In this episode of Vinyl Vibes, Jack is joined by John Hood, founding member of Sid Rumpo. John has been fascinated with the blues since 1964. This interest was sparked by the Rolling Stones, most notably their classic "The Little Red Rooster". At age 15 John got his first guitar and over the next three years would learn to play. In 1967 John would join his first band My Grandfather's Blues. This group, now called The Jellyroll Bakers, would come to an end in 1969. John spent the majority of 1971 working at 78 Records before Sid Rumpo was formed in November 1971 in Perth. Over the course of 1972 the band would become quite popular in Perth. They would win the 1972 state final of Hoadley's Battle of the Sounds and as a result make their way to Melbourne. Sid Rumpo would perform at the iconic 1973 Sunbury Pop Festival and are featured on the triple LP set brought out by Mushroom records featuring live recordings from the festival. In August 1973 John would leave the group. Eight months later Sid Rumpo would record their first album "First Offence" without John. The album would reach 33 on the albums chart in Australia. 

John has remained in music and more recently has released over dozen solo albums. He has written two books, his first "For The Love Of Music: The Life and Times of a West Australian Bluesman": is about his own musical journey. His second book "Immersed In Blues: A Musical Journey": is about his journey in blues and his thoughts on the blues. 

Jack talked to John via phone about his early musical beginnings, the impact The Rolling Stones had on him, his journey in discovering the origins of the blues in the pre-internet days, his journey learning guitar and harmonica, his time in The Jellyroll Bakers, the formation of Sid Rumpo, how the name Sid Rumpo came to be, the writing of the band's early songs, the bands time playing in Perth, the bands winning of Hoadley's Battle of the Sounds, the band's time in Melbourne, the band's performance at the 1973 Sunbury Pop Festival, why he left Sid Rumpo, his two books and his more recent music work. 

"I hate to be frivolous but I was hardly there. We played on the Saturday afternoon and when we finished I listened to Matt Taylor and then I went back to Rob Sunbury's farm that his parents owned...I just didn't like Sunbury. It was all dirty filthy people boozed out of their minds so I just didn't enjoy it- I liked playing- but I didn't like the festival." - John Hood on this episode of Vinyl Vibes talking about the 1973 Sunbury Pop Festival

Episode Hosted and Produced by Jack Hodgins

In this episode of Vinyl Vibes, Jack is joined by John Hood, founding member of Sid Rumpo. John has been fascinated with the blues since 1964. This interest was sparked by the Rolling Stones, most notably their classic "The Little Red Rooster". At age 15 John got his first guitar and over the next three years would learn to play. In 1967 John would join his first band My Grandfather's Blues. This group, now called The Jellyroll Bakers, would come to an end in 1969. John spent the majority of 1971 working at 78 Records before Sid Rumpo was formed in November 1971 in Perth. Over the course of 1972 the band would become quite popular in Perth. They would win the 1972 state final of Hoadley's Battle of the Sounds and as a result make their way to Melbourne. Sid Rumpo would perform at the iconic 1973 Sunbury Pop Festival and are featured on the triple LP set brought out by Mushroom records featuring live recordings from the festival. In August 1973 John would leave the group. Eight months later Sid Rumpo would record their first album "First Offence" without John. The album would reach 33 on the albums chart in Australia. 
John has remained in music and more recently has released over dozen solo albums. He has written two books, his first <a href="https://www.amazon.com.au/Love-Music-Times-Australian-Bluesman-ebook/dp/B071X1B9XZ">"</a><a href="https://www.amazon.com.au/Love-Music-Times-Australian-Bluesman-ebook/dp/B071X1B9XZ">For The Love Of Music: The Life and Times of a West Australian Bluesman</a>": is about his own musical journey. His second book "<a href="https://www.amazon.com.au/Immersed-Blues-Musical-John-Hood-ebook/dp/B0862C9FRP/ref=sr_1_4?dib=eyJ2IjoiMSJ9.jiSDFCYyJyWyEcJAi2G17NNl2wBBjE8U5ypgihrYxTjkAISpvaOlgwUx2JyWBt33ygHPLZmmY-69wLDZroHwhBD56wXSZBBmQUa213Ud_KOAUdL30O5WvpV5GXL2LyVF14UDm8x0re3JXsYZxw2YWFjP4tWsV-5sLgZ6xet12013pvsakeMnvmMcwKmCxDavnAJAsGyD5PBDl7UbGmvYUFvzaTK5bKyczA4GG_GgIYU.QUQQ_KOkQteDvch2zmVym_f0sE-fLaorK2baBxLhDVU&amp;dib_tag=se&amp;qid=1711865542&amp;refinements=p_27%3AJohn+Hood&amp;s=digital-text&amp;sr=1-4&amp;text=John+Hood">Immersed In Blues: A Musical Journey"</a>: is about his journey in blues and his thoughts on the blues. 
Jack talked to John via phone about his early musical beginnings, the impact The Rolling Stones had on him, his journey in discovering the origins of the blues in the pre-internet days, his journey learning guitar and harmonica, his time in The Jellyroll Bakers, the formation of Sid Rumpo, how the name Sid Rumpo came to be, the writing of the band's early songs, the bands time playing in Perth, the bands winning of Hoadley's Battle of the Sounds, the band's time in Melbourne, the band's performance at the 1973 Sunbury Pop Festival, why he left Sid Rumpo, his two books and his more recent music work. 
"I hate to be frivolous but I was hardly there. We played on the Saturday afternoon and when we finished I listened to Matt Taylor and then I went back to Rob Sunbury's farm that his parents owned...I just didn't like Sunbury. It was all dirty filthy people boozed out of their minds so I just didn't enjoy it- I liked playing- but I didn't like the festival." - John Hood on this episode of Vinyl Vibes talking about the 1973 Sunbury Pop Festival
Episode Hosted and Produced by Jack Hodgins

