Andrew Osenga spent nine years chasing the right words for a song that refused to be finished. From his days with The Normals to his time in Caedmon’s Call, the chorus lingered—waiting for the right moment. That moment came through deep personal loss, shaping Hold the Light into a powerful reflection on grief, community, and persistence in songwriting. 

Andrew Osenga spent nine years chasing the right words for a song that refused to be finished. From his days with The Normals to his time in Caedmon&rsquo;s Call, the chorus lingered&mdash;waiting for the right moment. That moment came through deep personal loss, shaping&nbsp;Hold the Light into a powerful reflection on grief, community, and persistence in songwriting.&nbsp;

A podcast about the movement from painful experiences to meaningful music. Part of the Rabbit Room podcast network. (Rabbitroom.com)

A podcast about the movement from painful experiences to meaningful music. Part of the Rabbit Room podcast network. (<a href="https://www.rabbitroom.com">Rabbitroom.com</a>)

The Deepest Cut

Andrew Osenga: "Hold The Light" 

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/3f69def3-7649-4ad3-b9fa-b28f0030ff45/transcript

Mac Powell warned me ahead of time that he was fully prepared to cry.

It’s not uncommon for us to talk about emotional subjects here on the Deepest Cut. After all, our subject matter walks us through the formative process behind a song that the artist or band has labeled as the most painful or difficult song they’ve ever released. It’s par for the course.

But for Powell, the song he’s ready to discuss is quite the outlier for his catalog, whether as the longtime front man for the globally-known rock band Third Day or the last few years as a solo artist. That’s because Powell says he normally doesn’t turn to songwriting to be his therapy. For all of the songs in Powell’s incredible catalog—which includes 10 million albums sold, 4 Grammy Awards and over 30 No. 1 radio singles—and for all of the nights Powell was taking center stage, it’s amazing how he managed to stay out of the spotlight of his own handiwork.

“It’s a Shame”, however, was different and on this episode of the Deepest Cut, Powell says he’s prepared to discuss the song publicly for the first time. The song itself is an empathetic exercise for Powell to find perspective and healing within an alcoholic family system. As connective as the song can be, it’s surprising that Powell hasn’t tried to mine the terrain for more of what he might have to say from such tender spaces.

We appreciate Powell’s openness and honesty here, especially on a subject he so rarely explores. His candor and careful approach—one literally full of care—make this a conversation that’s likely to remain with the listener long after it’s over.

We hope you enjoy this episode with Mac Powell.

Mac Powell warned me ahead of time that he was fully prepared to cry.
It&rsquo;s not uncommon for us to talk about emotional subjects here on the Deepest Cut. After all, our subject matter walks us through the formative process behind a song that the artist or band has labeled as the most painful or difficult song they&rsquo;ve ever released. It&rsquo;s par for the course.
But for Powell, the song he&rsquo;s ready to discuss is quite the outlier for his catalog, whether as the longtime front man for the globally-known rock band Third Day or the last few years as a solo artist. That&rsquo;s because Powell says he normally doesn&rsquo;t turn to songwriting to be his therapy. For all of the songs in Powell&rsquo;s incredible catalog&mdash;which includes 10 million albums sold, 4 Grammy Awards and over 30 No. 1 radio singles&mdash;and for all of the nights Powell was taking center stage, it&rsquo;s amazing how he managed to stay out of the spotlight of his own handiwork.
&ldquo;It&rsquo;s a Shame&rdquo;, however, was different and on this episode of the Deepest Cut, Powell says he&rsquo;s prepared to discuss the song publicly for the first time. The song itself is an empathetic exercise for Powell to find perspective and healing within an alcoholic family system. As connective as the song can be, it&rsquo;s surprising that Powell hasn&rsquo;t tried to mine the terrain for more of what he might have to say from such tender spaces.
We appreciate Powell&rsquo;s openness and honesty here, especially on a subject he so rarely explores. His candor and careful approach&mdash;one literally full of care&mdash;make this a conversation that&rsquo;s likely to remain with the listener long after it&rsquo;s over.
We hope you enjoy this episode with Mac Powell.

