as field and historic recordings to create sound collages, capturing the essence of a subject from the fragments of it he’s collected. Some specific examples of his work in this area are recording projects with the Appalachian Sound Archives in Kentucky, the Sun Ra/El Saturn Creative Audio Archive in Chicago, and the Anne Grimes Collection in the Library of Congress. Harnetty’s work has garnered acclaim from publications ranging from The Wire, to Mojo, to Aquarium Drunkard, all three of which honored his 2022 release Words and Silences, a sonic portrait of the Trappist monk and writer Thomas Merton, on their “year-end best” lists. Here how works/performances by Igor Stravinsky, Frederic Rzewski, and Addie Graham informed his creative development.