Vinyl Vibes is a new music show created by Jack Hodgins. It features in-depth interviews with those who were a part of the vinyl era of music. If you are rocker, a groover or somewhere in between then this show is for you. On the podcast version you can find the uncut interviews but on the On Demand version you can listen to interviews along with music.

This show is the full creation of Jack Hodgins who is the producer, host and editor for the show. Jack has been a lover of older music since he can remember with Buddy Holly being the person who got him into music. He is even a musician himself having released his own EP.

Vinyl Vibes is a new music show created by Jack Hodgins. It features in-depth interviews with those who were a part of the vinyl era of music. If you are rocker, a groover or somewhere in between then this show is for you. On the podcast version you can find the uncut interviews but on the On Demand version you can listen to interviews along with music.
This show is the full creation of Jack Hodgins who is the producer, host and editor for the show. Jack has been a lover of older music since he can remember with Buddy Holly being the person who got him into music. He is even a musician himself having released his own EP.

Vinyl Vibes

Jack Hodgins interviews the likes of Colin Hanton (Quarrymen) about their music and lives.

Jack Hodgins interviews the likes of Colin Hanton (Quarrymen) about their music and lives.

John Hood - Founding Member of Sid Rumpo

On this episode of Vinyl Vibes, Jack is joined by Mike Rudd, founder of Spectrum. Mike grew up in Christchurch New Zealand, finding a talent for singing early on. He would join his first major group in 1964, The Chants R&B. After becoming popular around New Zealand, the group moved to Australia in 1966. Soon after their arrival, the band would split leaving Mike without a group. Luckily he came to join Ross Wilson's Party Machine as bass player, despite never having played bass before. It was while in this group Mike was inspired greatly by the songwriting craftsmanship of Ross Wilson. After leaving Party Machine in 1969, Mike had the idea to create his own group around his own songs. This band would become Spectrum, and the first song he would write would be called "I'll Be Gone". This would become Spectrum's first single and would reach number one in Australia in 1971. It would be the group's biggest hit, and today remains an icon in Oz rock.

