The Feast Podcast - 2026-7-7

A radio show to satisfy your sonic cravings

Tuesdays from 3-5pm

1st Tuesday of the month with Xani

2nd Tuesday with Ben

3rd Tuesday with Celeste

4th Tuesday with Evrim

Artwork by Meg Kolac.

A radio show to satisfy your sonic cravings
Tuesdays from 3-5pm
1st Tuesday of the month with Xani
2nd Tuesday with Ben
3rd Tuesday with Celeste
4th Tuesday with Evrim
Artwork by <a href="https://www.megkolac.com/">Meg Kolac</a>.

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The Feast Podcast - 2026-7-7

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The Feast - June 16th 2026 - Celeste - All New Australian Releases
Featuring newly released tracks from Australian artists.

Playlist: 
In Your Mind by Ruel
Could I Be by Budjerah
Hold Me Tight by Birdland
feet don't slow me down by soulfulcraig and the collaborators
Happy by Kirrilee
Magpie by Close Friends
Angry by Geowulf
Walk With The Elders by Alyssa
The End of the World by Tom Brown
Lullaby of Home by Saint Ergo
We both know by ELAURA
All Night (feat. WARTABAR) by Skinny Dipp
Feeling Grown by Leah McFetrdige
Hold Please by Holly Throsby
Bones by Bear Teef
Ceilings by Wishlist
Trust Me by Izzy Day
Isn't It Funny by Mia Wray
Kingdom Within by Josh Pyke
Not Your God by Takara
Cloud To Cloud (feat. Tara Pasveer) by Paul Frazer Clarke
Space Cowboy by Daily J
DOUBLE SLAY by Horatio Luna
Gasoline by MUKI
Sunburnt by Lottie McLeod
Ours by Pirra



Featured track info and artist bios:


Happy by Kirrilee
I had a friend in music, and I’d always assumed we’d be doing music until we were 99 years old. One day, he came to me and told me he quit. He was done. Something that he’d loved for over a decade of his life - done. He just woke up one morning, and the passion was no longer enough.

After he told me this, admittedly, I went to the park and I sat down under a tree and cried a little. I was heartbroken for two reasons. Firstly, that maybe naïve vision I had of us both as old people doing music was dust. Secondly, my heart broke for him to watch him give up on something that had once been a dream. I wrote the chorus for Happy sitting under that tree.

So I wrote this song as a love letter to artists that have felt the heavy weight of self doubt, and to any artist that has ever given up on a dream. I wanted it to sound like the feeling of leaving someone or something you love behind. This is Happy.


Walk with the Elders by Alyssa
Emerging First Nations artist Alyssa has released her powerful new single *Walk With The Elders*, intentionally aligning the release with the anniversary of the 1967 Referendum and the opening of National Reconciliation Week 2026.

Developed through Boss Arts Creative’s Rise Up artist development program, *Walk With The Elders* reflects Alyssa’s cultural journey and connection to community. Blending English and Noongar language, the song explores resilience, pride and the importance of Elders as guides, teachers and protectors. Inspired in part by Alyssa’s response to the Voice Referendum result, the song encourages truth-telling, understanding and respectful conversation. 



We Both Know by ELAURA
Born in Australia with Chilean heritage, ELAURA grew up in the forested valleys of the Dandenong Ranges, Victoria, a backdrop that deeply influences her soulful sound. On her artist name, ELAURA says, ‘It’s a mix of my first and second name, Emily and Laura. These are my grandmother and great aunt’s names, I decided to blend them because my artistry feels like a homage to the women that came before me.’ Drawing this sentiment into all her creativity, her music is steeped in storytelling, often weaving in her second language, Spanish. 

ELAURA’s new EP Cry Until We Laugh is a place to grieve, be curious, unfiltered, messy, righteous, fun, spiritual, furious. . Each track unveils a new layer of this journey, moving through spoken word poetry, to RnB soaked grooves, melodies backed by a choir of harmonies, her storytelling interwoven in English and Spanish.



Hold Please from the album Of Normal Magic by Holly Throsby

Of Normal Magic, Holly says: “This record stemmed from a conversation about what is normal and what is magic. Art making, for example, is quite magical and quite normal at the same time, and the concept expanded as the songs were written to be a kind of a celebration of the magic of normal life – little moments of beauty and wonder which can be so sustaining. A sunbeam or a bird or a moment of synchrony.”



Isn’t It Funny by Mia Wray

“This song is about two best friends slowly outgrowing each other — how someone can go from feeling like family to becoming a complete stranger. Xavier Dunn and I wrote this song together, and I was drawing from personal experience around that kind of loss... that strange feeling when you run into someone you once did everything with and feel that painful throb in your chest because you miss them deeply, but also know that if you sat down together today, you’d barely recognise each other anymore. Sometimes love is still there, but the connection isn’t — and they no longer belong in your life the way they once did."

Cloud to Cloud (feat. Tara Pasveer) by Paul Frazer Clarke
The narrative follows the spirit of someone moving through life entirely unburdened by expectation — floating freely, answering only to themselves. Not quite a love song, though love gets a quiet mention. More an emotional state than a story. Warm, unanchored, and entirely at peace with that. Tara Pasveer is a distinctive creative force who occasionally writes in an invented language of her own — a brave and deeply individual approach that speaks to an artist working entirely on instinct.



Gasoline by MUKI
Track from debut EP, 'Trampoline.’  A deeply personal collection exploring the emotional highs, lows and in-between moments of identity, anxiety, heartbreak and growth. Building on his introspective blend of indie acoustic pop-rock, the EP is honest and vulnerable, showcasing MUKI's thoughtful songwriting and understated arrangements.

