Don and Tom's "Days of Blunder"... In this episode, we go into what went so right on Don and Tom’s critically panned and vastly under-rated  unofficial sequel to Top Gun, "Days of Thunder"... And we go into what went so terribly, terribly wrong on a production that went so wildly over-budget that Paramount chief Frank Mancuso, in a fitful rage, blew up Don’s 300 million dollar deal like one of his fiery race car crashes... A definitive case of life imitating art. 

<p>Don and Tom's "Days of Blunder"... In this episode, we go into what went so right on Don and Tom’s critically panned and vastly under-rated  unofficial sequel to Top Gun, "Days of Thunder"... And we go into what went so terribly, terribly wrong on a production that went so wildly over-budget that Paramount chief Frank Mancuso, in a fitful rage, blew up Don’s 300 million dollar deal like one of his fiery race car crashes... A definitive case of life imitating art. </p>

THE DON is a docu-drama on the life of the producer of TOP GUN, Don Simpson, which uses narration, clips, and fictional re-enactments via “lost tapes'' to take you behind the scenes into Hollywood’s decade of decadence, the 1980s. Before the era of MeToo, there was Don Simpson the poster boy of toxic masculinity, whose outlandish behavior was not only tolerated but encouraged by the film industry who profited greatly off Don’s movies. Don Simpson was, like the character he named after himself in his movie TOP GUN, a maverick. His signature style of filmmaking created one hit after another— AMERICAN GIGOLO, FLASHDANCE, BEVERLY HILLS COP, TOP GUN- they all came from the mind of Don Simpson. Don loved the movies so much that he created a mythological persona known as “The Don” to match his signature movies— loud, ballsy, cheesy— his movies were full of homo-erotic testoterone-driven race car drivers and navy fighter pilots and stripper/welders who wanted to be ballerinas— these were the movies from Don’s absurd fantasy world— this was the world that Don actually lived in— there was no separation between life and art. And that movie persona that he created— “The Don”— grew more and more outrageous and more extreme— until ultimately… it killed him.

The first season of the Based on True Events Anthology which dramatizes true stories in the tradition of Hollywood storytelling.

THE DON

<p>THE DON is a docu-drama on the life of the producer of TOP GUN, Don Simpson, which uses narration, clips, and fictional re-enactments via “lost tapes'' to take you behind the scenes into Hollywood’s decade of decadence, the 1980s. Before the era of MeToo, there was Don Simpson the poster boy of toxic masculinity, whose outlandish behavior was not only tolerated but encouraged by the film industry who profited greatly off Don’s movies. Don Simpson was, like the character he named after himself in his movie TOP GUN, a maverick. His signature style of filmmaking created one hit after another— AMERICAN GIGOLO, FLASHDANCE, BEVERLY HILLS COP, TOP GUN- they all came from the mind of Don Simpson. Don loved the movies so much that he created a mythological persona known as “The Don” to match his signature movies— loud, ballsy, cheesy— his movies were full of homo-erotic testoterone-driven race car drivers and navy fighter pilots and stripper/welders who wanted to be ballerinas— these were the movies from Don’s absurd fantasy world— this was the world that Don actually lived in— there was no separation between life and art. And that movie persona that he created— “The Don”— grew more and more outrageous and more extreme— until ultimately… it killed him.</p>

Top Gun on Wheels

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/f77a1d7a-44e6-41f0-9dfe-aedc01636bc0/transcript