CHRISTMAS SONG ROUNDUP: "Wonderful Christmastime," "Last Christmas" and More!

Published Dec 25, 2024, 2:37 PM

The TMI guys ring in the holidays — and Jordan's birthday! – by going deep into 10 of their favorite (or, in some cases, least favorite) Christmas songs. You'll learn how that mind-melting David Bowie-Bing Crosby duet came to be (as well as the morbid events that followed) as well as the hilariously drunken shenanigans that unfolded on the set of Wham!'s "Last Christmas" video — plus the saga of George Michael's hair. Heigl shares his passion for jazz through the Vince Guaraldi 'Charlie Brown Christmas' soundtrack, in addition to the hilariously fast genesis of "Feliz Navidad" and the precocious brilliance of Brenda Lee and her deathless "Rockin' Around the Christmas Tree." And whatever you do, don't miss out on Jordan and Alex's battle over whether or not Paul McCartney's "Wonderful Christmastime" actually sucks. Merry Christmas to all, and to all a good fight! 

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Two stockings hung by the We're just hung with care Jordan and I.

It brings a new meting to Too Much Information anyway, We're just as you shut up. We're doing Christmas songs. That's the bit. That's it. That's all I got for you, As fans of the show will know, and certainly my co host knows. We've done a.

Full length episode of Mariah Carey's Deathless classic.

All I went for Christmas is You. We have done the Pogues, fairy Tale of New York. We have done assorted movies, We've done TV specials. We did a rankin embassed episode for Rudolph. But what about all the other.

Christmas songs that grind their way into the collective unconscious every December, like those worms from Star Trek two The Wrath of Kahn. So we're introducing a Christmas.

Song Lightning Round episode to TMI where we're going to hit as many of these as we can before our throats and hearts and minds give out you delivering that in like a seasonal cow net cardigan is I know, I should have been wearing a bat. I should have been wearing like a smoking jacket, really, but I couldn't get one on such short notice. The smoking jacket rental season is just absolutely this time of year. So yeah, Jordan, yes, say something about Christmas songs. Baby. I love Christmas songs, you know, I mean, I love you would I know, I mean, you know. Part of it is that it actually they sound like the kind of pop music that I genuinely like the other eleven months of the year, Like it sounds like Phil Spector Wall of Sound, Brian Wilson type stuff. Wel Phil Spector did indeed cut one of the most famous Christmas albums, which, regrettably spoiler alert, we're not talking about this episode. That's like a full episode. That's a good Yeah. Yeah, these are great songs, Yeah they are.

I look, there's some Christmas music that I detest, and there's some Christmas music that I'm like, you know what, this is fine, this is fine and good. And obviously the ones that I picked are ones that I think this is fine and good.

They have ten total. You did seven, I did three. I did seven half acidly, and you did three with your whole ass, whole ass, And they're all, I believe, all ones that you despise. Well for you. Yeah, your picks, I hate, Yeah, my picks I'm agnostic on. But here's the thing though, unless we still want to be doing this by next Christmas, we have to. We had to put limits on it. Yeah. Yeah, I was looking up Billboard. I went to Billboard Magazine's Top fifty Christmas Songs of All Time, and I came upon a song entitled Sleigh. No, they're going for the homophone there. They wanted to be like Sleigh. It's like clever.

That's a twenty nineteen song by Smigo featuring Monty Booker and Massego.

I don't want to learn anything about that. Yeah, I'm not going to do it.

Those sound like Star Wars characters and I'm not paying attention to that.

And we picked classics. We picked the ones that everyone does. Let's see what else do you have any friends of the pod. We got a shout out, Oh you know what, I have a lot of friends of the pod. I got a shot at I got a friend of the pod named Emily who wrote in about our Jeff Buckley episode, and she said that it was one of the most poignant narratives that she had not expected when she was researching Buckley.

So that's so nice. It was really lovely. I and she came through my personal website. So also a reminder folks that you can always get in touch with us at Kofi ko dot f I too much information pod cast on there and we.

Will answer you. It will probably made me be me Jordan. I don't know how often Jordan's in there, but it will probably be me. I lost the pass word. I've't been able to get in for like a couple of months now. Sorry, So it's me baby to talk to y'all.

So, and and you know, we also have somebody who talks to us through LinkedIn, so all Paul.

Paul's great. Wherever you guys can find is, we will answer. Yeah. I crave validation. So oh, I got to tell you this crazy story. Okay, So it's a couple of days ago. It's like the week before Christmas. My family's in town visiting. It's also just the week before Christmas, so everything's crazy. I'm running behind. I'm late on everything. I'm sure listeners know the episodes have been late last couple of weeks. I'm sorry, it's all my fault. I'm late to a morning class. I'm late to see to see Lewis my trainer. Actually, oh yeah, friend of the paud Lewis. Oh yes, Jordan yoke, Yes, absolutely, he loved the Gladiator episode. By the way, I'm hupping. I'm puffing down my street and a very friendly looking man hangs out of a of a van on my street and like waves to me very excitedly. And I'm just assuming that it's it's someone behind me, or it's a mistake, like you know, it's just and so I just kind of keep booking and I keep trucking, and then I get a DM moment later, Hey, that was me. I'm sorry. I'm a TMI fan and I went to your talk at the Paley Center last week and I recognized you in the street. What are the odds? I can't believe it, and I feel so bad I blew right by him. So I just want to say, my dear friend. For purposes of broadcasting, I'll refer to him as too much KESO is handle I'm so sorry I missed you. Please let's go to win Sun Bakery. He was right by Windsun Bakery, which is near where I live. No, I definitely owe you something from there. I just thought that was so crazy, just like out on the street was so wild. It's Christmas time and you know, I didn't prepare anything, but I just want to say how grateful we all are. I mean, the best part of doing this show, aside from an excuse to nerd out and an excuse to hang with my dear friend Alex Heigels, just connecting with all these great new people and you know, I was texting with a few today and you know, it's really really special. It's been great. Yeah, we should have opened it up much earlier, to be honest, because just all the people who have said such wonderful things on KOFI and the people have gotten in touch with us on Twitter. It's been a real delight. So thank you everyone for who has done that. And just a reminder, if you make a Spicy donation, you get a claim to an episode request and we are slowly going through them.

A lot of you have requested music ones, so those are a little backed up as we space them out, But Gladiator was a listener request. So I have proof that we do do them. And let's set to do Christmas. We're doing Christmas Jordan from Christmas to Christmas and Christmas to Christmas. Here's everything you didn't know about Christmas songs.

I've been drinking all day. I was gonna say it was good will, good will, goodwill, and then it was like the end of film on Louise. It just was like off the cliff.

Well, you know, my nephew got baptized today, so it was allowed to get drunk. I'm Italian.

Is it at the church? No? No, just afterwards? All right, jingle bells it we'll do it live.

Jingle bells. Why not open with jingle bells? What do you think about jingle bells?

Jingle bells? I mean to me, it's been kind of tainted by the school Yard Batman edition. And we'll get to that. Okay, Yeah, no, it's fine, it's fine. I don't have deep you see, this isn't to me, This isn't. I have more feelings about the new edition pop ones from the last like fifty years.

Well, you're about to care about jingle bells. I'll tell me do you know why that is?

There's gonna be a Titanic connection or Beatles connection, so close Massachusetts connection.

The song was Yeah, it's Massachusetts Baby. The song was copyrighted under the title one Horse, Open Sleigh in eighteen fifty seven. It's writer, James Pierpont, was living in Savannah, Georgia. The title was subsequently changed to jingle Bells when the song was republish in eighteen fifty nine. This is a Civil War era Christmas song that's nuts but the town of Medford, Massachusetts, where Pierpont was born, Medford, Medford, all the blue heads all the way out in Medford, or that one when old when old James Pierre Pond stepped up to the plate, he wagged, he socked the dinga so hard. Hey guy, guys, hey guy, watch this. You're like Dinga's.

You like one hosse open sleighs. You're like one. I got fucking spades.

Medford, Massachusetts, where peer Pont was born, claims that this song was actually written in eighteen fifty at a place called the Simpson Tavern in Medford. And in case you need to win maybe the most granular bar trivia contest that could ever exist anywhere. The corroborating witness to this is missus ODIs Waterman, missus Otis Waterman, missus Otis Watermen.

What context is that? Yeah, you don't believe me. Asknis's wife. I think that's the Medford Historical Society. They're like, missus Otis Waterman was in the pub when she saw it. But so here's what's really gonna blow your mind. Okay, jingle Bells wasn't even a Christmas song. It was written for children to sing at a Thanksgiving event at a Medford Sunday school, and it turned out that it was such a banger that they were asked to sing it again at Christmas. Where it stuck.

Peer Pom was writing about literal sleigh rides and races on Salem Street in Medford in the early eighteen hundreds. In races as in like not the misigenation enough that you would assume people from Massachusetts care about, but I mean literally is one sleigh faster than the other. That's kind of sick anyway, because Savannah was where peer ponm was living when he wrote it. Unless he did write it in this tavern, they have gone on to claim it because they said it was on the occasion of his first snowless Christmas in the South that he wrote this whistole for his home in Medford.

You can't claim something if somebody's there and not wanting to be there and writing about wishing they were somewhere else. Well, it gets worse because, of course Massachusetts found a way to make this racist jingle bells. The re christened version was first performed on September fifteenth, eighteen fifty seven, at Ordway Hall in Boston by blackface minstrel performer Johnny pel Oh, it's like Massachusetts claiming, like James Taylor's in my mind, I'm going to Carolina. It's like, well, you could. But was he incarcerated. He might have been in a psychiatric hospital. No, I don't think so. I think he was in Massachusetts and it was No, he's in London. Sorry, he was in London and it was cold and he wished he was back home. You can't claim something if somebody's writing a song wishing they weren't there. I hate James Tanner really, Yea's very nice to me. I know, I'm sure he was. He was very nice.

He seems that seems he seems too nice. How do you feel about me, sweet baby James? If your nickname is sweet Baby James, you're not like a real man. I'm sorry you either have to be so huge and so imposing that like like.

He's a very tall man. He's not imposing. Eh, he's pretty lanky. He's kind of like got that praying mannis thing going.

Do you think I could take James Taylor in a fight. He's got reach, but I will cheat.

I don't know anyone who could do that much heroin and survive. I kind of think has something else going. Okay, okay, okay, what about me versus Paul Simon? That's a wash. He'd want it more, he would want it more, but I would I would man handle him. Was he like five to three? Yeah? But I don't know. Haven't you seen that SNL thing where he plays basketball with like Wilt Chamberlain or something. I have seen that sketch. Yeah again next week for when we talk about other folk rock icons that I might be able to beat in a fight. Oh, I saw the Bob Dylan movie the other day. Oh, I could definitely beat Timothy Shalloway as Bob Dylan. I probably couldn't beat Bob Dylan as Bob Dylan. No.

Yeah, that man was on so much government speed. I'm gonna go ahead and a lemon say this.

I'm gonna say he would cheat too, Yeah, but he'd be open about it. Yeah. I think. Do we think that that Dylan is a as a CIA operative similar to all the Laurel Canyon stuff.

Hmm.

Maybe he's one of the certainly one of the most baffling ones.

But I can figure out what the agenda for him would be. What trying to get people to become born again Christians.

In the same way all the Laurel Canyon stuff was trying to defang the very legitimate labor union. Yeah. Yeah, yeah, with like kind of a political hippie stuff. This was sort of I guess his stuff was very political. Never mind. Yeah, haven't you ever heard like a Ballad of a Thin Man? Dude? Yeah, that's one of my favorite masters. Hey man, those songs are political. Man. What's that is that cider? That's scotch?

So apparently, jingle Bells was first actually recorded on an Edison cylinder by a banjo player named Will Lyle in eighteen eighty nine, though no copies of it exist. The earliest version that does exist was recorded in eighteen ninety eight by a male vocal quartet. So we're going through steadily lamer and lamer incarnations of early music. However, the first person to make jingle Bells a hit was swing king Benny Goodman Baby in nineteen thirty five, followed by in successive years, Glenn Miller Bing Crosby and Big Cronsby with the Andrew Sisters. And then, and this shocked me, electric guitar iconed Les Paul in nineteen fifty one, Less Paul, in his multi tracking era, did a version of jingle Bells where he just overdubbed all the guitar parts.

