Don and Tom's "Days of Blunder"... In this episode, we go into what went so right on Don and Tom’s critically panned and vastly under-rated  unofficial sequel to Top Gun, "Days of Thunder"... And we go into what went so terribly, terribly wrong on a production that went so wildly over-budget that Paramount chief Frank Mancuso, in a fitful rage, blew up Don’s 300 million dollar deal like one of his fiery race car crashes... A definitive case of life imitating art. 

Don and Tom's "Days of Blunder"... In this episode, we go into what went so right on Don and Tom’s critically panned and vastly under-rated  unofficial sequel to Top Gun, "Days of Thunder"... And we go into what went so terribly, terribly wrong on a production that went so wildly over-budget that Paramount chief Frank Mancuso, in a fitful rage, blew up Don’s 300 million dollar deal like one of his fiery race car crashes... A definitive case of life imitating art.

THE DON is a docu-drama on the life of the producer of TOP GUN, Don Simpson, which uses narration, clips, and fictional re-enactments via “lost tapes'' to take you behind the scenes into Hollywood’s decade of decadence, the 1980s. Before the era of MeToo, there was Don Simpson the poster boy of toxic masculinity, whose outlandish behavior was not only tolerated but encouraged by the film industry who profited greatly off Don’s movies. Don Simpson was, like the character he named after himself in his movie TOP GUN, a maverick. His signature style of filmmaking created one hit after another— AMERICAN GIGOLO, FLASHDANCE, BEVERLY HILLS COP, TOP GUN- they all came from the mind of Don Simpson. Don loved the movies so much that he created a mythological persona known as “The Don” to match his signature movies— loud, ballsy, cheesy— his movies were full of homo-erotic testoterone-driven race car drivers and navy fighter pilots and stripper/welders who wanted to be ballerinas— these were the movies from Don’s absurd fantasy world— this was the world that Don actually lived in— there was no separation between life and art. And that movie persona that he created— “The Don”— grew more and more outrageous and more extreme— until ultimately… it killed him.

The first season of the Based on True Events Anthology which dramatizes true stories in the tradition of Hollywood storytelling.

THE DON

THE DON is a docu-drama on the life of the producer of TOP GUN, Don Simpson, which uses narration, clips, and fictional re-enactments via “lost tapes'' to take you behind the scenes into Hollywood’s decade of decadence, the 1980s. Before the era of MeToo, there was Don Simpson the poster boy of toxic masculinity, whose outlandish behavior was not only tolerated but encouraged by the film industry who profited greatly off Don’s movies. Don Simpson was, like the character he named after himself in his movie TOP GUN, a maverick. His signature style of filmmaking created one hit after another— AMERICAN GIGOLO, FLASHDANCE, BEVERLY HILLS COP, TOP GUN- they all came from the mind of Don Simpson. Don loved the movies so much that he created a mythological persona known as “The Don” to match his signature movies— loud, ballsy, cheesy— his movies were full of homo-erotic testoterone-driven race car drivers and navy fighter pilots and stripper/welders who wanted to be ballerinas— these were the movies from Don’s absurd fantasy world— this was the world that Don actually lived in— there was no separation between life and art. And that movie persona that he created— “The Don”— grew more and more outrageous and more extreme— until ultimately… it killed him.

Top Gun on Wheels

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/f77a1d7a-44e6-41f0-9dfe-aedc01636bc0/transcript

The End. In this episode we chronicle Don's final days. His last gasp attempt at making a comeback with his film, "The Rock". His dependency on a team of doctors  that would bill him upwards of $50,000 a month while keeping him hooked on over a dozen uppers and downers. And we look for anyone who might have been able to save Don from himself. 

The End. In this episode we chronicle Don's final days. His last gasp attempt at making a comeback with his film, "The Rock". His dependency on a team of doctors  that would bill him upwards of $50,000 a month while keeping him hooked on over a dozen uppers and downers. And we look for anyone who might have been able to save Don from himself.

"Dying Like Elvis on the Toilet"

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/8158eafb-5589-4275-9a75-af5c016f8e63/transcript

In this episode, we go deep into Don's pill addiction and his time in seclusion with his personal doctor slash filmmaking partner. We look into how and why Don turned away from studio films to make an independent film called "Legend of Kodiak" and how the making of the film led to Don's doctor's tragic death.

In this episode, we go deep into Don's pill addiction and his time in seclusion with his personal doctor slash filmmaking partner. We look into how and why Don turned away from studio films to make an independent film called "Legend of Kodiak" and how the making of the film led to Don's doctor's tragic death.

"Death in the Pool House"

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/1107efc1-e9a4-4b84-a97f-af2e01847761/transcript

THE DON Season 2: Maverick, Top Gun, Don’s Greatest Hits, And The Addictions That Killed Him”  

In this episode, we learn just how close Sly Stallone came to starring in Beverly Hills Cop. We dive into Don's failure in trying to make Richard Pryor into a movie star. We look at his courtship of Eddie Murphy. And efforts to de-sexualize Eddie Murphy in order to make him a movie star. And why critics like Pauline Kael cried racial insensitivity after seeing the movie.  

THE DON Season 2: Maverick, Top Gun, Don&rsquo;s Greatest Hits, And The Addictions That Killed Him&rdquo; &nbsp;
In this episode, we learn just how close Sly Stallone came to starring in Beverly Hills Cop. We dive into Don's failure in trying to make Richard Pryor into a movie star. We look at his courtship of Eddie Murphy. And efforts to de-sexualize Eddie Murphy in order to make him a movie star. And why critics like Pauline Kael cried racial insensitivity after seeing the movie.&nbsp;&nbsp;

DON, SLY STALLONE AND EDDIE MURPHY

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/9e3abbc9-88e1-4400-873e-aeae01020677/transcript

Top Gun on Wheels

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THE DON

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