For the second half our gentleman-thieves pairing, we bring LOGAN LUCKY into the discussion, to see how it fits into the reliably eclectic filmography of Steven Soderbergh, and how it stands up to its clear forebear within that filmography, 2001’s OCEAN’S ELEVEN. But there are marked distinctions between the two films as well, from their wildly different settings and characters to the mechanics and styles of their central heists, all of which we get into in Connections. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.

Please share your comments, thoughts, and questions about OCEAN’S ELEVEN, LOGAN LUCKY, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. 

Your Next Picture Show: 

• Genevieve: Matt Spicer’s INGRID GOES WEST

• Keith: Michael Curtiz’s THE BREAKING POINT

• Tasha: Jules Dassin’s RIFIFI and Sidney Lumet’s DOG DAY AFTERNOON

• Scott: Eliza Hittman’s IT FELT LIKE LOVE and BEACH RATS

Outro music: Farrah Mackenzie, “Take Me Home, Country Roads”



Learn more about your ad choices. Visit megaphone.fm/adchoices

For the second half our gentleman-thieves pairing, we bring LOGAN LUCKY into the discussion, to see how it fits into the reliably eclectic filmography of Steven Soderbergh, and how it stands up to its clear forebear within that filmography, 2001’s OCEAN’S ELEVEN. But there are marked distinctions between the two films as well, from their wildly different settings and characters to the mechanics and styles of their central heists, all of which we get into in Connections. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.Please share your comments, thoughts, and questions about OCEAN’S ELEVEN, LOGAN LUCKY, or both by sending an email to <a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at <a>(773) 234-9730</a>. Your Next Picture Show: • Genevieve: Matt Spicer’s INGRID GOES WEST• Keith: Michael Curtiz’s THE BREAKING POINT• Tasha: Jules Dassin’s RIFIFI and Sidney Lumet’s DOG DAY AFTERNOON• Scott: Eliza Hittman’s IT FELT LIKE LOVE and BEACH RATSOutro music: Farrah Mackenzie, “Take Me Home, Country Roads” Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

Looking at cinema's present via its past. From the former editorial team of The Dissolve, The Next Picture Show examines how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy, then compare and contrast that film with a modern successor. Hosted and produced by Genevieve Koski, Keith Phipps, Tasha Robinson, and Scott Tobias.

Looking at cinema's present via its past.

The Next Picture Show

Part 2 of the Soderbergh Heist Double Feature

Logan Lucky / Oceans 11 (2001)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/2686e2c8-542a-40e2-8eaf-b441017b82c8/transcript