1972 would see the beginnings of pub rock with events like The Sunbury Pop Festival taking place. Much of Spectrum’s music was multidimensional and arguably intellectual, a very different sound to the straight forward rock and roll that groups such as Billy Thorpe and the Aztecs were finding popularity with at the time. This lead to Mike forming Spectrum's alter ego, The Indelible Murtceps. This band was devised by Mike to connect with the mainstream pub rock audiences. The band's fourth album would be credited to The Indelible Murtceps and Spectrum. It was called Testimonial and would come out in July 1973 just after the band broke up. It would be the band's last album for over 20 years until the band went back into the studio in 1999 to record their album Spill. The band recorded their latest album, No Thinking, in 2004. Today Spectrum is still available for gigs and Mike is also gigging with his band The Indelibles. 

Jack zoomed Mike to talk about his early music beginnings, his first professional band The Chant's R&B, his time in Ross Wilson's Party Machine, how Ross Wilson inspired Mike, the writing and recording of Spectrums hit "I'll be Gone", the "I'll be Gone" music video, the innovativeness of the group's first album Spectrum Part One, the first rock double album in Australia Milesago, his memories of playing the Sunbury Pop Festival, the formation of the band's alter ego The Indelible Murtceps, the differences in recording as the Indelible Murtceps, the band's fourth album Testimonial, the band's two recent albums, and his work today with The Indelibles. 

"After we had demoed it for the first time unsuccessfully, it had been rejected by EMI. Then we somehow found ourselves in the studio with Howard Gable...and recording...I wrote two songs "Launching Place" part one and part two - first part was an instrumental and the second part was the angry sounding song...so we recorded those...well, I look back on it now and think Howard was clearly unimpressed so he said 'have you got any other songs?', so I said 'we've got this one'...and when we played "I'll be Gone" he said "that's the one". - Mike Rudd on this episode of Vinyl Vibes talking about recording Spectrum's number one hit "I'll Be Gone"

Episode Hosted and Produced by Jack Hodgins 

On this episode of Vinyl Vibes, Jack is joined by <a href="https://www.mikeruddbillputt.com">Mike Rudd</a>, founder of Spectrum. Mike grew up in Christchurch New Zealand, finding a talent for singing early on. He would join his first major group in 1964, The Chants R&amp;B. After becoming popular around New Zealand, the group moved to Australia in 1966. Soon after their arrival, the band would split leaving Mike without a group. Luckily he came to join Ross Wilson's Party Machine as bass player, despite never having played bass before. It was while in this group Mike was inspired greatly by the songwriting craftsmanship of Ross Wilson. After leaving Party Machine in 1969, Mike had the idea to create his own group around his own songs. This band would become Spectrum, and the first song he would write would be called "I'll Be Gone". This would become Spectrum's first single and would reach number one in Australia in 1971. It would be the group's biggest hit, and today remains an icon in Oz rock.
1972 would see the beginnings of pub rock with events like The Sunbury Pop Festival taking place. Much of Spectrum’s music was multidimensional and arguably intellectual, a very different sound to the straight forward rock and roll that groups such as Billy Thorpe and the Aztecs were finding popularity with at the time. This lead to Mike forming Spectrum's alter ego, The Indelible Murtceps. This band was devised by Mike to connect with the mainstream pub rock audiences. The band's fourth album would be credited to The Indelible Murtceps and Spectrum. It was called Testimonial and would come out in July 1973 just after the band broke up. It would be the band's last album for over 20 years until the band went back into the studio in 1999 to record their album Spill. The band recorded their latest album, No Thinking, in 2004. Today Spectrum is still available for gigs and Mike is also gigging with his band The Indelibles. 
Jack zoomed Mike to talk about his early music beginnings, his first professional band The Chant's R&amp;B, his time in Ross Wilson's Party Machine, how Ross Wilson inspired Mike, the writing and recording of Spectrums hit "I'll be Gone", the "I'll be Gone" music video, the innovativeness of the group's first album Spectrum Part One, the first rock double album in Australia Milesago, his memories of playing the Sunbury Pop Festival, the formation of the band's alter ego The Indelible Murtceps, the differences in recording as the Indelible Murtceps, the band's fourth album Testimonial, the band's two recent albums, and his work today with The Indelibles. 
"After we had demoed it for the first time unsuccessfully, it had been rejected by EMI. Then we somehow found ourselves in the studio with Howard Gable...and recording...I wrote two songs "Launching Place" part one and part two - first part was an instrumental and the second part was the angry sounding song...so we recorded those...well, I look back on it now and think Howard was clearly unimpressed so he said 'have you got any other songs?', so I said 'we've got this one'...and when we played "I'll be Gone" he said "that's the one". - Mike Rudd on this episode of Vinyl Vibes talking about recording Spectrum's number one hit "I'll Be Gone"
Episode Hosted and Produced by Jack Hodgins