'Gasoline' settles into heartbreak and acceptance, unfolding through spacious arrangements, fingerpicked guitar and layered harmonies as MUKI reflects on the slow unravelling of a relationship and the difficult process of letting go.

The Feast - June 16th 2026 - Celeste - All New Australian Releases Featuring newly released tracks from Australian artists.
Playlist:&nbsp; In Your Mind by Ruel Could I Be by Budjerah Hold Me Tight by Birdland feet don't slow me down by soulfulcraig and the collaborators Happy by Kirrilee Magpie by Close Friends Angry by Geowulf Walk With The Elders by Alyssa The End of the World by Tom Brown Lullaby of Home by Saint Ergo We both know by ELAURA All Night (feat. WARTABAR) by Skinny Dipp Feeling Grown by Leah McFetrdige Hold Please by Holly Throsby Bones by Bear Teef Ceilings by Wishlist Trust Me by Izzy Day Isn't It Funny by Mia Wray Kingdom Within by Josh Pyke Not Your God by Takara Cloud To Cloud (feat. Tara Pasveer) by Paul Frazer Clarke Space Cowboy by Daily J DOUBLE SLAY by Horatio Luna Gasoline by MUKI Sunburnt by Lottie McLeod Ours by Pirra 
Featured track info and artist bios: 
Happy by Kirrilee I had a friend in music, and I&rsquo;d always assumed we&rsquo;d be doing music until we were 99 years old. One day, he came to me and told me he quit. He was done. Something that he&rsquo;d loved for over a decade of his life - done. He just woke up one morning, and the passion was no longer enough.
After he told me this, admittedly, I went to the park and I sat down under a tree and cried a little. I was heartbroken for two reasons. Firstly, that maybe na&iuml;ve vision I had of us both as old people doing music was dust. Secondly, my heart broke for him to watch him give up on something that had once been a dream. I wrote the chorus for Happy sitting under that tree.
So I wrote this song as a love letter to artists that have felt the heavy weight of self doubt, and to any artist that has ever given up on a dream. I wanted it to sound like the feeling of leaving someone or something you love behind. This is Happy.
 Walk with the Elders by Alyssa Emerging First Nations artist Alyssa has released her powerful new single *Walk With The Elders*, intentionally aligning the release with the anniversary of the 1967 Referendum and the opening of National Reconciliation Week 2026.
Developed through Boss Arts Creative&rsquo;s Rise Up artist development program, *Walk With The Elders* reflects Alyssa&rsquo;s cultural journey and connection to community. Blending English and Noongar language, the song explores resilience, pride and the importance of Elders as guides, teachers and protectors. Inspired in part by Alyssa&rsquo;s response to the Voice Referendum result, the song encourages truth-telling, understanding and respectful conversation.&nbsp; 
We Both Know by ELAURA Born in Australia with Chilean heritage, ELAURA grew up in the forested valleys of the Dandenong Ranges, Victoria, a backdrop that deeply influences her soulful sound. On her artist name, ELAURA says, &lsquo;It&rsquo;s a mix of my first and second name, Emily and Laura. These are my grandmother and great aunt&rsquo;s names, I decided to blend them because my artistry feels like a homage to the women that came before me.&rsquo; Drawing this sentiment into all her creativity, her music is steeped in storytelling, often weaving in her second language, Spanish. ELAURA&rsquo;s new EP Cry Until We Laugh is a place to grieve, be curious, unfiltered, messy, righteous, fun, spiritual, furious. . Each track unveils a new layer of this journey, moving through spoken word poetry, to RnB soaked grooves, melodies backed by a choir of harmonies, her storytelling interwoven in English and Spanish. 
Hold Please from the album Of Normal Magic by Holly Throsby
Of Normal Magic, Holly says: &ldquo;This record stemmed from a conversation about what is normal and what is magic. Art making, for example, is quite magical and quite normal at the same time, and the concept expanded as the songs were written to be a kind of a celebration of the magic of normal life &ndash; little moments of beauty and wonder which can be so sustaining. A sunbeam or a bird or a moment of synchrony.&rdquo; 
Isn&rsquo;t It Funny by Mia Wray
&ldquo;This song is about two best friends slowly outgrowing each other &mdash; how someone can go from feeling like family to becoming a complete stranger. Xavier Dunn and I wrote this song together, and I was drawing from personal experience around that kind of loss... that strange feeling when you run into someone you once did everything with and feel that painful throb in your chest because you miss them deeply, but also know that if you sat down together today, you&rsquo;d barely recognise each other anymore. Sometimes love is still there, but the connection isn&rsquo;t &mdash; and they no longer belong in your life the way they once did."
Cloud to Cloud (feat. Tara Pasveer) by Paul Frazer Clarke The narrative follows the spirit of someone moving through life entirely unburdened by expectation &mdash; floating freely, answering only to themselves. Not quite a love song, though love gets a quiet mention. More an emotional state than a story. Warm, unanchored, and entirely at peace with that. Tara Pasveer is a distinctive creative force who occasionally writes in an invented language of her own &mdash; a brave and deeply individual approach that speaks to an artist working entirely on instinct. 
Gasoline by MUKI Track from debut EP, 'Trampoline.&rsquo;&nbsp; A deeply personal collection exploring the emotional highs, lows and in-between moments of identity, anxiety, heartbreak and growth. Building on his introspective blend of indie acoustic pop-rock, the EP is honest and vulnerable, showcasing MUKI's thoughtful songwriting and understated arrangements.
'Gasoline' settles into heartbreak and acceptance, unfolding through spacious arrangements, fingerpicked guitar and layered harmonies as MUKI reflects on the slow unravelling of a relationship and the difficult process of letting go.

The Feast Podcast - 2026-7-7

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