If last episode cracked open the lid on South Australian politics, this one peers inside the engine. Steve Davis reunites with international relations analyst David Olney, and is joined by long-time Adelaide Show political commentator Robert Godden for a compact but chewy conversation about why our democratic system reliably produces a certain kind of politician, and what, if anything, citizens can actually do about it.

The SA Drink of the Week does not feature in this episode.

The Musical Pilgrimage closes the episode with something deeply personal: Steve’s original song, Goodnight Don, a Brechtian cabaret-styled tribute to Don Dunstan that names Steele Hall as an unlikely hero of South Australian progress; a fitting coda to an episode about leaders who felt compelled, rather than merely ambitious, to change the world.

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Running Sheet: The Adelaide Show Spin Detector

00:00:00 Intro

Introduction

00:00:00 SA Drink Of The Week

There is no SA Drink Of The Week this week.

00:02:00 David Olney and Steve Davis

David Olney’s opening thesis sets the frame: stop blaming the individual politician and look at the system that produced them. Political parties absorb people at eighteen. By their mid-thirties, the successful ones know the rules, know who to listen to, and know how to sell the message. Whatever they were before they entered that pipeline is largely beside the point. Party discipline does the rest.

Robert Godden comes at it from economics, or more precisely from the widespread misunderstanding of it. Almost every political party fails to grasp that incentivisation and punishment change behaviour, which is why the same voters who accept cigarette taxes as behaviour-modification tools will simultaneously insist that everything else they disapprove of should be dealt with outside the law. Godden’s observation that he would personally outlaw religion and instant coffee, while conceding not everyone shares his distress about either, is the episode’s warmest moment in a conversation that doesn’t have many warm ones.

The thread tying both arguments together is shame. For hundreds of years, Godden argues, the one reliable corrective available to citizens was the ability to shame politicians into doing the right thing. That rulebook got torn up in 2016. Steve says “because of Trump.” Godden confirms it. Two words and the subject is closed.

After Godden departs, the conversation turns to what collective action actually looks like when the system is this good at absorbing or deflecting pressure. Steve raises Possum Park as an example of the government’s capacity to flood the zone, announcing Gather Round to push the other issue off the front page. Olney draws on Ted Robert Gurr’s theory of relative deprivation: collective action only rebuilds when enough people believe both that things should be better and that they are in fact getting worse. We are only just entering that zone. The grassroots energy Steve is seeing is not wishful thinking; it is the early stage of the only mechanism that has ever produced real political change.

Barbara Pocock closes the argument. She is Olney’s model of the kind of leader collective action eventually produces: not someone who wanted to rule the world, but someone who looked at the state of things and felt she could no longer sit and do nothing. The contrast with the party-machine pathway, Malinauskas entering politics through the party room before he ever held a seat, Ashton Hurn as Marshall’s comms manager before pre-selection, is left to speak for itself.

The Spin Detector

Steve has built a tool, available on The Adelaide Show website, inspired by Ed Coper’s Angertainment and a good deal of additional thinking. You paste in a social media post and its comments. You choose whether you want a draft reply or simply an analysis of what rhetorical move is being played. The tool’s one job is to identify the mechanism, name it, and give you the option to respond or simply move on better informed.

The worked example is a meme circulating from a One Nation-adjacent account: Gina Rinehart above, Albanese below, the implicit message being that her money is hers to spend and his is yours to waste. Pasted into the Spin Detector, the tool surfaces what the meme papers over. Rinehart’s wealth comes from royalties on sovereign natural resources. As Olney notes immediately, that makes her money our money, and we have a system that allows her to keep taking it. The same voters this meme targets often also support taxing international gas companies on the same principle. The meme cannot survive both positions, but that inconvenience is the point of the meme.

Olney’s observation about pace is the practical underpinning: every second between seeing something and reacting is a second in which the emotional charge dissipates and clearer thinking becomes possible. The Spin Detector is a structured pause. Steve calls it a mini David in a bottle. Olney asks only that nobody shake it.

Steve is open about the fact that hosting logistics are still being worked out, and that if the tool proves useful, a conversation with Ed Coper about something larger may follow.

The following resources were mentioned during the episode.

Books

Angertainment by Ed Koper
The Spin Detector

00:31:38 Musical Pilgrimage

In the Musical Pilgrimage this week we listen to Goodnight Don by Steve Davis & The Virutalosos.

The closing conversation touches on what Don Dunstan would make of a Labor government in 2025, and on the historical context Steve uncovered while writing the song: that neoliberalism had not yet fully gripped the Labor party during Dunstan’s era, that shift arriving more in John Bannon’s time, and that Steele Hall, Dunstan’s political opponent, played a genuine role in making the reform era possible by supporting electoral changes that cost him politically but were simply the right thing to do.

Goodnight Don is Steve’s original composition, performed by Steve Davis and The Virtualosos, written for a cabaret performer to take on and bring to life. It gives Steele Hall his own verse, which feels right in the context of an episode about the rarity of politicians who act from obligation rather than calculation. Steve writes all lyrics by hand. The Virtualosos bring them to life.

PS The image for this episode was taken as part of the SA Electoral Commission's campaign to urge people to vote in the 2026 State Election.