It was like the first guy to really take over ubbing seriously, right, yeah, oh yeah.

He's crazy innovative in that regard. But here's another fun fact. Jingle Bells was one of the first songs broadcast from space.

WHOA, that's cool.

In nineteen sixty five, astronauts Tom Stafford and Wally Sira were aboard the Gemini six and they pranked mission control by calling in saying that they had seen an unidentified object, and when they were pressed to identify it, they pulled out a tiny one inch Honor harmonica and sleigh bells that were contraband they had actually smuggled these aboard and then saying jingle bells to mission control.

That's awesome. Wasn't there another one? Wen't we just talking about another episode? Somebody an astronauts smuggled at corn beef sandwich aboard one of the Apollo flights. Or maybe it was Gemini. This have to do with the Irish. Maybe I forget what happened. That might have been Gus Grissom. He didn't like the the in flight meals. That's probably not what they were called Onora. Yeah, red meals. So he went on the way to like blast off. He stopped by his favorite deli and somehow smuggle the board of corn beef sandwich. I feel like that's gonna get so greasy and like unpleasant and just like all the bits floating around, all the like crumbs. Yeah, you're gonna contain every bit of like was it a rubin or just a corn beef? I it's just a corn beef on rye dry. He didn't put mustard on it. I don't, well that would get even more gloppy, and yeah, can you imagine like like some like a mustard seed gets in like the computer. Oh yeah, I sure can. That's probably It's probably happened to Apollo thirteen and they were just too embarrassed to admit it. It's probably what happened to Challenger in honor of the first teacher in space. We're gonna smuggle the board, some square pizzas and watery pasta.

They just had it to fit perfectly into all the floppy disk parts. Oh no, one's stuck in one. Oh it's sparking. Wow, this got dark real quick. Here's another weird fact and a rare TMI correction. Oh okay, folks, for all of you who who say I don't admit when I'm wrong, I do, and I'm doing it now. In our episode on Batman the Animated Series, I reported that the legendary playground parody of jingle bells that rhymes Batman Smells with jingle bells originated on Batman the Animated Series and was later sung again on The Simpsons, leading people to confuse the origins of the song, but now TMI regrets the air. The first reference to jingle bells Batman Smells is tied to the original sixties Adam West series. It is mentioned on page sixteen of the January third, nineteen sixty seven edition of the Lawton Constitution from Lawton, Oklahoma, and the notice read as follows. Lil l I Pastrophiel Lil Jana Montgomery, daughter of Major and Missus Ross D. Montgomery, formerly stationed at Fort Sill and now with MAAG headquarters in Brussels, Belgium, warbled this tune during the holidays. Jingle bells, Batman Smells, Robin ran away, batmobile lost a wheel, and commissioners stuck in a sleigh.

That's really c plus work, Jenna, you really got a stanchion on that. And I don't know who added, you know, Riddler got away or whatever the last part of that is. But Jena, you did a bad job.

But the first reference to that song January third, nineteen sixty seven. That's crazy. Don't let anybody tell you different. That's the TMI promise. Jordan, what do you think is the most depressing Christmas song?

I'd say it's a toss up between fairy Tale of New York, which I think is equally depressing but also exhilarating, especially for lines like I could have been someone, but so of anyone. But also I think probably the one you're about to read, because I know dimly about the backstory.

Well, my favorite actually would be Another Lonely Christmas, which is one of my favorite Prince Deep Cuts, that is the film in which are the film because there's such cinematic visions. This would be the Prince Deep Cut. How did this song? Oh the B side too I Would Die for You right in nineteen eighty four, So Another Lonely Christmas. Prince was quite lonely, apparently during this point in his life, so he decided to fictionalize an account of a man mourning his lover who had died from pneumonia on the previous Christmas Day. Prince is the character in the Song's method of remembrance is to get schnookered on banana dakers because that was his beloved favorite drink. But we are not here to talk about another one.

I actually, oh, I have another one. Actually I forgot. Do you remember I think we talked about this on the fairy Tale of New York episode when we did a rundown of depressing Christmas songs. Do you remember the Christmas Shoes? No? Bye? The group is called New Song. It's about it sounds Christian. I think it probably is. Sir. I want to buy these shoes for my mama. Please. It's Christmas Eve and these shoes are just your size. Could you hurry, sir? Daddy says, there's not much time. You see, she's been sick for quite a while and I know these shoes would make her smile, and I want her to look beautiful if Mama meets Jesus tonight, I.

Said D plus. Those rhymes are atrocious, sure, but Big Bommer still a D plus. So have yourself a merry little Christmas. Also Big Bommer a huge bummer. Yeah, one of my favorite Christmas songs. I love the melody in this, I just love the writing, and I love how convoluted a lyrical history it has. This song was originally written by the songwriting team of Hugh Martin and Ralph Blaine in nineteen forty three for the nineteen forty four musical Meet Me in Saint Louis starring Judy Garland.

Now.

In that film, Garland's character sings the song to cheer up her five year old sister. The family has just been rocked by the news that their father may move them all to New York for his job just before the nineteen oh four World's Fair descended upon their hometown. So that's where you get couplets like will pop the champagne cork next year we all may be living in New York. But Hugh Martin, who has since claimed soul songwriting credit for this song, said Ralph Blaine didn't do His first draft had couplets featuring couplets like have yourself a merry little Christmas.

It may be your last.

Faithful friends who were dear to us will be near to us no more.

Now.

I love Christmas songs confronting the grim specter of death, but the team behind Meet Me in Saint Louis not so much. I often wondered what it would have been like those lyrics been sung in the movie. Margaret O'Brien, who played the younger sister and Meet Me in Saint Louis, told Entertainment Weekly in two thousand and seven, but about a week before we were to shoot the scene where Judy sings it to me, she looked at the lyrics and said, don't you think these are awfully dark? I'm going to go to Hugh Martin and see if he can lighten it up a little. So absolutely gacked to her little gills on speed. Judy Garland went over to mister Martin and suggested the change. He was initially resistant. He recalled to Entertainment Weekly. They said, it's so dreadfully sad. I said, I thought the girls were supposed to be sad in that scene. They said, well, not, that's sad. And Judy was saying, if I sing that, if I sing that to little, sweet little I don't have a Judy Garland impression. I didn't have that locked. If I sing that to sweet little Margaret O'Brien, They'll think I'm a monster. And she was quite right, but it took me a long time to get over my pride. Finally, Tom Drake, who is the male lead of the of the movie, who was a friend, convinced me. He said, you, stupid son of a bitch, You're gonna foul up your life if you don't write another verse of that song. But the song, this is the craziest thing to me. That song was not even a banger. People did not really cotton to it. It's just like over the Rainbow.

But you know what the big hit was from Meet Me in Saint Louis. It was a try song Chian Klang Klan goes as a.

Young ring ring went the bell zing zing zing my heart strings and something I'll see you and hell have yourself for Mary Little Christmas was such a dud it took even old blue eyes Frankie sin himself to make it a hit. He recorded it once in nineteen forty seven and then came back to it a whole decade later. According to songwriter Martin, he said, Frank called ask if I would rewrite the muddle through somehow line he said, the name of my album? He said, the name of my album is a Jolly Christmas. You think you jolly? That line up for me? Otherwise it's ring a ding for you, bozo. He didn't say that last line. That's just me editorializing. So not about to give the chairman any lip. Otherwise he would have been underage raped by him.

Ooh, can't say that about Frank, right, Is that something that?

Oh that famous Frank Frank Sinatra mugshot is for stature rape?

Oh yeah, oh yeah.

Anyway, Martin made some cheerier alteration. He said he shifted the happiness into the present tense and changed the muddle through line to hang a shining star upon the highest bow. And then, in one final twist to this convoluted history of the song's lyrics, Martin wrote a pointedly religious version of have Yourself a marri Little Christmas in two thousand and one, changing it to have Yourself a Blessed Little Christmas, which, among other things, replaced if the Fates Allow with if the Lord Allows. Martin was once again supposedly correcting an original bit of censorship done to his first draft. He originally had if the Lord Allows, and then the songwriting the people behind meet me in Saint Louis said, we can't skew that religious Martin. The country has been torn apart by war and discord, and clearly there's no God, so please, there's no God left, So you simply can't say if the Lord allows, we are a secular country now and we will be for the rest of our duration.

I had been under the impression that this song dealt with the looming specter of nuclear holocaust. I thought that was part of why so the lyrics were so ominous.

Like well, it was clearly under the Specter of Ward War II because I've written nineteen forty three.

But yeah, what a great song. Yeah, it's a really good song. And you know, of the three songs that I'm going to talk about this, this is one that I actually think there's a chance you might like. Even though the pairing is so weird, I think it's really pretty and I think it's cool. Oh, my friend, I know where you're going with this. Yes, Peace on Earth. Little Drummer Boy Boie meets Bing nineteen seventy seven. I love this. How do you feel about this? Before I get into the whole back start.

It's one of those things that just kind of fries your synapses. Yeah, the incongruity, like if you first see that, I guess honestly, if I saw that for the first time in twenty twenty four, I'd be like, what is this deep fake bulch that you've served to me? Yeah, Like, there's no way those two were in the same room together. But here we are talking about it so many years later. It's a good song, it's a good performance. I should say it's no, it's not a good song, but.

Go ahead, all right, Well we'll talk about why it's not that great of a song because they wrote it in like an hour on the spot because Bowie didn't like the song that we're gonna have him sing. Okay, So it's nineteen seventy seven. With the release of Heroes, David Bowie said about trying to normalize his professional reputation after his period in Berlin, during which he'd.

Kept a low profile, trying to kick an ungodly amount of coke yes and making some of the most experimental music of his premiere He released the album Low the year before Heroes was a little more in the pop lane, and so now he was doing more promotion than he'd done in many years. As he was trying to kind of get back in action.

He made high profile appearances on the Top of the Pops TV show in the UK and Mark Bolan's TV series Mark performing songs. Rumors that he drop in on The Muppet Show sadly proved false. That would have been amazing, but he did take on an arguably weirder role on Bing Crosby's Christmas special. I guess, bearing in mind David's influences, it's not quite as in congress as you might think. David had a penchant for middle of the road entertainment. He was initially when he first became a performer, obsessed with this guy Anthony Newley. Back in the sixties. He was this kind of light entertainment singer, song writer figure. He's probably most famous to millennials for co writing the songs in Willy Wonka and the Chocolate Factory. But yeah, Bowie meets being it seemed almost perverse. I mean, you have the king of the cutting edge appearing with a seventy four year old World War II crooner in a festive Cardigan. Crosby was seventy three. Seventy three excuse men die a month after this taping. Yes, yes, yes, yes, I'm really unclear by Bowie's motivations for going on this.

I have it, Okay, I have it from actually an article I wrote it people. He said, I won't sing, I hate the song. I'm doing this show because my mother loves bing Crosby. That was Bowie's motivation.

But he and his mom had like a really tempestuous relationship, so I almost question that. I mean, I really wonder if he was trying to either subvert this most bland, you know, banal art farm Holiday TV's specials, or if he was just doing the most punk rock thing he could possibly do, which is doing the least punk rock thing he could possibly do. I don't know. He never really opened up about it beyond that statement that his mom liked Bing Crosby. So David Bowie travels to the ATV L Stree Studios, just north of London on September eleventh, nineteen seventy seven, to film Bing Crosby's TV special Merry Old Christmas. Bing had extended the invitation to David, partially because his teenage children were big fans, but when David showed up wearing over the top makeup and an earring, he apparently had some second thoughts.

Also full length mink coat. That's awesome, he and his wife.

