TV and film writers in the US – 11,500 of them – have walked off the job for the first time in 15 years. On May 2, their negotiations with the Alliance of Motion Picture and Television Producers broke down. One of the bargaining points: the role of AI in writing a script. The Writers Guild wants to put regulations on artificial intelligence into their contract, and they say the studios have turned them down – leading to the question of how studios envision future writers’ rooms. The Take explores the balance of power between writers and studios. 

In this episode: 
John August (@johnaugust), Screenwriter and member, Writers Guild of America negotiating committee

Episode credits:

This episode was produced by Negin Owliaei with Sonia Bhagat and our host, Malika Bilal. Khaled Soltan fact-checked this episode. Special thanks to the Scriptnotes podcast and Drew Marquardt.

Our sound designer is Alex Roldan. 

Our lead of audience development and engagement is Aya Elmileik. Munera Al Dosari and Adam Abou-Gad are our engagement producers.

Alexandra Locke is The Take’s executive producer, and Ney Alvarez is Al Jazeera's head of audio.

Connect with us:

@AJEPodcasts on Twitter, Instagram, and Facebook

TV and film writers in the US – 11,500 of them – have walked off the job for the first time in 15 years. On May 2, their negotiations with the Alliance of Motion Picture and Television Producers broke down. One of the bargaining points: the role of AI in writing a script. The Writers Guild wants to put regulations on artificial intelligence into their contract, and they say the studios have turned them down – leading to the question of how studios envision future writers’ rooms. The Take explores the balance of power between writers and studios. 
In this episode: 
<ul>
<li aria-level="1">John August (<a href="https://twitter.com/johnaugust?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">@johnaugust</a>), Screenwriter and member, Writers Guild of America negotiating committee</li>
</ul>
Episode credits:
This episode was produced by Negin Owliaei with Sonia Bhagat and our host, Malika Bilal. Khaled Soltan fact-checked this episode. Special thanks to the Scriptnotes podcast and Drew Marquardt.
Our sound designer is Alex Roldan. 
Our lead of audience development and engagement is Aya Elmileik. Munera Al Dosari and Adam Abou-Gad are our engagement producers.
Alexandra Locke is The Take’s executive producer, and Ney Alvarez is Al Jazeera's head of audio.
Connect with us:
@AJEPodcasts on <a href="https://twitter.com/AJEPodcasts">Twitter</a>, <a href="https://www.instagram.com/ajepodcasts/">Instagram</a>, and <a href="https://www.facebook.com/AJEPodcasts">Facebook</a>

The Take is a daily interview-driven international news podcast hosted by award-winning journalist Malika Bilal. Each episode focuses on conversations with journalists and people directly impacted by the news of the day, offering our listeners the context necessary to understand what's in the headlines.

With millions of global listens, it's clear the conversations we're having on The Take are worth hearing. And critics think so too. The show has won the Online Journalism Awards, the Signal Awards, Lovie Awards, and Anthem Awards, among others.

The Take is a daily interview-driven international news podcast hosted by award-winning journalist Malika Bilal. Each episode focuses on conversations with journalists and people directly impacted by the news of the day, offering our listeners the context necessary to understand what's in the headlines.
With millions of global listens, it's clear the conversations we're having on The Take are worth hearing. And critics think so too. The show has won the Online Journalism Awards, the Signal Awards, Lovie Awards, and Anthem Awards, among others.

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