Hayao Miyazaki is a living legend of the animation world. Named the
“Walt Disney of Japan,” he’s made over a dozen films, many of which are
considered masterpieces. But what did he sacrifice in pursuit of cinematic
perfection? His most recent Oscar-winning film, The Boy and the Heron, in
addition to showcasing the hallmarks of a Miyazaki movie, might also serve
as a Rosetta Stone for interpreting a complex man and his relationship with
his (un)finished body of work.

Hayao Miyazaki is a living legend of the animation world. Named the &ldquo;Walt Disney of Japan,&rdquo; he&rsquo;s made over a dozen films, many of which are considered masterpieces. But what did he sacrifice in pursuit of cinematic perfection? His most recent Oscar-winning film, The Boy and the Heron, in addition to showcasing the hallmarks of a Miyazaki movie, might also serve as a Rosetta Stone for interpreting a complex man and his relationship with his (un)finished body of work.

We call Hutchmoot a “conference for everyone,” so it follows that this is a “podcast for everyone.” This series features sessions recorded at the Rabbit Room’s annual conference which celebrates art, music, story, and faith in all their many intersections.

The Hutchmoot Podcast

It Is Not Finished: Miyazaki and the Crushing Weight of Beauty

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/199e756c-780a-4dce-b20e-b2cd010a416e/transcript