The Upside of Jazz

Joe has a conversation with comedian and actor, Jeff Garlin about Garlin's career as well as his love of jazz and how it influences his comedy. They also discuss the parallels between the two art forms, from improvising in front of a live audience to finding your own musical or comedic voice.

Joe talks with banjo legend Béla Fleck about his album "My Bluegrass Heart," first being inspired by the music of Chick Corea and then getting to work with him, as well as where the music inside him comes from. Joe also chats with trombonist Ryan Keberle about Ryan Keberle's Collectiv do Brasil's upcoming album, "Here is Donato!," the trombone's status within jazz, and Ryan's exploration of Brazilian music via the instrument.  

Pianist and singer Diane Schuur and singer Jonathan Karrant have a conversation with Joe about Schuur's career, recording music together, and Karrant's latest album, "Full Circle," which is a tribute to Schuur. Then, Joe sits down with trumpeter and film score composer Mark Isham to talk about how composing for film differs from writing songs for an album, how music and art can be joyful and still be considered art, plus "At The Carousel Club," Isham's new EP. 

Producer/bassist/artistic director at Sam First Records, David Robaire, and Joe talk about going from bassist to leading a label, how David thinks about taking a live performance and putting it on vinyl, and the ways in which a label can develop a very specific identity while offering a variety of music.

Joe and bassist Bill Crow talk about the 98-year-old's lifetime spent in and around jazz. Crow talks about gathering stories from the jazz scene to write his monthly column for Allegro, which Crow wrapped up after 43 years in April, turning those stories into several books, including "Jazz Anecdotes," and spending time listening and playing in legendary clubs like the Village Vanguard and Birdland.

In the second episode featuring comedian Robert Klein, he and Joe continue their conversation about jazz and comedy,  Klein remembers a special breakfast with Groucho Marx, and reflects on what it's like to go from the one looking up to older comedians, to new comedians looking up to you. 

In the first of two episodes featuring the comedy legend, Joe and Robert Klein get together to talk about Klein's career in comedy. Despite not being a musician, Klein explains how improvisation in comedy is not so different from improv in jazz, opening for jazz greats like Sarah Vaughan and The Modern Jazz Quartet, as well as his relationship with comedian Rodney Dangerfield.

Joe has a conversation with Kelly Peterson, whose husband was Oscar Peterson, about the legendary pianist. Peterson shares the story of how she and Oscar built a life together, some of his more underappreciated skills as a pianist, as well as developing the new box set of previously unreleased recordings of Oscar Peterson playing live all from around the world, aptly titled "World Tour."

Joe and pianist John Beasley have a chat about Beasley's new album, Invisible Piano, which was inspired by a tour of an art museum in Stuttgart, Germany, how he found musical inspiration in non-musical art forms, his time playing alongside Miles Davis, and how spiritual practice and practicing music are both rooted in trying to improve.

Joe talks with pianist and organist Larry Goldings about finding his ​own sound while playing a range of styles with a variety of people, "Rhombus," Goldings's new album with guitarist Peter Bernstein and drummer Bill Stewart, and how being able to listen back to a recording of yourself is both a blessing and a curse.

Joe and pianist/drummer Luther S. Allison sit down for a discussion about exploring jazz by learning how to play different instruments, how the places you live shape the kind of music you play, and how the hope he finds in jazz is through its connection to the history of the United States.

Pianist Tia Fuller and saxophonist Shamie Fuller-Royston have a chat with Joe about playing music as a family when they were kids and now together as adults, their latest album, "Dynasty, Vol. 2," and how, as long as the music is good, they embrace all genres.

Joe sits down for a conversation with pianist, singer, actor, bandleader, and author, Harry Connick, Jr. to talk about learning piano from James Booker and Ellis Marsalis in New Orleans, musical influences, and the importance of accepting what one has to offer when looking for your own sound. If you’re listening in Atlanta, catch Harry Connick, Jr. in concert at Chastain Park on July 11 at 8 p.m.

To celebrate the United States’ 250th, Joe Alterman explores the remarkable story of Louis Armstrong — how America found its voice in him, how he became one of its greatest ambassadors to the world, and why that voice continues to resonate today.

Joe explores the important, prolific, and complicated relationship between Jewish immigrants and Black musicians — and how their intersecting stories helped give birth to the American music business and shape what Americans listened to throughout the 20th century.

