Paloma Young is a Tony Award–winning costume designer whose work spans Broadway and London, including Peter and the Starcatcher, Natasha, Pierre & The Great Comet of 1812, & Juliet, The Notebook, Bandstand, and Real Women Have Curves. In this episode of The Resistance, Paloma reflects on how motherhood changed the cost of availability in an industry built on endurance, and what it means to stay committed to the work without disappearing into it.

Paloma Young is a Tony Award&ndash;winning costume designer whose work spans Broadway and London, including Peter and the Starcatcher, Natasha, Pierre &amp; The Great Comet of 1812, &amp; Juliet, The Notebook, Bandstand, and Real Women Have Curves. In this episode of The Resistance, Paloma reflects on how motherhood changed the cost of availability in an industry built on endurance, and what it means to stay committed to the work without disappearing into it.

There's a force at work that keeps you from being you. We feel it, too. It's the reason we avoid making the call, the reason we put off the diet. It's why we've done nothing about that entrepreneurial idea, that creative endeavor, that new relationship. In his book The War of Art, Stephen Pressfield defines this universal force as Resistance. Welcome to The Resistance, a new podcast featuring honest interviews with creative persons about this force and the forms it takes.

The Resistance

Paloma Young on the cost of always being available

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/a32d89b7-045c-4fd8-91fc-b3e001223f13/transcript