In this episode of Vinyl Vibes, Jack is joined by Steve Bingham, former bass player of The Foundations. When Steve was 12 his sister took him to see a local band called The Strollers. This would be the first time Steve would see a bass and is the moment he fell in love with the bass sound. By 1969 Steve had formed a group called Misty. The band would release a single called Hot Cinnamon but it would not experience commercial success. The band would record an album in the same time called "Here Again" however the album would be shelved and not released until 2022 when after five decades of not being heard was released by Grapefruit Records.

Steve's big break would come when he was asked to join the successful band The Foundations (know for their song Build Me Up Buttercup). He would join in late 1969 at a time when the band were not experiencing as much commercial success as they previously had in 1967 and 1968. He would be featured as bass player on the band's single "I'm Gonna Be a Rich Man". The band would break up in 1971. 

After The Foundations, Steve would do a lot of work as a session bass player throughout the early '70s. One of his greatest works from this time is his bass playing on Colin Blunstone's 1972 album Ennismore. In 1974 Steve would play alongside ex-faces member Ronnie Lane on his debut solo album Anymore for Anymore - an album said to be Ronnie Lane's best work post-Faces.

Today Steve is still playing bass with his band Slim Chance and with Geno Washington & the Ram Jam Band. 

Jack phoned Steve to discuss his early musical beginnings, the impact Little Richard had on him, seeing bass for the first time when seeing local band The Strollers, the formation of Misty in 1969, his time in Misty, the bands album "Here Again", how he got to join The Foundations, the recording of "I'm Gonna Be a Rich Man", his memories of playing live with The Foundations, the break up of The Foundations, his session work during the early '70s, his work with Colin Blunstone, the recording of Ronnie Lane's Anymore for Anymore, the 1974 tour Ronnie Lane's Passing Show, and his recent work with Geno Washington & the Ram Jam Band.

"Another thing the Foundations were doing was, which I applaud them for, when I joined them, they were moving away from the pop stuff, it turned out to not be a great career move in all honesty but they were trying to sort of expand their musical horizons if you like and I was all for that" - Steve Bingham on this episode of Vinyl Vibes talking about the musical direction of the Foundations' later work

Episode Hosted and Produced by Jack Hodgins

In this episode of <a href="https://www.2nurfm.com.au/shows/vinyl-vibes">Vinyl Vibes</a>, Jack is joined by Steve Bingham, former bass player of The Foundations. When Steve was 12 his sister took him to see a local band called The Strollers. This would be the first time Steve would see a bass and is the moment he fell in love with the bass sound. By 1969 Steve had formed a group called Misty. The band would release a single called Hot Cinnamon but it would not experience commercial success. The band would record an album in the same time called "Here Again" however the album would be shelved and not released until 2022 when after five decades of not being heard was <a href="https://www.cherryred.co.uk/product/misty-here-again-cd/">released by Grapefruit Records.</a>
Steve's big break would come when he was asked to join the successful band The Foundations (know for their song Build Me Up Buttercup). He would join in late 1969 at a time when the band were not experiencing as much commercial success as they previously had in 1967 and 1968. He would be featured as bass player on the band's single "I'm Gonna Be a Rich Man". The band would break up in 1971. 
After The Foundations, Steve would do a lot of work as a session bass player throughout the early '70s. One of his greatest works from this time is his bass playing on Colin Blunstone's 1972 album Ennismore. In 1974 Steve would play alongside ex-faces member Ronnie Lane on his debut solo album Anymore for Anymore - an album said to be Ronnie Lane's best work post-Faces.
Today Steve is still playing bass with his band <a href="https://www.slim-chance.co.uk/">Slim Chance</a> and with <a href="http://www.genowashington.blogspot.com/">Geno Washington &amp; the Ram Jam Band</a>. 
Jack phoned Steve to discuss his early musical beginnings, the impact Little Richard had on him, seeing bass for the first time when seeing local band The Strollers, the formation of Misty in 1969, his time in Misty, the bands album "Here Again", how he got to join The Foundations, the recording of "I'm Gonna Be a Rich Man", his memories of playing live with The Foundations, the break up of The Foundations, his session work during the early '70s, his work with Colin Blunstone, the recording of Ronnie Lane's Anymore for Anymore, the 1974 tour Ronnie Lane's Passing Show, and his recent work with Geno Washington &amp; the Ram Jam Band.
"Another thing the Foundations were doing was, which I applaud them for, when I joined them, they were moving away from the pop stuff, it turned out to not be a great career move in all honesty but they were trying to sort of expand their musical horizons if you like and I was all for that" - Steve Bingham on this episode of Vinyl Vibes talking about the musical direction of the Foundations' later work
Episode Hosted and Produced by Jack Hodgins

