My special guest for this episode is Selene Dudley-Bateman, the Chief Executive Officer of Auspicious Arts Projects (AAP), a not-for-profit creative community management organisation. They provide independent artists with a secure and accessible framework to assist them with creative developments and producing work. AAP were fantastic last year when I wanted to apply for some funding through my local council. I was so impressed by them and thought other artists I know might wanna know more about them, so I invited Selene to chat with me. I hope you find her insights useful too! About Selene Bateman Selene Bateman is a highly regarded arts administrator, producer and project manager who has worked in the creative sector for nearly 20 years. She has produced animated tv series, queer cabarets and comedy shows for children.  As the CEO and Senior Client Manager at Auspicious, she has worked with hundreds of artists across art forms and career stages, helping them navigate the funding landscape, get budgets into shape, and manage their projects.  She is also an experienced grant writer, workshop facilitator, and financial manager. Connect with Selene on LinkedIn. About Auspicious Arts Projects Auspicious Arts Project Inc. was established in 1993 to assist artists undertaking projects within the arts. The intention was to provide artists with all the protection and advantages of working with a larger organisation while still remaining independent and in control of their work.  Auspicious Arts Projects offers financial and administrative management for individuals and small art organisations. This includes assistance with the day-to-day financial aspects of the project.  In addition Auspicious offers advice and guidance to artists to the most likely sources of funding, as well assistance preparing budgets for funding applications. Auspicious Arts Projects work with artists from across the spectrum of the arts, and has watched many of its artists grow into fully fledged companies of their own right. This Two Words with Taku podcast episode was recorded virtually in December 2023 in Melbourne. Follow Two Words with Taku at: Facebook: https://www.facebook.com/TwoWordswithTaku/ Instagram: https://www.instagram.com/twowordswithtaku/ TikTok: https://www.tiktok.com/@twowordswithtaku

Today's Two Words: YOUNG FIRE In this episode, hear our first ever guest host Adongwot Manyoul in a conversation with Devon Lewis. He’s a pioneering IT professional and the Chapter Lead for Blacks in Technology Australia, a non-for-profit championing diversity and inclusion in the tech industry, providing invaluable resources, and a safe space for black professionals to connect. Recorded in late November as an ode to World Youth Day, these two special people share their insights on leadership on their terms. They discuss everything from managing workplace friendships to curating your own social media algorithms to navigating fear when starting new challenges to how running 43km marathons can help instil you with professional discipline…and much more. Our audience included writers, performers, filmmakers, a lawyer and a few Shout Out public speakers from the Centre for Multicultural Youth. About Adongwot Manyoul Adongwot Manyuol is an experienced communications professional, youth advocate, and thought leader. As a bi-cultural consultant, public speaker, radio host, and MC, her passions lie in supporting the community to achieve social cohesion through the elimination of racism and discrimination and promoting intergenerational dialogue. As a South Sudanese-Australian woman, Adongwot speaks from a combination of experience navigating traditional and Western culture in Australia and her academic standing in Communications and Journalism. In 2019, Adongwot was awarded a Churchill Fellowship to travel the world investigating ways in which other Western Societies have successfully achieved social cohesion- the African Diaspora as the focal point to further bolster her contribution to the Australian fabric. Adongwot now shares her stories and experiences to inspire and empower. She spends her time mentoring the youth, hosts a radio show that provokes conversation on a range of social justice issues, provides consultancy services to government and community organisations dedicated to change, and sits on a number of advisory and steering committees. In 2022, Adongwot started a disruptive social enterprise, which aims to radically change the approach to racism/ diversity and inclusion training. Providing a series of workshops, seminars, and keynotes aimed at diverse age groups and divergent backgrounds, she explores the concepts of race and prejudice by walking in each other’s shoes through interactive activities and conversations that challenge young people to critically assess their identity. About Devon Lewis Devon Lewis, a resilient individual, has carved an extraordinary path from Guyana to Australia at the age of 17, making Melbourne his cherished home for nearly two decades. With a background in Telco as a Data/Geospatial analyst, he has transitioned his career towards two key pillars. Firstly, Devon is a passionate advocate for diversity and inclusion in the tech industry, currently serving as the Chapter Lead for Blacks In Technology Australia, a non-profit. His leadership extends far beyond authority, emphasising empowerment and support. Secondly, as an Implementation Lead at Coles Group, he skilfully manages IT projects, striving for optimal results and continuous improvement. His commitment to professional growth is evident through his pursuit of a Diploma in Project Management. Beyond his professional endeavours, Devon's adventurous spirit is showcased in his love for challenging activities like hiking, camping, bush survival training, and marathon running. He firmly believes in the transformative power of venturing into the unknown, both in his personal and professional life. Devon Lewis is a true testament to the rewards of embracing uncharted territories and unwavering growth. This Two Words with Taku live podcast event was recorded in November 2023 in Melbourne. Thanks to the crew: Kishani, Rizky, and Ali from 24 Moons for hosting us. Follow Two Words with Taku at: Facebook: https://www.facebook.com/TwoWordswithTaku/ Instagram: https://www.instagram.com/twowordswithtaku/ TikTok: https://www.tiktok.com/@twowordswithtaku

Today's Two Words: FUNNY BUSINESS In this episode, I’m joined by Janet McLeod, the Fairy Godmother of Melbourne Comedy. Janet runs Local Laughs, which at 20 years, is the longest running comedy room in Australia with a sole operator/programmer...and one of my fave spots to perform. We discuss comedy in all its glory — what is comedy, really? What makes a great comedian? How do you filter out the a**holes to make comedy rooms safe workplaces? Janet shares all her magical insights and wisdom, much to our audience’s delight. A special note: this episode was recorded a week before beautiful and kind Cal Wilson suddenly passed away. Cal is one of my comedy heroines and she introduced me to Janet after we met through The Moth storytelling community in Melbourne. One of my favourite Cal memories is performing with her at Local Laughs in 2018 and she gave me the biggest hug after I got off the stage. So special! In this episode, Janet and I speak of Cal’s kindness. I’m grateful to have met and worked with her and she’ll always be one of my faves. ABOUT JANET MCLEOD With over 25 years' experience producing and programming live shows, Janet's curatorial skills are frequently called upon by organisations and arts festivals across Australia and in the UK including Edinburgh Fringe, Melbourne International Comedy Festival, Glen Eira Storytelling Festival, Soho Theatre, Melbourne Fringe, and Fringe World in Perth. She has managed over 60 separate projects in her professional career, including long-standing weekly comedy events Planet Comedy and Local Laughs. (Image credit: Alan Moyle — Local Laugh's 20th birthday celebration, June 2023) An active champion of women in comedy, Janet was one of the originators of Upfront Comedy - now a hallmark event at the Melbourne International Comedy Festival - and has since produced all-women comedy show like Miss (you) and Frockin' Hilarious in Melbourne. This Two Words with Taku live podcast event was recorded in October 2023 in Melbourne. Thanks to the crew: Jan, Oscar, and Ali from 24 Moons for hosting us. Join our community at twowordswithtaku.substack.com and follow Two Words with Taku at: Facebook: https://www.facebook.com/TwoWordswithTaku/ Instagram: https://www.instagram.com/twowordswithtaku/ TikTok: https://www.tiktok.com/@twowordswithtaku MY 2024 COMEDY SHOW Shine My Light is my debut one-woman solo comedy show, presented in the week of International Women’s Day 2024. In my show, I’ll tackle motherhood, entrepreneurship, societal norms, and everything in between. All are welcome to my unique celebration of womanhood. Dates: Mar 6 – Mar 10 AT La Mama Theatre, Melbourne Buy tickets: https://lamama.com.au/whats-on/summer-2024/shine-my-light/

