Ceridwen Dovey and Eliza Bell collaborated to create a genre-defying work about motherhood.

Ceridwen is a writer based in Sydney. She’s the author of several acclaimed works of fiction (Blood Kin, Only the Animals, In the Garden of the Fugitives, Life After Truth, Once More With Feeling) and non-fiction (On J.M. Coetzee: Writers on Writers and Inner Worlds Outer Spaces: The Working Lives of Others). Her non-fiction essays have been published by newyorker.com, the Smithsonian Magazine, WIRED, Vogue, the Monthly and Alexander, among many others. She’s the recipient of an Australian Museum Eureka Award, and the 2020 and 2021 UNSW Press Bragg Prize for science writing.

Eliza is a teacher, writer and theatre actor, originally from America and now living permanently in Australia. Her theatre performances include: The Memory of Water, A Midsummer Night’s Dream, New Jerusalem, The Accident, Charles Mee’s Snow in June, Donnie Darko and Three Sisters. She trained at Studio Magenia Ecole de Mime in Paris and the Moscow Art Theatre, UC Berkeley and the ART Institute at Harvard University.

Ceridwen has appeared on The Garret twice before, and you can listen to her interview from 2018 here, and her interview from 2020 here.

About The Garret

Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram.

Explore our back catalogue (and transcripts) at thegarretpodcast.com.

Ceridwen Dovey and Eliza Bell collaborated to create a genre-defying work about motherhood.
Ceridwen is a writer based in Sydney. She’s the author of several acclaimed works of fiction (Blood Kin, Only the Animals, In the Garden of the Fugitives, Life After Truth, Once More With Feeling) and non-fiction (On J.M. Coetzee: Writers on Writers and Inner Worlds Outer Spaces: The Working Lives of Others). Her non-fiction essays have been published by newyorker.com, the Smithsonian Magazine, WIRED, Vogue, the Monthly and Alexander, among many others. She’s the recipient of an Australian Museum Eureka Award, and the 2020 and 2021 UNSW Press Bragg Prize for science writing.
Eliza is a teacher, writer and theatre actor, originally from America and now living permanently in Australia. Her theatre performances include: The Memory of Water, A Midsummer Night’s Dream, New Jerusalem, The Accident, Charles Mee’s Snow in June, Donnie Darko and Three Sisters. She trained at Studio Magenia Ecole de Mime in Paris and the Moscow Art Theatre, UC Berkeley and the ART Institute at Harvard University.
Ceridwen has appeared on The Garret twice before, and you can listen to her <a href="https://thegarretpodcast.com/ceridwen-dovey/">interview from 2018 here</a>, and her <a href="https://thegarretpodcast.com/at-home-with-ceridwen-dovey/">interview from 2020 here</a>.
About The Garret
Follow <a href="https://www.instagram.com/garretpodcast/">The Garret: Writing and Publishing</a> and our host <a href="https://www.instagram.com/_astridedwards_/">Astrid Edwards</a> on Instagram.
Explore our back catalogue (and transcripts) at <a href="https://thegarretpodcast.com/">thegarretpodcast.com</a>.

The Garret is a podcast for lovers of books and storytelling.

Always about Australian writers and their craft, in 2023 The Garret expanded focus and also interviews industry figures about what gets published (and why).

The Garret is educational in outlook. A defining feature of The Garret is our transcripts. Each interview is published with a complete transcript (so you don’t have to write anything down while you listen).

The Garret is a labour of love on behalf of all emerging writers. It does not operate for revenue or profit. If you would like to support The Garret, simply subscribe wherever you listen to your podcasts and join the conversation on Instagram or Twitter.

You can also follow our host Astrid Edwards at astridedwards.com.

The Garret is a podcast for lovers of books and storytelling.
Always about Australian writers and their craft, in 2023 The Garret expanded focus and also interviews industry figures about what gets published (and why).
The Garret is educational in outlook. A defining feature of The Garret is our transcripts. Each interview is published with a complete transcript (so you don’t have to write anything down while you listen).
The Garret is a labour of love on behalf of all emerging writers. It does not operate for revenue or profit. If you would like to support The Garret, simply subscribe wherever you listen to your podcasts and join the conversation on <a href="https://www.instagram.com/garretpodcast/">Instagram</a> or <a href="https://twitter.com/garretpodcast">Twitter</a>.
You can also follow our host Astrid Edwards at <a href="https://astridedwards.com/" data-wpel-link="external">astridedwards.com</a>.

🎧 Interviews with writers about craft and industry figures about what gets published and why.

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