Vinyl Vibes is a new music show created by Jack Hodgins. It features in-depth interviews with those who were a part of the vinyl era of music. If you are rocker, a groover or somewhere in between then this show is for you. On the podcast version you can find the uncut interviews but on the On Demand version you can listen to interviews along with music.

This show is the full creation of Jack Hodgins who is the producer, host and editor for the show. Jack has been a lover of older music since he can remember with Buddy Holly being the person who got him into music. He is even a musician himself having released his own EP.

Vinyl Vibes is a new music show created by Jack Hodgins. It features in-depth interviews with those who were a part of the vinyl era of music. If you are rocker, a groover or somewhere in between then this show is for you. On the podcast version you can find the uncut interviews but on the On Demand version you can listen to interviews along with music.
This show is the full creation of Jack Hodgins who is the producer, host and editor for the show. Jack has been a lover of older music since he can remember with Buddy Holly being the person who got him into music. He is even a musician himself having released his own EP.

Vinyl Vibes

Jack Hodgins interviews the likes of Colin Hanton (Quarrymen) about their music and lives.

Jack Hodgins interviews the likes of Colin Hanton (Quarrymen) about their music and lives.

Steve Bingham - Former Bass Player of The Foundations

On this episode of Vinyl Vibes, Jack is joined by Mike Rudd, founder of Spectrum. Mike grew up in Christchurch New Zealand, finding a talent for singing early on. He would join his first major group in 1964, The Chants R&B. After becoming popular around New Zealand, the group moved to Australia in 1966. Soon after their arrival, the band would split leaving Mike without a group. Luckily he came to join Ross Wilson's Party Machine as bass player, despite never having played bass before. It was while in this group Mike was inspired greatly by the songwriting craftsmanship of Ross Wilson. After leaving Party Machine in 1969, Mike had the idea to create his own group around his own songs. This band would become Spectrum, and the first song he would write would be called "I'll Be Gone". This would become Spectrum's first single and would reach number one in Australia in 1971. It would be the group's biggest hit, and today remains an icon in Oz rock.

1972 would see the beginnings of pub rock with events like The Sunbury Pop Festival taking place. Much of Spectrum’s music was multidimensional and arguably intellectual, a very different sound to the straight forward rock and roll that groups such as Billy Thorpe and the Aztecs were finding popularity with at the time. This lead to Mike forming Spectrum's alter ego, The Indelible Murtceps. This band was devised by Mike to connect with the mainstream pub rock audiences. The band's fourth album would be credited to The Indelible Murtceps and Spectrum. It was called Testimonial and would come out in July 1973 just after the band broke up. It would be the band's last album for over 20 years until the band went back into the studio in 1999 to record their album Spill. The band recorded their latest album, No Thinking, in 2004. Today Spectrum is still available for gigs and Mike is also gigging with his band The Indelibles. 