Today's Two Words: MADE IT In this episode, hear Esther Fwati and Ratidzo Mambo share about their careers as actors, producers and writers based in Australia. We discuss story ownership, collaborating with an abundance mindset and how being an actor influences their approach to writing their own stories. About Esther Fwati Esther Fwati is an actor, writer and producer based in Melbourne, Australia. In 2022 her Web Series NO ORDINARY LOVE, presented by Screen Australia was released to an international audience with great reception. Esther acted as Producer, Marketing, Strategist, Writer & Actor on the Series. In 2023 the series won BEST WEB SERIES at the LA SUN FILM FEST and Esther was awarded BEST ACTRESS in a Series/Pilot/Web for her role as series lead - Beck. Esther is inspired by the work of strong black creators such as Issa Rae and Quinta Brunson who created pathways for themselves as actors, and created opportunities for so many others in the process. Follow Esther: https://www.instagram.com/estherfwati/ About Ratidzo Mambo Zimbabwean-born actor, producer, writer and former distribution consultant, Ratidzo Mambo has extensive experience as a sales agent and consultant for distributors including Vision Films, Switch International, Looking Glass International and Big Media TV where she managed film and TV content rights working with broadcasters across free-to-air, subscription TV, digital, mobile and inflight platforms. In her career, Ratidzo has acted in dozens of productions across screen, stage and radio. Her screen credits include Yellow Card, Stan drama series The Gloaming and feature film Escape from Pretoria with Daniel Radcliffe.   She was the winner of the 2016 Best Actor Award for the Hollywood Short + Sweet Festival, was awarded the 2018 16th Street Actors Studios Larry Moss Scholarship, was a 2017 Heath Ledger Scholarship finalist and selected to participate in Screen Australia and Equity Foundation’s first diversity workshop in 2018. Follow Ratidzo Mambo: https://www.instagram.com/ratidzomambo/ This is the first ever live podcast event for Two Words with Taku, recorded in February 2023 in Melbourne. Thanks to comedian Jasmine Francis for audience warm-up, tech crew Toby, Dale, and Kristina, and Tim at LongPlay for hosting us. Join our community at twowordswithtaku.substack.com and follow Two Words with Taku at: Facebook: https://www.facebook.com/TwoWordswithTaku/ Instagram: https://www.instagram.com/twowordswithtaku/ TikTok: https://www.tiktok.com/@twowordswithtaku See you soon!

Hi, I'm Taku and welcome to Season 5 of Two Words with Taku. Whether you're a seasoned listener or stumbled upon this podcast for the first time, I'm genuinely thrilled to have you here.  The podcast Two Words with Taku is a safe space for writers and storytellers navigating the labyrinth of creativity, from books and films to plays and podcasts and even stand-up comedy - all works-in-progress waiting to be written and shared.  Since 2017, Two Words with Taku has been my platform to unpack the uncharted territories of my life as a writer.  But this podcast is your home too. In this welcome episode, I give you a quick tour of the seasons so far — so you can familiarise yourself and get comfy. And I’m right here at twowordswithtaku.substack.com if you have any questions.  Season 1 - Go Deep (Episodes 1-87) A candid reflection on the journey of a new writer finding her voice in a new city. Season 2 - Take Two (Episodes 88-100) Interviews, insights and wisdom from screen industry professionals in Australia. Season 3 - Keep Writing (Episodes 101-105) Reflections on what it means to be a writer, inspired by an intimate life-affirming writing group formed during the COVID pandemic. Season 4 - My Film (Episodes 106-110) Get the behind-the-scenes lowdown of how I made my first kids film for the Australian Broadcasting Corporation. Season 5 - We're Live New inspiring conversations, deep community connection and encouragement from live in-person and virtual podcast recordings with our community of writers and storytellers. Join our community at twowordswithtaku.substack.com and follow Two Words with Taku at: Facebook: https://www.facebook.com/TwoWordswithTaku/ Instagram: https://www.instagram.com/twowordswithtaku/ TikTok: https://www.tiktok.com/@twowordswithtaku See you soon! Podcast produced and recorded on the traditional country of the Wurundjeri people of the Kulin nation, Australia. We pay respect to their elders past and present.

Today’s Two Words: Blast Off! Thanks to everyone who's watched my film Gugu naGogo and shared their lovely messages of support. I'm so pleased you're enjoying it! Here are a few fun bloopers for you: https://www.youtube.com/watch?v=26wnTc3wcJU It was also pretty magical celebrating our film launch at Melbourne Planetarium. Gugu naGogo played on the large dome, surrounded by twinkly stars in a dark night sky. It was wonderful hearing people’s different reactions as it played and I was so emotional afterwards. After our speeches, as a special treat, we were transported across the universe in a night sky tour. We saw stars and planets, galaxies and constellations - our collective oohs and aahs were glorious! ✨ Special thanks to astronomer Dr Tanya Hill, Kate Barnard, Sophie Oakes and Catriona Nguyen-Robertson from Scienceworks for making our first screening so special. Our community is over the moon! ⭐️👏🏾🌔 More photos coming soon. Watch Gugu naGogo in Australia on iview at https://iview.abc.net.au/show/gugu-nagogo. Music by Audius Mtwararia Vox Pop interviews at start of podcast by Amanda Mudege-Fleischer from It's Layered Podcast.

Today's Two Words: Film Community What does the future of community-led content creation look like in Australia? My filmmaker friends and I discuss the Kaleidoscope Project, our films and much more. Watch all our films Viv’s Silly Mango, Gugu naGogo, Namaste Yoga, and Yaz Queens on ABC iview: linktr.ee/kaleidoscopeproject and our video chat here. Our Collective Viv's Silly Mango Mary Duong (Writer/Producer) Rae Choi (Writer/Producer) Rachel Maxine Anderson (Director) Gugu naGogo Taku Mbudzi (Writer/Director/Producer) Namaste Yoga Ravi Chand (Writer/Producer/Director) Yaz Queens Lara Köse (Writer/Director) William Duan (Producer) More at https://taku.com.au/film-community/ Music by Audius Mtawarira

Today's two words: Safe Space In this episode I discuss how I handled creative, business, emotional and cultural safety during the making of my film Gugu naGogo. I also give special thanks to some of the black and African women who have supported me and my project along the way. Karine Larché – costume designer Ratidzo Mambo – actor, producer Portia Jamu – set nurse Rufaro Ndoro – actor Aunty Emily Chifadza – community elder, actor Aunty Vongai Nzenza – community elder, actor Dorcas Maphakela – creative producer, writer, stylist Judith Mari – actor, makeup artist, stylist Mars Williamson – colourist, editor Jacqui Kairu – singer Karena Bravo – visual artist, graphic designer Vimbai Nenzou – actor, writer, producer Amanda Mudege-Fleischer – podcaster, stylist Florence Matemadombo – voice actor Thembi Brooking – community advocate, entrepreneur Molinda Dzangare – fashion stylist Hawanatu Bangura – filmmaker Albertina Ncube – filmmaker, photographer Rumbi Mutezo – actor, artist Tariro Mukando – social media and marketing consultant Tewabech Tesfay – community member, actor Yandisa Xundu – community advocate, social worker Tendai Mhasho – community advocate Audrey – my therapist Maria Mbudzi – my mother More at https://taku.com.au/safe-space Watch Gugu naGogo on ABC ME and iview from 20 November 2022. Music by Audius Mtawarira 

Escape velocity requires an object to propel itself with enough speed and thrust to break through a barrier. — NASA Today's Two Words: Escape Velocity In Season 4, I'm going behind the scenes to break down how I made my first short film Gugu naGogo, premiering on ABC ME and iview on World Children’s Day, 20 November 2022. More at https://taku.com.au/escape-velocity Original music composed by Audius Mtawarira.