Yeah, according to Bing's kids, producers took David aside and gently requested that he wipe off his makeup and remove the earring, and he duly complied. Crosby son Nathaniel would recall the appearance almost didn't happen. I think the producers told him to take the lipstick off and take the earring out. It was just incredible to see the contrast. Yeah, you mentioned that They claimed that he showed up with his wife, Angie, but at this time they were really on the outs and they would be divorced, I think by the end of the year, so it's really unlikely that she showed up there with him, which kind of throws this whole story in the question. Well, it might not have been Angie who showed up in that length. Okay, good point, good point. But yes, as you mentioned, there was a bigger problem on the horizon than David Bowie's attire. The original plan was for Being and Bowie to perform a duet of The Little Drummer Boy, but when David arrived, he announced I hate this song? Is there something else I could sing? Which is such a classic bit of yes, this has been in the works for weeks now, and nobody for me. If nobody told you, or you didn't look at the one cheat we gave you, and now here you are. One of the script writers would later say that Bowie felt the song quote wasn't a good showcase for his voice, and Bowie doubled down by saying, if I have to sing that song, I can't do the show. Jordan, what would you do it with me? On a Christmas song? I would say, Baby, it's cold outside and you can beat whichever part you want so you can stay in and podcast, much to the original spirit of the sound. Just a short time before the shooting of the TV special began, the show's musical directors Ian Frasier, Larry Grossman and scriptwriter Buzz Cohen held an emergency writing session on an old piano in the studio basement, and within an hour they'd whipped up this new counterpoint to Little Drummer Boy that they called Peace on Earth. And they presented it to Bowie, who loved it. And then after an hour of rehearsal, Being and Bowie ran the act for the cameras. Buzz Cohen would say that Being loved the challenge of the arrangement, saying that he was able to transform himself without losing any of his crosbyisms. For anyone who's actually seen the full clip of this and not just heard the song, there's a whole sketch and it's still too but I find it cute in a cross generational seventies Network TV special kind of way. In the skit, Being is an American visitor to a historic British home, and Bowie lives down the street, and he drops by to use the owner of the house's piano, and Bowie recognizes Bing and says, you're the guy who sings right, And these two guys have a moment where they compare holiday traditions. It's a real bridging the generation gap kind of thing. And then they gathered by the piano and start rifling through a pile of Christmas Carol sheet music, and David earnestly claims that he likes all music, including old timers like John Lennon and Harry Nilsen. O great, great inside joke there, and he plucks out the sheet music for Little Drummer Boy. He says that it's his son's favorite. Whichever one of my sons it is. Did he only have Duncan at that point or he only had Zoey or Zowie whoever? He said it back then at the time that he was known then, No, no, it's the same guy. But oh the guy who later made Moon Warcraft. Oh yeah, yeah, he was knowing Zoe Zoe Bowie. That was Zowie Bowie. Your mileage, my very tomato tomato, Zowie Bowie. Let's make a beautiful salad. You always sing that I've never heard that from anyone, But you have no idea, dude, I have no idea where that's from. That's like deep in the recesses of my reptile brain. Tomato, tomato, potato, potato, let's make a beautiful salad. I thought it was just let's call the whole thing off. Maybe I mean, I like your version better. I've just never heard it. Thank you. I hope to record it with Bing Crosby. One day I got some magic of AI.

And then one day an AI replica of Bing Crosby will beat me with a sack of Valencia oranges as he did to his children, because it won't leave a bruise.

You mentioned the Tupac hologram out of Bing Crosby hologram and a Bowie hologram.

Oh my god, that would get so racist so fast. He'd be like, he'd like, Samay Davids Junior, what are you doing?

I love it. We all agreed that that's how Bing talks, even though I'm pretty sure that's not how Big talks. But like that's everybody's impression of Bing.

You can beat him with osaka, sweet Valenzia olunges and I won't leave a bruise like that.

Yeah, yeah, yeah. A few days after the taping, Bing praised Bowie as quote a clean cut kid and a real fine asset to the show. He sings well, has a great voice and reads lines well. Translation, yeah you can read. Didn't really expect that, Yeah right, I don't know. I find it to be an undeniably sweet performance. Even though Bowie himself would call the appearance quote ludicrous in later years, it is quite cute. There's a certain undeniable chemistry that they have where they both are clearly like radiating why am I here? Like what is going on? What are the circumstances of my life that led me to sing next to this man? But they're kind of both also selling it. Yeah yeah, to me, it's up there with the Sinatra Elvis duit in nineteen sixty on his Welcome Home Special. With these two guys that you get the sense that there was a lot of like words said in private beforehand against one another, but they somehow, like you said, they make it work in the moment, and you get the sense that they like each other more than they would have thought because they're professionals. Baby, right, that's why But yeah, Bowie, he would later say, we were so totally out of touch with each other. I was wondering if he was still alive. He was just not there. He was really not there at all. He looked like a little old orange sitting on a stool because he'd been made up heavily and there was just nobody home at all. You know. It was the most bizarre experience. So that's one take on it. That was his later era take. It's interesting to know that Bowie's take on the experience in nineteen seventy eight, shortly after the special aired, was much softer. He said Crosby was fantastic. That old man knew everything about everything. He knew rock and roll backwards, even if he didn't know the music. I'm glad I met him. So yeah, two very distinct takes from Bowie. He might have been really nice in nineteen seventy eight because this was just after Bing had died. In fact, Bing was dead by the time the special aired that Christmas, which kind of adds a whole weird flavor to a Christmas special from a beloved entertainer. I love Christmas specials that are touched with death. Judy Garland is the most famous. You know, what's her Christmas special or just the worsd of it. It's like Lynchian, dude, it's all this like fake posed stuff with Liza and the kids. But it oh that this has this undeniable rro like the Queen in her decline and oh it's grim I forgot about that. Yeah, if you want to watch it, if you're looking for something to watch with your parents, you should cast the Judy Garling Christmas Specialty TV. But yeah, Bing died a month after his shoot with Bowie. He suffered a massive heart attack on a Spanish golf course. His last words were famously to me, at least that was a great game of golf, fellas, let's go have a Coca cola. And he collapsed about twenty yards from the clubhouse entrance and died instantly. Do you think Coke paid him for that? Can you have your last word? Sponsored? Wait, this gets even weirder because Mark Boland died in a car crash a week after Bowie appeared on his show around the same time, and Bowie later commented on this quizident, saying, I was getting seriously worried about whether I should appear on TV because everyone I was going on with was kicking it the following week, kicking it in the farm sense and not hanging out with your bros, not I trib quest sense.

Yeah, if if someone asks you can they kick it, you say yes they can, rather than the bing Crosby sense where he asks you can I kick it and you say, please God, not on the carpet.

The broadcast should have been the end of this hastily arranged song because it was essentially just a throwaway song for a one off TV special, and a tape of the recording was erased, but fervent Bowie fans swapped bootlegs, and five years after the broadcast, an official version of Little Drummer Boy slash Peace on Earth was released just in time for Christmas nineteen eighty two. It became one of Bowie's fastest selling and hilariously best selling singles ever in the UK, having sales over two hundred and fifty thousand within its first month of release. Damn being certified silver by the British Phonographic Industry one month later.

Two hundred and fifty thousand in the first month is like, that's enough to get you a sophomore record in today's music industry. Yep, side though, I'm sure this is something you maybe know about, but if not, I'm really excited to tell you.

Heigel, now hit me, I don't know anything about this. Did you know that? Bing Crosby played a pivotal role in popularizing tape recording in the mid twentieth century. In the forties, being sought greater flexibility in his radio show performances, which are typically broadcast live. All the radio executives said, you know, people really want to hear things live. That's part of what makes this medium special. They want to believe that what they're listening to is actually happening somewhere. Bing he didn't care. He wanted to be able to do it on his own time. He was dissatisfied, though, with the inconsistent quality of disc recordings, but he became interested in the emerging magnetic tape technology developed by German engineers during World War Two. Kind of makes sense that he would collaborate with the Nazis. Yeah, yeah, yeah. In nineteen forty seven, bing Crosby was introduced to the Ampex Model two hundred, which is an early tape recorder that offered superior sound, fidelity and editing capabilities. Recognizing his potential, he invested fifty thousand dollars in Ampex, which is like, she's probably close to a million dollars today, helping the company refine and commercialize the technology. Crosby support was instrumental in introducing high quality tape recording to the American entertainment industry. He became the first performer to pre record his radio shows on tape, revolutionizing broadcasting by allowing seamless edits and precise scheduling. This innovation transformed how radio and eventually TV programs were produced. Imagine all these things having to be live. I mean, he was basically the one who said, no, we can do this all in advance and make it exactly right. That's pretty incredible. Crosby's adoption of tape recording catalyzed this widespread use in music, broadcasting and filmmaking, and its influence actually extended beyond entertainment because his investment in Ampex also spurred advances in tape technology, paving the way for multi track recording. Like we were just talking about with Les Paul and the modern music industry as a whole, and.

I want to say that Alan Lomax took an Ampex tape recorder on his Southern journey, So in a way, he bing Crosby, who is surely racist and in hell and in hell, paved the way for basically one of the people who broke the concept of Southern Black American music to the rest of the country.

How much you think that chapped his ass? Boy, it was like withered hand clawing out of like a hell crater, like give me back the impects. Is that nuts? Though? I didn't mean you could use it to tape black folks. Uh? Was he really racist? I don't know. I just kind of those eyes. I kind of assumed, yeah, yeah.

As you meditate on that, we'll be right back with more too much information after these messages. Did you have a segue or should I just plow right into this. I don't have a sick quite No.

Great Philly's Navidad pferano e. I want to wish you a merry Christmas, felicidad, I want to wish you a merry Christmas.

Alana isumemericus. Anyway, I know that this is another song with a kind of melancholic undertone to it. Jose Feliciana was born in Puerto Rico and moved with his family to New York when he was five, where he grew up in Spanish Harlem. By nineteen seventy though, he was a successful recording artist, and he recalled to The New Yorker that he and his producer Rick Gerard were at Feliciano's place in California. They were planning a holiday album, and Girod said that there hadn't been a huge Christmas song since Brenda Lee's rocking around the Christmas Tree. Yo didn't put much thought or effort into their attempt at a iconic Christmas song. He missed his family in New York, and inspired by memories of their Christmases together, he penned Philis Navidad in ten minutes, telling The New Yorker that's why it's the simplest song ever written. It contains a total of nineteen words, six in Spanish phileis Navidad, prospero annoy pelicidad and thirteen in English. I want to wish you a merry Christmas from the bottom of my heart, over and over and over again. He and Gerard then recorded the tune at RCA Studios on Sunset Boulevard Baby in a single take.

Wow, well you thought they were going to go another take at this song? Feliciano. This New Yorker interview is hilarious. Apparently the man has quite a sense of humor. He told them, if you know where your song is going to go, you don't have to around with it.

Too much to say to myself, jokum. If they can't take.

A get it, he switched him around. He did a whole reversal on you, because yeah, anyway. Design is technically a continuation of the tradition of Spanish villanthios or villanthios, which is basically just like an A line for the Savidad and a B line I want to wish you merry Christmas.

Just repeated back and forth. These were originally written for all occasions, but as they progressed into parts of the Latin diaspora, they were starting to be linked to Catholic feast and Saint days, particularly Christmas. Now, for some reason, in this New Yorker interview Jose Feliciano, who I think was then like seventy five, he decides to illustrate this connection with the following joke. Three people die, and on their way to heaven, Saint Peter stops them and says, I need something from each of you that reminds you of Christmas. The first man takes out a lighter signifying candles, The second shakes some keys like bells. The third displays a pair of women's panties. Saint Peter says, how did these remind you of Christmas? And the mangoes? Those are carols? Anyway, here's another way that that thing became horrible and racist. In December two thousand and nine, a parody of Felisa Navidad titled the Illegal Alien Christmas Song, was created by radio producers Matt Fox and aj Rice posted on the website for Human Events, an American conservative political website. The parody, sung in English, played on the racial stereotype of Mexican immigrants as heavy drinkers and said that illegal immigrants were going to spread bubonic plague, and after a richly deserved beating in the media, the song was taken down. Do you have thoughts on Felis Navidad? It's annoying, let's not let's not sure.