Jack zoomed Mike to talk about his early music beginnings, his first professional band The Chant's R&B, his time in Ross Wilson's Party Machine, how Ross Wilson inspired Mike, the writing and recording of Spectrums hit "I'll be Gone", the "I'll be Gone" music video, the innovativeness of the group's first album Spectrum Part One, the first rock double album in Australia Milesago, his memories of playing the Sunbury Pop Festival, the formation of the band's alter ego The Indelible Murtceps, the differences in recording as the Indelible Murtceps, the band's fourth album Testimonial, the band's two recent albums, and his work today with The Indelibles. 

"After we had demoed it for the first time unsuccessfully, it had been rejected by EMI. Then we somehow found ourselves in the studio with Howard Gable...and recording...I wrote two songs "Launching Place" part one and part two - first part was an instrumental and the second part was the angry sounding song...so we recorded those...well, I look back on it now and think Howard was clearly unimpressed so he said 'have you got any other songs?', so I said 'we've got this one'...and when we played "I'll be Gone" he said "that's the one". - Mike Rudd on this episode of Vinyl Vibes talking about recording Spectrum's number one hit "I'll Be Gone"

Episode Hosted and Produced by Jack Hodgins 

On this episode of Vinyl Vibes, Jack is joined by <a href="https://www.mikeruddbillputt.com">Mike Rudd</a>, founder of Spectrum. Mike grew up in Christchurch New Zealand, finding a talent for singing early on. He would join his first major group in 1964, The Chants R&amp;B. After becoming popular around New Zealand, the group moved to Australia in 1966. Soon after their arrival, the band would split leaving Mike without a group. Luckily he came to join Ross Wilson's Party Machine as bass player, despite never having played bass before. It was while in this group Mike was inspired greatly by the songwriting craftsmanship of Ross Wilson. After leaving Party Machine in 1969, Mike had the idea to create his own group around his own songs. This band would become Spectrum, and the first song he would write would be called "I'll Be Gone". This would become Spectrum's first single and would reach number one in Australia in 1971. It would be the group's biggest hit, and today remains an icon in Oz rock.
1972 would see the beginnings of pub rock with events like The Sunbury Pop Festival taking place. Much of Spectrum’s music was multidimensional and arguably intellectual, a very different sound to the straight forward rock and roll that groups such as Billy Thorpe and the Aztecs were finding popularity with at the time. This lead to Mike forming Spectrum's alter ego, The Indelible Murtceps. This band was devised by Mike to connect with the mainstream pub rock audiences. The band's fourth album would be credited to The Indelible Murtceps and Spectrum. It was called Testimonial and would come out in July 1973 just after the band broke up. It would be the band's last album for over 20 years until the band went back into the studio in 1999 to record their album Spill. The band recorded their latest album, No Thinking, in 2004. Today Spectrum is still available for gigs and Mike is also gigging with his band The Indelibles. 
Jack zoomed Mike to talk about his early music beginnings, his first professional band The Chant's R&amp;B, his time in Ross Wilson's Party Machine, how Ross Wilson inspired Mike, the writing and recording of Spectrums hit "I'll be Gone", the "I'll be Gone" music video, the innovativeness of the group's first album Spectrum Part One, the first rock double album in Australia Milesago, his memories of playing the Sunbury Pop Festival, the formation of the band's alter ego The Indelible Murtceps, the differences in recording as the Indelible Murtceps, the band's fourth album Testimonial, the band's two recent albums, and his work today with The Indelibles. 
"After we had demoed it for the first time unsuccessfully, it had been rejected by EMI. Then we somehow found ourselves in the studio with Howard Gable...and recording...I wrote two songs "Launching Place" part one and part two - first part was an instrumental and the second part was the angry sounding song...so we recorded those...well, I look back on it now and think Howard was clearly unimpressed so he said 'have you got any other songs?', so I said 'we've got this one'...and when we played "I'll be Gone" he said "that's the one". - Mike Rudd on this episode of Vinyl Vibes talking about recording Spectrum's number one hit "I'll Be Gone"
Episode Hosted and Produced by Jack Hodgins