Today's Two Words: Casting Call I'm joined by guest co-host Tariro Mukando to share the casting call for my short film Gugu naGogo. We discuss the film synopsis, what we're looking for and how you can apply for the roles. Shoot date: September 2021 in Melbourne, Australia. More information at https://tsvaga.com/gugunagogo/. Timestamps: 3:26 — How to apply 4:30 — About our project and team 5:33 — Gugu character breakdown (12) 6:06 — Mama character breakdown (36) 6:36 — Gogo character breakdown (60s)

Today's two words are: Access Granted and in this episode I'm answering your question, "How do I find the money to write my story?" More at https://taku.com.au/access-granted/

Today’s two words are: Canon Eyes and in this episode I ponder, “Where do we want our stories to sit amongst others like them?” More at https://taku.com.au/canon-eyes.

Today’s two words are: Same Same and in this episode we explore, “How do we know when a story’s dead and it’s time to write a new one?” More at https://taku.com.au/same-same/.

Today’s two words are: About Face and in this episode I ask, “What do we want the world to know about us?” More at https://taku.com.au/about-face/.

So, you call yourself a writer, huh? Where’ve you been published? Can we watch your films? What’s on your IMDB profile? Oh... you’ve self-published… on your blog? Oh, you’re just, sort of starting out? Oh, so are you even a real writer? Ignore all that. You are a writer. You love words. You find them delicious and eat them for breakfast. You love putting them together and tearing them apart. You love testing and teasing them. You. Love. Words. Except sometimes your own words terrify you. What do you actually do with them? This might be you. Seeing those other writers, crowding your timelines with their awards and ...and... joy, because they’ve finished something and shared it with the world. The whole world. Now you’re looking at your writing, thinking, “Screw it! It’s too hard to get these words out to the whole world!” You’re right. It is hard. Hi, I’m Taku Mbudzi, a writer like you. If I have to describe this podcast in two words, I’d say PIT STOP. Two Words with Taku is a show about writing, but unlike other shows about writing, only we are the pit stop for writers you’ve never heard of, giving them rest when they’re about to give up on their words and extra fuel for when they’re ready to keep writing. And why? The doors are slowly starting to open for unknown writers like you and me. Competitions, writer call outs, guest spots, magazine submissions — OMG so many new places to throw our words. But now we’re overwhelmed by how to write, package or present our writing in the best way, especially if we haven’t studied the industry, inherited legacy within the industry or just gone ‘viral’ around the world. I say come and rest your mind. It’s okay. The truth is our writing will need good time to make it good. We’re going to write a lot of shitty first drafts, but we’ll keep writing. We’re going to pitch here, and pitch there and hear back from nowhere, but we’ll keep writing. We’re even going to get tired of our own unfinished stories, but I don’t know about you, mine sit on my heart till they’re out. They come out eventually and the best feeling is when I can put my pen down. But beyond ‘keep writing’ is more work until you can finally put your pen down. What that looks like and who you collaborate with will look different – for me that’s TV producers, film directors and my book publisher. My stories are taking time. Your stories are going to take time. And that’s perfectly fine. Every word you write means something to you and you know it’s good not just for yourself but for the people in your world. Yes, in your world, not the whole world. And that changes everything. Now imagine writing from that perspective. Of course, you’re going to shout, “Screw it — I’ll keep writing!” because you’re just excited to write for your people. And that’s what this show is about. I’m a writer and I’ve got some other writers here with me. We see you, we hear you and we’re in this together. For more stories, subscribe to Two Words with Taku in your fave podcast app or visit https://taku.com.au.

Episode 100! I finally took to Instagram LIVE to answer your burning questions about podcasting. Watch the whole video, complete with show-and-tell of my recording gear at https://www.instagram.com/takumbudzi. Thank you for listening and supporting Two Words with Taku since 2017 — here's to 100 more episodes!

I've finally made it to Episode 99 of this podcast! Here's a quick update on what's happening with my TV stuff and what I'm planning for my 100th podcast episode. Thanks for listening and stay safe! x

"Pitching is a verbal way of selling your story, and I like to leave something visual so they remember my pitch." — Sher-Li Tan I thought I was the Queen of Pitch Preparation until I met producer and filmmaker Sher-Li Tan. We first met at YouTube conference VidCon and she blew me away with how passionately she spruiked her projects. In this episode we talk about how she prepares for pitching her shows — everything from the documents she creates to how she researches her audience and the people she's pitching to. We also discuss how pitching can be a way to test the market for your ideas, and different ways to measure the success of your pitches. Sher-Li's full of great insights and stresses the importance of nurturing relationships with the people you pitch to along the way.  Podcast Guest Profile Sher-Li Tan is an early-career producer with an interest in storytelling and production excellence. She strongly believes in the power of the film to connect and engage. Raised in both Mauritius and Singapore, she aspires to use her exposure to different cultures and backgrounds to inform her filmmaking. She is also a trained speech pathologist and hence a vocal advocate for communities from various under-represented populations. Time Stamps 0:53 | How I've approached pitching my TV ideas 5:45 | Interview with Sher-Li Tan Interesting Links Sher-Li's website https://www.passport-productions.com/ Sher-Li's LinkedIn https://www.linkedin.com/in/sherlitan/ VidCon Australia https://vidconaustralia.com/ Screen Forever Conference https://www.screenforever.org.au/ Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

"Children's television is wonderful for people starting out in the industry because there tends to be more opportunity for people who don't have a long list of credits." — Wendy Gray I've fast-tracked a few skills after discovering the short courses offered by the Australian Film Television Radio School (AFTRS). In this episode, I chat to Wendy Gray from AFTRS about their courses and who they're designed for. We also chat about Wendy's career in the screen industry, including her extensive experience working in children's television.  Friendly manners: this is not a paid endorsement. Podcast Guest Profile Wendy Gray currently runs the short course and industry certificate programs at the Australian Film Television Radio School (AFTRS). Over the last seven years she has been Head of the Open Program, Head of the TV Unit and began life at AFTRS as the Industry Program Manager. In her current role she liaises with Industry through the Industry Advisory Panels, runs industry-related events and oversees the development and delivery of industry short courses and industry certificates. Wendy started her career in the media at ABC TV, where she worked for twelve years in a wide variety of production roles, across all genres. Her final years at the ABC saw her devising, producing and directing a number of children’s television series including AFI-award winning series The Ferals and forty episodes of Play School. Subsequently as a freelance producer Wendy worked on a wide range of television productions, including documentary series Greatest Cities of the World with Griff Rhys-Jones, and The Upside Down Show, an award-winning children’s series with The Umbilical Brothers, Nickelodeon US and the Children’s Television Workshop. She returned to the ABC joining the (then) New Media Division to work on the launch of ABC2, designing and executing channel branding and program development and production. Wendy has also worked on a number of online projects including working as Online Content Producer in the marketing department for Southern Cross and as a senior website producer for Gadfly Media, supervising website content for clients such as SOCOG and NRMA. She also worked for the Australian Film Commission (now Screen Australia) on a major online content project Australian Screen Online and taught production at SAE Byron Bay. She has a BA (Communications) from Macquarie University and a Grad Dip in Interactive Multimedia from UTS. Time Stamps 0:53 | Why I've been doing short courses through AFTRS 8:01 | Interview with Wendy Gray Interesting Links Australian Film Television Radio School https://www.aftrs.edu.au/; Telephone (Australia): 1300065 281 Australian Writers' Guild https://www.awg.com.au/ Film Victoria https://www.film.vic.gov.au/ Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

"…without the proper documentation proving the ownership of the work, there’s no protection from legal action." The world of television is full of great ideas and magic...and contracts and legal agreements that underpin how all that magic comes together. In this episode, lawyer Dee Mbugua explains what 'chain of title' means and why it's so important in the media industry. She also gives useful tips for seeking legal advice, especially when it comes to the fineprint. If in doubt, don't make a wild guess and definitely don't sign anything! Podcast Guest Profile Dee Mbugua is the Deputy Director, Industrial, Advice and Advocacy at Media, Entertainment and Arts Alliance. She’s an experienced lawyer and writer with a demonstrated history of working in the alternative dispute resolution industry. Dee enjoys sharing her stories via social media, radio broadcasting, digital media, public speaking, and writing. Time Stamps 0:53 | Why I needed to find a lawyer 3:07 | Interview with Dee Mbugua Interesting Links Dee's Instagram https://www.instagram.com/thingsdeesays/ Media, Entertainment and Arts Alliance https://www.meaa.org/ Arts Law Centre of Australia https://www.artslaw.com.au/ Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

