Top ten women’s football teams US, Canada, Germany and Brazil have all been eliminated from the 2023 Women’s World Cup before the quarter-finals, and underdogs Jamaica and Morocco won big early on. In a landmark deal in February 2022, the US women’s team finally received pay parity after a year’s long battle with the US Soccer Federation. In contrast, a Jamaica team member’s mother had to start a GoFundMe campaign in order for the Jamaican team to be able to prepare for this year’s World Cup. Now, the big question is: what’s behind these wins and losses, and does funding make a difference?

In this episode: 
Shireen Ahmed (@_shireenahmed_), Senior Contributor for CBC Sports
Aziza Nait Sibaha (@AzizaNaitSibaha), TV presenter & journalist for France24
Chinyelu Asher (@ChinyeluAsher), Jamaican footballer

Episode credits:

This episode was produced by Fahrinisa Campana with Amy Waters and our host Malika Bilal. Khaled Soltan and Zaina Badr fact-checked this episode.

Our sound designer is Alex Roldan. Our lead of audience development and engagement is Aya Elmileik. Munera Al Dosari and Adam Abou-Gad are our engagement producers.

Alexandra Locke is The Take’s executive producer, and Ney Alvarez is Al Jazeera's head of audio.

Connect with us:

@AJEPodcasts on Twitter, Instagram, and Facebook

Top ten women’s football teams US, Canada, Germany and Brazil have all been eliminated from the 2023 Women’s World Cup before the quarter-finals, and underdogs Jamaica and Morocco won big early on. In a landmark deal in February 2022, the US women’s team finally received pay parity after a year’s long battle with the US Soccer Federation. In contrast, a Jamaica team member’s mother had to start a GoFundMe campaign in order for the Jamaican team to be able to prepare for this year’s World Cup. Now, the big question is: what’s behind these wins and losses, and does funding make a difference?
In this episode: 
<ul>
<li aria-level="1">Shireen Ahmed (<a href="https://twitter.com/_shireenahmed_">@_shireenahmed_</a>), Senior Contributor for CBC Sports</li>
<li aria-level="1">Aziza Nait Sibaha (<a href="https://twitter.com/AzizaNaitSibaha">@AzizaNaitSibaha</a>), TV presenter &amp; journalist for France24</li>
<li aria-level="1">Chinyelu Asher (<a href="https://twitter.com/ChinyeluAsher">@ChinyeluAsher</a>), Jamaican footballer</li>
</ul>
Episode credits:
This episode was produced by Fahrinisa Campana with Amy Waters and our host Malika Bilal. Khaled Soltan and Zaina Badr fact-checked this episode.
Our sound designer is Alex Roldan. Our lead of audience development and engagement is Aya Elmileik. Munera Al Dosari and Adam Abou-Gad are our engagement producers.
Alexandra Locke is The Take’s executive producer, and Ney Alvarez is Al Jazeera's head of audio.
Connect with us:
@AJEPodcasts on <a href="https://twitter.com/AJEPodcasts">Twitter</a>, <a href="https://www.instagram.com/ajepodcasts/">Instagram</a>, and <a href="https://www.facebook.com/AJEPodcasts">Facebook</a>

The Take is a daily interview-driven international news podcast hosted by award-winning journalist Malika Bilal. Each episode focuses on conversations with journalists and people directly impacted by the news of the day, offering our listeners the context necessary to understand what's in the headlines.

With millions of global listens, it's clear the conversations we're having on The Take are worth hearing. And critics think so too. The show has won the Online Journalism Awards, the Signal Awards, Lovie Awards, and Anthem Awards, among others.

The Take is a daily interview-driven international news podcast hosted by award-winning journalist Malika Bilal. Each episode focuses on conversations with journalists and people directly impacted by the news of the day, offering our listeners the context necessary to understand what's in the headlines.
With millions of global listens, it's clear the conversations we're having on The Take are worth hearing. And critics think so too. The show has won the Online Journalism Awards, the Signal Awards, Lovie Awards, and Anthem Awards, among others.

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