Mike Rudd - Founder of Spectrum

On this episode of Vinyl Vibes, Jack is joined by Jay Aston, founding member of Bucks Fizz. Jay was born into a theatrical and talented family, solidifying her skills in music and dance at an early age. In 1981, Jay auditioned to be part of a group called Buck Fizz, a group put together to perform at the year's upcoming Eurovision. She got the gig and the band would win the 1981 Eurovision contest with their song "Making Your Mind Up". As a single, it would be a worldwide smash hit, reaching number one in the UK and number six in Australia. Determined to not allow the group to be one-hit wonders, producer Andy Hill would go on to write "The Land of Make Believe" and "My Camera Never Lies" bringing the group two succeeding number one hits in a row. The group would come to an end 1984 after a near fatal bus crash involving the band. 

Jay remained in music, and since 2009 has been performing with The Fizz, a spin-off of the original group Bucks Fizz. The Fizz have released five albums with the most recent being Everything Under the Sun in 2022.

Jack discuses with Jay Aston her early beginnings, growing up in a talented family, her early music work, how she came to auditioned for Bucks Fizz, her memory of winning the 1981 Eurovision, the recording of "Making Your Mind Up", the continued success the group had during '82 and '83, the production work of Andy Hill, the album tracks of the band, her memories of playing on Top of The Pops, the band's the near fatal  bus crash, Jay's work post Bucks Fizz, and her work today with The Fizz.

"Cheryl and I could not agree on the skirt length and she went, "oh alright then, we'll come on with the long skirts and you can have the mini-skirts" - I thought that would get us more points - "and we'll rip them off in the middle" and I went yeah! That's a great idea!"  - Jay Aston on this episode of Vinyl Vibes talking about the iconic skirt rip in Buck Fizz's 1981 Eurovision performance

Episode Hosted and Produced by Jack Hodgins 

On this episode of Vinyl Vibes, Jack is joined by Jay Aston, founding member of Bucks Fizz. Jay was born into a theatrical and talented family, solidifying her skills in music and dance at an early age. In 1981, Jay auditioned to be part of a group called Buck Fizz, a group put together to perform at the year's upcoming Eurovision. She got the gig and the band would win the 1981 Eurovision contest with their song "Making Your Mind Up". As a single, it would be a worldwide smash hit, reaching number one in the UK and number six in Australia. Determined to not allow the group to be one-hit wonders, producer Andy Hill would go on to write "The Land of Make Believe" and "My Camera Never Lies" bringing the group two succeeding number one hits in a row. The group would come to an end 1984 after a near fatal bus crash involving the band. 
Jay remained in music, and since 2009 has been performing with The Fizz, a spin-off of the original group Bucks Fizz. The Fizz have released five albums with the most recent being Everything Under the Sun in 2022.
Jack discuses with Jay Aston her early beginnings, growing up in a talented family, her early music work, how she came to auditioned for Bucks Fizz, her memory of winning the 1981 Eurovision, the recording of "Making Your Mind Up", the continued success the group had during '82 and '83, the production work of Andy Hill, the album tracks of the band, her memories of playing on Top of The Pops, the band's the near fatal  bus crash, Jay's work post Bucks Fizz, and her work today with The Fizz.
"Cheryl and I could not agree on the skirt length and she went, "oh alright then, we'll come on with the long skirts and you can have the mini-skirts" - I thought that would get us more points - "and we'll rip them off in the middle" and I went yeah! That's a great idea!"  - Jay Aston on this episode of Vinyl Vibes talking about the iconic skirt rip in Buck Fizz's 1981 Eurovision performance
Episode Hosted and Produced by Jack Hodgins

