In this episode of Vinyl Vibes, Jack is joined by Steve Bingham, former bass player of The Foundations. When Steve was 12 his sister took him to see a local band called The Strollers. This would be the first time Steve would see a bass and is the moment he fell in love with the bass sound. By 1969 Steve had formed a group called Misty. The band would release a single called Hot Cinnamon but it would not experience commercial success. The band would record an album in the same time called "Here Again" however the album would be shelved and not released until 2022 when after five decades of not being heard was released by Grapefruit Records.

Steve's big break would come when he was asked to join the successful band The Foundations (know for their song Build Me Up Buttercup). He would join in late 1969 at a time when the band were not experiencing as much commercial success as they previously had in 1967 and 1968. He would be featured as bass player on the band's single "I'm Gonna Be a Rich Man". The band would break up in 1971. 

After The Foundations, Steve would do a lot of work as a session bass player throughout the early '70s. One of his greatest works from this time is his bass playing on Colin Blunstone's 1972 album Ennismore. In 1974 Steve would play alongside ex-faces member Ronnie Lane on his debut solo album Anymore for Anymore - an album said to be Ronnie Lane's best work post-Faces.

Today Steve is still playing bass with his band Slim Chance and with Geno Washington & the Ram Jam Band. 

Jack phoned Steve to discuss his early musical beginnings, the impact Little Richard had on him, seeing bass for the first time when seeing local band The Strollers, the formation of Misty in 1969, his time in Misty, the bands album "Here Again", how he got to join The Foundations, the recording of "I'm Gonna Be a Rich Man", his memories of playing live with The Foundations, the break up of The Foundations, his session work during the early '70s, his work with Colin Blunstone, the recording of Ronnie Lane's Anymore for Anymore, the 1974 tour Ronnie Lane's Passing Show, and his recent work with Geno Washington & the Ram Jam Band.

"Another thing the Foundations were doing was, which I applaud them for, when I joined them, they were moving away from the pop stuff, it turned out to not be a great career move in all honesty but they were trying to sort of expand their musical horizons if you like and I was all for that" - Steve Bingham on this episode of Vinyl Vibes talking about the musical direction of the Foundations' later work

Episode Hosted and Produced by Jack Hodgins

In this episode of <a href="https://www.2nurfm.com.au/shows/vinyl-vibes">Vinyl Vibes</a>, Jack is joined by Steve Bingham, former bass player of The Foundations. When Steve was 12 his sister took him to see a local band called The Strollers. This would be the first time Steve would see a bass and is the moment he fell in love with the bass sound. By 1969 Steve had formed a group called Misty. The band would release a single called Hot Cinnamon but it would not experience commercial success. The band would record an album in the same time called "Here Again" however the album would be shelved and not released until 2022 when after five decades of not being heard was <a href="https://www.cherryred.co.uk/product/misty-here-again-cd/">released by Grapefruit Records.</a>
Steve's big break would come when he was asked to join the successful band The Foundations (know for their song Build Me Up Buttercup). He would join in late 1969 at a time when the band were not experiencing as much commercial success as they previously had in 1967 and 1968. He would be featured as bass player on the band's single "I'm Gonna Be a Rich Man". The band would break up in 1971. 
After The Foundations, Steve would do a lot of work as a session bass player throughout the early '70s. One of his greatest works from this time is his bass playing on Colin Blunstone's 1972 album Ennismore. In 1974 Steve would play alongside ex-faces member Ronnie Lane on his debut solo album Anymore for Anymore - an album said to be Ronnie Lane's best work post-Faces.
Today Steve is still playing bass with his band <a href="https://www.slim-chance.co.uk/">Slim Chance</a> and with <a href="http://www.genowashington.blogspot.com/">Geno Washington &amp; the Ram Jam Band</a>. 
Jack phoned Steve to discuss his early musical beginnings, the impact Little Richard had on him, seeing bass for the first time when seeing local band The Strollers, the formation of Misty in 1969, his time in Misty, the bands album "Here Again", how he got to join The Foundations, the recording of "I'm Gonna Be a Rich Man", his memories of playing live with The Foundations, the break up of The Foundations, his session work during the early '70s, his work with Colin Blunstone, the recording of Ronnie Lane's Anymore for Anymore, the 1974 tour Ronnie Lane's Passing Show, and his recent work with Geno Washington &amp; the Ram Jam Band.
"Another thing the Foundations were doing was, which I applaud them for, when I joined them, they were moving away from the pop stuff, it turned out to not be a great career move in all honesty but they were trying to sort of expand their musical horizons if you like and I was all for that" - Steve Bingham on this episode of Vinyl Vibes talking about the musical direction of the Foundations' later work
Episode Hosted and Produced by Jack Hodgins

