Episode One introduces Don Simpson, the producer behind such blockbuster hits as Flashdance, Beverly Hills Cop, and Top Gun. Don, like the Tom Cruise character in Top Gun- had a “need for speed.” Don lived a gonzo, high-octane life. By day he was a fast-talking Hollywood producer who knew how to sell a movie and get the greenlight. Many in the industry thought he was a creative genius— and that genius was validated with big box office successes. But all the success couldn’t keep him away from his demons. The show’s fictitious journalist Pierce Benton begins to investigate what might have caused Don’s tragic death. Pierce is the fawning, obsequious journalist Don might have wished he had while he was alive. Pierce is distraught to how Don died— with over $60,000 in pills in his bathroom. He concludes that someone else must have been complicit.

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Episode One introduces Don Simpson, the producer behind such blockbuster hits as Flashdance, Beverly Hills Cop, and Top Gun. Don, like the Tom Cruise character in Top Gun- had a “need for speed.” Don lived a gonzo, high-octane life. By day he was a fast-talking Hollywood producer who knew how to sell a movie and get the greenlight. Many in the industry thought he was a creative genius— and that genius was validated with big box office successes. But all the success couldn’t keep him away from his demons. The show’s fictitious journalist Pierce Benton begins to investigate what might have caused Don’s tragic death. Pierce is the fawning, obsequious journalist Don might have wished he had while he was alive. Pierce is distraught to how Don died— with over $60,000 in pills in his bathroom. He concludes that someone else must have been complicit. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

THE DON is a docu-drama on the life of the producer of TOP GUN, Don Simpson, which uses narration, clips, and fictional re-enactments via “lost tapes'' to take you behind the scenes into Hollywood’s decade of decadence, the 1980s. Before the era of MeToo, there was Don Simpson the poster boy of toxic masculinity, whose outlandish behavior was not only tolerated but encouraged by the film industry who profited greatly off Don’s movies. Don Simpson was, like the character he named after himself in his movie TOP GUN, a maverick. His signature style of filmmaking created one hit after another— AMERICAN GIGOLO, FLASHDANCE, BEVERLY HILLS COP, TOP GUN- they all came from the mind of Don Simpson. Don loved the movies so much that he created a mythological persona known as “The Don” to match his signature movies— loud, ballsy, cheesy— his movies were full of homo-erotic testoterone-driven race car drivers and navy fighter pilots and stripper/welders who wanted to be ballerinas— these were the movies from Don’s absurd fantasy world— this was the world that Don actually lived in— there was no separation between life and art. And that movie persona that he created— “The Don”— grew more and more outrageous and more extreme— until ultimately… it killed him.

The first season of the Based on True Events Anthology which dramatizes true stories in the tradition of Hollywood storytelling.

THE DON

THE DON is a docu-drama on the life of the producer of TOP GUN, Don Simpson, which uses narration, clips, and fictional re-enactments via “lost tapes'' to take you behind the scenes into Hollywood’s decade of decadence, the 1980s. Before the era of MeToo, there was Don Simpson the poster boy of toxic masculinity, whose outlandish behavior was not only tolerated but encouraged by the film industry who profited greatly off Don’s movies. Don Simpson was, like the character he named after himself in his movie TOP GUN, a maverick. His signature style of filmmaking created one hit after another— AMERICAN GIGOLO, FLASHDANCE, BEVERLY HILLS COP, TOP GUN- they all came from the mind of Don Simpson. Don loved the movies so much that he created a mythological persona known as “The Don” to match his signature movies— loud, ballsy, cheesy— his movies were full of homo-erotic testoterone-driven race car drivers and navy fighter pilots and stripper/welders who wanted to be ballerinas— these were the movies from Don’s absurd fantasy world— this was the world that Don actually lived in— there was no separation between life and art. And that movie persona that he created— “The Don”— grew more and more outrageous and more extreme— until ultimately… it killed him.

The LA coroner reports Don has left the most toxic corpse in the history of California autopsy

Don's Dead

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/b09e69d6-984f-4293-a859-ae3c000401fd/transcript