For the last two-plus decades, Alex Ebert has stayed the creative course, a prime example of an artist who does what he feels. That might sound like an enjoyable path, but as Alex shares his story, it's fraught with industry questions, critical backlash, and a general sense of loneliness. In short, a commitment to making art on one's own terms comes with a heavy cost.

<p data-pm-slice="1 1 []">For the last two-plus decades, <strong>Alex Ebert</strong> has stayed the creative course, a prime example of an artist who does what he feels. That might sound like an enjoyable path, but as Alex shares his story, it's fraught with industry questions, critical backlash, and a general sense of loneliness. In short, a commitment to making art on one's own terms comes with a heavy cost.</p>

There's a force at work that keeps you from being you. We feel it, too. It's the reason we avoid making the call, the reason we put off the diet. It's why we've done nothing about that entrepreneurial idea, that creative endeavor, that new relationship. In his book The War of Art, Stephen Pressfield defines this universal force as Resistance. Welcome to The Resistance, a new podcast featuring honest interviews with creative persons about this force and the forms it takes.

Advertisement