Dr Anita Heiss is an award-winning author of non-fiction, historical fiction, commercial women’s fiction, children’s novels and blogs. She is a proud member of the Wiradjuri Nation of central New South Wales, an Ambassador for the Indigenous Literacy Foundation, the GO Foundation and Worawa Aboriginal College.

Her novel Barbed Wire and Cherry Blossoms, set in Cowra during World War II, was the 2020 University of Canberra Book of the Year. Bila Yarrudhanggalangdhuray is her second work of historical fiction, and it is the first commercial work published with only Aboriginal language on the cover in Australia.

Anita is a board member of University of Queensland Press and Circa Contemporary Circus, and is a Professor of Communications at the University of Queensland. As an artist in residence at La Boite Theatre in 2020, Anita began adapting her novel Tiddas for the stage. 

About The Garret

Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram.

Explore our back catalogue (and transcripts) at thegarretpodcast.com.

Dr Anita Heiss is an award-winning author of non-fiction, historical fiction, commercial women’s fiction, children’s novels and blogs. She is a proud member of the Wiradjuri Nation of central New South Wales, an Ambassador for the Indigenous Literacy Foundation, the GO Foundation and Worawa Aboriginal College.
Her novel Barbed Wire and Cherry Blossoms, set in Cowra during World War II, was the 2020 University of Canberra Book of the Year. Bila Yarrudhanggalangdhuray is her second work of historical fiction, and it is the first commercial work published with only Aboriginal language on the cover in Australia.
Anita is a board member of University of Queensland Press and Circa Contemporary Circus, and is a Professor of Communications at the University of Queensland. As an artist in residence at La Boite Theatre in 2020, Anita began adapting her novel Tiddas for the stage. 
About The Garret
Follow <a href="https://www.instagram.com/garretpodcast/">The Garret: Writing and Publishing</a> and our host <a href="https://www.instagram.com/_astridedwards_/">Astrid Edwards</a> on Instagram.
Explore our back catalogue (and transcripts) at <a href="https://thegarretpodcast.com/">thegarretpodcast.com</a>.

The Garret is a podcast for lovers of books and storytelling.

Always about Australian writers and their craft, in 2023 The Garret expanded focus and also interviews industry figures about what gets published (and why).

The Garret is educational in outlook. A defining feature of The Garret is our transcripts. Each interview is published with a complete transcript (so you don’t have to write anything down while you listen).

The Garret is a labour of love on behalf of all emerging writers. It does not operate for revenue or profit. If you would like to support The Garret, simply subscribe wherever you listen to your podcasts and join the conversation on Instagram or Twitter.

You can also follow our host Astrid Edwards at astridedwards.com.

The Garret is a podcast for lovers of books and storytelling.
Always about Australian writers and their craft, in 2023 The Garret expanded focus and also interviews industry figures about what gets published (and why).
The Garret is educational in outlook. A defining feature of The Garret is our transcripts. Each interview is published with a complete transcript (so you don’t have to write anything down while you listen).
The Garret is a labour of love on behalf of all emerging writers. It does not operate for revenue or profit. If you would like to support The Garret, simply subscribe wherever you listen to your podcasts and join the conversation on <a href="https://www.instagram.com/garretpodcast/">Instagram</a> or <a href="https://twitter.com/garretpodcast">Twitter</a>.
You can also follow our host Astrid Edwards at <a href="https://astridedwards.com/" data-wpel-link="external">astridedwards.com</a>.

🎧 Interviews with writers about craft and industry figures about what gets published and why.

Advertisement