Yeah, no, it's not one of my favorites. I do have a fun the Holsday Feliciano fact. During the whole Paul Is Dead rumor that Paul McCartney had died and the Beatles were leaving clues on their albums, he recorded a cash in song called so Long Paul under the name Warblely Finster You're with me until that. No, Warbly Fincer's a good, like fake British pop name. Actually, it's tremendous damnway. That's all I have to say about that. Now.

You know, we haven't done much on Elvis. Too much information Factory.

That was one of my early ones I wanted to do, which was a TMI episode on the House Graceland, and I still have like forty pages of notes that I've been too afraid to call through.

Well, I eagerly wait for that, but I thought it might be time to address the elephant in the room, which is not a fat joke. The lyrics to Blue Christmas, the Elvis song that we are now discussing, we're written by a guy named Jay Johnson. Jay Johnson was your basic sort of Don Draper stereotype. He was an advertising jingle writer who lived in Connecticut and commuted to work in New York City. He was inspired by the success of Irvin Berlin's iconic White Christmas, and Johnson reasoned that a more melancholic take on the holiday was warranted. Dusty he began writing Blue Christmas on the Train on a piece of old hotel stationery for maximum poignancy.

God he is don draper, Yeah right. He added more verses and then proceeded to reach out to a composer friend of his, Billy Hayes. Now Hayes also probably had some thoughts on the lyrics, because the final version of the song, Johnson's original two first verses were replaced, so once they had their way with it, the finish number was sent over to publisher's replacement not only in New York but Nashville. This is where things get a little convoluted. The first taker for Blue Christmas was a Roy Rogers wanna be singing cowboy named doy O'Dell. I believe he is also an actor, but he has barely an Internet presence, but he did turn in the first recorded version of Blue Christmas in nineteen forty eight. It went nowhere, but it didn't take long for other people to pick up the song. Hugo Winter Halter gave it an orchestral and choral reading. Russ Morgan sang it's a pretty straightforward lead vocal feature and most germane to our narrative. Nashville and country music legend Ernest Tubb proceeded to twang it up for his country version. These were actually all chart successes to varying degrees. Ernest Tubb's version hit number one on Billboard's Country chart, Hugo Winter Halter's version peaked at number nine on Billboard's Most Played by Disc Jockey's chart, and Russ Morgan's version reached number eleven on Billboard's Best Selling Pop Singles, And by nineteen fifty even famed big band kruoner Billy Eckstein had turned in a version. But we have Ernest Tubb to thank for bringing this song to Elvis. Ernest Tubb was one of Presley's early country music idols, and they even met in Nashville after Elvis's first and only appearance at the Grand Ole Opry in nineteen fifty four. Depending on how steep you are in Elvis Lord, you may or may not already know this, but apparently Elvis didn't go over well at the opry, and so he stumbled out, dejected and walked down to Ernest Tubb's thriving record store, which was just a few blocks down on Broadway in downtown Nashville. He proceeded to cry and commiserate with Tub about his poor opera performance, and then Ernest Tubb supposedly told him, Elvis, you just go ahead and do what they tell you. Make your money, then you can do whatever you want to do. Elvis apparently took this advice to heart, because fast forward to nineteen fifty seven and Elvis is prepping his own Christmas album, which would end up being in magic and lovely titled Elvis's Christmas Album The Man Had Away with Words.

According to the king's own website, it was a month's long battle with RCA to even get him in the studio to cut anything Christmas themed. He finally went in in September. That was the turnaround time we're talking about back then, so Accurrding to singer Millie Kirkham, who is part of the Jordanaires, Elvis Press's longtime backing vocalist. She sings the high soprano part on Blue Christmas, Presley had already cut one take and didn't want to do another one, and producers were strong arming him into doing another take. At the Country Music Hall of Fame in twenty twelve, Kirkham said he turned around to us, the musicians and the singers, and he said, okay, let's just get this over with. Just do anything, have fun, have a good time, do something silly. So I started going woo and he motioned for me to keep doing it, and Grin did me. So I just did it all the way through the whole song. When we got through, we all laughed and said, well, that's one record the record company will never release. But they did, and if I was getting royalties, i'd be a rich old woman.

Oh yeah, there's always that bit that's really sad, where the people who make a key part of the recording don't actually get cut into the sales. I will say I am the backing vocals on that I like. I like the Jordan nerves, but I hate THEO. I just don't like it. It's just too busy. I love creepy falsetto in Elvis songs. I have all the early ones that he does for in the Sun, This Blue Moon, that's like so quest mister yes, yes, that's very good. But Elvis's Christmas Album was actually controversial upon its release. The idea of Elvis the Pelvis as he was known at the time, recording religious Christmas material like Silent Night and Old Little Town of Bethlehem did not go over well in the Bible Belt. It was interesting because Elvis included straight up gospel material on the second side of the album with those carols. Now, many people were equally angry.

But Elvis who grew up singing all of this stuff in the Church of God Church of God in Christ. Kojik, I think is the acronym for that, because that's what Jerry Lee Lewis grew up in as well.

Church of God in Christ.

Elvis grew up singing gospel material and he had a great deal of love for it. His first full gospel album would come out in nineteen sixty and his nineteen sixty seven version of How Great Thou Art actually won him his first Grammy. Anyway, Supposedly, the bigger controversy over the Christmas Album was White Christmas, because Elvis patterned his version of the song, at least his vocal delivery, after a version that was cut by the drifters. The song's writer, Grving Berlin, did not cotton to that, because the song you see was Berlin's sober response to the death of his three week old son who passed away and Christmas Day in nineteen twenty eight, and understandably Berlin didn't appreciate a faster and slightly irreverent take. There's even been a rumor that persisted into the nineteen nineties, getting repeated in a number of Elvis biographies that Berlin, when hearing this song, told his staff to start calling radio stations and telling them not to play it. That has been debunked by some grade a Elvis nerves tougher men than myself, But you can choose to believe it if you'd like. Whatever the case, of course, Elvis laughed all the way to the bank. According to the Recording Industry Association of America, the RIBA Elvis's Christmas Album, along with its subsequent reissues, has shipped at least seventeen million Jesus Christ in the US of A, making it not only the first Presley title to go diamond, but also the best selling Christmas album of all time in the United States, and with total sales of over twenty million copies worldwide. Elvis's Christmas Album remains the world's best selling Christmas album and one of the best selling albums period of all time.

Having said all that, I will say my favorite version of Blue Christmas, and you will laugh at me, because of course I would say this. Brian Wilson does a beautiful version on the Beach Boys Christmas album from nineteen sixty four, with a great orchestral arrangement by Dick Reynolds who did all the Four Freshmen orchestral arrangements.

And I'm going to go to the bathroom, and I assume you'll be talking for the entire time, so I'll just keep going.

Oh, there's no way I'm not letting you get out of this. Oh what do you know what, folks, He's still at it. Or I was gonna let you miss a moment of what I'm about to talk about. Hit it, baby. You know this is one of my favorites, and my favorites I mean a thing that I hate, will never forgive for being foist upon the world like a plague or Cuthulhu esque love crafty and madness. It may very well be the most divisive Christmas song Last Christmas is kind of up there also, so it is all one for Christmas, as you, although I think most people generally like both of those. This one's a real fifty to fifty split. I'm talking, of course, about Paul McCartney's Wonderful Christmas Time Awful. The Beatles did many things, but they never had a Christmas release, at least for the general public. The closest they ever came was the half song Christmas Time Is Here Again, which was distributed to their fan club the A Flexi disc during the nineteen sixty seven holidays. That song has a simple, yet catchy arrangement that sounds a lot like Hello Goodbye, which happened to be the band's most recent single at the time. Sadly, nineteen sixty sevens Christmas Time Is Here Again would be their last annual fan club greeting that they'd record together as a group. The final two leading up to the band split would be pieced together from clips that they sent individually, so you can really trace the band's working relationship through these fan club Christmas discs. That's sad.

I honestly thought they would have recorded something like an Elvis album, you know.

Yeah, No, they never did. There's like some extremely rare I forget if it's a bootleg, if it was through the fan club that after the Beatles broke up, they just assembled all their fan club releases on an LP. But yeah, they never did, never did a real Christmas thing, but all solo Beatles would release Christmas songs. John and Yoko with Happy Christmas, War is Over, George with ding Dong Ding Dong, Please tell me about that. I think it's more like almost like a New Year's song. Yeah, I don't know a lot about it. And Ringo God Bless Him released an entire holiday themed LP in nineteen ninety nine called I Want to Be Santa Claus. I'm assuming he did that in nineteen ninety nine because he was worried about Y two K. I thought it was his last chance to do a full Christmas comp them. I've only got one statement left to make to the world. That remains the only Beatles related Christmas album that exists. But none of these hold a candbell, both in terms of popularity and vitriol to Paul McCartney's Wonderful Christmas Time. He wrote it in nineteen seventy nine at a time when there was a growing appetite for modern Christmas songs on UKR waves. Johnny Mathis scored his first number one hit with When a Child Is Born in nineteen seventy six. In the UK, Bowie and Bing made waves with their televis Christmas duet in nineteen seventy seven. And Mary's Boy Child, Oh My Lord was a number one for bony M in nineteen seventy eight. It actually didn't really come through. Could you take that line again? And Mary's Boy Child, Oh my Lord was a number one hit for bony M in nineteen seventy eight. Great, thank you. I think that's the one. Let me go again. We'll go again.

Are you want you want me to do it as Johnny Cash. I've been working on my Johnny Cash.

Yeah. Please. And Mary's Boy Child, Oh my Lord was a number one for BONYM in nineteen seventy eight. You've really refined that since we did it for Gladiator.

You gotta get the tremolo in there, like he's he's like really actually broken up about bony M. Sorry, our Westminster clock is going. I love continue to know.

I love that. So McCartney put it in on this Holiday Bonanza in the late seventies, both because he's a man of tradition, but also because he was becoming hip to music publishing around this time. This is when he started buying up full song catalogs by people like Buddy Holly, and he recognized that he hit Christmas Song as a reliable, annual income, stream capitalist prick. He hasn't spoken openly about this, but I find it telling that he released Wonderful Christmas Time as his first solo single in almost eight years when he was in the middle of his Wings run. So McCartney composed the song himself during what he'd remember as a quote boiling hot day in July. And this boiling hot day was so ridiculous that for some reason I thought of Christmas. I thought it'd be just ridiculous to write a Christmas song while it's this hot, and it was. So I sat in the room and made up a Christmas y backing track and wrote the song all around it. And it was just ironic sitting there going he he he, This isn't Christmas. It's a boiling hot July day. What a rebel. And that's how I did that one. This is all going on the transcript when we put him up against the wall helter skelter. Oh, I guess that has some bad things to it too. What are you eating? Is that? Is that a strup waffl or is that a giant host? They don't let you take host in bowl? Comb from baptism I tried. It's a pretty good butterscotch. That's my favorite cookie, butter scott scotchies. Hell yeah, yeah, man, good stuff.

Oh man, TMI listeners, if you want to tweet at us later with what you're eating while you're listening to this, I will respond to Jordan. We both love snacks and cookies. I'm eating cherry hearts right now. Oh nice, man. They're cherry brandy or just like.

No, they're like big jelly beans, but the shape like hearts, and they all different like some cherry call up black cherry wild cherry. Is that a Boston thing? I don't know. I don't think I know those. No, they're they're hard to find. I just like randomly will find them at different candy stores. Far yeah, no, I really go save some some strandos from my chic Iago, my Chicago family. Cis Franco mints. It's a mint, nothing more nothing less.

Uh.

Paul wrote the lyrics the Wonderful Christmas Time and do you want to guess ten minutes? Yep, that's correct. The party's on, the spirit's up, we're here tonight, and you know that's enough. Dude. You got to punch in that guy's TikTok oh. Yeah, the guy who does the John Lennon song, and then the Paul song. Yes, I will do that every Christmas.

People that die and go for yourself, and then the Paul mcgardney one's It's Christmas Time break Out, the one Uncle Jimson's favorite jumper.

