In this Wheeler Centre podcast exclusive, hear former Next Chapter recipient Khin Myint in conversation with Anna Krien as they discuss Myint's Fragile Creatures.

Khin Myint is an Australian-Burmese writer from Perth. His debut memoir, Fragile Creatures, is about how his family tackled his sister’s wish to die as she fought a non-terminal illness. Fragile Creatures, is a family story told with humour, wonderment and complete honesty. This is a book about what happens when realities clash – it’s about care, truth and the hardest choices.

This conversation was recorded on Monday 17 June 2024 at The Wheeler Centre.

Featured music is ‘Traveling Again’ by Sarah the illstrumentalist.

Crisis support can be found at Lifeline: (13 11 14 and lifeline.org.au), the Suicide Call Back Service (1300 659 467 and suicidecallbackservice.org.au) and Beyond Blue (1300 22 4636 and beyondblue.org.au)

In this Wheeler Centre podcast exclusive, hear former Next Chapter recipient Khin Myint in conversation with Anna Krien as they discuss Myint's Fragile Creatures.
Khin Myint is an Australian-Burmese writer from Perth. His debut memoir, Fragile Creatures, is about how his family tackled his sister’s wish to die as she fought a non-terminal illness. Fragile Creatures, is a family story told with humour, wonderment and complete honesty. This is a book about what happens when realities clash – it’s about care, truth and the hardest choices.
This conversation was recorded on Monday 17 June 2024 at The Wheeler Centre.
Featured music is ‘Traveling Again’ by Sarah the illstrumentalist.
Crisis support can be found at Lifeline: (13 11 14 and<a href="http://lifeline.org.au/"> lifeline.org.au</a>), the Suicide Call Back Service (1300 659 467 and<a href="http://suicidecallbackservice.org.au/"> suicidecallbackservice.org.au</a>) and Beyond Blue (1300 22 4636 and<a href="http://beyondblue.org.au/"> beyondblue.org.au</a>)

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[Podcast Exclusive]: Khin Myint in Conversation with Anna Krien

National treasure Noni Hazlehurst details her life on stage and screen and takes us behind-the-scenes of a brilliant career. 

Noni Hazlehurst’s versatility as a performer knows no bounds. A household name and a beloved actor, she's graced Australian screens and theatre stages for over forty years. From Playschool and Better Homes and Gardens, to Monkey Grip and her acclaimed theatrical career – Hazlehurst has earned her place as an Australian icon. 

At this Melbourne-exclusive event, Hazlehurst joins host Elizabeth McCarthy to discuss her long-awaited memoir, Dropping the Mask, which celebrates a life and career that are both ordinary and extraordinary – and all class. 

This event was recorded on Thursday 10 October 2024 at The Capitol as part of The Wheeler Centre’s Spring Fling series.

It was presented in partnership with RMIT Culture. The official bookseller was Readings.

Featured music is ‘Different Days’ by Chill Cole.

National treasure Noni Hazlehurst details her life on stage and screen and takes us behind-the-scenes of a brilliant career. 
Noni Hazlehurst’s versatility as a performer knows no bounds. A household name and a beloved actor, she's graced Australian screens and theatre stages for over forty years. From Playschool and Better Homes and Gardens, to Monkey Grip and her acclaimed theatrical career – Hazlehurst has earned her place as an Australian icon. 
At this Melbourne-exclusive event, Hazlehurst joins host Elizabeth McCarthy to discuss her long-awaited memoir, Dropping the Mask, which celebrates a life and career that are both ordinary and extraordinary – and all class. 
This event was recorded on Thursday 10 October 2024 at The Capitol as part of The Wheeler Centre’s Spring Fling series.
It was presented in partnership with RMIT Culture. The official bookseller was Readings.
Featured music is ‘Different Days’ by Chill Cole.

Noni Hazelhurst in Conversation: Dropping the Mask

Critics Eda Gunaydin, Michael Sun and Cher Tan examine the present state and potential futures of literary criticism. 

Literary criticism seems to be in an endless state of decline. In so-called Australia, a particular flavour of cultural cringe is yoked to cultural hegemony: a critic might find themselves locked within the ivory tower, or self-censoring for fear of offence, or deliberately pursuing contrarianism for clicks. How, then, do critics move beyond this deadlock? Who decides what is 'good' criticism? What, exactly, is the function of criticism at the present time? This panel discussion sees three critics examine the possibilities of literary criticism, as well as the roles and responsibilities of the critic. Together they pick apart these issues and attempt to propose a future for reviews that takes into account not only writers and editors, but readers and culture as a whole.  

