This week on the ABR Podcast, Kate Fullagar reviews Uprising: War in the colony of New South Wales, 1838-1844, by Stephen Gapps. Fullagar writes that Uprising is a ‘crucial contribution to our rethinking of Australian military history’. Kate Fullagar is Professor of History at Australian Catholic University, a Fellow of the Australian Academy of Humanities, and Vice President of the Australian Historical Association. Her most recent book is Bennelong & Phillip: A History Unravelled. Listen to Kate Fullagar with ‘Method and message: Rethinking Australian military history’, published in the June issue of ABR.

This week on the ABR Podcast, Kate Fullagar reviews Uprising: War in the colony of New South Wales, 1838-1844, by Stephen Gapps. Fullagar writes that Uprising is a &lsquo;crucial contribution to our rethinking of Australian military history&rsquo;. Kate Fullagar is Professor of History at Australian Catholic University, a Fellow of the Australian Academy of Humanities, and Vice President of the Australian Historical Association. Her most recent book is Bennelong &amp; Phillip: A History Unravelled. Listen to Kate Fullagar with &lsquo;Method and message: Rethinking Australian military history&rsquo;, <a href="https://www.australianbookreview.com.au/abr-online/current-issue/1016-june-2025-no-476/14177-kate-fullagar-reviews-uprising-war-in-the-colony-of-new-south-wales-1838-1844-by-stephen-gapps">published in the June issue of ABR.</a>

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

For more information about ABR, visit our website, www.australianbookreview.com.au

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.
For more information about&nbsp;ABR, visit our website, <a href="http://www.australianbookreview.com.au">www.australianbookreview.com.au</a>

Welcome to The ABR Podcast, produced by Australian Book Review. Released every Thursday, The ABR Podcast features a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

The ABR Podcast

ABR is delighted to introduce its brand-new podcast, The ABR Podcast.

Released fortnightly every Wednesday, The ABR Podcast will feature a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on the iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

ABR&nbsp;is delighted to introduce its brand-new podcast,&nbsp;The ABR Podcast.
Released fortnightly every Wednesday,&nbsp;The ABR Podcast&nbsp;will feature a range of literary highlights, such as reviews, poetry, fiction, interviews, and commentary. Subscribe on the iTunes, Google, or Spotify Podcasts, or whichever app you use to listen to your favourite podcasts.

‘Method and message: Rethinking Australian military history’ by Kate Fullagar

This week, on The ABR Podcast, James Curran reviews Turbulence: Australian foreign policy in the Trump era by Clinton Fernandes. Curran describes Turbulence as ‘an attempt to chart the coordinates of President Trump’s approach to the world’ and to explain how Australia, in ‘scrambling to remain relevant to Washington’, has become what Fernandes describes as a “US sentinel state”.

James Curran is Professor of Modern History at Sydney University and foreign affairs columnist for the Australian Financial Review. His books include Australia's China Odyssey: From euphoria to fear (2022) and he recently delivered a prestigious Boyer lecture, titled ‘Trump’s Gift’. Here is James Curran with ‘Skewering AUKUS: A point-by-point account’, published in the December issue of ABR. 

This week, on The ABR Podcast, James Curran reviews Turbulence: Australian foreign policy in the Trump era by Clinton Fernandes. Curran describes Turbulence as &lsquo;an attempt to chart the coordinates of President Trump&rsquo;s approach to the world&rsquo; and to explain how Australia, in &lsquo;scrambling to remain relevant to Washington&rsquo;, has become what Fernandes describes as a &ldquo;US sentinel state&rdquo;.
James Curran is Professor of Modern History at Sydney University and foreign affairs columnist for the Australian Financial Review. His books include Australia's China Odyssey: From euphoria to fear (2022) and he recently delivered a prestigious Boyer lecture, titled &lsquo;Trump&rsquo;s Gift&rsquo;. Here is James Curran with &lsquo;Skewering AUKUS: A point-by-point account&rsquo;, <a href="https://www.australianbookreview.com.au/abr-online/current-issue/1026-december-2025-no-482/14688-james-curran-reviews-turbulence-australian-foreign-policy-in-the-trump-era-by-clinton-fernandes">published in the December issue of </a><a href="https://www.australianbookreview.com.au/abr-online/current-issue/1026-december-2025-no-482/14688-james-curran-reviews-turbulence-australian-foreign-policy-in-the-trump-era-by-clinton-fernandes">ABR</a>.

This week, on The ABR Podcast, James Curran reviews Turbulence: Australian foreign policy in the Trump era by Clinton Fernandes. Curran describes Turbulence as ‘an attempt to chart the coordinates of President Trump’s approach to the world’ and to explain how Australia, in ‘scrambling to remain relevant to Washington’, has become what Fernandes describes as a “US sentinel state”.  James Curran is Professor of Modern History at Sydney University and foreign affairs columnist for the Australian Financial Review. His books include Australia's China Odyssey: From euphoria to fear (2022) and he recently delivered a prestigious Boyer lecture, titled ‘Trump’s Gift’. Here is James Curran with ‘Skewering AUKUS: A point-by-point account’, published in the December issue of ABR.

‘Skewering AUKUS: A point-by-point account’ by James Curran

This week on The ABR Podcast, we feature a special essay by biographer Nadia Wheatley titled ‘Liars, inventors, embroiderers: Rewriting the life and myth of Charmian Clift’. ‘What does a biographer do’, Wheatley asks, ‘when she discovers she has something wrong?’ In Wheatley’s case, it was not something that just she had wrong, but something that her subject, Charmian Clift, also had very wrong about her mother, Amy Lila Currie. It was, in fact, a great big secret, the knowledge of which recasts the life of both Amy and Charmian, as Wheately explains.