Vinyl Vibes is a new music show created by Jack Hodgins. It features in-depth interviews with those who were a part of the vinyl era of music. If you are rocker, a groover or somewhere in between then this show is for you. On the podcast version you can find the uncut interviews but on the On Demand version you can listen to interviews along with music.

This show is the full creation of Jack Hodgins who is the producer, host and editor for the show. Jack has been a lover of older music since he can remember with Buddy Holly being the person who got him into music. He is even a musician himself having released his own EP.

Vinyl Vibes is a new music show created by Jack Hodgins. It features in-depth interviews with those who were a part of the vinyl era of music. If you are rocker, a groover or somewhere in between then this show is for you. On the podcast version you can find the uncut interviews but on the On Demand version you can listen to interviews along with music.
This show is the full creation of Jack Hodgins who is the producer, host and editor for the show. Jack has been a lover of older music since he can remember with Buddy Holly being the person who got him into music. He is even a musician himself having released his own EP.

Vinyl Vibes

Jack Hodgins interviews the likes of Colin Hanton (Quarrymen) about their music and lives.

Jack Hodgins interviews the likes of Colin Hanton (Quarrymen) about their music and lives.

Steve Bingham - Former Bass Player of The Foundations

On this episode of Vinyl Vibes, Jack is joined by Paul Speare, former saxophonist of Dexys Midnight Runners. Paul started playing music at the age of 15 and never stopped. While working as a music teacher in Birmingham, Paul frequently did session work at a local recording studio called Outlaw Studios. Dexys Midnight Runners also frequented the studio, and at one point, they were looking for a saxophonist. Paul was put in contact with Dexys by the owner of Outlaw Studios and soon joined the band on a temporary basis. After doing his first work for the band, playing the group's number one hit Geno on the 1980 Top of the Pops Christmas special, Paul decided to join as a full-time member.

In December 1981, sessions for the group's album Too-Rye-Ay began. It was over the course of these sessions that "Come On Eileen" was recorded. Paul remained in the group for the entire recording process of the Too-Rye-Ay album, only leaving the band after the final mixing session. Paul was struggling financially while being in Dexys at the time, and with "Come On Eileen" not yet a hit or even released, he decided to leave the band. "Come On Eileen" was released as a single in the UK in June 1982, and by August 1982, the song was number one, remaining there for four weeks. In Australia, the song was an even bigger hit, reaching number one in November 1982 for five weeks. Today, the song remains as popular as ever and has secured itself as an enduring classic.

After leaving Dexys, Paul joined forces with fellow ex-Dexys musicians Jim Paterson and Brian Maurice to form TKO Horns. The band got work immediately, playing for the likes of John Watts and also the Q-Tips. After touring with the Q-Tips, TKO Horns were approached by Elvis Costello. Paul, along with the TKO Horns, went on to tour the world with Costello and was prominently featured on Costello’s studio album Punch the Clock. Today, Paul is still making music, with a recent project being his 2023 EP In Search of Avet.

Jack Zoomed Paul to talk about his early days, what inspired him to start playing instruments at the age of 15, the impact his music teacher had on him, his early session work at Outlaw Studios, how he came to join Dexys Midnight Runners, his memories of playing on the 1980 Top of the Pops Christmas special, his first recording with Dexys (Plan B), The Projected Passion Revue Tour, the recording and writing of "Come On Eileen," the group's album Too-Rye-Ay, what made Paul leave the band, the success of "Come On Eileen," his work with TKO Horns, and his recent music work.

"It was such an unusual song, I mean there's never been another song like it before or since, really. I think we all realized there was something unique about it. Whether that would translate into it being a hit record on that scale, that it was, perhaps didn't occur to us." — Paul Speare talking about Come On Eileen in this episode of Vinyl Vibes.