This conversation was recorded on 3 August 2024 as part of the inaugural Liminal Festival, presented in partnership with The Wheeler Centre. Bringing together some of the continent’s most talented writers, the Liminal Festival contemplates the language of our shared histories and future.

The Liminal Festival was supported by the Victorian Government through Creative Victoria. The official bookseller was Amplify Bookstore.

Featured music is ‘Diffuser’ by Shiruky.

Critics Eda Gunaydin, Michael Sun and Cher Tan examine the present state and potential futures of literary criticism.  Literary criticism seems to be in an endless state of decline. In so-called Australia, a particular flavour of cultural cringe is yoked to cultural hegemony: a critic might find themselves locked within the ivory tower, or self-censoring for fear of offence, or deliberately pursuing contrarianism for clicks. How, then, do critics move beyond this deadlock? Who decides what is 'good' criticism? What, exactly, is the function of criticism at the present time? This panel discussion sees three critics examine the possibilities of literary criticism, as well as the roles and responsibilities of the critic. Together they pick apart these issues and attempt to propose a future for reviews that takes into account not only writers and editors, but readers and culture as a whole.  This conversation was recorded on 3 August 2024 as part of the inaugural <a href="https://www.wheelercentre.com/events-tickets/event-series/liminal-festival">Liminal Festival</a>, presented in partnership with The Wheeler Centre. Bringing together some of the continent’s most talented writers, the Liminal Festival contemplates the language of our shared histories and future.
The Liminal Festival was supported by the Victorian Government through Creative Victoria. The official bookseller was <a href="https://amplifybookstore.com/">Amplify Bookstore</a>.
Featured music is ‘Diffuser’ by Shiruky.

Liminal Festival: Critical Limit

Content warning: This recording includes occasional course language.

Evelyn Araluen, Hasib Hourani and Mykaela Saunders discuss the careful craft of shaping a language unsettled.

Trace the contours of language, seek out its limits and push. Histories are cut up, struck through, misplaced, misremembered. Join Evelyn Araluen, Hasib Hourani and Mykaela Saunders as they discuss the careful craft of ripping the empire’s language to shreds. In their work, these brilliant writers shift form in myriad ways; they render nonlinear temporalities and introduce new vocabularies; they wield opacities and yet share the dearest of intimacies. Thinking through poetry and prose, language and craft, these three writers share the shape of a language unsettled.

This conversation was recorded on 3 August 2024 as part of the inaugural Liminal Festival, presented in partnership with The Wheeler Centre. Bringing together some of the continent’s most talented writers, the Liminal Festival contemplates the language of our shared histories and future.

The Liminal Festival was supported by the Victorian Government through Creative Victoria. The official bookseller was Amplify Bookstore.

Featured music is ‘A Seat at the Table’ by Auxjack.

Content warning: This recording includes occasional course language. Evelyn Araluen, Hasib Hourani and Mykaela Saunders discuss the careful craft of shaping a language unsettled.
Trace the contours of language, seek out its limits and push. Histories are cut up, struck through, misplaced, misremembered. Join Evelyn Araluen, Hasib Hourani and Mykaela Saunders as they discuss the careful craft of ripping the empire’s language to shreds. In their work, these brilliant writers shift form in myriad ways; they render nonlinear temporalities and introduce new vocabularies; they wield opacities and yet share the dearest of intimacies. Thinking through poetry and prose, language and craft, these three writers share the shape of a language unsettled. This conversation was recorded on 3 August 2024 as part of the inaugural <a href="https://www.wheelercentre.com/events-tickets/event-series/liminal-festival">Liminal Festival</a>, presented in partnership with The Wheeler Centre. Bringing together some of the continent’s most talented writers, the Liminal Festival contemplates the language of our shared histories and future.
The Liminal Festival was supported by the Victorian Government through Creative Victoria. The official bookseller was <a href="https://amplifybookstore.com/">Amplify Bookstore</a>.
Featured music is ‘A Seat at the Table’ by Auxjack.

[Podcast Exclusive]: Khin Myint in Conversation with Anna Krien

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