"The way that we can tell stories if we use audio, specifically fiction, is so interesting and diverse. Audio is such a freeing medium."  I joined the Australian Writers’ Guild (AWG) so I could meet inspiring young screenwriters like Evrim Şen. We met at an Animation Writing Workshop and hit it off instantly — we're both fired up about stories for and about young people. In this episode, Evrim shares how joining the AWG is helping her writing career and how things are different in real-life writers' rooms vs what she learnt at film school. We also chat about her fun podcast Script Roulette, where in each episode, she and her team produce an audio drama based on a random prompt, written by an emerging writer.  Podcast Guest Profile Evrim Şen is a podcast producer and screenwriter, working in creative and youth sector non-for-profits with a focus on social enterprise and social impact. She has a Masters in Screenwriting from the Victorian College of the Arts, and her passion is representing the perspectives of and writing for young people and children. She’s been part of the production of numerous podcasts including, the fiction / talked-based podcast Script Roulette, and radio play series Troll Foods. Time Stamps 0:53 | Why I joined the Australian Writers' Guild 8:08 | Interview with Evrim Şen Interesting Links Australian Writers' Guild https://www.awg.com.au/ Evrim's website https://www.evrimsen.com.au/ Script Roulette Podcast https://podcasts.apple.com/au/podcast/script-roulette-podcast Script Roulette Facebook https://www.facebook.com/scriptroulettepodcast/ Troll Foods Podcast http://syn.org.au/show/troll-foods/ Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

"I love that this younger generation is being more expressive and feeling their emotions, instead of trying to not feel things. " We keep hearing that we need more authentic voices telling their own stories. But what does that look like when you’re creating a TV show with different characters? How do you, as a writer, make their stories feel authentic, if you haven’t personally lived those experiences? In this episode, I chat candidly with YouTuber and content creator AJ Clementine about why she started sharing her stories online. We also discuss how young people in the LGBTQI+ community are representing themselves and supporting each other online. Podcast Guest Profile AJ Clementine is an Australian creator known for being an LGBTQI+ advocate for the community. She is also a vlogger who often shares life experiences about being transgender, while also covering lifestyle and fashion content. This year AJ was featured on the 'Barcroft TV' YouTube channel for the 'My Trans Life' series, and walked the Mardi Gras parade with Instagram in Sydney. She has been a Featured Creator at VidCon AU in 2017, 2018 and now 2019. Time Stamps 0:53 | Why I want to include authentic voices in my show 5:29 | Interview with AJ Clementine Interesting Links AJ Clementine LinkedIn https://au.linkedin.com/in/ajclementine AJ Clementine YouTube, Instagram Minus 18 https://www.minus18.org.au/ Kids Helpline https://kidshelpline.com.au/ Fazed web series https://www.instagram.com/fazed.series/ Euphoria starring Zendaya https://www.hbo.com/euphoria Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

"Read scripts from the shows you like and shows you don't like. Have a good look at how they lay things out. "  Wendy Hanna's episode is full of great tips about writing, finding other writers, growing your community of writers and even entering writing competitions. Hear how we first met at an Animation Writing Workshop and how the mock writers' room she created inspired me to re-think how I'd find writers for my show.  Podcast Guest Profile Wendy Hanna is an AWGie nominated screenwriter and creative development consultant with a passion for people, characters and big ideas. Her credits include iconic serial Neighbours, popular drama Love Child and docu-drama Dating the H-Bomb, as well as numerous children’s programs including Giggle & Hoot, Dumbotz and Sydney Sailboat. She is also is co-creator of factual teen format MY:24. A former Development Executive for Essential Media & Entertainment, she has extensive development experience across genres including kids, drama, animation and factual, and regularly works with creative teams to help concepts find their best form. In 2017, Wendy was nominated for an AWGie for her work on ABC’s Hoot Hoot Go! Time Stamps 0:53 | How I've set up my writers' room...so far 7:20 | Interview with Wendy Hanna Interesting Links Wendy's website https://wendylikesstories.com/ Wendy's Instagram https://www.instagram.com/wendylikesstories/ Australian Writers Guild https://www.awg.com.au/ Women In Film and TV Australia https://wiftaustralia.org.au/ NYC Midnight Competition http://www.nycmidnight.com/ Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

"The key thing is, these funding bodies want you to contact them. They'll give you the time to explain what's required because they want people to succeed as well. " How can you fund your creative projects whilst working a day job? Who do you need on your team to make your funding applications more competitive? How important is it to create a proof of concept to get more funding? In this episode I chat to filmmaker Hawanatu about how she's managed to get her films and web series made. We also discuss the importance of valuing time and talent — yours and that of the people you're working with. The numbers start to add up and that's when you can look at applying to screen agencies for support. Hawanatu's latest project Afro Sistahs recently received funding from Screen Australia's Generate initiative. Podcast Guest Profile Hawanatu Bangura is an Afro-Australian writer, director and producer. Born in Sierra Leone, she migrated to Australia in 2002 and as a teenager discovered her interest in filmmaking when she was involved in a youth film project. Since then, she has written and directed six short films in various genres including dance, experimental, drama, documentary and animation. Her films have been screened both in Australia and internationally at film festivals including the Legacy Film Festival (United Kingdom), Shaan-E-Awadh International Film Festival (India), Adelaide Kids Film Festival, African Film festival Australia and International Pan African Film Festival (Cannes), Toronto International Film Festival Kids. Her short animation film, ‘Money Tree’, about a boy who wants to become rich by planting a stolen coin was nominated for best animation at Montreal International Black Film Festival (Canada). Recently, she joined forces with a group of Afro-Australian female filmmakers to create a web series titled Afro Sistahs a short form narrative comedy/drama that explores the complex nature in which culture, gender, race, love and of course, hair, intersect. Hawanatu’s films are driven by her personal values – so themes of social justice, empowerment, identity, peace, hope and wisdom are strong in her work. The stories in her films are universal, resonating with audiences far and wide. Hawanatu is passionate about using her films as a platform to raise consciousness about social issues and social injustices. She was part of the prestigious Screen Producers Australia: One to Watch program in 2017. Time Stamps 0:53 | How I've sought funding for my project   4:45 | Interview with Hawanatu Bangura Interesting Links Hawanatu’s website https://www.hawanatu.com/ Afro Sistahs website https://www.afrosistahs.com Screen Australia funding page https://www.screenaustralia.gov.au/funding-and-support Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

