James Bradley is a writer and critic. He has returned to non-fiction with his latest work, Deep Water: The world in the ocean. His previous books include the novels Wrack, The Deep Field, The Resurrectionist, Clade and Ghost Species, a book of poetry, Paper Nautilus, and The Penguin Book of the Ocean. 

His essays and articles have appeared in The Monthly, The Guardian, Sydney Review of Books, Griffith Review and Meanjin. In 2012 he won the Pascall Prize for Australia’s Critic of the Year, and he has been shortlisted twice for the Bragg Prize for Science Writing and nominated for a Walkley Award. 

James has previously appeared on The Garret discussing his works of climate fiction.

About The Garret

Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram.

Explore our back catalogue (and transcripts) at thegarretpodcast.com.

James Bradley is a writer and critic. He has returned to non-fiction with his latest work, Deep Water: The world in the ocean. His previous books include the novels Wrack, The Deep Field, The Resurrectionist, Clade and Ghost Species, a book of poetry, Paper Nautilus, and The Penguin Book of the Ocean. 
His essays and articles have appeared in The Monthly, The Guardian, Sydney Review of Books, Griffith Review and Meanjin. In 2012 he won the Pascall Prize for Australia’s Critic of the Year, and he has been shortlisted twice for the Bragg Prize for Science Writing and nominated for a Walkley Award. 
James has previously appeared on The Garret <a href="https://thegarretpodcast.com/at-home-with-james-bradley/">discussing his works of climate fiction</a>.
About The Garret
Follow <a href="https://www.instagram.com/garretpodcast/">The Garret: Writing and Publishing</a> and our host <a href="https://www.instagram.com/_astridedwards_/">Astrid Edwards</a> on Instagram.
Explore our back catalogue (and transcripts) at <a href="https://thegarretpodcast.com/james-bradley-on-the-colonisation-of-the-oceans">thegarretpodcast.com</a>.

The Garret is a podcast for lovers of books and storytelling.

Always about Australian writers and their craft, in 2023 The Garret expanded focus and also interviews industry figures about what gets published (and why).

The Garret is educational in outlook. A defining feature of The Garret is our transcripts. Each interview is published with a complete transcript (so you don’t have to write anything down while you listen).

The Garret is a labour of love on behalf of all emerging writers. It does not operate for revenue or profit. If you would like to support The Garret, simply subscribe wherever you listen to your podcasts and join the conversation on Instagram or Twitter.

You can also follow our host Astrid Edwards at astridedwards.com.

The Garret is a podcast for lovers of books and storytelling.
Always about Australian writers and their craft, in 2023 The Garret expanded focus and also interviews industry figures about what gets published (and why).
The Garret is educational in outlook. A defining feature of The Garret is our transcripts. Each interview is published with a complete transcript (so you don’t have to write anything down while you listen).
The Garret is a labour of love on behalf of all emerging writers. It does not operate for revenue or profit. If you would like to support The Garret, simply subscribe wherever you listen to your podcasts and join the conversation on <a href="https://www.instagram.com/garretpodcast/">Instagram</a> or <a href="https://twitter.com/garretpodcast">Twitter</a>.
You can also follow our host Astrid Edwards at <a href="https://astridedwards.com/" data-wpel-link="external">astridedwards.com</a>.

🎧 Interviews with writers about craft and industry figures about what gets published and why.

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