It's been over 100 years since the first cartoons were drawn by hand. Since then, the form has delved into everything from sex and drugs to racial inequality and war crimes. Even the tamest, G-rated cartoons have often found ways of slipping in adult humor past the eyes of younger viewers.

Cartoons have been the vehicle for government propaganda, social change, and political satire. Some have been boycotted and even banned for their content while others have been deemed masterpieces and praised by critics for their bold message and style.

Today, cartoons continue to find ways of subverting the status quo in surprising (sometimes shocking) new ways. This hour, we speak with animators, animation experts, and historians about what makes cartoons so well suited for the exploration of, well, everything.

GUESTS:
Maureen Furniss - Program director of experimental animation at California Institute of the Arts, founding editor of Animation Journal, and the author of A New History of Animation
Paul Wells - Director of the Animation Academy at Loughborough University in England and the author of several books including Animation, Sport and Culture
Ralph Bakshi - Animator, writer, and director of animated and live-action films and TV shows including Fritz The Cat, Coonskin, and Heavy Traffic
Lisa Hanawalt - Producer and production designer of the Netflix animated series BoJack Horseman, which ended in January

Join the conversation on Facebook and Twitter.

Colin McEnroe, Jonathan McNicol, and Chion Wolf contributed to this show, which originally aired April 18, 2017.

It's been over 100 years since the first cartoons were drawn by hand. Since then, the form has delved into everything from sex and drugs to racial inequality and war crimes. Even the tamest, G-rated cartoons have often found ways of slipping in adult humor past the eyes of younger viewers.
Cartoons have been the vehicle for government propaganda, social change, and political satire. Some have been boycotted and even banned for their content while others have been deemed masterpieces and praised by critics for their bold message and style.
Today, cartoons continue to find ways of subverting the status quo in surprising (sometimes shocking) new ways. This hour, we speak with animators, animation experts, and historians about what makes cartoons so well suited for the exploration of, well, everything.
GUESTS:
<ul>
<li>Maureen Furniss&nbsp;- Program director of experimental animation at California Institute of the Arts, founding editor of&nbsp;Animation Journal, and the author of&nbsp;<a href="https://amazon.com/dp/0500292094">A New History of Animation</a></li>
<li>Paul Wells&nbsp;- Director of the Animation Academy at Loughborough University in England and the author of several books including&nbsp;<a href="https://palgrave.com/us/book/9781137027627">Animation, Sport and Culture</a></li>
<li><a href="https://www.ralphbakshi.com/">Ralph Bakshi</a>&nbsp;- Animator, writer, and director of animated and live-action films and TV shows including&nbsp;Fritz The Cat,&nbsp;Coonskin, and&nbsp;Heavy Traffic</li>
<li>Lisa Hanawalt&nbsp;- Producer and production designer of the Netflix animated series&nbsp;BoJack Horseman, which ended in January</li>
</ul>
Join the conversation on&nbsp;<a href="https://facebook.com/ColinMcShow">Facebook</a>&nbsp;and&nbsp;<a href="https://twitter.com/wnprcolin">Twitter</a>.
Colin McEnroe, Jonathan McNicol, and Chion Wolf contributed to this show, which originally aired April 18, 2017.

The Colin McEnroe Show is public radio’s most eclectic, eccentric weekday program. The best way to understand us is through the subjects we tackle: Neanderthals, tambourines, handshakes, the Iliad, snacks, ringtones, punk rock, Occam’s razor, Rasputin, houseflies, zippers. Are you sensing a pattern? If so, you should probably be in treatment. On Fridays, we try to stop thinking about what kind of ringtones Neanderthals would want to have and convene a panel called The Nose for an informal roundtable about the week in culture.

<a href="https://www.ctpublic.org/show/the-colin-mcenroe-show/about">The Colin McEnroe Show</a> is public radio’s most eclectic, eccentric weekday program. The best way to understand us is through the subjects we tackle: Neanderthals, tambourines, handshakes, the Iliad, snacks, ringtones, punk rock, Occam’s razor, Rasputin, houseflies, zippers. Are you sensing a pattern? If so, you should probably be in treatment. On Fridays, we try to stop thinking about what kind of ringtones Neanderthals would want to have and convene a panel called <a href="https://www.ctpublic.org/tags/the-nose">The Nose</a> for an informal roundtable about the week in culture.

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