Like Roger Corman’s A BUCKET OF BLOOD, the new Netflix release VELVET BUZZSAW, director Dan Gilroy’s follow-up to NIGHTCRAWLER, presents as an art-world satire wrapped around the bones of a horror movie, though it doesn’t deliver on the horror element until pretty deep into the film. We talk over whether that approach is a benefit or detriment to both sides of the horror-satire equation, and about whether Netflix’s current content model is a natural evolution of the “give ‘em what they want” strategy that guided Corman’s American International Pictures. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.

Please share your comments, thoughts, and questions about BUCKET OF BLOOD, VELVET BUZZSAW, or anything else in the world of film by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730..

Your Next Picture Show: 

• Scott: Steven Soderbergh’s HIGH FLYING BIRD

• Keith: Samuel Fuller’s 40 GUNS

• Tasha: Chiwetel Ejiofor’s THE BOY WHO HARNESSED THE WIND, and “At Netflix Who Wins

When It’s Hollywood Vs. The Algorithm?,” by Shalini Ramachandran and Joe Flint (wsj.com)

Outro Music: Talking Heads, “Artists Only”



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Like Roger Corman’s A BUCKET OF BLOOD, the new Netflix release VELVET BUZZSAW, director Dan Gilroy’s follow-up to NIGHTCRAWLER, presents as an art-world satire wrapped around the bones of a horror movie, though it doesn’t deliver on the horror element until pretty deep into the film. We talk over whether that approach is a benefit or detriment to both sides of the horror-satire equation, and about whether Netflix’s current content model is a natural evolution of the “give ‘em what they want” strategy that guided Corman’s American International Pictures. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.Please share your comments, thoughts, and questions about BUCKET OF BLOOD, VELVET BUZZSAW, or anything else in the world of film by sending an email to <a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at <a>(773) 234-9730</a>..Your Next Picture Show: • Scott: Steven Soderbergh’s HIGH FLYING BIRD• Keith: Samuel Fuller’s 40 GUNS• Tasha: Chiwetel Ejiofor’s THE BOY WHO HARNESSED THE WIND, and “At Netflix Who WinsWhen It’s Hollywood Vs. The Algorithm?,” by Shalini Ramachandran and Joe Flint (<a href="http://wsj.com/">wsj.com</a>)Outro Music: Talking Heads, “Artists Only” Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

Looking at cinema's present via its past. From the former editorial team of The Dissolve, The Next Picture Show examines how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy, then compare and contrast that film with a modern successor. Hosted and produced by Genevieve Koski, Keith Phipps, Tasha Robinson, and Scott Tobias.

Looking at cinema's present via its past.

The Next Picture Show

The latest from "Nightcrawler" director Dan Gilroy is an art-world satire wrapped around the bones of a horror movie.

The Bloody Act of Creation, Pt. 2 - Velvet Buzzsaw

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/80897818-8181-45d4-8259-b4410175d3c9/transcript