Chloe Zhao’s THE RIDER’s naturalistic synthesis of documentary and narrative has some roots in Abbas Kiarostami’s 1990 Iranian classic CLOSE-UP, but with a very different story to tell, about a very different part of the world. After discussing what made The Rider one of our favorite films of the year so far, we look at how these two films both dance on the line separating fact and fiction, through their use of non-actors, their respective sense of place, and their preoccupation with identity. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.

Please share your comments, thoughts, and questions about CLOSE-UP, THE RIDER, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Your Next Picture Show: 

• Genevieve: Kay Cannon’s BLOCKERS

• Scott: Justin Benson and Aaron Moorhead’s THE ENDLESS

• Keith: Francois Truffaut’s TWO ENGLISH GIRLS and MISSISSIPPI MERMAID

Outro Music: Woody Guthrie, “Gamblin’ Man”



Learn more about your ad choices. Visit megaphone.fm/adchoices

Chloe Zhao’s THE RIDER’s naturalistic synthesis of documentary and narrative has some roots in Abbas Kiarostami’s 1990 Iranian classic CLOSE-UP, but with a very different story to tell, about a very different part of the world. After discussing what made The Rider one of our favorite films of the year so far, we look at how these two films both dance on the line separating fact and fiction, through their use of non-actors, their respective sense of place, and their preoccupation with identity. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.Please share your comments, thoughts, and questions about CLOSE-UP, THE RIDER, or both by sending an email to <a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at (773) 234-9730.Your Next Picture Show: • Genevieve: Kay Cannon’s BLOCKERS• Scott: Justin Benson and Aaron Moorhead’s THE ENDLESS• Keith: Francois Truffaut’s TWO ENGLISH GIRLS and MISSISSIPPI MERMAIDOutro Music: Woody Guthrie, “Gamblin’ Man” Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

Looking at cinema's present via its past. From the former editorial team of The Dissolve, The Next Picture Show examines how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy, then compare and contrast that film with a modern successor. Hosted and produced by Genevieve Koski, Keith Phipps, Tasha Robinson, and Scott Tobias.

Looking at cinema's present via its past.

The Next Picture Show

One of the best films of 2018 shares an approach to storytelling with one of the best films of the 20th century.

(Pt 2) The Rider / Close-Up

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/201b94a8-e851-4709-a0dc-b441017879de/transcript