Joe and pianist John Beasley have a chat about Beasley's new album, Invisible Piano, which was inspired by a tour of an art museum in Stuttgart, Germany, how he found musical inspiration in non-musical art forms, his time playing alongside Miles Davis, and how spiritual practice and practicing music are both rooted in trying to improve.

Joe and pianist John Beasley have a chat about Beasley's new album, Invisible Piano, which was inspired by a tour of an art museum in Stuttgart, Germany, how he found musical inspiration in non-musical art forms, his time playing alongside Miles Davis, and how spiritual practice and practicing music are both rooted in trying to improve.

Atlanta-based jazz pianist Joe Alterman expresses his deep appreciation of jazz and swing in his performances and compositions. Now he shares that love of jazz on The Upside ofJazz,celebrating the legendary performers of jazz and exploring what makes the music so timeless and endearing to listeners.

Atlanta-based jazz pianist Joe Alterman expresses his deep appreciation of jazz and swing in his performances and compositions. Now he shares that love of jazz on The Upside of Jazz, celebrating the legendary performers of jazz and exploring what makes the music so timeless and endearing to listeners.

The Upside of Jazz

Pianist John Beasley - "There is no clear cut path"

Producer/bassist/artistic director at Sam First Records, David Robaire, and Joe talk about going from bassist to leading a label, how David thinks about taking a live performance and putting it on vinyl, and the ways in which a label can develop a very specific identity while offering a variety of music.

Producer/bassist/artistic director at Sam First Records, David Robaire, and Joe talk about going from bassist to leading a label, how David thinks about taking a live performance and putting it on vinyl, and the ways in which a label can develop a very specific identity while offering a variety of music.

Producer and Bassist David Robaire - "The artist has to love it"

Joe and bassist Bill Crow talk about the 98-year-old's lifetime spent in and around jazz. Crow talks about gathering stories from the jazz scene to write his monthly column for Allegro, which Crow wrapped up after 43 years in April, turning those stories into several books, including "Jazz Anecdotes," and spending time listening and playing in legendary clubs like the Village Vanguard and Birdland.

Joe and bassist Bill Crow talk about the 98-year-old's lifetime spent in and around jazz. Crow talks about gathering stories from the jazz scene to write his monthly column for&nbsp;Allegro, which Crow wrapped up after 43 years in April, turning those stories into several books, including "Jazz Anecdotes," and spending time listening and playing in legendary clubs like the Village Vanguard and Birdland.

 Bassist Bill Crow - "I'm still figuring stuff out"

In the second episode featuring comedian Robert Klein, he and Joe continue their conversation about jazz and comedy,  Klein remembers a special breakfast with Groucho Marx, and reflects on what it's like to go from the one looking up to older comedians, to new comedians looking up to you. 

In the second episode featuring comedian Robert Klein, he and Joe continue their conversation about jazz and comedy,&nbsp; Klein remembers a special breakfast with Groucho Marx, and reflects on what it's like to go from the one looking up to older comedians, to new comedians looking up to you.&nbsp;

Pianist John Beasley - "There is no clear cut path"

The Upside of Jazz

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