Joe shares the history of how the sounds of Jewish and Black communities came together and ended up shaping the sound of American music.

In the next episode of The Upside of Jazz featuring artists out of the South, Joe has a conversation with Columbia, South Carolina native, trumpeter, composer, and educator Matt White about how music swings just a little differently from city to city, his latest album of Dolly Parton songs, "Matt White's Dolly," and  how the care put into learning jazz empowers musicians to learn any kind of music.

In the first of two episodes featuring artists out of the South, Joe talks with Austin, Texas-based vocalist Sarah Sharp about sitting down and listening to multiple versions of the same song to learn how nuanced different artists' interpretations can be, the jazz scene in Austin, and her new album, "Déjà Vu."

This week we revisit one of Sonny Rollins's final interviews recorded in October 2025, when Joe Alterman sat down for a conversation with the Saxophone Colossus himself. Sonny Rollins passed away on May 25, 2026.

Joe and pianist Sean Mason get together for a chat in which Sean explains why he believes the 20s are the most underrated jazz era, making the piano dance, and how Sean didn't feel like himself in the fullest sense until he started playing jazz.

Joe and guitarist Bobby Broom talk about his latest album featuring Sonny Rollins' compositions, "Notes of Thanks," 16-year-old Broom getting his start alongside Sonny Rollins, and making a career in jazz in Chicago instead of New York City.

Joe looks behind the serious face that jazz sometimes puts on and uncovers a world of silliness, both on and off the stage.

Host Joe Atlerman invites Julie Benko and Jason Yeager to the show to talk about finding spirituality in music and theater, how to define Jewish music, and traditions built on questioning and listening.

Joe Alterman and trumpeter Charles Tolliver chat about revisiting Tolliver's debut album as band leader, "Right Now... And Then," for its recent remixing and reissue, knowing he was going to be a trumpet player no matter what, and "rumbling" through improvisation. 

Guitarist Pat Metheny joins Joe Alterman to share his thoughts on being a musician in a time of AI, how he developed his understanding of playing an instrument, and how sometimes the music finds us instead of the other way around.

Guitarist/Vocalist John Pizzarelli and host Joe Alterman sit down to talk about Pizzarelli's career — including growing up and working alongside his father, jazz guitarist Bucky Pizzarelli — learning not just how to play guitar but entertain, and his new Tony Bennett tribute album, "Dear Mr. Bennett."

Joe Alterman has a conversation with guitarist Randy Johnston about improvisation (and if that's what makes jazz jazz), if there's a connection between jam bands and jazz music, and what it means to be the side man.

Today he plays jazz, tomorrow he betrays the motherland.

Guitarist Oliver Wood (who happens to be Joe's guitar teacher from years ago) and Joe talk about the joy of being surprised by the music you make as well as Wood's career, including touring with Tinsley Ellis, playing with King Johnson, and form The Wood Brothers with his brother Chris. 

The relationship between Black and Jewish musicians in jazz has a long and sometimes complicated history. In this episode, saxophonist Jimmy Heath reflects on his own experiences and what he learned from a lifetime in the music.

Bassist Ron Carter joins Joe to talk about growing up with church music, his introduction into jazz, and returning to his church roots on the new album, “Sweet, Sweet Spirit.”

Joe and bassist Rufus Reid have a conversation about the role the bass plays in a band and finding chemistry with fellow musicians .

Guitarist John Scofield joins Joe for a discussion about what playing music means for Scofield, seamlessly flowing between genres, and more.

From small record shop on 42nd Street in New York City to recording company that worked with the likes of Billie Holiday, Ella Fitzgerald, and Bill Haley & The Comets, Commodore Records holds an important place in music history.

Bassist Christian McBride and host Joe Alterman talk why jazz is far from dead and McBride's latest album, "Without Further Ado, Vol. 1."

Joe sits down for a conversation with the Saxophone Colossus himself.

Jazz as sustenance. Jazz as resistance.

Atlanta-based jazz pianist Joe Alterman expresses his deep appreciation of jazz and swing in his performances and compositions. Now he shares that love of jazz on The Upside ofJazz,celebrating the legendary performers of jazz and exploring what makes the music so timeless and endearing to listeners.