Rick Morton is a senior reporter for The Saturday Paper, a regular guest on ABC’s The Drum and an award-winning author of three non-fiction books: 100 Years of Dirt, On Money and My Year of Living Vulnerably. In 2022 he edited the anthology Growing Up in Country Australia.

He has appeared on The Garret before, and you can listen to that interview from 2021 here.

About The Garret

Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram.

Explore our back catalogue (and transcripts) at thegarretpodcast.com.

Rick Morton is a senior reporter for The Saturday Paper, a regular guest on ABC’s The Drum and an award-winning author of three non-fiction books: 100 Years of Dirt, On Money and My Year of Living Vulnerably. In 2022 he edited the anthology Growing Up in Country Australia.
He has appeared on The Garret before, and you can <a href="https://thegarretpodcast.com/at-home-with-rick-morton/">listen to that interview from 2021 here</a>.
About The Garret
Follow <a href="https://www.instagram.com/garretpodcast/">The Garret: Writing and Publishing</a> and our host <a href="https://www.instagram.com/_astridedwards_/">Astrid Edwards</a> on Instagram.
Explore our back catalogue (and transcripts) at <a href="https://thegarretpodcast.com/">thegarretpodcast.com</a>.

The Garret is a podcast for lovers of books and storytelling.

Always about Australian writers and their craft, in 2023 The Garret expanded focus and also interviews industry figures about what gets published (and why).

The Garret is educational in outlook. A defining feature of The Garret is our transcripts. Each interview is published with a complete transcript (so you don’t have to write anything down while you listen).

The Garret is a labour of love on behalf of all emerging writers. It does not operate for revenue or profit. If you would like to support The Garret, simply subscribe wherever you listen to your podcasts and join the conversation on Instagram or Twitter.

You can also follow our host Astrid Edwards at astridedwards.com.

The Garret is a podcast for lovers of books and storytelling.
Always about Australian writers and their craft, in 2023 The Garret expanded focus and also interviews industry figures about what gets published (and why).
The Garret is educational in outlook. A defining feature of The Garret is our transcripts. Each interview is published with a complete transcript (so you don’t have to write anything down while you listen).
The Garret is a labour of love on behalf of all emerging writers. It does not operate for revenue or profit. If you would like to support The Garret, simply subscribe wherever you listen to your podcasts and join the conversation on <a href="https://www.instagram.com/garretpodcast/">Instagram</a> or <a href="https://twitter.com/garretpodcast">Twitter</a>.
You can also follow our host Astrid Edwards at <a href="https://astridedwards.com/" data-wpel-link="external">astridedwards.com</a>.

🎧 Interviews with writers about craft and industry figures about what gets published and why.

The Garret: Writing & Publishing

Rick Morton on editing anthologies and switching to fiction

James Bradley is a writer and critic. He has returned to non-fiction with his latest work, Deep Water: The world in the ocean. His previous books include the novels Wrack, The Deep Field, The Resurrectionist, Clade and Ghost Species, a book of poetry, Paper Nautilus, and The Penguin Book of the Ocean. 

His essays and articles have appeared in The Monthly, The Guardian, Sydney Review of Books, Griffith Review and Meanjin. In 2012 he won the Pascall Prize for Australia’s Critic of the Year, and he has been shortlisted twice for the Bragg Prize for Science Writing and nominated for a Walkley Award. 

James has previously appeared on The Garret discussing his works of climate fiction.

About The Garret

Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram.

Explore our back catalogue (and transcripts) at thegarretpodcast.com.

James Bradley is a writer and critic. He has returned to non-fiction with his latest work, Deep Water: The world in the ocean. His previous books include the novels Wrack, The Deep Field, The Resurrectionist, Clade and Ghost Species, a book of poetry, Paper Nautilus, and The Penguin Book of the Ocean. 
His essays and articles have appeared in The Monthly, The Guardian, Sydney Review of Books, Griffith Review and Meanjin. In 2012 he won the Pascall Prize for Australia’s Critic of the Year, and he has been shortlisted twice for the Bragg Prize for Science Writing and nominated for a Walkley Award. 
James has previously appeared on The Garret <a href="https://thegarretpodcast.com/at-home-with-james-bradley/">discussing his works of climate fiction</a>.
About The Garret
Follow <a href="https://www.instagram.com/garretpodcast/">The Garret: Writing and Publishing</a> and our host <a href="https://www.instagram.com/_astridedwards_/">Astrid Edwards</a> on Instagram.
Explore our back catalogue (and transcripts) at <a href="https://thegarretpodcast.com/james-bradley-on-the-colonisation-of-the-oceans">thegarretpodcast.com</a>.

James Bradley on the colonisation of the oceans

Amanda Lohrey writes fiction and non-fiction. Her latest novel, The Conversion, was released in 2023. Her previous novel, The Labyrinth (2021), won the Miles Franklin Literary Award, a Prime Minister’s Literary Award, a Tasmanian Literary Award and the Voss Literary Prize.

Amanda is also regular contributor to the Monthly magazine and a former senior fellow of the Australia Council’s Literature Board. 

About The Garret

Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram.

Explore our back catalogue (and transcripts) at thegarretpodcast.com.

Amanda Lohrey writes fiction and non-fiction. Her latest novel, The Conversion, was released in 2023. Her previous novel, The Labyrinth (2021), won the Miles Franklin Literary Award, a Prime Minister’s Literary Award, a Tasmanian Literary Award and the Voss Literary Prize.
Amanda is also regular contributor to the Monthly magazine and a former senior fellow of the Australia Council’s Literature Board. 
About The Garret
Follow <a href="https://www.instagram.com/garretpodcast/">The Garret: Writing and Publishing</a> and our host <a href="https://www.instagram.com/_astridedwards_/">Astrid Edwards</a> on Instagram.
Explore our back catalogue (and transcripts) at <a href="https://thegarretpodcast.com/amanda-lohrey-on-investigating-meaning-via-fiction">thegarretpodcast.com</a>.

Amanda Lohrey on investigating meaning via fiction

Nam Le is one of Australia's foremost poets. His short story collection The Boat has been republished as a modern classic and is widely translated, anthologised, and taught. 36 Ways of Writing a Vietnamese Poem is his first poetry collection.

Nam has received major awards in America, Europe, and Australia, including the PEN/Malamud Award, the Anisfield-Wolf Book Award, the Dylan Thomas Prize, the Australian Prime Minister’s Literary Award, and the Melbourne Prize for Literature.

About The Garret

Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram.

Explore our back catalogue (and transcripts) at thegarretpodcast.com.

Nam Le is one of Australia's foremost poets. His short story collection The Boat has been republished as a modern classic and is widely translated, anthologised, and taught. 36 Ways of Writing a Vietnamese Poem is his first poetry collection.
Nam has received major awards in America, Europe, and Australia, including the PEN/Malamud Award, the Anisfield-Wolf Book Award, the Dylan Thomas Prize, the Australian Prime Minister’s Literary Award, and the Melbourne Prize for Literature.
About The Garret
Follow <a href="https://www.instagram.com/garretpodcast/">The Garret: Writing and Publishing</a> and our host <a href="https://www.instagram.com/_astridedwards_/">Astrid Edwards</a> on Instagram.
Explore our back catalogue (and transcripts) at <a href="https://thegarretpodcast.com/nam-lee-on-36-ways-of-writing-a-vietnamese-poem">thegarretpodcast.com</a>.

Rick Morton on editing anthologies and switching to fiction

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