"Don't settle for a relationship with your accountant or bookkeeper that isn't working for you. " I know too many artists and creative people who don't feel comfortable talking about money — how much to charge, how to get more of it, how to manage it, how to grow it etc. I've finally had to confront my own fears and insecurities about money because my creative projects need proper funding to happen. In this episode I share how I manage the finances in my production company and how I unexpectedly scored my first investor. I've also invited Amanda Newton from Xero Australia to explain the difference between an accountant and a bookkeeper, and how to know which one is best for you. Amanda's very friendly and also shares tips about working with people who can handle your finances and tax obligations. Friendly manners: I've been using Xero for a couple of years and genuinely find that it helps me in my business. This episode is not a paid endorsement for Xero; I invited Amanda on the show because I wanted to interview an expert about accounting. Podcast Guest Profile Amanda Newton is Xero Australia’s Head of Community where she works closely alongside their valued community of bookkeepers and accountants on a daily basis to create, foster and nurture safe and engaging spaces for these partners to meaningfully connect. In addition to serving as a liaison for Xero's accountant and bookkeeping partners, Amanda is a passionate advocate for the industry - presenting at industry conferences and events, and maintaining an active voice on social media. Combining a Masters of Accounting with undergraduate studies in Marketing and Communications, Amanda's career currently spans two decades and has included leadership roles in small business, politics, large enterprise and non-profit sectors. Amanda featured in the Top 50 Women in Accounting in 2018. Time Stamps 0:53 | Managing money in my business and how I got my first investor 14:06 | Interview with Amanda Newton Interesting Links Amanda on LinkedIn https://au.linkedin.com/in/amandajnewton Xero website https://www.xero.com/au and Xero's Instagram https://www.instagram.com/xero/ Xero Advisor Directory https://www.xero.com/au/advisors/ Small Business Mentoring Services Victoria https://www.business.gov.au/advisory-services/small-business-mentoring-service-sbms-victoria Small Business Development Corporation Western Australia https://www.smallbusiness.wa.gov.au/ Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

"You keep the ship afloat by making sure everyone feels heard and happy." I met Meg O'Connell last year at Screen Forever, a conference hosted by Screen Producers Australia. When I found out she'd worked on Doodles, a kids' show I'd been following, I asked if I could pick her brain about 'producer stuff'. She agreed! In this episode, Meg shares how she went from studying law to working in the screen industry. We also discuss what it's really like being a TV producer and her fun experiences working with young actors.  Podcast Guest Profile Meg O’Connell is an International Emmy® Award award winning producer. In the past year she produced two digital series: Robbie Hood for SBS On Demand and Content for ABC iview; both series have been nominated for AACTA® Awards. Content is a digital series set entirely on a mobile phone and is the first of its kind to be made in Australia. Meg also produced the International Emmy® Award, SPA Award winning and AACTA® nominated ABC ME show Doodles for Ludo Studio, and was the development manager on Ludo’s series Bluey. Time Stamps 0:53 | Why I decided to become a producer 6:37 | Interview with Meg O'Connell Interesting Links Meg on Twitter https://twitter.com/megmegmehg Australian Writers' Guild https://www.awg.com.au/ Screen Forever Conference https://www.screenforever.org.au/ Content Series https://iview.abc.net.au/show/content #contenttvshow Robbie Hood Series https://www.sbs.com.au/ondemand/program/robbie-hood #robbiehoodshow Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

‘You’re selling the sizzle, not the steak.” My first guest in Season 2 of the podcast is screenwriter, script producer and script editor John Armstrong. We first met at a screenwriters’ pitch event in Sydney in 2017 and have since co-created a teen drama series which is in early stage development. In this episode we discuss what goes into different story bibles from the pitch ones used to sell a television show, to the more detailed series or writers’ bible used to help writers before and during production. We also discuss the US showrunner model of creating shows versus Australia’s producer-created model and how that informs how TV pitch/series bibles are compiled. Podcast Guest Profile John Armstrong is a screenwriter, script editor and script producer with over 20 years’ experience in creating television for younger audiences. Most recently he was the script producer and writer for the Netflix animated series Beat Bugs (featuring the music of The Beatles) which won the 2017 Emmy Award for Outstanding Writing in Preschool Animation, and the 2016 AACTA Award for Best Children’s Series. John has also won three Australian Writers’ Guild Awards (AWGIES) and been nominated seven times. Time Stamps 0:51 | Why I’m making a kids’ TV show in Australia 9:11 | Interview with John Armstrong Interesting Links Australian Writers' Guild https://www.awg.com.au/ Examples of successful TV series bibles on Carol Kirschner’s website https://www.carolekirschner.com/blog/series-bible Stranger Things Series Bible http://www.zen134237.zen.co.uk/Stranger_Things/Stranger_Things_-_Bible.pdf Beat Bugs on Netflix https://www.netflix.com/au/title/80057611 Motown Magic on Netflix https://www.netflix.com/au/title/80134440 Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.

Last November I applied for PRX‘s Google Podcasts Creator program, pitching the second season of Two Words with Taku. My pitch made it to the semi-finalist round out of 1000s of applications from around the world (OMG!), but I didn’t end up getting in. This trailer’s the audio sample I submitted to them and LOTS has happened since then. You’ll have to tune in this September to find out! Excerpts from my Google Podcasts creator application I’ve talked about pitching podcasts before, and I really love PRX’S heart for helping people learn about podcasting. You can also sign up for PRX’s Podcasting 101 videos which are dropping soon at https://googlecp.prx.org/. In the meantime, I don’t know if it’ll help you in any way with your own writing and pitching, but here’s some of what I wrote in my submission. My podcast elevator pitch The step-by-step story of how, against the odds, I’m making my first live action kids’ TV show in Australia. Extended podcast pitch Four years after publishing my first kids’ picture book, I’m finally developing it into a live action teenage drama series about six fast and fresh characters who just want to tell their stories. I’ll break down exactly why and how I went from quitting my high-paying engineering job to starting my own independent production company to then receiving development funding and support from The Australian Children’s Television Foundation for my show. I’ll be podcasting behind the scenes throughout the whole production process – (including but not limited to screenwriting, pitching, legal stuff, casting, crew – so many topics!) until the kids’ show is live on TV screens. The key to my successes so far has been my love of writing, learning how to write well and being willing to share what I’m learning and to help others. I’ve been podcasting about writing for the last year or so, and now it’s time to move onto the next chapter – making TV! Intended podcast audience Primarily writers and storytellers who want to do more with their words and potentially see them on TV and film. People who may not have gone to film school but still feel they have great stories to tell. People from under-represented communities who want to learn the more practical and technical requirements for getting through some of the barriers in the [Australian] media landscape. Definitely keen to target young creative people who have stories to tell and aren’t yet exposed to podcasting and video production opportunities. Ultimately I’m targeting people willing to explore unconventional ways of creating ownership and agency for the projects and issues they are passionate about, no matter where they are. Audio sample description After 87 self-produced and self-edited episodes on my podcast, I was getting sick of my old theme tune so I asked my friend P-Major to compose a funky new one for me. This is my first very rough take with the new tune playing underneath and I’m ad-libbing the description of my show idea. I recorded this way before I decided to apply for this program, and it feels weird to re-record something new because this is how I’m currently feeling about what I’d like to do and this is my real voice and vibe as I normally speak.

So you’ve got an idea for a killer article you’d like to see in your favourite magazine? Sophie Kalagas, editor at frankie magazine shares some simple tips about how to get your submissions noticed. We recorded this episode in her lovely home and Woody, her friendly puppy,  is the happy addition you’ll sometimes hear in the background. Find frankie’s contributor guidelines at https://www.frankie.com.au/submissions and see Sophie’s world at https://www.instagram.com/skalagas. And lastly, a big thank you to amazing musician P-Major for composing the theme tune in this episode. Things to consider before you submit to magazines Do you read the magazine and do you know what they’re really about? Write a strong subject heading that invites them to open your email. It should be more enticing than just “Submission” or “I want to write for your magazine”. Show your personality in the body of the email. Don’t be too formal when introducing yourself, unless that publication has that vibe already. Consider sending through a succinct pitch or outline of your story rather than the whole thing. You’re still welcome to submit the whole thing but if it’s about grabbing attention quickly, then a short summary might do the trick. Be clear about the tone and format of your article and think about where you imagine it sits within the publication. Be aware of the magazine’s lead times so you can submit in time if you’re aiming for a particular season or important date. Think about how your article will invite the reader in. Is your topic broader, universal and/or relatable? You can definitely infuse your personal experience and perspective, but try not to make it a rant. Don’t be afraid to submit articles and ideas you shelved a long time ago – just edit them with fresh eyes and make sure they flow well. Stick to the word count limits if you can e.g. frankie’s single page articles are generally 650 words and the double page spreads are about 1400. Keep the story tight! Always check the contributor rates because you could get paid if your article is published. FYI, some publications pay per word and others just have set fees. Just stick to writing as yourself and write about the things that you’re  interested in, rather than writing what you think the publication wants to see. Don't despair if you don’t hear back straight away – sometimes your submission is great but it’s not quite the right time for it. If it’s good though, they will call you, even if it’s a few months later. P.s. Why not enter the frankie Good Stuff Awards? Enter at https://www.frankie.com.au/goodstuff Another podcast episode you might enjoy… Episode 69 – frankie, do you remember the good stuff?