Nadia Wheatley is the author of The Life and Myth of Charmian Clift, which won The Age Non-fiction Book of the Year in 2001 and the Australian History Prize at the New South Wales Premier’s History Awards in 2002. She is also the editor of Sneaky Little Revolutions: Selected essays of Charmian Clift (2022) and Clift’s previously unpublished autobiographical novel, The End of the Morning (2024). Here is Nadia Wheatley with ‘Liars, inventors, embroiderers: Rewriting the life and myth of Charmain Clift’, published in the December issue of ABR. 

This week on The ABR Podcast, we feature a special essay by biographer Nadia Wheatley titled &lsquo;Liars, inventors, embroiderers: Rewriting the life and myth of Charmian Clift&rsquo;. &lsquo;What does a biographer do&rsquo;, Wheatley asks, &lsquo;when she discovers she has something wrong?&rsquo; In Wheatley&rsquo;s case, it was not something that just she had wrong, but something that her subject, Charmian Clift, also had very wrong about her mother, Amy Lila Currie. It was, in fact, a great big secret, the knowledge of which recasts the life of both Amy and Charmian, as Wheately explains.
Nadia Wheatley is the author of The Life and Myth of Charmian Clift, which won The Age Non-fiction Book of the Year in 2001 and the Australian History Prize at the New South Wales Premier&rsquo;s History Awards in 2002. She is also the editor of Sneaky Little Revolutions: Selected essays of Charmian Clift (2022) and Clift&rsquo;s previously unpublished autobiographical novel, The End of the Morning (2024). Here is Nadia Wheatley with &lsquo;Liars, inventors, embroiderers: Rewriting the life and myth of Charmain Clift&rsquo;, <a href="https://www.australianbookreview.com.au/abr-online/current-issue/1026-december-2025-no-482/14714-liars-inventors-embroiderers-rewriting-the-life-and-myth-of-charmian-clift-by-nadia-wheatley">published in the December issue of ABR. </a>

This week on The ABR Podcast, we feature a special essay by biographer Nadia Wheatley titled ‘Liars, inventors, embroiderers: Rewriting the life and myth of Charmian Clift’. ‘What does a biographer do’, Wheatley asks, ‘when she discovers she has something wrong?’ In Wheatley’s case, it was not something that just she had wrong, but something that her subject, Charmian Clift, also had very wrong about her mother, Amy Lila Currie. It was, in fact, a great big secret, the knowledge of which recasts the life of both Amy and Charmian, as Wheately explains.  Nadia Wheatley is the author of The Life and Myth of Charmian Clift, which won The Age Non-fiction Book of the Year in 2001 and the Australian History Prize at the New South Wales Premier’s History Awards in 2002. She is also the editor of Sneaky Little Revolutions: Selected essays of Charmian Clift (2022) and Clift’s previously unpublished autobiographical novel, The End of the Morning (2024). Here is Nadia Wheatley with ‘Liars, inventors, embroiderers: Rewriting the life and myth of Charmain Clift’, published in the December issue of ABR.

‘Liars, inventors, embroiderers: Rewriting the life and myth of Charmian Clift’ by Nadia Wheatley

This week on the ABR Podcast, Grace Roodenrys reviews KONTRA by Eunice Andrada, observing that the collectiondraws on a poetics of cultural excavation. As Roodenrys explains, Andrada retrieves and rewrites the ways that women’s bodies have been framed, worshipped, and fetishised. She goes on to say that ‘KONTRA must work to resist a number of powerful aesthetic schemes – traditions of writing and imagining women in which they wind up silent, grateful, holy, or dead.’

Grace Roodenrys is a writer and critic from Sydney. Her work has appeared in Meanjin, Cordite, Rabbit, The Saturday Paper, and elsewhere. Here is Grace Roodenrys with ‘Understand me now: Poetry which cuts into the work’, published in the November issue of ABR.

This week on the ABR Podcast, Grace Roodenrys reviews KONTRA by Eunice Andrada, observing that the collection draws on a poetics of cultural excavation. As Roodenrys explains, Andrada retrieves and rewrites the ways that women&rsquo;s bodies have been framed, worshipped, and fetishised. She goes on to say that &lsquo;KONTRA must work to resist a number of powerful aesthetic schemes &ndash; traditions of writing and imagining women in which they wind up silent, grateful, holy, or dead.&rsquo;
Grace Roodenrys is a writer and critic from Sydney. Her work has appeared in Meanjin, Cordite, Rabbit, The Saturday Paper, and elsewhere. Here is Grace Roodenrys with &lsquo;Understand me now: Poetry which cuts into the work&rsquo;, <a href="https://www.australianbookreview.com.au/abr-online/current-issue/1025-november-2025-no-481/14662-grace-roodenrys-reviews-kontra-by-eunice-andrada">published in the November issue of ABR.</a>

This week on the ABR Podcast, Grace Roodenrys reviews KONTRA by Eunice Andrada, observing that the collection draws on a poetics of cultural excavation. As Roodenrys explains, Andrada retrieves and rewrites the ways that women’s bodies have been framed, worshipped, and fetishised. She goes on to say that ‘KONTRA must work to resist a number of powerful aesthetic schemes – traditions of writing and imagining women in which they wind up silent, grateful, holy, or dead.’  Grace Roodenrys is a writer and critic from Sydney. Her work has appeared in Meanjin, Cordite, Rabbit, The Saturday Paper, and elsewhere. Here is Grace Roodenrys with ‘Understand me now: Poetry which cuts into the work’, published in the November issue of ABR.

‘Method and message: Rethinking Australian military history’ by Kate Fullagar

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