Yes. Much has been said of the fact that John Lennon's entry into the Christmas canon doubled as a poignant anti war anthem, whereas Paul's was about having a wonderful Christmas time. Paul would say, to me, Christmas is mainly all the parties and the good humor everyone gets into suddenly for those few days a year. The song's just basically about the mood is right, the spirit's up, We're here tonight, and that's enough. It's very simple. It's ironic that he gave a more poetic set of lyrics in that interview question that he did in that whole song.

Yes, I hate this song, man, it's so annoying. Was he like hanging out with? I mean like Stevie Wonder who other synth like guys? Is just some of the worst sounds I've ever heard keyboards make. Maybe it will be answered in the suck sect.

Kay. Sorry? Sorry, So now at least I know you hate the song, but we get to talk about synths. That's true, I know, Okay. So Paul recorded Wonderful Christmas Time on August thirtieth, nineteen seventy nine, at his home studio, which he'd recently decked out with synthesizers. Many of the recordings he made during this era would surface on his nineteen eighty solo album McCartney two, on which he played all the instruments, which were mostly synths himself. This was less an attempt at recording a bedroom pop album and more just him screwing around with his new electronic toys. There's a viral anti Wonderful Christmas Time tweet that says, a Wonderful Christmas Time, Sir Paul McCartney set out to make a timeless Christmas classic and also to figure out what all the buttons on his synthesizer did and he absolutely succeeded in one of those. And that's kind of not far from the truth. This sounds uncharitable, but one of the tracks from this era is called check my Machine, and it's literally just him checking his machine. Yeah, that tracks. Yeah. The synth in question that he was using was called a Sequential Circuits Prophet five, which was later used on Kim Carn's Betty Davis Eyes. Hallo notes, I can't go for that and the Doobie Brothers what a fool believes? Profit five is a pretty legendary synth. Gotta say, yeah, yeah, yeah, yeah. I think there's also a Yamaha CS eighty on there too. I don't know much about that. Does that mean anything to you?

Well, some of those late seventies Yamahas have a lot of good sounds in them before they were getting into the I mean he was basically competitor for the Prophet five and the Oberheim.

OBX, Yes, which we talked.

Vangelis was a big proponent of the of the Yamaha and that's what a lot of Blade Runner soundtrack is composed with.

We will be talking about Vangelis later as wal as Chariots of Fire. So if it's a favorite of vangelicis Baby, it's good enough for me. Paul not only wrote one for Christmas time himself, but he also produced it himself and played all the instruments himself. And his description of the process sounds like a Dana Carvey impression. Would you like to read this next session in your best Paul got to get into a character. I'm a millionaire plunky punky.

I'm a villionairem plinky plunky, and I'm also setting out in my mission to acquire most of the world's written music. I'm driving a tugboat. I immediately got out and got the sleigh bells and went ching ching ching on them, and I worked it all up from then, just got things that suggested Christmasy sounds to me.

Who that was very good, by the way. That's him on keyboard, synths, bass, guitar, drums, percussion, and even the so called choir of children singing their song. It's just him double tracked singing falsetto I guess I prefer that to actual children. You'll laugh at this. It's sixteen tracks, he felt. Sixteen tracks. Yeah, that's what people do recording at home. Oh. Though none of the other members of Wings appeared on the song, they all they all feature in the music video, which was filmed at the Fountain Inn in Ashhurst, West Sussex, not far from his house. Maybe some of our English friends will go and check it out. Probably not, they have better things. Ye don't do that. Yeah, McCartney recalled the NM in twenty twelve. We went out to some pub somewhere and so that was a laugh. We just run out of the PubL occasionally filmed a bit and then went back into the pub. So that was quite a nice evening. How does he even make that sound so unappealing and awkward, Like he's just a normal guy. This is no, he's just normal Laddin, just normal men, which is innocent men run out of the PubL occasionally filmed it. You know. He's a great little band. He's got a great little band, just normal men. The video was directed by Russell mulcahey, who also directed the first ever music video to air on MTV in nineteen eighty one, video Killed the Radio Star by the Buggles. Great Song, Great Song, Great Song, Wonderful Christmas Time was released in November nineteen seventy nine, and it was McCartney's first solo singles I mentioned earlier since Eat It Home more than eight years earlier. It missed out on being the Christmas number one in the UK. Pink Floyd's Another Brick in the Wall had that honor, which is hell hilarious, but it would peak at number six the very first week in January nineteen eighty. It sort of flopped in the US. It missed out on the Billboard Hot one hundred entirely. It didn't crack the Hot one hundred until December twenty eighteen, making it to forty seven. To date, its highest chart appearance in the US is number twenty six on the Hot one hundred as of last January.

Folks, if you care about America, don't play this song. We got to keep it way out. Don't do it. Just don't play this song. If you are like a maga, do it because you hate Britain. If you're anybody else, do it because song. Don't let this song gets number one. I'm begging you, there's a last bit of like patriotism I have left in my old rotted bones. If this song gets number one in the US, I don't know what I'll do. I'll find out where it lives and I'll pull Luigi, I swear, don't put that in, just beep all that out and then just say and I know that that'll.

Get me rested. Man, these butterscotch who he's are growing right to my head. All I'll say is I'm not going to leave a body for them to find. Good luck pinning something on me and pigs. McCartney has played Wonderful Christmas Time and concert occasionally over the years, initially during Wings First tour in the fall of nineteen seventy nine and most recently in December twenty twenty four at the end of his Got Back tour in the UK. Wonderful Christmas Time has been covered by the likes of Diana Ross, Harry Styles, Hillary Duff, Tom McCrae, Bare Naked Ladies, Demi Levado, Kelly Rowland, the Shins their version, Whips Actually, and Dog Dog Dog Dogged. Every one of these bands covering this song have more self respect, even the Shins, Yeah Straight, No Chaser, the Monkeys and Jam Flame and half the cast of the West Wing. You saved that last like it was supposed to be impressive. Impressive is not the word I would use, surprising. Every single one of these people suck, including royalties from comber versions. It was estimated in twenty ten that McCartney makes four hundred thousand dollars a year from the song Polly for Him, which puts its cubulative earnings as of twenty ten at least at over fifteen million. So let's see so with another don't do this, don't over twenty million? Then okay, now the quiet part loud. People really hate this song, even Sir Paul apparently doesn't love it, despite its reputation as a cash cow. Beatles author Robert Rodriguez has said of the song, love it or hate it, Few songs within the McCartney ouvre have provoked such strong reactions. A twenty twenty four piece on mental Flaws by Kenneth Partridge attempts to answer precisely why this is by speaking to you by speaking to a musicologist and performer named Nate Sloane, host of the podcast Switched on Pop. But before we go to Nate Sloane, Heigel tell us why the song provokes such hatred and people. It is simplistic. It has the simplistic structure and rhyme scheme and hooks of a child's song. You know, Paul McCartney is impressive because he has this tremendous range, songs like let It Be Golden Slumbers. He has this incredible ability to go from the very bottom of his range, like a deep chest voice, up into his head voice and do these big, soaring melodies. And this song is just so squarely like in like, it sounds like Pokemon music. It sounds like it sounds like a it sounds like you're in hell and you were a gambler in life, and you are forever.

You're just forever, one inch away from being able to pull a slot machine lever. That's what it's the music for, like somebody being poetically tortured in one of the Dante's hells. And I know you sent me like you were like, well, you have to admit it's a lot of chords, and.

I was, really I was.

I was willing to engage with it because I went, I went it and looked at for the chords of it, and you're wrong.

It's not a lot of chords.

It's a lot of pedal bass movement, just f sharp C sharp F sharp C sharp descending chord progression.

Uh, it sucks, it sucks, It sucks, it sucks. Iigel, it's my birthday. Give me this? Is it your actual birthday tonight? It sucks? Birthday for an air? Oh man, is this where you're catching your coins in on?

Yes?

Yes, okay, Well it's great. It's got a really catchy melody.

I have to say that the combination of synth voices that are on there are really ahead of his time. I mean, if you think about where sinths were at the time, people like Stevie Wonder don't have to do this, No, no, let me do it. Stevie Wonder, you know John Carpenter and the Halloween soundtrames.

I've been right around now.

So Paul's actually is pushing the form forward with the synthius on this stuff. And then he's really also inventing a kind of basement in diy altern wale of music. Yeah, it's positively chill wave, my man. And you know what, what's more pure I'll say this, what's more pure and paul like than Christmas? That is true with a rigidly rictus grin sense of joy and a kind of fascistically enforced general cheer. Yeah, what's more like Paul McCartney than being forced to have a good time by one of the richest men in the world.

You will have a good time or I'll kill you. Do you want to be black bagged into Ganton? Where all of your reasons for hating the song are pretty much the same ones that are cited by musicologist Nate Sloan. Now I'm musicologist. I've been drinking scotch. He blames repetition first off, saying that Wonderful Christmas Time is quote simple to a fault as it consists solely of verse and chorus sections. He says, it moves through the verse section of the song faster than a sleigh with no breaks. Before you know it. That's enough and we're off to the titular chorus. The only variation comes with the bridge section. The choir of children sing their song? Is their song ding dong? Or are bells ringing simultaneously? Either way, it's not the most inventive passage. He goes on to note that over the course of the song, the title phrase is uttered a deeply grading seventeen times. In broader terms, he also makes mention of the inconsequential lyrics, contrasting them with those of his former writing partner. While Lennon's song wanted you to probe your inner depths and puts the onus of world peace on you, McCartney opts to go with we're here tonight and just's that's enough.

Well, you know, in the spirit of Jordan's birthday, you could connect pop Buddhist philosopher Alan Watson's theory of be here now, oh rom DAWs or rom Das or I don't know, I'm reaching here. I don't believe in any of those guys, but be here now. You know, We're here tonight and that's enough. It's a way of appreciating the present and being fully engaged with a moment with the ones who are around you.

Which at Christmas time tends to be loved ones in the family. Yeah, you know, Paul McCartney was a truly a truly a philosopher. Now this is interesting to me. Nate Sloan also cites the sense that we were talking about earlier as of reason that many people disliked this song. He said, usually the Timbrel palette leans towards the acoustic and by extension nostalgic sounds of real instruments. When you encounter synthesizers in a Christmas song, as in Last Christmas by Wayam, they tend to be lush, sustained paths that lended almost orchestral sensibility to the track on Wonderful Christmas Time, the prophet five by contrast istaccato, harsh and tinny. It's a bold choice by McCartney and a testament to his experimentation with that instrument that would soon become an industry standard, but was less than a year old at that point when he recorded Wonderful Christmas Time. Well, despite all this, Nate Sloan also details things that make the song great, at least in his opinion. In this case, it's a lot of stuff that people hate about it. The things that make it annoying to some people make it distinct and even refreshing to others. He says, In the increasingly rigid and annual rotation of holiday songs, Wonderful Christmas Time stands out for its tambrel palette and eventive chord structure, and for that reason I find it a welcome relief from the familiar strains of Mariah and Bing. He also notes that though the melody and structure are simple, McCartney's harmonic patterns are quote diabolically complex. Those chords are deep and jazzy, drawing on the rich, drawing on the rich harmonic vocabulary of the nineteen forties and fifties pop music, when most of the current holiday canon was composed. Yeah, that's uh, that's generous. I actually do like some of the chords.

The whole thing is mood is right, the spirit's bright, we're here tonight, and that's enough. That's actually all based around a descending a major scale because it goes a major seven A six U E with an A in the base, so that's got a hole, just a pedal tone. That's quite nice, simply having you know, that's fine. What I like about it, though, I think what the guy's talking about here in the analysis is the choir of children singing their song. That section is just a straight one two five, which is two to five chord progression is minor two five major or five dominant, is like one of the most common chord progressions in jazz. But yeah, I like it. A seven to a six has a nice kind of leading tone. Because a seven implies a G natural at the top of an A major chord, A sixth would then go down to F sharp A. If you're just doing a tria, the top of an A triad voice is e and then A with a C sharp in the bass. That's the ding dong ding part. So that's actually a quite nice kind of descending baseline that within the context never changing from an A chord, but it goes from G F sharp E to C sharp. That's kind of a nice traveling little baseline that the simply having is just as a two five three six. Congratulations you've discovered Rogers and Hammerstein's chord changes.

