Assassination attempts used to be catalysts for gun reform in America. But even with two apparent attempts on Donald Trump’s life, the issue of gun control has barely surfaced in political discussions. As Trump courts the NRA and Democratic presidential candidate Kamala Harris tries to balance gun rights with regulation, what has shifted in the US’s stance on guns?

Please tell us what you think about our shows. Go to https://www.aljazeera.com/survey to fill out our survey. It only takes a few minutes, and it's anonymous.

In this episode:
Drew McKevitt (@drewmckevitt), Author of Gun Country

Episode credits:

This episode was produced by Amy Walters, Tamara Khandaker, and Sonia Bhagat with Hisham Abu Salah, Duha Mosaad, Hagir Saleh, Shraddha Joshi, Cole Van Miltenburg and our host Natasha Del Toro in for Malika Bilal.

Our sound designer is Alex Roldan. Our lead of audience development and engagement is Aya Elmileik. Munera Al Dosari and Adam Abou-Gad are our engagement producers.

Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera's head of audio.

Connect with us:

@AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Assassination attempts used to be catalysts for gun reform in America. But even with two apparent attempts on Donald Trump’s life, the issue of gun control has barely surfaced in political discussions. As Trump courts the NRA and Democratic presidential candidate Kamala Harris tries to balance gun rights with regulation, what has shifted in the US’s stance on guns?
Please tell us what you think about our shows. Go to <a href="https://www.aljazeera.com/survey">https://www.aljazeera.com/survey</a> to fill out our survey. It only takes a few minutes, and it's anonymous.
In this episode:
<ul>
<li>Drew McKevitt (<a href="https://x.com/drewmckevitt?s=11">@drewmckevitt</a>), Author of Gun Country</li>
</ul>
Episode credits:
This episode was produced by Amy Walters, Tamara Khandaker, and Sonia Bhagat with Hisham Abu Salah, Duha Mosaad, Hagir Saleh, Shraddha Joshi, Cole Van Miltenburg and our host Natasha Del Toro in for Malika Bilal.
Our sound designer is Alex Roldan. Our lead of audience development and engagement is Aya Elmileik. Munera Al Dosari and Adam Abou-Gad are our engagement producers.
Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera's head of audio.
Connect with us:
@AJEPodcasts on <a href="https://twitter.com/AJEPodcasts">Twitter</a>, <a href="https://www.instagram.com/ajepodcasts/">Instagram, </a><a href="https://www.facebook.com/AJEPodcasts">Facebook</a>, <a href="https://www.threads.net/@ajepodcasts">Threads</a> and <a href="https://www.youtube.com/playlist?list=PLzGHKb8i9vTwjZkiFu6LhzsLUKFkYO60I">YouTube</a>

The Take is a daily interview-driven international news podcast hosted by award-winning journalist Malika Bilal. Each episode focuses on conversations with journalists and people directly impacted by the news of the day, offering our listeners the context necessary to understand what's in the headlines.

With millions of global listens, it's clear the conversations we're having on The Take are worth hearing. And critics think so too. The show has won the Online Journalism Awards, the Signal Awards, Lovie Awards, and Anthem Awards, among others.

The Take is a daily interview-driven international news podcast hosted by award-winning journalist Malika Bilal. Each episode focuses on conversations with journalists and people directly impacted by the news of the day, offering our listeners the context necessary to understand what's in the headlines.
With millions of global listens, it's clear the conversations we're having on The Take are worth hearing. And critics think so too. The show has won the Online Journalism Awards, the Signal Awards, Lovie Awards, and Anthem Awards, among others.

The Take

The Take - Disco

After apparent attempt on Trump’s life, where is the gun control debate?

Every Saturday, we revisit a story from the archives. This originally aired on May 10, 2023. None of the dates, titles, or other references from that time have been changed.

There’s an island in the Indian Ocean that’s part of France, called Mayotte – and it’s become a front line in the story of EU migration. Mayotte was part of neighboring Comoros until 1975. Now, Comorans and others migrate to Mayotte by boat, seeking asylum or a better life. 1,800 French security forces have deployed from mainland France as part of Operation Wuambushu, which means “take back” in Mayotte’s local language. The government says that the shantytowns full of people are becoming an economic, safety, and health concern. The move has sparked protests both for and against the operation.

In this episode:


Dawud Bumaye (@dawudbumaye), Afro-Feminist and Comorian Activist

Episode credits:

This episode was updated by Tamara Khandaker. The original production team was Chloe K. Li, Khaled Soltan and our host, Malika Bilal. 

Our sound designer is Alex Roldan. Alexandra Locke is The Take’s executive producer, and Ney Alvarez is Al Jazeera's head of audio.

Connect with us:

@AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Every Saturday, we revisit a story from the archives. This originally aired on May 10, 2023. None of the dates, titles, or other references from that time have been changed.
There&rsquo;s an island in the Indian Ocean that&rsquo;s part of France, called Mayotte &ndash; and it&rsquo;s become a front line in the story of EU migration. Mayotte was part of neighboring Comoros until 1975. Now, Comorans and others migrate to Mayotte by boat, seeking asylum or a better life. 1,800 French security forces have deployed from mainland France as part of Operation Wuambushu, which means &ldquo;take back&rdquo; in Mayotte&rsquo;s local language. The government says that the shantytowns full of people are becoming an economic, safety, and health concern. The move has sparked protests both for and against the operation.
In this episode:
<ul>
<li dir="ltr" aria-level="1">
Dawud Bumaye (<a href="https://linktr.ee/dawudbumaye?utm_source=linktree_profile_share&amp;ltsid=df76ce85-4a92-4f64-a06e-9c2ec3646ad4">@dawudbumaye</a>), Afro-Feminist and Comorian Activist
</li>
</ul>
Episode credits:
This episode was updated by Tamara Khandaker. The original production team was Chloe K. Li, Khaled Soltan and our host, Malika Bilal.&nbsp;
Our sound designer is Alex Roldan. Alexandra Locke is The Take&rsquo;s executive producer, and Ney Alvarez is Al Jazeera's head of audio.
Connect with us:
@AJEPodcasts on&nbsp;<a href="https://twitter.com/AJEPodcasts">Twitter</a>,&nbsp;<a href="https://www.instagram.com/ajepodcasts/">Instagram,&nbsp;</a><a href="https://www.facebook.com/AJEPodcasts">Facebook</a>,&nbsp;<a href="https://www.threads.net/@ajepodcasts">Threads</a>&nbsp;and&nbsp;<a href="https://www.youtube.com/playlist?list=PLzGHKb8i9vTwjZkiFu6LhzsLUKFkYO60I">YouTube</a>

Another Take: Mayotte's story of migration

What happens when people feel they’ve reached capacity as witnesses? For writer and clinical psychologist Hala Alyan, her work is to preserve the archive of Palestinian stories and pass down resistance through generations. As Israel’s war on Gaza continues, her work on the complexities of displacement, trauma, and the Palestinian diaspora has reached audiences around the world. 

In this episode:
Hala Alyan, (@hala.n.alyan), writer and clinical psychologist

Episode credits:

This episode was produced by Chloe K. Li, Sonia Bhagat, and Tamara Khandaker, with Phillip Lanos, Spencer Cline, Hagir Saleh, Duha Mosaad, Sarí el-Khalili, and our host, Malika Bilal. 

Our sound designer is Alex Roldan. Joe Plourde mixed this episode. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio.

Connect with us:

@AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

What happens when people feel they&rsquo;ve reached capacity as witnesses? For writer and clinical psychologist Hala Alyan, her work is to preserve the archive of Palestinian stories and pass down resistance through generations. As Israel&rsquo;s war on Gaza continues, her work on the complexities of displacement, trauma, and the Palestinian diaspora has reached audiences around the world.&nbsp;
In this episode:
<ul>
<li>Hala Alyan, (<a href="https://www.instagram.com/hala.n.alyan/">@hala.n.alyan</a>), writer and clinical psychologist</li>
</ul>
Episode credits:
This episode was produced by Chloe K. Li, Sonia Bhagat, and Tamara Khandaker, with Phillip Lanos, Spencer Cline, Hagir Saleh, Duha Mosaad, Sar&iacute; el-Khalili, and our host, Malika Bilal.&nbsp;
Our sound designer is Alex Roldan. Joe Plourde mixed this episode. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take&rsquo;s executive producer. Ney Alvarez is Al Jazeera&rsquo;s head of audio.
Connect with us:
@AJEPodcasts on&nbsp;<a href="https://twitter.com/AJEPodcasts">Twitter</a>,&nbsp;<a href="https://www.instagram.com/ajepodcasts/">Instagram,&nbsp;</a><a href="https://www.facebook.com/AJEPodcasts">Facebook</a>,&nbsp;<a href="https://www.threads.net/@ajepodcasts">Threads</a>&nbsp;and&nbsp;<a href="https://www.youtube.com/playlist?list=PLzGHKb8i9vTwjZkiFu6LhzsLUKFkYO60I">YouTube</a>

What is the trauma of bearing witness to genocide?

When a new kidney could save your life, every minute counts. When Jazmin Evans discovered she could have received a kidney four years earlier, she was shocked. When she found out the delay was due to a racially biased testing process, she tried to warn others.

In this episode:
Jazmin Evans, Kidney transplant patient, PhD student of Africology at Temple University

Episode credits:

This episode was produced by Manahil Naveed and Amy Walters, with Veronique Eshaya, Shraddha Joshi, and our host, Malika Bilal. It was edited by Alexandra Locke.

Our sound designer is Alex Roldan. Joe Plourde mixed this episode. Our video editors are Hisham Abu Salah and Mohannad Al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio.

Connect with us:

@AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

When a new kidney could save your life, every minute counts. When Jazmin Evans discovered she could have received a kidney four years earlier, she was shocked. When she found out the delay was due to a racially biased testing process, she tried to warn others.
In this episode:
<ul>
<li>Jazmin Evans, Kidney transplant patient, PhD student of Africology at Temple University</li>
</ul>
Episode credits:
This episode was produced by Manahil Naveed and Amy Walters, with Veronique Eshaya, Shraddha Joshi, and our host, Malika Bilal. It was edited by Alexandra Locke.
Our sound designer is Alex Roldan. Joe Plourde mixed this episode. Our video editors are Hisham Abu Salah and Mohannad Al-Melhem. Alexandra Locke is The Take&rsquo;s executive producer. Ney Alvarez is Al Jazeera&rsquo;s head of audio.
Connect with us:
@AJEPodcasts on&nbsp;<a href="https://twitter.com/AJEPodcasts">Twitter</a>,&nbsp;<a href="https://www.instagram.com/ajepodcasts/">Instagram,&nbsp;</a><a href="https://www.facebook.com/AJEPodcasts">Facebook</a>,&nbsp;<a href="https://www.threads.net/@ajepodcasts">Threads</a>&nbsp;and&nbsp;<a href="https://www.youtube.com/playlist?list=PLzGHKb8i9vTwjZkiFu6LhzsLUKFkYO60I">YouTube</a>

After apparent attempt on Trump’s life, where is the gun control debate?

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