Facing fear. Writing. More fear. Standup comedy. Zimbo politics. Aussie politics. Jokes about my Mama. Feminism. Typos in sexts. Working with kids. Developing TV characters. Running a company. Story. Creative freedom. And laughter…lots of laughter! Yep, this and more in my hearty chat with Claire for her podcast Just Make the Thing. The original episode first aired on Just Make the Thing on 28 August. It’s played in its entirety in this episode and I’d like to thank Claire for generously sharing the audio files with me. Thank you to RAW Collings for his great editing skills too! For more of her podcasts visit www.planetbroadcasting.com and you can follow her on Instagram @clairetonti or on Twitter @mrssundaymovies.

Look Ma – I’m producing! The Youth Affairs Council of Western Australia (YACWA) invited me to train 15 young people in public speaking and I suggested we also make a podcast with their short speeches. In this episode I share what I learnt from creating the Shout Out Youth Speakers podcast. I’d like to thank all the young speakers, YACWA, audio engineer Percy Kalino and sound editor Josh Martin for all their magic. Special note: I play Habiba’s speech at the end of this episode. You’ll also hear vocal cameos from Cody, Margaret, Patrick and Collin. More stories coming soon! 9 Lessons Learnt… 1. Clearly define your role as the producer —Whoever you’re working with needs to know what creative and technical role you’ll play to make the idea come to life. 2. Listen to a podcast with them — If they don’t even know what a podcast is, ask them to listen to episodes that are similar to what you have in mind. (It’s even better if you can be there listening with them so you can watch their reactions!) 3. Invite them to write their own stories, not yours. Enough said. 4. Give them time to hear themselves — Most people don’t like the sound of their own voice when they first hear it. Be playful with the microphones and record some fun stuff before you record the final pieces. Definitely helps everyone feel more comfortable. 5. Aim for one-take wonders — Everyone brings their A-game if they know there’s only one take. And most importantly, this saves you from editing hundreds of files in post-production! 6. Ease their minds about the technical stuff – The speakers can focus on writing and performing when they know you’re taking care of recording, editing, software and website stuff. 7. Streamline production and editing * Be realistic with editing deadlines for your audio engineers and editors * Have your graphic design assets e.g. cover art, audio file images ready and good to go * Have your top and tail scripts ready 8. Thank your collaborators and crew — it’s only manners. 9. Listen and learn for the next time — Enjoy the whole process and let go of too much perfectionism!

Dear Tomi, this is the most biased book review I’ve ever given. But I absolutely loved reading Children of Blood and Bone! In this episode I share why I’m excited by the magical words woven into this African-inspired fantasy novel. I also share a snippet from Tomi’s Good Morning America interview with Robin Roberts which you can watch here: https://www.youtube.com/watch?v=A-r2g_UQ1Ak. Follow Tomi’s words and fun writing advice at http://www.tomiadeyemi.com or follow @tadeyemibooks on Instagram. And please vote for her book to be picked by Jimmy Fallon for his Summer Book Club! Vote at https://www.nbc.com/the-tonight-show/exclusives/summer-reads/video/3750197. Brother and sister dynamics are a key part of the book, so there’s a shout out to her brother tobi lou whose illustrations and videos are pretty fab too. Watch the full TROOP video at https://m.youtube.com/watch?v=ckAgAc8paKo. You might also like the Unfiltered Black Panther Movie Review episode Six of us filmmaker, arty and creative types sat in a Melbourne radio studio and reviewed the Black Panther movie, when it first came out. http://taku.com.au/black-panther-review-australia/.

Finding and growing your tribe is a two-way street. Yes, I know that doesn’t make grammatical sense, but hear me out as I explain how this podcast is connecting me to people I’m excited about…and people who are excited about me too. I go through 13 questions that might help you suss out where your tribespeople are hiding too. A special thank you to Yumi Stynes, Kelly Glover, Lilly Wang and Rajesh Bhardwaj who shared a few thoughts after the VIVID Sydney event, “How to Make a Hit Podcast.” The tribe is listening… * What topic/idea/practice/thing do you really love? * What’s your gift? (What are you good at?) * What do you REALLY want to do? * What’s a new/interesting way you can experiment with Q1. and Q2. together? * What other things excite you? * Who else loves what you do? (The thing in Q1.) * Where do these people who love that thing hang out? * Where DON’T they hang out? (Go exploring there too!) * What can you learn from experimenting with Q4. that could help towards making Q3. possible/better? * What can you teach through what you are learning about Q4.? * Who would you like to start calling you unexpectedly? * What things/bad habits/relationships do you need to let go of? * Where might your tribespeople unexpectedly come from?

The book based on my radio play is coming soon! JoYOLO by Taku and Peo. Omg I’m dying! I recorded this impromptu episode in a park the other day. Disclaimer: it’s raw and unedited! Then I made this quick little video – sorry the music is so loud and dramatic but I was in ridic feeeeeels after a meeting with illustrator Peo Michie and our publisher. https://youtu.be/4LurzLhVmgI I’m also planning to make a little doco series of how Peo and I are going to make this killer book about two girls navigating friendship, family and community expectations in Australia. (Definitely say hello if you’re a keen doco filmmaker, l’m still looking for someone). A huuuuuge thank you to everyone who’s supported the radio play so far – actors and listeners. Honestly, I’m so grateful! And now the fun begins…I have to finish writing the full novel – 60 000+ words…at some point in time. Laaaawd, give me strength! Haven’t heard the play yet? Just head over to http://taku.com.au/joyolo/ to listen to the episodes and read more about the people who helped bring it to life. You can also listen to Chapter 1, which is Episode 40 on the podcast http://taku.com.au/joyolo-chapter-1-different-dance/.

Youth Marketing Australia was simply eye-opening! I went to the YMA conference to learn about marketing to young people, but I learnt a whole lot more from watching the different speakers and how they represented their own [media] brands. Disclaimer: these two-word summaries are my own and not necessarily what each speaker spoke about. Two-Word Branding Lessons 1. Stay Woke – Junkee Media These two words stand out as the summary of my experience at YMA. They stirred up some interesting reactions when I posted a slide from Junkee’s presentation. As I started recording this episode I was exploring things like who owns the expression ‘woke‘? The two ‘woke’ songs in this episode: * Master Teacher by Erykah Badu https://itunes.apple.com/us/album/master-teacher/274231990?i=274232023 * Redbone by Childish Gambino https://itunes.apple.com/us/album/redbone/1173655524?i=1173655934 2. Go Deep – Contiki Ha-a this one was a surprising epiphany! I had no idea how deeply I support what the travel company is all about. After hearing their Marketing Head describe their Travel Project blog, I was inspired to submit an article about my 2013 Contiki trip to Europe. (I’ll let you know if they like/publish it). 3. Prove it – MTV;  We Are Social Just show you have the street cred. and numbers to back up what you’re saying. Suzie Shaw from We Are Social shared lots of interesting insights and here’s the link to their 2018 Digital Report: http://bit.ly/digitalin2018. 4. Teach #IRL – Step Change These guys were pretty awesome with their ‘Stump the Strategist’ session. They showed us in real life (IRL) how to unpack and resolve our marketing challenges. Here’s their little show reel: https://youtu.be/6ez-J9P7Cdk. 5. Surprise Us – Zumbo Patisserie Honestly, no words for this. Just look at this cake! Many more here: https://www.instagram.com/zumbopatisserie 6. Embrace Small – 5Why 7. Do You – Pedestrian.tv I liked how Chris Wirasinha from pedestrian.tv talked so specifically about the ‘Australian-ness’ in the content they make and the young people they engage with. 8. Be Human – Lake Wanaka Tourism (NZ); Arts Centre Melbourne The marketing gurus from these two organisations were not presenting, but they were both lovely people and who got me excited about their work. Check out Lake Wanaka’s instagram page for inspo; https://www.instagram.com/lakewanakanz and suss out the Arts Centre’s latest shows at https://www.instagram.com/artscentremelbourne. 9. Be Specific – VICE