Mike Rudd - Founder of Spectrum

On this episode of Vinyl Vibes, Jack is joined by Jay Aston, founding member of Bucks Fizz. Jay was born into a theatrical and talented family, solidifying her skills in music and dance at an early age. In 1981, Jay auditioned to be part of a group called Buck Fizz, a group put together to perform at the year's upcoming Eurovision. She got the gig and the band would win the 1981 Eurovision contest with their song "Making Your Mind Up". As a single, it would be a worldwide smash hit, reaching number one in the UK and number six in Australia. Determined to not allow the group to be one-hit wonders, producer Andy Hill would go on to write "The Land of Make Believe" and "My Camera Never Lies" bringing the group two succeeding number one hits in a row. The group would come to an end 1984 after a near fatal bus crash involving the band. 

Jay remained in music, and since 2009 has been performing with The Fizz, a spin-off of the original group Bucks Fizz. The Fizz have released five albums with the most recent being Everything Under the Sun in 2022.

Jack discuses with Jay Aston her early beginnings, growing up in a talented family, her early music work, how she came to auditioned for Bucks Fizz, her memory of winning the 1981 Eurovision, the recording of "Making Your Mind Up", the continued success the group had during '82 and '83, the production work of Andy Hill, the album tracks of the band, her memories of playing on Top of The Pops, the band's the near fatal  bus crash, Jay's work post Bucks Fizz, and her work today with The Fizz.

"Cheryl and I could not agree on the skirt length and she went, "oh alright then, we'll come on with the long skirts and you can have the mini-skirts" - I thought that would get us more points - "and we'll rip them off in the middle" and I went yeah! That's a great idea!"  - Jay Aston on this episode of Vinyl Vibes talking about the iconic skirt rip in Buck Fizz's 1981 Eurovision performance

Episode Hosted and Produced by Jack Hodgins 

On this episode of Vinyl Vibes, Jack is joined by Jay Aston, founding member of Bucks Fizz. Jay was born into a theatrical and talented family, solidifying her skills in music and dance at an early age. In 1981, Jay auditioned to be part of a group called Buck Fizz, a group put together to perform at the year's upcoming Eurovision. She got the gig and the band would win the 1981 Eurovision contest with their song "Making Your Mind Up". As a single, it would be a worldwide smash hit, reaching number one in the UK and number six in Australia. Determined to not allow the group to be one-hit wonders, producer Andy Hill would go on to write "The Land of Make Believe" and "My Camera Never Lies" bringing the group two succeeding number one hits in a row. The group would come to an end 1984 after a near fatal bus crash involving the band. 
Jay remained in music, and since 2009 has been performing with The Fizz, a spin-off of the original group Bucks Fizz. The Fizz have released five albums with the most recent being Everything Under the Sun in 2022.
Jack discuses with Jay Aston her early beginnings, growing up in a talented family, her early music work, how she came to auditioned for Bucks Fizz, her memory of winning the 1981 Eurovision, the recording of "Making Your Mind Up", the continued success the group had during '82 and '83, the production work of Andy Hill, the album tracks of the band, her memories of playing on Top of The Pops, the band's the near fatal  bus crash, Jay's work post Bucks Fizz, and her work today with The Fizz.
"Cheryl and I could not agree on the skirt length and she went, "oh alright then, we'll come on with the long skirts and you can have the mini-skirts" - I thought that would get us more points - "and we'll rip them off in the middle" and I went yeah! That's a great idea!"  - Jay Aston on this episode of Vinyl Vibes talking about the iconic skirt rip in Buck Fizz's 1981 Eurovision performance
Episode Hosted and Produced by Jack Hodgins