Two five, three six four flat seven one. Yeah. Well, in other words, in ten minutes, Paul McCart craft that an innovative yet lasting holiday song that makes half a million dollars a year. Yeah, you sure did so. Suck it, as you wrote also in his twenty twelve piece for Vice called three Reasons why Paul McCartney's Wonderful Crystal Time is way better than you think it is. Writer Andrew Winnisterever, I think that's how you say that, proclaims the track quote the original and by far best chill wave song. Chill Wave as we have someone to accept it is a genre heavy on analog since a dose of detached irony and lyrics that are nostalgic to the point of treacle. Is this not how you describe wonderful Christmas Time? Is this not your king a guy?

That guy was paid ninety dollars and he still hasn't been paid for it for that editorial.

That is not the weirdest or dumbest fan theory concerning this song. I'm referring, of course, to Ryan george viral tweet from twenty nineteen that posits that Wonderful Christmas Time is about quote friends practicing witchcraft, but then someone walks in and they suddenly have to play it cool. He cites the opening verse, the moon is right, the spirit's up, we're here tonight and that's enough, and then a stranger enters their mists and suddenly it's simply havy lot. You've ever heard that? It's pretty good, It's great. Amazingly, this theory made it all the way to Macca himself, who was asked about it for a Q and A on his official website. Paul says, oh yeah, well, thank goodness they found me out. This is either completely true and in actual fact I am the head wizard of a Liverpool coven. Either that or it's completely nonsense, and you know it's the latter. Oh my god, I hate him so much. The interviewer continues. This theory may have come from people mishearing the lyrics. Could you confirm if the lyric is the moon is right or the mood is right. No, it's the mood, he says. I'm thinking about Liverpool Christmas parties. That's really all I'm doing with the song. The mood is right, Let's raise a glass, the spirit's up. You know, all the stuff you do at Christmas, particularly with my old Liverpool family parties. This is interesting to me. During this interview, he talked about a Christmas album that he recorded to play for his family around the holidays. He spentally, did a few times over the years, and it's grown to somewhat mystical mythical proportions in Paul McCartney fandom circles. Oh has it? Yes, he said, when the kids were little, I suddenly thought there wasn't an ideal Christmas record. In my opinion, there are some great Christmas records like the Phil Spector one, the Nat King Cole one, and Bing Crosby on the old standards. But I just wanted an instrumental of all the tunes, so I ended up recording one for the family and my studio and my engineer at the time, Eddie Klein, helped me. I now have this album I pull out every year and it's a bit of fun for the kids when we're carving the veggie roast. I'll stick it on and means I'll stick it on and it means Christmas this here. It's quite a cute little record actually, but it's just for the family, and he's repeatedly denied any kind of requests to release it. Uh, making a holiday album as a gift is a typical Paul thing to do for Christmas. Nineteen sixty five, he presented the other Beatles with a homemade Acetate record, which is basically a primitive mixtape produced just for them, consisting of sampled songs, original sketches, and avant garde tape loops. I would kill myself if I were George Harrison and Paul McCartney and John Lennon had been keeping all my great songs off all these Beetle records. I've been sitting on Here Comes the Sun for this whole time, and you give me a Chris Mix mixtape you in prick. Oh my god, it would have been on site. I said I'd be nice to Jordan, and I am. But thet the image of a pleased his punch. That's the only that's a funny turn of phrase, because that's the only way paulm and McCartney could ever be. It's o'clock again, you guys. I lo Jordan. No, seriously, everyone, I don't know if you guys know that Jordan actually edits this thing himself.

You know, your various dog podcasts like how did this get made? They just put mics on those guys and let them ramble. Jordan makes us both sound so much funnier than we are with his ending skills. And you know, we gripe a lot about how long the writing for this show takes, and it does, and the tapings and they do.

But then Jordan has to go through and make all these thousands of micro cuts. Jordan, what's your record for cuts in a TMI episode? Oh? Wow, I mean any one minute. There are probably between six and ten cuts.

And that's not just because of the slurs that I drop. I've got a lightning number of opinions that would get me killed or blackbat in normal society.

It's your birthday, buddy, keep going. Paul would describe this mixtape as quote something crazy, something left field, just for the other Beatles, a fun thing which they could play late in the evening.

Oh yeah, if somebody did that to me, who had been keeping my beautiful songs off the records, and I turned in a song called tax Man and then he plays the guitar solo on my song, and then he gave me a Christmas album of his own dumb voice, I'd kill him.

I also think that this year, maybe I'm wrong, that the other Beatles like gave each other like Cardier watches, and I was gonna say, actual of actual worth. He made it, that's the thought. Yeah, his feelings, Yeah, the little feelings. We were gonna hang it right up there on the ridge, everyone can see it. Yeah, thanks, Paul. I wrote about this for Rolling Stone a number of years ago because for it's interesting to me because for decades, all that was known about this recording were sketchy details provided by McCartney himself. He said the tape was called Unforgettable, and it started with Nat King Cole singing Unforgettable. Then I came in over the top as the announcer. Ah, yes, unforgettable, that's what you are. And today and unforgettable. It was like a magazine program full of weird interviews, experimental music, tape loops, some tracks I knew the others hadn't heard. It was just a compilation of odd things like Nat King Cole Unforgettable. Okay. An eighteen minute section of the tape surface in twenty seventeen, featuring an inventive selection of songs by the Rolling Stones, the Beach Boys, Martha and the Vandellas you know, odd artists like that, with McCartney assuming the role of a fast talking New York DJ, perhaps a nod to the so called fifth Beatle Murray the kay.

Okay, okay, that was the Beach Boys get around right, and now to take this stand we movevving now to Martha and the Man Dallace, the Monitor Van Dallas sing a little song called heat Weave.

How about it? Mother?

How about it?

Though the Beatles' latest album, Rubbert Soul, had only been released a few weeks prior to Christmas nineteen sixty five, McCartney's Gifts was likely intended to point the band towards new musical horizons for their next work. It was a peculiar overall sound. George Harrison once said of this mixtape, John Ringo and I played it and realized Paul was onto something new. Paul has done a lot in making us realize there are a lot of electronic sounds to investigate. When they reconvened in the studio the following April to begin sessions for what would become the album Revolver, my favorite album of all time, the first song they worked on was Tomorrow Never Knows, which was built on a bed of McCartney's tape loops. So the spoofy Little's Gift actually kind of has a very important place in the Beatles' creative arc. Do you just want to talk about Trans Siberian Orchestra? Oh? I sure do, Bud, Oh bring it on. What do you think about Trans Siberian Orchestra? It's kind of funny to me. It's so so over the top, and so will love that in the sense of like, let's put on a show. Yeah, Yeah, No, that's true. It's just it's so dramatic that it's like it almost makes me laugh, like winning it's great. It's like meat Loaf should be singing over it. Oh my god, I can't believe he's dead really of COVID stuff. Oh yeah, I thought it would have been a lot of other things on a much longer list that would have gotten them first. No, wasn't he like an anti vaxxer. Wasn't that the whole thing? I believe? So?

Yeah, because he should have. He should have sung for TSO, as the fans call it. You know, I don't know if you're I don't know if you're a fan Jordan, but we call it TSO. The most important thing about TSO is that they began as a hair metal band from Florida called Sabotage.

They're not from Siberia. It's like sabotage, but they're savages. That's actually pretty good sabotage and regretta believe I don't have time to trace their entire prog metal, prog hair I guess I would determine them as through the eighties getting into tours bands like Armored Saint, some of their kind.

Of almost hits and so forth. The really important thing about Sabotage is that they had a guy named Paul O'Neill as one of their songwriters and lyricists. Paul was a bit of a jack of all trades in the eighties. He managed and produced bands including Aerosmith, Humble Pie, Ac DC, Joan Jet and Scorpions. O'Neill and Sabotage actually originally recorded a song called Christmas Eve Sarajevo twelve twenty four. As you might recall it being its formal title, it's the one that has Carol of the Bells in it. They recorded that as part of a concept album Dead Winter Dead in nineteen ninety five, which was based entirely around the concept of having a story from the perspectives of a young Serbian boy, a Bosnian girl, and an old man, all set during the Bosnian War, which was going on at that time. This was the kind of high falutint programming that would probably get you kicked out of any self respecting artistic board of a major opera or symphony, but you know, not rock and roll baby. Christmas Eve Sarajevo twelve twenty four is an instrumental medley of various carols in the public domain, starting with God Resty married Gentleman and Shedrick, which is an eighteen something hundreds German melody. It's the Carol of the Bells thing, that's what it's called here in Carol the Bells Jesus Christ their concept album as part of the plot that this melody was played by a lone cello player in war torn Sarajevo. Now Paul O'Neil kind of based this on the real life story of a celli's named Vedrin Smelovich, who is thirty six years old. During the bombing of Sarajevo, Smelovich embarked on a twenty two day visual of playing Remo Gizato's Adagio and g minor every single day among the bombed ruins of Sarajevo in honor of each person killed in the bombing. So yeah, tso, this bombastic song has somewhat real life roots in the tragedy of war in Eastern Europe. Now, this song was not actually offered as a single, but it ended up becoming something of a life raft for Sabotage because DJ started requesting it once it had been played once, people said I want to hear that Christmas one again. And Atlantic Records was actually terminating Sabotage's contract, but they were offering Paul O'Neil an opportunity to launch his own band. So Paul O'Neal took this opportunity to simply dissolve Sabotage, or at least put them on the back burner and create trans ps Ibeian Orchestra in their stead, and they got to work on their nineteen ninety six debut album, Christmas Eve and Other Stories. O'Neil once told Christianity Today, I've always been fascinated by Christmas. When we were really, really young, my friends and I were walking home in New York City on Christmas Eve when suddenly we heard the slamming of breaks. We turned around just in time to see two yellow cabs sliding into each other. The two drivers got out of their cars. One looked like a longshoreman, the other looked like he just got off the boat from a foreign country. My friends and I were kind of nervous, thinking that there would be a fight any other day of the year.

It would have been War War three with blood on the street. Especially in New York City instead, the first guy says, this is completely my fault. Let me pay for it.

The other guy responds, no, this is something I could have gotten into in a parking lot. Next thing you know, they're looking at pictures of each other's kids, talking and joking. So, at a really young age, I learned there was something about this day that makes people more compassionate. So, born from a young Paul O'Neil's experience of a Christmas vender bender between two New York cab drivers and a real story of a cellist going out to play a lonesome midnight concert for all of the dead in Sarajevo was born this strange, surprising pop hit from the Trans Siberian Orchestra, and since then the band has blossomed into one of the most beloved touring holiday institutions of all time. They have a full string section, occasionally blossoming into a full orchestra, a rock band with over twenty members, multiple vocalists, an off stage narrator, pyrotechnics, a laser light show, and snowfall. This is a really heartwarming detail. Trans Siberian Orchestra doesn't sell tickets for seats that have blocked sitelines. They simply don't allow their fans the opportunity to purchase bad seats. Bow Past concerts from TSO have featured guest vocals from Roger Daltrey of The Who, Paul Rogers of Free, Greg Lake, John Anderson of Yes, upwards of two hundred singers, and again the aforementioned light show and pyrotechnics. And I couldn't find very much about the recording of this. I was just sort of blown away by the fact that out of Paul O'Neill's love of Christmas and a parlor interest in what was happening in the Serbian Bosnia conflict at the time, that launched the a of one of the most cheesy and but let it be said, successful holiday bands of all time. And I just love the idea that they took Carol of the Bells and made it super metal. Yeah, this has been fresh air with Terry Gross signing off. Oh no, we got a lot more stuff.

We're going to take a quick break, but we'll be right back with more. Too much information in just a moment. Precious little eleven year old Brenda Lee. That's quite a transition, Jordan, what do you think about Brenda Lee. You know, she's got a cool voice, she's got a cool style.

Yeah, but it's weird that she was that young, right, Oh yeah, extremely yeah, yeah cool. So Rocking Around the Christmas Tree was written by another guy who we have mentioned on TMI before, Johnny.