I highly recommend Lynda.com for learning Photoshop, Word and other software. Lynda.com is an online learning site with over 3,000 courses on topics like business, design, web development and multimedia skills, and software (Microsoft Office, Adobe Creative Suite and open source applications) that can help you pursue personal and professional goals. The courses are delivered by expert instructors and feature searchable transcripts that make it easy to find quick answers to questions. They also feature Certificates of Completion that can be uploaded to a LinkedIn profile. I hope it helps you as much as it helps me! Ask your Local Library for Free Lynda.com Access I don’t know how they’ve worked the magic, but some libraries have access to the Lynda site. I’m able to access the site and lessons with my local library card and pin number. If you can’t manage the subscription fee, maybe go and chat to your librarian! Other Audio in this Episode I’ve included a short snippet about matching colours from the course “Nondestructive Exposure and Color Correction with Photoshop CC”, by lynda.com author Richard Harrington. At the very start you’ll also hear 3-year-old Mateo bargaining with his mum for cupcakes. His “Listen Linda’ video went viral a few years ago. 

My Mama taught me how to mind map 20+ years ago. And now I do it all the time. For almost everything! Yesterday, I helped 19 young documentary makers generate ideas to shoot for Youthworx‘s Our Voices film project. The mind-mapping definitely sparked their creative juices and I can’t wait to see their docos later in the year! Ideas I asked the young filmmakers to mind map * What makes you angry? What do you want to change? * What are you good at? What do people say you’re good at? * Who else does the problem in Q1 affect? * How can you use what you’re good at to solve problem in Q1? * What do you want to learn along the way? * Who really needs to see your film? * What’s the best way to spread your idea beyond your film? * What can you do so that your film’s not boring or predictable? * Who/what are you if you remove all the usual cultural/ethnic/diverse references and descriptors?

An overdue update on my mad writing adventures. I’ve recently written pitches for my kids’ TV show, an investor in my production company and for a book publisher. Also, my MC hat’s back on again, tying together speeches at government-funded symposiums to The Moth story slams in Melbourne. Lastly, I reflect on lessons learnt since leaving Perth over a year ago, and how being at the Australian Podcast Awards makes me grateful for finally finding my [sound-making] tribe. Find my latest photos at https://instagram.com/takuspeaks/. Life is full of pitches My main focus right now is developing and pitching my kids’ TV series – it’s definitely keeping me on my toes! The kids at Balcatta Primary School in Perth completely recharged me with their love and excitement when I told them what I’m doing. Onwards I go… I pitched a new book idea to a publisher after winning frankie magazine’s Writing+ Podcast prize in the 2018 Good Stuff Awards. I’ll keep you posted on how it goes with the book stuff! (Find me in Issue 83. of frakie magazine here) Stop, collaborate and listen I’m super-chuffed to be hosting my first Moth Story Slam event at The Melba Spiegeltent in Collingwood on 15 May. Come on down and listen to some incredible stories. (You might also like to listen to Episode 77 – Manners made me a Moth StorySLAM Champion in Melbourne). The [podcasting] tribe has spoken Congratulations to all the winners, finalists, judges and organisers from the 2018 Australian Podcast Awards! So many amazing people, stories and audio delights! I was asked to present the Lifestyle & Health Category Award – special congrats to Yumi Stynes and her team for their winning podcast ‘Ladies, We Need To Talk’.

Our Moth StorySLAM theme was simply…Manners. Seriously, out of that whole Moth experience of discussing former in-laws on stage, having an amazing audience that responded to every beat of my story, to having my friends in the crowd cheering for me, to jumping off stage and dancing, to being with other phenomenal storytellers…the ONE thing I was freaking out about when I got to bed, was…”OMG I might’ve impolitely fangirl-hugged Cal Wilson too hard when she announced I’d won.” #epicfail Important note: Cal Wilson is a comedian, writer, screenwriter and performer who inspires me to smithereens. Other Moth-related episodes you might like Episode 59 – Behind The Moth Melbourne with Local Producer Merrilee McCoy Episode 36 – Podcasts I Love: S-Town, Serial, The Moth and More

It just sounds like a probability nightmare! Look, I completely support the heart and intent of the campaign. I used to be on Tinder, I’m currently in an interracial relationship* and I loooove using emoji^. BUT I just don’t understand how Unicode can make it easy for us to trawl through 10 000+ more possibilities – it’s hard enough as it is! Anyhow, I couldn’t resist bleating about this because I’m all for making the writing process easier…even when it’s for online dating. 

We recorded for an hour and it feels like we didn’t even scratch the surface! Last Sunday, I sat in a Melbourne studio with four creative storytellers to review Marvel’s Black Panther movie. Between the five of us, individually, we make films, write stories, write poems, take photos, create visual art, draw, record podcasts, perform on stage and organise African film festivals in Melbourne, Australia. So yes, we had plenty to say about Black Panther‘s characters, story lines, political relevance, ‘African-ness’ and overall technical execution. We also chat about the stories we want to tell and see in the future, and how we want to do so. The fabulous guests in this episode are Felicity Mashuro, Tanya Hodza, Christopher White and Ez Eldin Deng, who joins us halfway through. Our final average score for Black Panther: 85.3 /100 * Music snippet credit: ‘Pray for Me’ by The Weeknd and Kendrick Lamar from the Black Panther movie album. * Official trailer: Marvel Studios; film directed by Ryan Coogler, starring Chadwick Boseman, Micheal B. Jordan, Lupita Nyong’o and Danai Gurira. Ez Eldin Deng – Filmmaker, Producer, Director https://ezeldindeng.com/ Felicity Mashuro – Human Rights Lawyer, Filmmaker, Blogger https://www.instagram.com/serious_meerkat/ Christopher White – Filmmaker, Visual Artist, Poet https://www.instagram.com/citizensomething/ Tanya Hodza – Founder of Africa on Screen Film Festival Australia https://www.africaonscreen.com/ Other Black Panther reviews from Australia * ABC Australia Review http://www.abc.net.au/news/2018-02-14/black-panther-review-this-is-the-film-the-world-needs-right-now/9423328 * ABC Article from Melbourne Premiere http://www.abc.net.au/news/2018-02-21/what-black-panther-means-to-africans-in-australia/9464720 * ABC Radio National Podcast Episode 

Today’s Two Words: Be Kind. “I’ve got 99 ideas and can’t pick one”. Yep, story of my life! In this episode I share how I’m kind to myself in my (creative) life. Everything from time out, napping and going out for a burger and wine. Kindness to myself is letting myself play, try, make and create. It’s also letting myself make mistakes which I can assess and analyse for myself at my own time and at my own pace. When do I need to be kind to myself? 1. Creative overwhelm: I’m juggling too many ideas I listen to the cues that focus me on one main one e.g. if the meetings keep getting cancelled for one project, I’ll leave it for a while and do something else. 2. Inspiration overload: absorbing magic from EVERYTHING I make time to process all the information I’ve gathered from people, books, articles and podcasts. If it gets too much, I nap! 3. Family drama: the reality of tragedy, sadness and homesickness I put things in perspective and keep living my life so I’m better, stronger and wiser in how I’m there for my family. 4. So much to learn: I don’t know everything I ask for and pay for expert advice and support, so I don’t have to stress my brain out. I have some amazing mentors. You might also like Episode 73 – Which Mentors are holding Your Hand? 5. FOMO (Fear of Missing Out): Should-have, could-have, would-have I reach out to my friends! I also acknowledge that it’s okay that I can’t do everything or be everywhere. 6. So many tasks: not sure where to start I am learning to let the project pace itself. Patience is actually making my ideas better. 7. Being nice to everyone I politely say “No, thank you” when I need to. 8. Can’t be bothered cooking: especially after creative activities I go out for a burger and glass of wine. I’ll often sit alone and listen to a podcast episode. So good for my soul! 9. Identity crisis: questioning my place and voice in the world I let myself feeeeeeeeeeel everything – the uncomfy feelings, the doubts, the fears. Then I step back, assess everything then RECALIBRATE what I’m really about. #rebuild #refresh #remind 10. Hurry or catch up: feeling like my projects are so far away from being seen Kindness: Yes they are and that’s okay! Also see Point 6 above.