Hosted and produced by Jack Hodgins.

On this episode of Vinyl Vibes, Jack is joined by Paul Speare, former saxophonist of Dexys Midnight Runners. Paul started playing music at the age of 15 and never stopped. While working as a music teacher in Birmingham, Paul frequently did session work at a local recording studio called Outlaw Studios. Dexys Midnight Runners also frequented the studio, and at one point, they were looking for a saxophonist. Paul was put in contact with Dexys by the owner of Outlaw Studios and soon joined the band on a temporary basis. After doing his first work for the band, playing the group's number one hit Geno on the 1980 Top of the Pops Christmas special, Paul decided to join as a full-time member.
In December 1981, sessions for the group's album Too-Rye-Ay began. It was over the course of these sessions that "Come On Eileen" was recorded. Paul remained in the group for the entire recording process of the Too-Rye-Ay album, only leaving the band after the final mixing session. Paul was struggling financially while being in Dexys at the time, and with "Come On Eileen" not yet a hit or even released, he decided to leave the band. "Come On Eileen" was released as a single in the UK in June 1982, and by August 1982, the song was number one, remaining there for four weeks. In Australia, the song was an even bigger hit, reaching number one in November 1982 for five weeks. Today, the song remains as popular as ever and has secured itself as an enduring classic.
After leaving Dexys, Paul joined forces with fellow ex-Dexys musicians Jim Paterson and Brian Maurice to form TKO Horns. The band got work immediately, playing for the likes of John Watts and also the Q-Tips. After touring with the Q-Tips, TKO Horns were approached by Elvis Costello. Paul, along with the TKO Horns, went on to tour the world with Costello and was prominently featured on Costello&rsquo;s studio album Punch the Clock. Today, Paul is still making music, with a recent project being his 2023 EP In Search of Avet.
Jack Zoomed Paul to talk about his early days, what inspired him to start playing instruments at the age of 15, the impact his music teacher had on him, his early session work at Outlaw Studios, how he came to join Dexys Midnight Runners, his memories of playing on the 1980 Top of the Pops Christmas special, his first recording with Dexys (Plan B), The Projected Passion Revue Tour, the recording and writing of "Come On Eileen," the group's album Too-Rye-Ay, what made Paul leave the band, the success of "Come On Eileen," his work with TKO Horns, and his recent music work.
"It was such an unusual song, I mean there's never been another song like it before or since, really. I think we all realized there was something unique about it. Whether that would translate into it being a hit record on that scale, that it was, perhaps didn't occur to us." &mdash; Paul Speare talking about Come On Eileen in this episode of Vinyl Vibes.
Hosted and produced by Jack Hodgins.

Paul Speare- Former Saxophonist of Dexys Midnight Runners

On this episode of Vinyl Vibes, Jack is joined by Robert Upchurch, long-time member of The Trammps. Finding his musical roots in gospel music, Robert began playing the R&B club circuit in Philadelphia in the early ‘70s. He was soon discovered and signed to Golden Fleece Records, where he released his debut single, The Devil Made Me Do It, and began his journey into disco music. After Robert released his debut single, the Golden Fleece label folded, and its artist roster was bought out by Atlantic Records. The Trammps, a disco group from Philadelphia, were also signed to Golden Fleece when it folded. Now with both artists on the Atlantic label, the label wanted to see how Robert would sound with The Trammps.

Robert officially joined The Trammps, and in 1977 he sang backing on their single Disco Inferno. At first, the single was only a moderate hit, reaching number 53 on the Billboard Hot 100 in the United States. However, the song was later added to the soundtrack of the disco film Saturday Night Fever. Disco Inferno then experienced immense success, becoming the closing track on the 40 million-selling Saturday Night Fever soundtrack album. As a reissued single, the song was also a hit in its own right, reaching number 11 on the Billboard Hot 100 and number 32 on the Australian Kent Music Charts. Today, the song is remembered as one of the signature tracks of the disco era.

Following the group's success with Disco Inferno, into the later ‘70s, disco started experiencing massive pushback from rock listeners. Like many disco groups of the time, The Trammps’ success started to fade. The Trammps would continue to make music into the ‘80s, with their last album, This One Is for the Party, being commercially unsuccessful and only seeing a release in the Netherlands. Since then, the group has continued to play live, and Robert has remained in the group all this time.

In this episode, Jack calls Robert to talk about his early life, hearing his voice for the first time on a reel-to-reel tape recorder, his time doing gospel music, hearing rock and roll for the first time, his time playing on the R&B club circuit, how he came to be discovered and signed to Golden Fleece Records, his first single The Devil Made Me Do It, how he came to join The Trammps in 1976, the recording of Trammps songs such as Disco Party and their famous Disco Inferno, playing his first gig with the group at Madison Square Garden, how Disco Inferno came to be featured in Saturday Night Fever, the success of Disco Inferno, the band's work into the '80s, and the group's touring today.

"The first time we heard it, we were at the office of our production company, and Ron Kersey, who wrote the song, played it for us. My first impression was 'Oh no,' because, like I said, I've never liked disco. I said, 'You guys gotta be kidding, you know, come on, haha.' The other guys thought it was okay, but I just didn't feel it would do anything." — Robert Upchurch on this episode of Vinyl Vibes, talking about hearing Disco Inferno for the first time.

Hosted and produced by Jack Hodgins.

On this episode of Vinyl Vibes, Jack is joined by Robert Upchurch, long-time member of <a href="https://www.thetrammps.net/">The Trammps</a>. Finding his musical roots in gospel music, Robert began playing the R&amp;B club circuit in Philadelphia in the early &lsquo;70s. He was soon discovered and signed to Golden Fleece Records, where he released his debut single, The Devil Made Me Do It, and began his journey into disco music. After Robert released his debut single, the Golden Fleece label folded, and its artist roster was bought out by Atlantic Records. The Trammps, a disco group from Philadelphia, were also signed to Golden Fleece when it folded. Now with both artists on the Atlantic label, the label wanted to see how Robert would sound with The Trammps.
Robert officially joined The Trammps, and in 1977 he sang backing on their single Disco Inferno. At first, the single was only a moderate hit, reaching number 53 on the Billboard Hot 100 in the United States. However, the song was later added to the soundtrack of the disco film Saturday Night Fever. Disco Inferno then experienced immense success, becoming the closing track on the 40 million-selling Saturday Night Fever soundtrack album. As a reissued single, the song was also a hit in its own right, reaching number 11 on the Billboard Hot 100 and number 32 on the Australian Kent Music Charts. Today, the song is remembered as one of the signature tracks of the disco era.
Following the group's success with Disco Inferno, into the later &lsquo;70s, disco started experiencing massive pushback from rock listeners. Like many disco groups of the time, The Trammps&rsquo; success started to fade. The Trammps would continue to make music into the &lsquo;80s, with their last album, This One Is for the Party, being commercially unsuccessful and only seeing a release in the Netherlands. Since then, the group has continued to play live, and Robert has remained in the group all this time.
In this episode, Jack calls Robert to talk about his early life, hearing his voice for the first time on a reel-to-reel tape recorder, his time doing gospel music, hearing rock and roll for the first time, his time playing on the R&amp;B club circuit, how he came to be discovered and signed to Golden Fleece Records, his first single The Devil Made Me Do It, how he came to join The Trammps in 1976, the recording of Trammps songs such as Disco Party and their famous Disco Inferno, playing his first gig with the group at Madison Square Garden, how Disco Inferno came to be featured in Saturday Night Fever, the success of Disco Inferno, the band's work into the '80s, and the group's touring today.
"The first time we heard it, we were at the office of our production company, and Ron Kersey, who wrote the song, played it for us. My first impression was 'Oh no,' because, like I said, I've never liked disco. I said, 'You guys gotta be kidding, you know, come on, haha.' The other guys thought it was okay, but I just didn't feel it would do anything." &mdash; Robert Upchurch on this episode of Vinyl Vibes, talking about hearing Disco Inferno for the first time.
Hosted and produced by Jack Hodgins.

Robert Upchurch - Backing Singer Of The Trammps

On this episode of Vinyl Vibes, Jack is joined by Issi Dye, '70s Pop Star. Issi first got into music after hearing the likes of the Everly Brothers and The Beatles. He formed his first group, Double Trouble, in 1965, beginning his career in music. In 1969, after singing backing on the Town Criers’ hit "Everlasting Love," Issi came to the attention of Festival Records and soon released his first solo single, "Incense." It would be a top 20 hit in Melbourne, bringing opportunities for further singles and TV appearances. Issi would release Family Full of Soul, his last single on the Festival label, in 1971, and it wouldn’t be until 1975 that he would release another single. During this four-year gap in recording music, Issi spent his time performing on TV and playing live shows. In 1975, now on the Image label, Issi's version of the Lloyd Price classic "Personality" was pressed as his final single.

In 1976, Issi would shift his focus from music to TV when he began hosting Issi Dye Presents Late Movies. He would continue this focus on TV into the ‘90s when he would again begin doing music as his main focus. Since the 1990s, Issi has been doing tribute shows to various artists such as Al Jolson, Johnny O'Keefe, and Bobby Darin. Issi is still performing tribute shows all over Australia.

In this episode, Issi discusses with Jack his early life growing up in Austria, his memories of hearing the likes of The Everly Brothers for the first time, his first group Double Trouble, how he came to the attention of Festival Records, the recording of hits such as Incense and One Last Kiss, his memories of supporting The Beach Boys and Roy Orbison, playing on the TV show Hit Scene, what it has been like seeing the rise of TikTok and Instagram in music, the recording of his last single "Personality," how he transitioned into TV in 1976, his journey to getting back into music in the '90s, and his current work doing tribute shows for the likes of Johnny O'Keefe and Bobby Darin.

"It's a spine-chilling time when you're sitting in your little old car... with one little radio on and you're turning it up and all of a sudden the guy goes, 'Oh, here's a song from that guy with all the hair, Issi Dye'... it's a big thrill." - Issi Dye on this episode of Vinyl Vibes, talking about hearing his hits on the radio.

Hosted and produced by Jack Hodgins

On this episode of Vinyl Vibes, Jack is joined by Issi Dye, '70s Pop Star. Issi first got into music after hearing the likes of the Everly Brothers and The Beatles. He formed his first group, Double Trouble, in 1965, beginning his career in music. In 1969, after singing backing on the Town Criers&rsquo; hit "Everlasting Love," Issi came to the attention of Festival Records and soon released his first solo single, "Incense." It would be a top 20 hit in Melbourne, bringing opportunities for further singles and TV appearances. Issi would release Family Full of Soul, his last single on the Festival label, in 1971, and it wouldn&rsquo;t be until 1975 that he would release another single. During this four-year gap in recording music, Issi spent his time performing on TV and playing live shows. In 1975, now on the Image label, Issi's version of the Lloyd Price classic "Personality" was pressed as his final single.
In 1976, Issi would shift his focus from music to TV when he began hosting Issi Dye Presents Late Movies. He would continue this focus on TV into the &lsquo;90s when he would again begin doing music as his main focus. Since the 1990s, Issi has been doing tribute shows to various artists such as Al Jolson, Johnny O'Keefe, and Bobby Darin. Issi is still performing tribute shows all over Australia.
In this episode, Issi discusses with Jack his early life growing up in Austria, his memories of hearing the likes of The Everly Brothers for the first time, his first group Double Trouble, how he came to the attention of Festival Records, the recording of hits such as Incense and One Last Kiss, his memories of supporting The Beach Boys and Roy Orbison, playing on the TV show Hit Scene, what it has been like seeing the rise of TikTok and Instagram in music, the recording of his last single "Personality," how he transitioned into TV in 1976, his journey to getting back into music in the '90s, and his current work doing tribute shows for the likes of Johnny O'Keefe and Bobby Darin.
"It's a spine-chilling time when you're sitting in your little old car... with one little radio on and you're turning it up and all of a sudden the guy goes, 'Oh, here's a song from that guy with all the hair, Issi Dye'... it's a big thrill." - Issi Dye on this episode of Vinyl Vibes, talking about hearing his hits on the radio.
Hosted and produced by Jack Hodgins

Steve Bingham - Former Bass Player of The Foundations

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