Mac Powell: "It's a Shame"

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/e1b468fe-5149-4ad1-b102-b39c01140281/transcript

Kristian Stanfill has spent the last two decades helping shape the sound of modern worship through Passion Music—leading songs that have echoed through stadiums, college campuses, and churches around the world. But his latest offering, “Come to Jesus,” doesn’t come from a mountaintop. It comes from the valley.

Instead, Come to Jesus is an honest reflection from Krisitan on sobriety, disillusionment, and the kind of healing that only comes after hitting bottom. In this interview on the Deepest Cut, he shares how, after years of trying to numb failure and fear with alcohol, he came to a breaking point in 2020 that sparked a journey of recovery. What emerged was a simple but urgent message: Jesus is better. He’s the way forward. He’s the only way out.

Kristian speaks of “Come to Jesus” as both testimony and sermon, a song forged from his own transformation and the hunger he sees in a new generation of worshipers. Whether leading from a stage or writing with others, his sings it with all the fervor of a heavenly invitation.

Here’s our interview with Kristian Stanfill, a conversation about redemption, freedom, and the power of telling your story—one honest line at a time.

Kristian Stanfill has spent the last two decades helping shape the sound of modern worship through Passion Music&mdash;leading songs that have echoed through stadiums, college campuses, and churches around the world. But his latest offering, &ldquo;Come to Jesus,&rdquo; doesn&rsquo;t come from a mountaintop. It comes from the valley.
Instead, Come to Jesus is an honest reflection from Krisitan on sobriety, disillusionment, and the kind of healing that only comes after hitting bottom. In this interview on the Deepest Cut, he shares how, after years of trying to numb failure and fear with alcohol, he came to a breaking point in 2020 that sparked a journey of recovery. What emerged was a simple but urgent message: Jesus is better. He&rsquo;s the way forward. He&rsquo;s the only way out.
Kristian speaks of &ldquo;Come to Jesus&rdquo; as both testimony and sermon, a song forged from his own transformation and the hunger he sees in a new generation of worshipers. Whether leading from a stage or writing with others, his sings it with all the fervor of a heavenly invitation.
Here&rsquo;s our interview with Kristian Stanfill, a conversation about redemption, freedom, and the power of telling your story&mdash;one honest line at a time.

Kristian Stanfill: "Come to Jesus"

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/6ada581a-632a-4782-ad08-b39c0113d50e/transcript

Cindy Morgan knows the power of a moment.

A shadow stretching across a summer meadow. A yellow dress. A question from a daughter growing up too fast. These are the kinds of scenes that stay with her—images that slowly turn into songs over months, even years.

That patience and attention to detail have defined her decades-long career. As one of the most celebrated songwriters in Christian music, Cindy has earned two GRAMMY nominations, 14 Dove Awards, and 21 No. 1 hits. She’s written for artists across genres—Amy Grant, Vince Gill, India.Arie, Rascal Flatts—and built a catalog known for its emotional depth and lyrical honesty.

In this conversation, Cindy shares the long, personal journey behind “Bows and Arrows,” a song she spent nearly a decade writing for her daughter. We talk about writing from life, writing with care, and what it means to tell the truth as a mother and an artist.

Here’s Cindy Morgan.

Cindy Morgan knows the power of a moment.
A shadow stretching across a summer meadow. A yellow dress. A question from a daughter growing up too fast. These are the kinds of scenes that stay with her&mdash;images that slowly turn into songs over months, even years.
That patience and attention to detail have defined her decades-long career. As one of the most celebrated songwriters in Christian music, Cindy has earned two GRAMMY nominations, 14 Dove Awards, and 21 No. 1 hits. She&rsquo;s written for artists across genres&mdash;Amy Grant, Vince Gill, India.Arie, Rascal Flatts&mdash;and built a catalog known for its emotional depth and lyrical honesty.
In this conversation, Cindy shares the long, personal journey behind &ldquo;Bows and Arrows,&rdquo; a song she spent nearly a decade writing for her daughter. We talk about writing from life, writing with care, and what it means to tell the truth as a mother and an artist.
Here&rsquo;s Cindy Morgan.

Cindy Morgan: "Bows and Arrows"

https://api.omny.fm/orgs/d699cc26-51ff-4875-9bdb-aa4e006494dd/clips/4a9434ea-106a-446a-9ab1-b38300f7108b/transcript

Andrew Osenga: "Hold The Light"

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