Jay Aston- Founding Member of Bucks Fizz

On this episode of Vinyl Vibes, Jack is joined by Gary Talley, lead guitarist of The Box Tops. Gary joined a group called The Devilles in 1966. Soon after joining the group the band's manager organised a recording session. For the session the band were given a song called The Letter. Despite being the band first single It would become a number one hit in the US and a number four hit in Australia. More recently the song was voted number 372 on Rolling Stone's list of the "500 Greatest Songs of All Time". The band would follow up with Cry Like A Baby whichwould reach number 2 in the US. The bands song "Choo Choo Train", their fourth single, would be featured in the 2019 film Once Upon a Time in Hollywood. The band's last bonafide hit would be "Soul Deep" which would be a top ten hit in Australia. After disbanding in 1970, Gary remained in music and in 1996 the group reformed and today are still on the road. The band's latest album Tear Off! came out in 1998. 

Today Gary is still playing with the Box Tops and recently has made three gospel albums with his 97 year old mother Nita. 

Jack Zoomed Gary to talk about his early music beginnings, the impact the likes of Elvis and the Beatles had on him, his time in the band In Crowd, how he came to join The Devilles, his early memories of frontman Alex Chilton, how the band came to record The Letter, the success of The Letter, his memories of playing alongside the Beach Boys and The Doors, having Choo Choo Train in Once Upon a Time in Hollywood, his thoughts on the film Once Upon a Time in Hollywood, the groups work into the later '60s, the band's reformation in the '90s, the bands album Tear Off!, and the Box Tops' music work today. 

"We were on a Beach Boys tour...I was back in my hotel room alone on my birthday after the gig and I was thinking "well you know turned 21"...and somebody knocks on the door and I open the door and its our bass player Bill with Dennis, Carl and Al Jardine. The Beach Boys, they had a birthday cake with candles lit...and they sang happy birthday to me". - Gary Talley talking about a Beach Boys tour he did with the Box Tops on this episode of Vinyl Vibes

Episode Hosted and Produced by Jack Hodgins

On this episode of Vinyl Vibes, Jack is joined by <a href="https://garytalley.com">Gary Talley</a>, lead guitarist of <a href="https://boxtops.com">The Box Tops</a>. Gary joined a group called The Devilles in 1966. Soon after joining the group the band's manager organised a recording session. For the session the band were given a song called The Letter. Despite being the band first single It would become a number one hit in the US and a number four hit in Australia. More recently the song was voted number 372 on Rolling Stone's list of the "500 Greatest Songs of All Time". The band would follow up with Cry Like A Baby which would reach number 2 in the US. The bands song "Choo Choo Train", their fourth single, would be featured in the 2019 film Once Upon a Time in Hollywood. The band's last bonafide hit would be "Soul Deep" which would be a top ten hit in Australia. After disbanding in 1970, Gary remained in music and in 1996 the group reformed and today are still on the road. The band's latest album Tear Off! came out in 1998. 
Today Gary is still playing with the Box Tops and recently has made three gospel albums with his 97 year old mother Nita. 
Jack Zoomed Gary to talk about his early music beginnings, the impact the likes of Elvis and the Beatles had on him, his time in the band In Crowd, how he came to join The Devilles, his early memories of frontman Alex Chilton, how the band came to record The Letter, the success of The Letter, his memories of playing alongside the Beach Boys and The Doors, having Choo Choo Train in Once Upon a Time in Hollywood, his thoughts on the film Once Upon a Time in Hollywood, the groups work into the later '60s, the band's reformation in the '90s, the bands album Tear Off!, and the Box Tops' music work today. 
"We were on a Beach Boys tour...I was back in my hotel room alone on my birthday after the gig and I was thinking "well you know turned 21"...and somebody knocks on the door and I open the door and its our bass player Bill with Dennis, Carl and Al Jardine. The Beach Boys, they had a birthday cake with candles lit...and they sang happy birthday to me". - Gary Talley talking about a Beach Boys tour he did with the Box Tops on this episode of Vinyl Vibes
Episode Hosted and Produced by Jack Hodgins

John Hood - Founding Member of Sid Rumpo

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