Marx, who wrote Rudolph the Red Nose Reindeer. Marx also did we cover this in this episode. Marx earned a Bronze Star and four Battle Stars as an Army captain in the twenty sixth Special Service Company during World War Two. We did the fucking Diane Warren of Christmas music. He also wrote a Holly Jolly Christmas recorded by the Quinto Sisters and later Burl Hives, Silver and Gold for Burl Hives and I Heard the Bells on Christmas Day, which is a hit for Bing Crosby. That's wid well.

He apparently sent Rocking Around the Christmas Teach to Brenda Lee sight unseen in a twenty nineteen interview with The Tennessee, and Lee recalled that she had no knowledge as to why Marx wanted her specifically to sing it. I was only twelve, she said, incorrect, and I had not a lot of success in records, but for some reason he heard me and wanted to do it. And I did, and I did, and I did and I did. I gave your arrange there. The players who cut Rocking around the Christmas Tree were a real murderers of Nashville session guys. He had guitarist Hank Garland, who cut a million selling hit on his own called Sugarfoot Rag when he was sixteen, and he worked with Elvis from fifty eight to sixty one, and then from that gig he went on to record with jazz heavy hitters like George Shearing, architect of bebop, Charlie Parker, and vibraphone virtuoso Gary Burton. He also had guitarist Harold Bradley, one of the most recorded country session players in history, Floyd Kramer, who has an entire school of Nashville country piano based around his use of incorporating faux blue notes into piano playing. You know, you can't actually hit blue notes in piano because he can't ben bend them, but no trills.

It's like in the opening of Crazy Patsy Cline's Crazy. He played on that. Yeah, yeah, yeah. He also played on Heartbreak Hotel.

How about freaking that I didn't know that Boots Randolph, who played in Yackety Sacks about ten million other people, was also on this song. Bob Moore, who in nineteen ninety four was named best Country Bassist of all time by Life magazine, and drummer Buddy Harmon, who is Patsy Klein's drummer for nearly two years. So that was the backing band on this. Now I like to pick up my boy Jordan, who's done far better interviews than I ever have. Jordan, you interviewed Brenda Lee twice, right, twice?

Yes? Yes? Was she kind, extremely kind? She was really cool. She signed off on both of them. Now, fil thank you God bless you. You know I was wishing you a merry Christmas, and I want you to tell your readers and yourself keep on Rockets. She always signs off with that He's great. God pleas her well.

She told Jordan this very year in an interview that's currently up on people dot Com. Of that recording session, it was almost like telepathy. We just knew what each one of us was supposed to do. Some songs just have magic to them, and I think that's what Rockin has. Finally, enough. It was an instrumental version of the song that appeared in the Rank and Bass Rudolph the Red Nosed Reindeer. For more on that, we did a whole podcast on it. So Brenda Lee's version of the song, though, didn't really take off until about two years later, when the rest of her fame followed suit. In nineteen sixties holiday season, Rocking Around the Christmas Tree hit the Billboard Hot one hundred for the first time. It peaked at number fourteen, then remounted the charts every year, peaking at number three on Billboard's Christmas Singles Chart in nineteen sixty five. Now, it received a pretty big bump from its use in Home Alone in nineteen ninety, and we love a long term success story. It wasn't until twenty twenty three that Rocking Around the Christmas Tree hit number one on Billboard's main chart, becoming only the third Christmas song to do so. Now at that time, she told our own Jordan Rundog, I knew it was a great song, and I was happy to get it, but I never thought it would be my signature song.

Never It's the longest gap between number ones. I believe in the same interview. She reminisced about the song's recording producer, Owen Bradley, had the studio, the live room all decked out with Christmas decorations and a Christmas tree. Back then you cut all Christmas songs in the heat of the summer, so oh, and had the air conditioner turned down to zero to set the mood and honey that quantcet hut got cold. It added to the spirit though. It was really a lot of fun.

And then my favorite and most heartbreaking aspect of this interview that again our own Jordan conducted with.

Icon Brenda Lee. She said, when I was growing up, we were not financially stable. We did the best we could, but we didn't have a lot of accoutrement. So our house was filled with relatives and everybody cooking and stuff like that.

Instead of presence. It was more family oriented. And then this year again, what was this in November you talked to her, talked to her like two weeks ago. Jordan talked to her in December twenty twenty four, when her song surpassed one billion streams, just a day before Brenda Lee's eightieth birthday. Her reaction, I was dumbfounded when I heard. I can't even think that high, much less say it.

I mean, that's a great note to end on. But I do want to assure this like slightly haunting story that I left out of the main piece. Baby. So, as you mentioned, she was very young. I think she was thirteen when she cut rocking around the Christmas Tree, and one of her idols was another child star singer Judy Garland. Oh god, yeah, yeah. So when that was playing Vegas, Judy was also out there, and Judy by this point, was on her way out I guess it was. I think she would have been probably in her late thirties, and Brenda ran into her out by the pool, and so she kind of gathered up all of her courage to go and speak to her idol and said, you know, Judy, my name is Brenda. I'm a singer just like you. Jim was wondering, do you have any advice for me, because you know, she's like a teenager. And Judy thinks for a minute and it looks her right in the eye and says, don't let them take your childhood. Oh I know, And she said that always stuck with her brutal, which kind of prepares us smooth wise for this next entry in our holiday cannon. Oh my god, I just love Charlie Brown. A nice music. I know you do. It makes me so happy how much you love this? And the craziest thing was how random this was.

Yeah, Groldy at the time is up and coming jazz pianist who happened to get connected to one of the biggest comic strips of all time. The story goes back to a guy named Lee Mendelssohn, who is a TV producer making a documentary on Charles Schultz's Peanuts strip titled A Boy Named Charlie Brown. Shortly after he wrapped the visual half, he heard Giraldi's Cast Your Fate to the Wind on the radio.

Now.

Giraldi, who was an impressively mustachioed pianist, had just had a breakthrough with an album called Jazz Impressions of Black Orpheus. Jazz Impressions of Black Orpheus featured both originals and covers of songs from the nineteen fifty nine French Brazilian film Black Orpheus.

You should check it out.

It's a great movie from the period, but also just a great film period that won an Academy Award for Best Foreign Film and then Cast Your Fate to the Wind won the nineteen sixty three Grammy Award for Best Original Jazz Composition. Here's the depressing part. Though a jazz musician named Jose Gonzalez. He specializes in covering doing versions of Giraldi's tunes. He told Stranger that the first pick for the composer of the Charlie Brown documentary was Dave Brubeck, Oh take five Fame, not Giraldi. Brew Bec couldn't do it, so then he recommended Vibraphonis cal Tatter, who I think is Dutch, who is turned down obviously for being Dutch, but also because he couldn't do it either. So Mendelshn reached out to his third favorite pick, Vince Garaldi. I think Garaldi was considered something of a pop.

Pianist at the time because the success of Black Orpheus, but he turned out fucking Linus and Lucy Dude, That's insane. That's one of the tunes that he banged out for this.

It's a really fascinating song because of all the different feels that they go through. It's important to remember that Bostonova was sweeping the American pop music charts and also jazz at the time. So when they go into a BOSTONOVA field, that's actually quite cutting edge stuff. But the networks turned down this whole thing. They got all of it and they were like, no, we don't want it. But their fortunes changed as the strip continued to gain popularity, and so by April of nineteen sixty five, Time magazine featured Peanuts on his cover, and the Coca Cola Company, of all people, coughed up the money to commission a Charlie Brown Christmas Garaldy came back and sessions began on the music for the special. There were two sessions that made up the soundtrack. At one of them was recorded at Fantasy Studios in Berkeley, California, where in laws live in October of nineteen sixty four. Friend of the pod Charles Drucker, who I know, listens to this while I was walking dogs. This was with longtime Vince Garaldi trio mates Monty Budwig on bass and Colin Bailey on drums. Then they picked up again essentially a year later September and October of nineteen sixty five with bassist Fred Marshall and drummer Jerry Grinnelly. This was because Giraldi, as a leader of a piano trio, was actually swapping in a bunch of different bassis and drummers during this time, supposedly trying to find the right combination most Germane to what we're talking about right now. Linus and Lucy was recorded on October twenty sixth, nineteen sixty four, and then Garaldi composed two new original pieces to fill out the ranks, Skating and Christmas Time Is Here. Skating took actually several takes to complete. He had that cascade effect no no.

No no no no no no no no no no no no.

That proved difficult for the other musicians to grab onto and then originally titled snow Waltz. Christmas Time Is Here also took multiple takes. But the singers on that album and here this will interest you. The choir on Christmas Time Is Here is the San Raphael's Saint Paul's Episcopal Church Choir, and this was actually their second collaboration with Vince Garaldi. San Francisco's Grace Cathedral had opened in nineteen sixty five, and to commemorate this, Giraldi had composed a quote unquote jazz mass, and that San Raphael's church choir came in and sang with him as part of that jazz mass where he was playing piano and going through the whole program, and so they knew him and came back to sing on Christmas time is here, So familiarity or not, though the kids were paying in the ass, never record with dogs or children. The recording sessions were held at Fantasy Studios in Berkeley in late autumn nineteen sixty five, spanned three sessions over two weeks and often extended late into the night. And they literally started swapping out different children at each session because some children's parents were like, this is taking too long. You can't have my kidneymore. But all the children were given a shiny five dollars bill each for their participation. This is what's crazy to me. Presented all of this to the network, and the network all over it. Lee Mendelssohn, the aforementioned producer. Lee Mendelssohn, showed it to network executives, and his son Jason told CBS in a recent interview, the network hated everything.

The music, what is this jazz? The animation, This is not what we expected the story. There's religion in it, and there's feelings.

But as always, the C suite is wrong and should be hung for their crimes in the public square. Sorry, I just had to interject that. Just a good practice for anyone out there. But the Charlie Brown Christmas Album has a truly rarefied place in jazz legend. On May tenth of twenty twenty two, the RIAA certified that quintuple platinum, while sales of five million copies, Charlie Brown's Christmas Album by Vince Garalti Trio is the second do best selling jazz album in history, behind Kind of Blue by Miles Davis. And as a person note, I live in San Francisco, I used to live in Berkeley. Vince Graudy I got a shout him out as a Bay Area icon. He lived in Mill Valley where he composed the music for the Peanuts series, and he played out at a lot of San Francisco Bay area clubs, and he died of a heart attack at forty seven. Literally, he died in between sets while playing at a club called Butterfields in Menlo Park in February of nineteen seventy six.