Jay Aston- Founding Member of Bucks Fizz

On this episode of Vinyl Vibes, Jack is joined by Gary Talley, lead guitarist of The Box Tops. Gary joined a group called The Devilles in 1966. Soon after joining the group the band's manager organised a recording session. For the session the band were given a song called The Letter. Despite being the band first single It would become a number one hit in the US and a number four hit in Australia. More recently the song was voted number 372 on Rolling Stone's list of the "500 Greatest Songs of All Time". The band would follow up with Cry Like A Baby whichwould reach number 2 in the US. The bands song "Choo Choo Train", their fourth single, would be featured in the 2019 film Once Upon a Time in Hollywood. The band's last bonafide hit would be "Soul Deep" which would be a top ten hit in Australia. After disbanding in 1970, Gary remained in music and in 1996 the group reformed and today are still on the road. The band's latest album Tear Off! came out in 1998. 

Today Gary is still playing with the Box Tops and recently has made three gospel albums with his 97 year old mother Nita. 

Jack Zoomed Gary to talk about his early music beginnings, the impact the likes of Elvis and the Beatles had on him, his time in the band In Crowd, how he came to join The Devilles, his early memories of frontman Alex Chilton, how the band came to record The Letter, the success of The Letter, his memories of playing alongside the Beach Boys and The Doors, having Choo Choo Train in Once Upon a Time in Hollywood, his thoughts on the film Once Upon a Time in Hollywood, the groups work into the later '60s, the band's reformation in the '90s, the bands album Tear Off!, and the Box Tops' music work today. 

"We were on a Beach Boys tour...I was back in my hotel room alone on my birthday after the gig and I was thinking "well you know turned 21"...and somebody knocks on the door and I open the door and its our bass player Bill with Dennis, Carl and Al Jardine. The Beach Boys, they had a birthday cake with candles lit...and they sang happy birthday to me". - Gary Talley talking about a Beach Boys tour he did with the Box Tops on this episode of Vinyl Vibes

Episode Hosted and Produced by Jack Hodgins

On this episode of Vinyl Vibes, Jack is joined by <a href="https://garytalley.com">Gary Talley</a>, lead guitarist of <a href="https://boxtops.com">The Box Tops</a>. Gary joined a group called The Devilles in 1966. Soon after joining the group the band's manager organised a recording session. For the session the band were given a song called The Letter. Despite being the band first single It would become a number one hit in the US and a number four hit in Australia. More recently the song was voted number 372 on Rolling Stone's list of the "500 Greatest Songs of All Time". The band would follow up with Cry Like A Baby which would reach number 2 in the US. The bands song "Choo Choo Train", their fourth single, would be featured in the 2019 film Once Upon a Time in Hollywood. The band's last bonafide hit would be "Soul Deep" which would be a top ten hit in Australia. After disbanding in 1970, Gary remained in music and in 1996 the group reformed and today are still on the road. The band's latest album Tear Off! came out in 1998. 
Today Gary is still playing with the Box Tops and recently has made three gospel albums with his 97 year old mother Nita. 
Jack Zoomed Gary to talk about his early music beginnings, the impact the likes of Elvis and the Beatles had on him, his time in the band In Crowd, how he came to join The Devilles, his early memories of frontman Alex Chilton, how the band came to record The Letter, the success of The Letter, his memories of playing alongside the Beach Boys and The Doors, having Choo Choo Train in Once Upon a Time in Hollywood, his thoughts on the film Once Upon a Time in Hollywood, the groups work into the later '60s, the band's reformation in the '90s, the bands album Tear Off!, and the Box Tops' music work today. 
"We were on a Beach Boys tour...I was back in my hotel room alone on my birthday after the gig and I was thinking "well you know turned 21"...and somebody knocks on the door and I open the door and its our bass player Bill with Dennis, Carl and Al Jardine. The Beach Boys, they had a birthday cake with candles lit...and they sang happy birthday to me". - Gary Talley talking about a Beach Boys tour he did with the Box Tops on this episode of Vinyl Vibes
Episode Hosted and Produced by Jack Hodgins

Steve Bingham - Former Bass Player of The Foundations

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