Recording, creating and compiling the sounds for different types of theatre work. Providing the audio file for easy playback in the venue. In this episode I chat to a composer, about the early communications to the final adjustments in the theatre. We talk about the software used and his “Swish army knife” of plug ins.

To hear examples of his work, please visit www.svb-audio.com

For more show notes and links check out

https://www.facebook.com/UnseenTheatrics/

Podcast Episode Summary

00:00 Intro

0:59 As a composer what are you responsible for?

1:57 What do you consider the hardest part of composing music?

3:17 Where do you get your inspiration from to compose pieces of music?

4:34 What software and technology do you use in your set up?

7:53 Do you have microphone for recording effects if needed?

10:31 How do you get the work?

11:31 Who is your biggest market for composing?

12:18 In theatre do you make more sound scapes or sound effects?

13:42 Do you create your own sounds or source them?

14:57 What are the early conversations about with the creatives?

17:29 What are some of the weird way clients have tried to describe a sound they wanted?

Pre Production; 

18:52 How much time do you spend in the rehearsal room?

19:47From the first meeting how quickly do you try and get some content to them?

21:17 What is the expected turn around time for changes?

23:05 Is the full track set before getting to the theatre?

23:40 What software do you use to record and edit your tracks in?

24:58 How do you keep track of the latest version between the three programs?

26:16 What are the different plug ins you use?

28:51 What are your three most valued plug ins?

Bump In; 

32:33 What dose bump in look like for you?

35:10 What are you listening for when you first play you track in the venue?

39:46 After hearing the venues audio system are you changing your mix in protools or changing it in the playback software?

40:57   Do you have discussions with creatives about the level of the audio?

42:29 Who else do you get feedback from in the venue?

Tech Run;

43:23 Are you still making changes in technical and dress runs?

44:48 How do you know how much music to make so they don’t run out?

45:24 How do you make the tracks flow if they don’t change at the same point each night?

Show Day; 

47:44 Are you finished by show day?

48:08 Is the track left after opening night performance?

Post Production;

48:47 What are your post production responsibilities?

49:41 What format do you give the track/s to the client?

50:37 Any tips or tricks you would like to pass on?

53:11 Final words

54:04 Outro

 

Recording, creating and compiling the sounds for different types of theatre work. Providing the audio file for easy playback in the venue. In this episode I chat to a composer, about the early communications to the final adjustments in the theatre. We talk about the software used and his &ldquo;Swish army knife&rdquo; of plug ins.
To hear examples of his work, please visit <a href="http://www.svb-audio.com">www.svb-audio.com</a>
For more show notes and links check out
<a href="https://www.facebook.com/UnseenTheatrics/">https://www.facebook.com/UnseenTheatrics/</a>
Podcast Episode Summary
00:00 Intro
0:59 As a composer what are you responsible for?
1:57 What do you consider the hardest part of composing music?
3:17 Where do you get your inspiration from to compose pieces of music?
4:34 What software and technology do you use in your set up?
7:53 Do you have microphone for recording effects if needed?
10:31 How do you get the work?
11:31 Who is your biggest market for composing?
12:18 In theatre do you make more sound scapes or sound effects?
13:42 Do you create your own sounds or source them?
14:57 What are the early conversations about with the creatives?
17:29 What are some of the weird way clients have tried to describe a sound they wanted?
Pre Production; 
18:52 How much time do you spend in the rehearsal room?
19:47From the first meeting how quickly do you try and get some content to them?
21:17 What is the expected turn around time for changes?
23:05 Is the full track set before getting to the theatre?
23:40 What software do you use to record and edit your tracks in?
24:58 How do you keep track of the latest version between the three programs?
26:16 What are the different plug ins you use?
28:51 What are your three most valued plug ins?
Bump In; 
32:33 What dose bump in look like for you?
35:10 What are you listening for when you first play you track in the venue?
39:46 After hearing the venues audio system are you changing your mix in protools or changing it in the playback software?
40:57 &nbsp; Do you have discussions with creatives about the level of the audio?
42:29 Who else do you get feedback from in the venue?
Tech Run;
43:23 Are you still making changes in technical and dress runs?
44:48 How do you know how much music to make so they don&rsquo;t run out?
45:24 How do you make the tracks flow if they don&rsquo;t change at the same point each night?
Show Day; 
47:44 Are you finished by show day?
48:08 Is the track left after opening night performance?
Post Production;
48:47 What are your post production responsibilities?
49:41 What format do you give the track/s to the client?
50:37 Any tips or tricks you would like to pass on?
53:11 Final words
54:04 Outro
&nbsp;

Have you ever been to a theatre show, and wondered "how do they do that?!" Well this podcast aims to educate you in the different jobs that help made a live production sparkle!

This is Unseen Theatrics, and is all about Sharing Education of live theatre. 
A behind the scenes look into the different roles of a variety of jobs in theatre, chatting with industry professionals, who share their tips and tricks, fun stories, experiences, and what they have learnt along the way. 

This is Unseen Theatrics, Sharing education of live theatre.

Have you ever been to a theatre show, and wondered "how do they do that?!" Well this podcast aims to educate you in the different jobs that help made a live production sparkle!
This is Unseen Theatrics, and is all about Sharing Education of live theatre. A behind the scenes look into the different roles of a variety of jobs in theatre, chatting with industry professionals, who share their tips and tricks, fun stories, experiences, and what they have learnt along the way.&nbsp;
This is Unseen Theatrics, Sharing education of live theatre.

Unseen Theatrics Podcast

Have you ever been to a theatre show, and wondered "how do they do that?!" Well this podcast aims to educate you in the different jobs that help made a live production sparkle!

This is Unseen Theatrics, and is all about Sharing Education of live theatre. 
A behind the scenes look into the different roles of a variety of jobs in theatre, chatting with industry professionals, who share their tips and tricks, fun stories, experiences, and what they have learnt along the way. 

For more show notes and information check out

https://www.facebook.com/UnseenTheatrics/

This is Unseen Theatrics, Sharing education of live theatre.

Have you ever been to a theatre show, and wondered "how do they do that?!" Well this podcast aims to educate you in the different jobs that help made a live production sparkle!
This is Unseen Theatrics, and is all about Sharing Education of live theatre. A behind the scenes look into the different roles of a variety of jobs in theatre, chatting with industry professionals, who share their tips and tricks, fun stories, experiences, and what they have learnt along the way.&nbsp;
For more show notes and information check out
<a href="https://www.facebook.com/UnseenTheatrics/">https://www.facebook.com/UnseenTheatrics/</a>
This is Unseen Theatrics, Sharing education of live theatre.

Unseen Theatrics

Recording, creating and compiling the sounds for different types of theatre work. Providing the audio file for easy playback in the venue. In this episode I chat to a composer, about the early communications to the final adjustments in the theatre. We talk about the software used and his “Swish arm knife” of plug ins.  To hear examples of his work, please visit www.svb-audio.com

Advertisement