Anthony (Tony) Tommasini is the former chief classical music critic for The New York Times, a role he held from 2000 until his retirement in 2021 after 24 years with the paper. A graduate of Yale University with a Doctorate of Musical Arts from Boston University, he is also an accomplished author of four books, including The Indispensable Composers. As a pianist, he recorded two albums of Virgil Thomson’s music with support from the National Endowment for the Arts.

Tommasini recently wrote about Marian Anderson’s legacy for the New York Times, a piece that earned praise from Dr. Henry Louis Gates, Jr. In 2022, Gates and Penguin Press invited him to contribute to the “Significations” series. His upcoming book, Voice of a Century: The Life and Artistry of Marian Anderson, will be released by Penguin in September.

We talk with Andrew Dalton, President & CEO of Gettysburg History, and Jake Boritt, Producer of the Gettysburg Film Festival, about the town’s evolving identity, its role in American storytelling, and how history and the arts intersect in Gettysburg today.

We also explore recent public conversation surrounding Senator Doug Mastriano’s comments about Gettysburg’s “sharp left turn” and his concerns about the town’s cultural direction ahead of America’s 250th anniversary. Andrew offers context from the perspective of a history professional—discussing how Gettysburg balances preserving its past with supporting a diverse, modern community.

Hear how the Gettysburg Film Festival is shaping cultural engagement, how local institutions approach historical stewardship, and why conversations about heritage, tourism, and community identity matter now more than ever