Playing happens in boundaries. Whether it’s poetry, the playground, or praying the Psalms: things get interesting when we explore the edges. Come hear from Bowser Hutson and Sophie Killingley as they kick around a main idea from their upcoming Play Book.

Playing happens in boundaries. Whether it&rsquo;s poetry, the playground, or praying the Psalms: things get interesting when we explore the edges. Come hear from Bowser Hutson and Sophie Killingley as they kick around a main idea from their upcoming Play Book.

We call Hutchmoot a “conference for everyone,” so it follows that this is a “podcast for everyone.” This series features sessions recorded at the Rabbit Room’s annual conference which celebrates art, music, story, and faith in all their many intersections.

The Hutchmoot Podcast

Play Has Boundaries. And Pushes Them. (Katy Bowser Hutson, Sophie Killingley)

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/87c40378-0df8-4935-b3ea-b41100ff70c4/transcript

Leslie Eiler Thompson leads audio storytellers Mike Cosper (The Rise and Fall of Mars Hill), Jakob Lewis (No Small Endeavor), and Tasha A.F. Lemley (Nashville Public Radio, This Is Nashville) in conversation on how the transcendentals—truth, goodness, and beauty—shape their work. The panel examines the craft, ethics, and wonder behind their varied styles of audio storytelling that invites listeners into deeper meaning and awe.

Leslie Eiler Thompson leads audio storytellers Mike Cosper (The Rise and&nbsp;Fall of Mars Hill), Jakob Lewis (No Small Endeavor), and Tasha A.F. Lemley&nbsp;(Nashville Public Radio, This Is Nashville) in conversation on how the&nbsp;transcendentals&mdash;truth, goodness, and beauty&mdash;shape their work. The panel&nbsp;examines the craft, ethics, and wonder behind their varied styles of audio&nbsp;storytelling that invites listeners into deeper meaning and awe.

Transcendent Audio Storytelling Panel (Leslie Eiler Thompson, Mike Cosper, Jakob Lewis, Tasha A.F. Lemley)

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/89166302-98eb-4690-845a-b48600f6119f/transcript

Friends Joe Sutphin and Santosh John share personal stories of unmerited blessings at the intersection of work and faith, and discuss how our God delights in lavishing grace and blessings on his children, who can not earn them on their own.

Friends Joe Sutphin and Santosh John share personal stories of&nbsp;unmerited blessings at the intersection of work and faith, and discuss how&nbsp;our God delights in lavishing grace and blessings on his children, who can&nbsp;not earn them on their own.

A Fantastic Injustice: How God Redeems The Works Of Unworthy Vessels (Joe Sutphin, Santosh John)

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/013022bc-8305-45ea-a8aa-b41100ff70ce/transcript

This session invites you to examine the powerful tale of Rizpah (2 Samuel 21:1-14), which symbolizes grief intertwined with strength and resilience. Embracing redemptive beauty through the lens of lament necessitates a courageous acknowledgment of pain—an indispensable step toward healing and transformation. Join us as we discuss that while rooted in sorrow, lament opens pathways to hope and renewal, showing that from despair’s depths, true beauty and new beginnings can emerge. 

This session invites you to examine the powerful tale of Rizpah (2 Samuel&nbsp;21:1-14), which symbolizes grief intertwined with strength and resilience.&nbsp;Embracing redemptive beauty through the lens of lament necessitates&nbsp;a courageous acknowledgment of pain&mdash;an indispensable step toward&nbsp;healing and transformation. Join us as we discuss that while rooted in&nbsp;sorrow, lament opens pathways to hope and renewal, showing that from&nbsp;despair&rsquo;s depths, true beauty and new beginnings can emerge.&nbsp;

Redemptive Beauty: The Lament and Protest Of Rizpah (Ruth Naomi Floyd)

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/1dde60fa-b1e3-4819-b960-b41100ff70c5/transcript

Play Has Boundaries. And Pushes Them. (Katy Bowser Hutson, Sophie Killingley)

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