Onezwa Mbola, content creator, food and lifestyle framer as well as recipe developer known for her unique approach to cooking with foraged and farmed ingredients, has recently called out fellow creator Nara Smith. Nara, beloved across platforms for her aesthetic cooking content, was accused by Onezwa of copying her video ideas.

In a heartfelt TikTok video, Onezwa tearfully announced that she would be taking a break from the platform, citing the appropriation of her boba tea recipe by Nara in her latest vlog. This video of Onezwa's accusations has been widely reshared, sparking a conversation about originality and credit in the content creation community.

Onezwa Mbola joins us on the line

Onezwa Mbola, content creator, food and lifestyle framer as well as recipe developer known for her unique approach to cooking with foraged and farmed ingredients, has recently called out fellow creator Nara Smith. Nara, beloved across platforms for her aesthetic cooking content, was accused by Onezwa of copying her video ideas.
In a heartfelt TikTok video, Onezwa tearfully announced that she would be taking a break from the platform, citing the appropriation of her boba tea recipe by Nara in her latest vlog. This video of Onezwa's accusations has been widely reshared, sparking a conversation about originality and credit in the content creation community.
Onezwa Mbola joins us on the line

Serious and topical issues on continent, breaking stories.

Serious and topical issues on continent, breaking stories.

The Upside

SPOTLIGHT MONDAY: The grey area between “inspired by” and “plagiarism”, where do we draw the line?

South African music trio WTF is back with a brand new single titled Mawungekho, set for release on 29th of May 2026 and this time they are bringing together the worlds of Trap, Amapiano and Maskandi in a way only they can. Featuring the soulful voice of uZondi, the song tells a deeply familiar story about love, pressure, timing and the fear of losing someone special to another person. It unfolds like a conversation between friends encouraging each other to step up and commit before it is too late, while also carrying the emotional weight of someone admitting that life simply feels incomplete without the person they love.

Known for creating and shaping the Gqomtrap sound, WTF continues to push South African music into exciting territory while staying connected to its roots. Formed in Durban in 2013 by Mnqobi Charles and Lindokuhle Gcwensa, the group has built a reputation for energetic performances and fearless experimentation, working with artists including AKA, Cassper Nyovest, DJ Maphorisa, DJ Tira, KO, Blxckie as well as the late Riky Rick. With Mawungekho, the group once again proves that South African music can honour tradition while still sounding fresh, bold and completely original.

South African music trio WTF is back with a brand new single titled Mawungekho, set for release on 29th of May 2026 and this time they are bringing together the worlds of Trap, Amapiano and Maskandi in a way only they can. Featuring the soulful voice of uZondi, the song tells a deeply familiar story about love, pressure, timing and the fear of losing someone special to another person. It unfolds like a conversation between friends encouraging each other to step up and commit before it is too late, while also carrying the emotional weight of someone admitting that life simply feels incomplete without the person they love.
Known for creating and shaping the Gqomtrap sound, WTF continues to push South African music into exciting territory while staying connected to its roots. Formed in Durban in 2013 by Mnqobi Charles and Lindokuhle Gcwensa, the group has built a reputation for energetic performances and fearless experimentation, working with artists including AKA, Cassper Nyovest, DJ Maphorisa, DJ Tira, KO, Blxckie as well as the late Riky Rick. With Mawungekho, the group once again proves that South African music can honour tradition while still sounding fresh, bold and completely original.

WTF returns with a powerful new love anthem rooted in culture and modern sound

Soosi, also known as Galandi Shafiq, has become one of Uganda’s fast rising online entertainers through his weekly “This Is How I Died” skits and his now famous bread munching antics during Premier League matchdays. Born and raised in Kampala, the former meteorologist has built a strong social media following by turning ordinary everyday experiences into comedy that resonates with audiences across Africa and beyond.

Through platforms like TikTok, Instagram and X, Soosi’s sharp humour and relatable storytelling have attracted millions of views and a rapidly growing fanbase across the continent and in the diaspora. His rise in the comedy space has also opened doors for major collaborations, including working alongside Nigerian comedy star Sabinus. As his online presence continues to grow, Soosi is using social media as a powerful launchpad to build a long term career in entertainment while bringing Ugandan humour to a wider audience.

Soosi, also known as Galandi Shafiq, has become one of Uganda&rsquo;s fast rising online entertainers through his weekly &ldquo;This Is How I Died&rdquo; skits and his now famous bread munching antics during Premier League matchdays. Born and raised in Kampala, the former meteorologist has built a strong social media following by turning ordinary everyday experiences into comedy that resonates with audiences across Africa and beyond.
Through platforms like TikTok, Instagram and X, Soosi&rsquo;s sharp humour and relatable storytelling have attracted millions of views and a rapidly growing fanbase across the continent and in the diaspora. His rise in the comedy space has also opened doors for major collaborations, including working alongside Nigerian comedy star Sabinus. As his online presence continues to grow, Soosi is using social media as a powerful launchpad to build a long term career in entertainment while bringing Ugandan humour to a wider audience.

Ugandan Comedy star Soosi turns everyday life into viral entertainmen

Fresh off reaching the African National Top 200 All Genres Chart, Calvin Fallo returns with a brand new single titled Everybody Wanna Be In Love. Born Katlego Mashilane in Pretoria, widely recognised as the birthplace of Amapiano, Calvin has spent more than a decade helping shape the sound and direction of the genre. From the township streets to international audiences, his music continues to carry the soulful energy and rhythm that have made Amapiano one of Africa’s biggest cultural exports.

His latest release Everybody Wanna Be In Love blends smooth Dance production with Swahili lyrics, creating a musical connection between South Africa and East Africa. The track is built for both radio listeners and dancefloor crowds, while still holding onto the authentic township influence that defines Calvin’s sound. Alongside new work such as the Afro House collaboration If Its Not Broken Dont Fix It EP, Calvin Fallo continues to show his range as an artist and producer while strengthening his influence across the African music scene.

He joins us instudio.

Fresh off reaching the African National Top 200 All Genres Chart, Calvin Fallo returns with a brand new single titled Everybody Wanna Be In Love. Born Katlego Mashilane in Pretoria, widely recognised as the birthplace of Amapiano, Calvin has spent more than a decade helping shape the sound and direction of the genre. From the township streets to international audiences, his music continues to carry the soulful energy and rhythm that have made Amapiano one of Africa&rsquo;s biggest cultural exports.
His latest release Everybody Wanna Be In Love blends smooth Dance production with Swahili lyrics, creating a musical connection between South Africa and East Africa. The track is built for both radio listeners and dancefloor crowds, while still holding onto the authentic township influence that defines Calvin&rsquo;s sound. Alongside new work such as the Afro House collaboration If Its Not Broken Dont Fix It EP, Calvin Fallo continues to show his range as an artist and producer while strengthening his influence across the African music scene.
He joins us instudio.

SPOTLIGHT MONDAY: The grey area between “inspired by” and “plagiarism”, where do we draw the line?

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