Officer Jason Dixon is human after all. *Spoiler and profanity alert for this episode.* Watching the evolving character of Jason Dixon in Three Billboards outside Ebbing, Missouri challenged how I want to write baddies for my own stories. The Martin McDonagh movie stars Sam Rockwell as Officer Dixon, Frances McDormand as Mildred Hayes and Woody Harrelson as Chief Willoughby. This episode also contains audio of FoxSearchLight’s official trailer for the movie. Sam Rockwell on playing Jason Dixon I came across Sam’s interesting interview with Vanity Fair  whilst looking for photos for this post. Image credit: Vanity Fair c/o FoxSearchLight. In the episode, I also mention The Hollywood Reporter Actor Roundtable discussion with Sam Rockwell, John Boyega, Tom Hanks, James Franco and more.

Katharina Keil’s a script supervisor with 20+ years’ experience. She’s read 1000+ film and TV scripts in her career, so I nervously asked her to read one of mine. We discuss everything including characters, synopses, continuity, timing, production to life on set. Everything! We also chat about using voiceovers in scripts, which can sometimes be considered “lazy writing” if not done well. Honestly, Katharina’s insights are for you if you’re interested in writing for TV or film.  I learnt heaps and had fun recording in her home with cameos from Mufasa the cat and her washing machine – don’t ask! Find Katharina Keil’s work on IMDB at http://www.imdb.com/name/nm1057476/. *Correction from Katharina: a commercial TV hour in Australia is 42-46 minutes.

A Spontaneous Poem: Co-founder Wanted Dear Self, Who’re you kidding, thinking you can do it all alone? This stuff is getting bigger than you and it’s time to ask for help. In fact, why not just free flow into your phone what help you’re really looking for? Oh wow. That’s some truth. You know what, why not put that on your podcast and see what happens? No. No? There’s that ego again. #checkyourself Seriously, post it. You never know who’s listening.

My screenwriting mentors are so kind to me. They’re also quick to give reality checks and sometimes say things I don’t want to hear. But I love them for that – they’re helping me tell better stories every day. (Important note: I also have my loved ones on speed dial for those moments when I need to cry or celebrate). But for real, who’s holding your hand as you try your ideas? Do you ask for help when you need it?

Yay! I’m a writing + podcasts finalist in frankie magazine’s awards. Here’s my Good Stuff Awards entry…Two Words with Taku is a podcast exploring the process of writing and storytelling in five main categories: technical writing, business writing, comedy, speech writing and creative writing. I originally started it as a creative development project, to air my thoughts around my screenwriting and TV-producing journey. My excerpt is a teaser of JoYOLO, a short story I sat on for a long time before I unexpectedly met AMAZING sound people who helped me turn it into a radio play. Support my fellow writing + podcast finalists too! There’s a people’s choice award as well. Honestly, suss out all the finalists at http://www.frankie.com.au/goodstuff-finalists#writing-podcasts then vote for the one you love – it doesn’t have to be me. The other finalists are incredible! Categories include photography, small business, video, music and more! Onwards and upwards for us all! Special shout out to Sister Sledge I play their song ‘Frankie’ at the start of this episode. Don’t remember them from the 80s? Here’s their video to jog your memory.

Daina Reid is an award-winning Australian TV and Film Director. And she’s just lovely! In this interview, she shares how a Tropfest short film led her to leave acting and become a director. She talks about her recent work on SBS’s Sunshine TV drama and what she learnt working with the South-Sudanese community in Melbourne. Later in the interview, Daina explains some of her directorial and technical decisions for filming comedy shows. Less is more! It was also interesting to hear her thoughts on casting and what it’s like working with non-actors compared to established actors like Asher Keddie (Offspring; Paper Giants). I met Daina when I attended her Directing Masterclass a few weeks ago. Learning more about directing is really changing how I write my stories. In this episode, you may hear my fellow classmate Kylie in the background who came to film the interview with me. Find more about Daina Reid on her IMDB profile: http://www.imdb.com/name/nm0717225/< Miss Fisher’s Murder Mysteries (ABC TV) Fledgling detective Phryne Fisher is known for her sharp wit and pearl-handled pistol, which she uses to fight injustice in Melbourne during the 1920s. The glamorous sleuth makes her way through the city’s alleyways and jazz clubs while she fights crime as part of a larger mission — making sure that Murdoch Foyle, who she believes is responsible for the disappearance of her younger sister, stays behind bars. She fights for justice for people who can’t help themselves, including exploited workers and missing girls. Sunshine (SBS) Sunshine is based in Melbourne’s outer-western suburb of Sunshine and its surrounds. The story follows Jacob Garang, a young, aspiring South Sudanese-Australian basketballer who is on the cusp of being picked up by scouts for the US College league. He gets caught up in a police investigation involving a teenage girl from one of Melbourne’s affluent suburbs. The Wrong Girl (Network 10) The series follows Lily Woodward, a producer on a morning television show, and what happens when life, love and friendships collide. Longing for a life rich in romance, a dynamic career and a happy family, Lily is constantly thrown off course. As her journey continues, Lily discovers that sometimes the right choices can lead to the wrong places and the wrong choices can turn out to be the right ones. The Secret River (ABC TV) This two-part miniseries is based on the novel of the same name written by Kate Grenville. It follows the story of young couple, William and Sal Thornhill, who are transported to the new colony of New South Wales in 1805, giving a look into the colonisation of Australia and the escalating conflict between the original Indigenous inhabitants and the newly arrived white convicts and settlers. Romper Stomper (Stan) Romper Stomper is an Australian television series sequel to the 1992 film Romper Stomper movie and and set 25 years after the events in the film. The six-part series follows a new generation of far-right activists and their anti-fascist counterparts, with the story focussing on a fictional far-right group led by Blake Farrand known as Patriot Blue. References: Wikipedia and IMDB

Today’s [confronting] two words: So What? So what if I write and I speak? Who cares? Who should care? Who do I care about? Why do I care? So what? I really believe we will only see the stories that are different on our TV screens and on our radios if we write them. And if we don’t know how to write them or how to tell them, then we’re stuck. So what now? I have a few ideas I want to try this year, and my focus is going to be helping us ALL write and speak better. As I live that out in my own life, I’ll keep sharing what I’m learning.

My Slightly Biased Review of A Melbourne Rapper’s Secret Show. Tenda McFly is a local rapper/poet who agreed to voice a character in my radio play. He recently held a secret show to share his poetry, rhymes and reason. I couldn’t miss it and in this episode, I share what I loved about Memoirs of a Decent Man. I also share my thoughts on how producing small (and sometimes secretive) shows can deeply impact and grow your unique audience organically.  Congrats to Tenda, his Creative Director Felicity Mashuro and all the other performers. Here’s to more sacred magic!