Well, that is the second most poignant but fitting death that we will talk about in this episode. Set me up perfectly for the most points, quietly do this in the background the whole time. I mean, the rest of the development kind of ruined that for me, because now I just think they made it a gag ruined it all. Right, go ahead, I'm gonna see you up for Uh, I'm gonna see you up for this. And speaking of arrested development, we now are talking about George Michael and Wham. Of course we are ending on things cool Whipham, Wham. Weorth ending things today with last Christmas. Now, I have to admit I didn't know a lot about Wham before researching this, but the basis of Wham was the friendship between George Michael and Andrew Ridgeley. They became friends in grade school. George was the new boy, and Andrew was the only one in his class who answered the teacher's request for volunteers to look after him and show him around. Isn't that great? Yeah? They were already stars when they were visiting George's parents' house in nineteen eighty four, and it was there, out of the blue that George had the idea for Last Christmas, and he patted off to his childhood bedroom to write it. Recently recalled to the Mail on Sunday in twenty seventeen. We had a bite to eat and we were sitting together, relaxing with a television on in the background, when, almost unnoticed, George disappeared upstairs for an hour or so. When he came back down, such was his excitement it was as if he discovered gold, which in a sense he had. We went to his old room, the room in which we'd spent hours as kids, recording pastiches of radio shows and jingles. Again nerd the rue Marie kept the keyboard and something on which to record as sparks of inspiration, and he played me the introduction and the beguiling, wistful chorus melody to Last Christmas. It was a moment of wonder. Georgia performed musical alchemy, distilling the essence of Christmas into music. Adding a lyric which told the tale of betrayed love was a masterstroke, and as he so often did, he touched hearts. I wonder if he waxed poetic about I Want Your Sex a few years later. The lyrics provide the emotional counterweight to Last Christmas. MA, we have noticed that there's really nothing especially Christmasy about it. It's simply about a doomed romance that began on December twenty fifth. In a twenty seventeen piece for The Guardian called Still Saving Us from Tears, The Inside Story of Wham's Last Christmas by Rachel Rott notes that lyrically, however, Last Christmas is a hugely sophisticated song that teams with mixed signals and the potent of logic that defines the best pop. There's a tension between the music and the lyrics. You've got the happiness of the rhythm track, but against that you've got the sadness of the unrequitded love, says the song's engineer, Chris Porter. But the real cleverness can be found in the words themselves. Not only does the nursery rhyme style chorus take in a cerbically bitchy turn this year to save me from tears, I'll give it to someone special, but it's also an inherently contradictory one. The narrator is trying to undermine his ex by dedicating an entire song to how crushed he is by their breakup. But Last Christmas isn't just about the lies we tell ourselves in order to cope with rejection. It's also about the cognitive dissonance of obsessive love. At the end of the first verse, Michael pithily sets out this kind of double think. Now he knows, quote what a fool I've been. But if you kissed me, now I know you'd fool me again. It's just one heart rendering epigram and a song full of them, capturing the way defiance masks hope and how easily love and desire can dilute us into forgiveness. That's a great bit of writing. When I'm recorded Last Christmas in August nineteen eighty four, and to create a festive atmosphere, George decked ad Vision Studios out with Christmas decorations, just like they did for Brenda Lee, which you recorded rocking around the Christmas Tree. I wonder if that's just like received studio lage from like Timey memorial, like cutting a Christmas song put him a bunch of Christmas crap. The singers love that. When John and Yoko were doing Happy Christmas, War is Over and the Harlem choir. I think it was came in sing Je almost to say to the kids, all right, pretend it's Christmas. And a couple of the kids are like, we're Jewish, and he was like, pretend it's your birthday. Then it's just great. George had entered into his alteur phase by this point. In addition to writing and producing the song, he insisted on singing both lead and backing vocals himself, as well as playing all of the instruments himself, including the Roland Juno sixty synth, the lind drum, synth, and the sleigh bells. He insisted on playing the sleigh bells himself well.

The Lynd drum is also one of the most iconic pieces of recording technology to the eighties. It's on like half of Prince's things. And is it the leading drum that's based on the on Tom Petty drummer. Yes, yes, yes, I believe.

I think that's exactly right. Yeah, it's sampled from it.

Yeah, yeah, it is the lin drum, which is made by Roger lee In. Is that the clap in the original Drummond Machine was a recording of Tom Petty and the Heartbreakers clapping backstage as a favor to Roger Lynn, who is attempting to get a good clap sound.

Why couldn't he just do it himself? Great question? Great question. Jordan engineer Chris Porter later told The Guardian George wasn't a musician. It was a laborious process because he was literally playing the keyboards with two or three fingers. One of the really clever things about George was that he realized that he wanted the focus of the listener to be his voice, not the musicianship. So the music's very often stark on Last Christmas, there's a very simple foundation for the vocal and the melody to sit on, and it's interesting to note that this is a rare song that has the same tune and chords for both the verse and the chorus with no bridge. Now, of course, no mid eighties song by a British pop act would be complete without a video. The visuals for Last Christmas were filmed at sauce Fee, Switzerland in November nineteen eighty four. What was that again? My attempt is sauce Fee SaaS dash Fee, Switzerland Beautiful in November nineteen eighty four. The video depicts a cozy ski trip tainted by tension from a love triangle. You recall from a video that Andrew Ridgeley is wearing a brooch originally gifted by George Michael's character to his ex. Andrew originally has described the video shoot as mayhem. He said he got so drunk during the dinner party scene, which used real wine, that his eyes puffed up from laughter and he was forced to sit out the next scenes. I have never in human history heard of that occurring, but okay. Video director Andrew Morahan admitted to encouraging the drinking. He said, I encouraged it. I have to be honest. It made for a more realistic shoot. Some of the outtakes are pretty good. Supposed to be a bunch of friends on a ski trip. That's nice. Yeah. Kathy Hill played George Michael's love interest in the shoot, she recalled Gopher. She recalls bonding during their shoot over wine and George Michael's love of Van Cellist. She said, I wouldn't normally drink on a shoot, but during that scene at the dinner table, it was all getting a bit silly. I was dating the composer Vangelis at the time, and George was so interested in his music, so he kept asking me about that. He had an amazing sense of humor. There's a scene when we're walking up the hill, and every time he went up, he just fell down, so every time I burst into laughter. That shot while we're rolling around and he ends up sitting on me, I'm genuinely laughing my head off. It was great. Yeah. There's a new documentary on Netflix that premiered this year for the fortieth anniversary of this song, called Last Christmas Unwrapped, where Rigeally and the rest of the cast of the video returned to the very same swisky Shelle I believe and reminisce, which I think is sweet. I haven't seen all of it, but the clips are cute, obviously tinged with sadness due to the absence of George Michael, who you'll recall died on Christmas only sixteen for reasons that I'm still not totally sure about. One of the less nice moments for George during the filming of the Last Christmas video was his fussiness over his hair. This made him a frequent target, understandably so kind of for Snowball attacks. One of the actors on the video recalled. During the shoot, we decided that George, who was very, very sensitive about his hair all throughout his career, was going to get it. So he loaded up with Ammo and snowballed him to death. He took it, not literally, he took it very well. He always took it very well. He had this way of raising his eyes to the heavens but smiling. All this would explain why he wore a hood in the final video, because his famous hairdo is quiffy hairdoo was ruined by the snow. Also speaking of George Michael's appearance, this video, apparently, according to listicles across the Web, marks the last time in his life that he was filmed without a beard. When I say beard, oh, I walked right into that No, like an actual beard. He remained deeply insecure. Poor George. During post production, he ordered many shots cut because he didn't like the angle on his face, and they cut so much that the band's management worried that the video was incoherent. Last Christmas was released on December third, nineteen eighty four, and it stalled at number two on the UK charts, behind another song featuring George Michael band aids. Do they know It's Christmas? Which was released to raise money for the Ethiopian famine. George donated his royalties from Last Christmas to the same cause, and he continued to do so every year with the about half million dollars it raised annually. He was, by all accounts a genuinely really good guy. Damn man.

I didn't know that he threw all of his Last Smith's money at charity. Bullsh Yeah, I mean not the bullsh was the charity? The bush is that song?

Yeah? Do they know it's Christmas?

Probably? It's an internationally famous holiday. I know when Boxing Day is?

Do you know who Ramadan is? Got my ass? February to March? A happy early Ramadan. Thank you and also to you. For more than thirty five years, Last Christmas had the distinction of being the highest selling UK single of all time not to reach number one, but on January first, twenty twenty one, thirty six years after its original release, Last Christmas finally nabbed the top spot in the UK. For some reason, the song wasn't released as a commercial single in the United States and therefore wasn't eligible for the Billboard Hot one hundred chart until the rules were changed in nineteen ninety eight, and finally, in the wake of George Michael's unexpected death on Christmas Day twenty sixteen, the song finally made its Hot one hundred debut, and it reached its peak position of number four on January third, twenty twenty three. We've said this before. There's a phrase in the UK where there's a hit, there's a writ, meaning a lawsuit, and the uber successful Last Christmas drew plagiarism accusations in the mid eighties. The publishing company Dick James Music, which owned a lot of the Beatles songs in the early days, sued Michael on behalf of the writers of Can't Smile Without You, which was a love song recorded by The Carpenters and Barry Manilow, among others. Have you ever heard this? No? Do you want to hear it? Do not know this song? You know? Why? Can't SMI Lamb came same fun lane Plan I hear what they're saying, But the suit was dismissed after a musicologist presented sixty plus songs that have a similar chord progression and melody. Yes, Last Christmas has drawn more than its fair share of covers over the years from everyone ranging from Jimmy Eat World, Hillary Duff Good, Charlotte, Ariana Grande, Coldplay, Apparently, Carl Red, Jebson, Gwen Stefani, Backstreet Boys, and Taylor Swift. Its ubiquity has led to an internet game known as Wamageddon, in which players attempt to avoid the song between December one and December twenty fourth. According to the very simple rules of the game, once you hear the original wham version of Last Christmas. Remixes and covers don't count. Once you've been whammed, you then admit defeat on social media with the hashtag wham Ageddon. Note the rules prohibit you from quote deliberately sending your friends to whamhlla wam Halla.

That's pretty fun. That is an incredible turn of phrase.

Yes. Finally, I like to end on the story of the Austrian DJ Joe Kolhoffer, who began his eight am radio show on December eighteenth, twenty fifteen, by complaining that he felt like his listeners were not in the Christmas spirit. He then barricaded himself in his studio, shoving a wooden chair under the doorknob, and proceeded to play last Christmas on loop for upwards of two hours as a quote Christmas protest. His co host and station producers tried to break down the door, but to no avail. He eventually stopped playing Wham only after his four year old daughter called into the station to tell her father give up that she didn't like the song. Please, just I'm begging you, give up peacefully. I don't know how much this was a promo like it clearly must have been some kind of hype event. But in a lot of ways, I feel like that DJ right now holding you and listeners hostage with my holiday cheer. No, this has been good. I enjoyed this.

I not only because it's your birthday, but because you clearly love Christmas songs so much I do, and I hope you can all just see this holiday with your eyes. My friend, Ah, thank you.

I you know what I will take.

As it keeps as it keeps going. Yes, well, Grandfather clock going again in my house.

I think that's a great way to end it. Well, Father Time does make fools of us. All twas not quite the night before Christmas, and all through the house.

All through the house, the podcasters were stirring because we don't have anything better to do.

Twas the night before Christmas, and all through the house a slow of obscenities from Heigel's mouth. Oh well hopes that Johnny Katzenberg soon wouldn't be there.

Peace, honor, I think, goodwill to all men, especially my co host. And on this the anniversary of his birth, he's turning a whopping seventeen. One day he'll be able to vote and buy liquor, and until then he has to console himself with his rare beatles and Beach Boys records and talking to all of you are fine listeners here at too much information. So everybody wish Jordan a happy birthday wherever you can find him, and give his birthday presents to me, because I can be trusted with somes of money and I will pass them on to him.

And Jordan. Did you have anything to add to that? No, just thank you for oh, thank you Heigel for taking the time for doing this with me, and thank you all for listening and just being there for us and reaching out to us with the kind words and and jokes and insights and ideas for episodes. Let me that really is the best gift of all, just your time and sharing the space with us. It really means a lot. And Jordan, thank you. No, I thank you first, well, but Jordan, thank you. Can we have a sincere off right now? I don't know who would win? Jordan, thank you? Okay, I can't do it. I can't do it. Come on, come on, give me one. Hit me, hit me. I will thank you for doing this with me. It really means the world. Oh that was really good. I know.

All right, all right, all right, let me see if I can an actor prepares unique New York, New York's Unique Jordan.

Thank you, thank you, Master Wayne.

Let me do the broken voice br Evoke and broken voice Cigar and Brandy's Poosy's voice Tom which it gets very very broken.

Thank thank you, Master Pruce. Thank you for listening. Folks. I can't believe you put up with this. Our whole year, really our pleasure. We love hearing from you, guys. I love hanging out with Jordan. Wish him a heavy birthday wherever you find him, and I wish all of you wonderful holidays with your family and happy New Year. I'm Alex Heigel and I'm Jordan RUNTGG. We'll catch you next time. Happy Holidays. Too Much Information was a production of iHeartRadio. The show's executive producers are Noel Brown and Jordan Runtalk. The show's supervising producer is Michael Alder June. The show was researched, written, and hosted by Jordan run Talk and Alex Heigel, with original music by Seth Applebaum. I'm a Ghost Funk Orchestra. If you like what you heard, please subscribe and leave us a review. For more podcast us on iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows